April 24th, 2024

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Animation: Carlo Vinci Notes From Terry-Toons

Carlo Vinci at Terrytoons

Not long ago, archive assistant Amir Avni and I took a trip out to visit Carlo Vinci’s family at the home of his wife, Margaret. Mrs. Vinci graciously welcomed us into her home for a tour of her collection of artwork belonging to her late husband. Carlo’s animation desk, which he designed and built himself, still stands in his office just as he left it, with caricatures by co-workers hanging above it on the wall. Every room in the house has beautiful artwork filling the space. It was an awe inspiring experience to get a chance to see it all.

Carlo Vinci was a remarkable artist. He received classical art training at the National Academy of Design in 1930. He joined Paul Terry’s Terry-Toons soon after, and worked there for twenty years. He came West to join Joe Barbera at MGM, and ended up as the lead animator at H-B for twenty more years. But as I learned at my visit, those great achievements were only a small part of his story. In addition to cartooning, Vinci was an all-around fine artist, adept at oil painting, watercolor, illustration, stained glass and sculpture… in a variety of styles, from classical to baroque to art deco… with a wide range of subjects- still lifes, portraiture, landscapes and religious subjects. It was a mind blowing experience to discover the depth of talent behind a cartoonist we thought we already knew.

After we had viewed all the amazing artwork, Mrs. Vinci invited us to enjoy some home made Italian desserts with her family. Excited by everything we had seen, we had plenty of questions about Carlo and his wonderful career as an artist. We asked if she had met him before he started working for Terry-Toons or after, and she replied, "He was working for Mr. Terry when I met him. When we were courting, he lived in the Bronx, and I lived in Brooklyn. It was a long trip across town to meet for our date every Wednesday evening. Carlo would send me a little note with a cartoon every day in the mail when we couldn’t be together. I’ve saved them all these years, but I don’t suppose you would be interested in seeing them…"

Naturally, we were! Her son, Paul Vinci helped her to retrieve the hundreds of letters from a closet- all on Terry animation paper in envelopes with the distinctive Terry-Toons logo. Dating from 1938 to 1939, these charming little notes had a personal message, along with brilliant drawings depicting Terry characters. Paul commented that he himself hadn’t seen the letters since he was very small; and even then, his mother only shared one or two with him. They had been bundled away carefully for over fifty years. Mrs. Vinci has kindly allowed us to share these drawings with you…

Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons

All of us at Animation Resources appreciate the Vinci’s generosity. Since this article was originally posted, Mrs. Vinci has passed away. Amir and I will never forget her kindness and generosity.

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

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Posted by admin @ 12:24 pm

April 23rd, 2024

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Inbetweens: Jean Gabriel Domergue- Granddaddy of All Pinup Artists

Jean Gabriel Domergue

I love it when I discover a new artist!

The other day, my friend Tony “Superslice” Mora sent me a Facebook message asking me if I had ever heard of Jean-Gabriel Domergue. I hadn’t, but I did some Googling and quickly came up with a new name for my list of favorite “girl artists”. Here is the granddaddy of all pinup painters!

Jean Gabriel Domergue

The interesting thing about Domergue is that his girls aren’t the best thing about his art. They’re sometimes rather loosely constructed with long ostrich necks, and the eyes and mouth are the same formulas used over and over again… No, the best thing about Domergue is his color and brushstrokes. Notice the incredibly bold use of primary colors, some of which appear to be straight out of the tube. Usually, this results in flat, blown out color harmonies, but Domergue is able to adjust the colors around the primary to make it work. His brushstrokes are beautiful and spontaneous. They’re abstract at the same time as perfectly defining the texture and folds of the fabric. Wow!

Thanks to Tony Mora for turning us on to this great painter. Here’s a gallery of images to browse…

Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue
Jean Gabriel Domergue

Stephen Worth
Director
Animation Resources

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Posted by Stephen Worth @ 2:04 pm

April 22nd, 2024

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Filmography: I’m Forever Blowing Bubbles (Fleischer/1930)

Fleischer Bouncing BallFleischer Bouncing BallThis Saturday, the archive video guru, Eric Graf sat down to begin digitizing an amazing collection of Fleischer Bouncing Ball cartoons. These were among the most popular cartoons of their day; however, taken out of their original theatrical context, it isn’t quite the same experience viewing them today.

Each cartoon consisted of an animated introduction, followed by an invitation by the narrator to "Follow the bouncing ball…" A singalong section designed to get the whole audience singing was followed by an animated singalong where the characters interacted with the words of the song. If you’ve ever seen any of these films projected on the big screen, you know what fun it is to be singing along, and suddenly have the cartoon characters start cavorting with the words you’re singing.

Fleischer Screen Songs
Fleischer Screen Songs

This film is interesting, because it includes some early attempts at lipsync. The rabbit conductor speaks to the audience in stilted speech, obviously designed to be understood over the primitive theater sound systems of the time. But the stilted speech and the bizzarre drawings create a truly weird and wonderful effect. Drawings this strange don’t happen by accident! Still frame through this scene and check them out. Could it be that this scene might be some sort of animation equivalent of exquisite corpse? Marc Deckter has provided lots of great frame grabs of the crazy lipsync at his blog, Duck Walk.

An interesting side note is that the narrator who refers to the rabbit as “funny boy” is none other than pioneer recording artist, Billy Murray, disguising his natural tenor as a baritone. He narrates many of the Fleischer cartoons of this era, and provided the original voice for Bimbo.

Fleischer Screen Songs
Fleischer Screen Songs

We are fortunate to have over ten hours of Fleischer Screen Songs on Beta tapes. With your support, we have assembled a video digitization station where we can capture video. There’s literally hundreds of hours of cartoons waiting to be digitized… the entire Terrytoons syndication package donated by John Kricfalusi. The Warner Bros and MGM laserdisc box sets, the complete run of Format Films’ Alvin Show, and classic television commercials from the 1950s and 60s. As time and funding allow, we will be adding this material to our database.

Fleischer Screen Songs
Fleischer Screen Songs

I’m Forever Blowing Bubbles (1930)
(Quicktime 7 / 18 megs)

Stephen Worth
Director
Animation Resources

TheoryGrim Natwick

This posting is part of an online exhibit entitled Grim Natwick’s Scrapbook.

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Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


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FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by admin @ 10:51 am