September 28th, 2016

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Exhibit: CAPPs Off- Li’l Abner Without Apologies

Al Capp Li'l Abner

Al Capp Li'l Abner

Al Capp Li'l Abner

Some comic artists are appreciated because of their antiquated charm, the musty perfume they carry from another age. But Capp strikes us more and more as timeless, priceless and ageless. -Richard Marschall, NEMO Magazine, April 1986

Today, we’re happy to be able to introduce a series of posts on one of the greatest cartoonists ever to grace the funny papers with his presence… Al Capp. Mike Fontanelli has been a fan of Li’l Abner since he was very small. He’s grown up to be a fine cartoonist and an authority on Capp’s life and work. He’s digging into his personal collection of "Cappiana" to illustrate these posts. Thanks, Mike!

Al Capp Li'l AbnerAl Capp Li'l Abner

CAPPS OFF!

Li’l Abner Without Apologies

Al Capp was an individual of no small complexity, and his intricate personality could be off-putting to say the least- or even downright contradictory. Two books on the artist published recently, The Enigma Of Al Capp (by Alexander Theroux) and Capp’s autobiographic book, My Well-Balanced Life On A Wooden Leg tell polar opposite stories.

Al Capp Li'l Abner

Capp’s star seems to have fallen recently. Contemporary critics seem inclined to recall only his controversial later years, which were marked by divisive anger and a bitterness of the kind to which satirists seem particularly susceptible. Unfortunately, this oversimplification of Capp’s complicated persona has overshadowed his creation, invalidating his real legacy. The body of work Capp left behind tells another story, one that’s been neglected- or worse, suppressed- in recent years. Those who are aware of Capp’s true importance to the history of cartooning can’t help but feel a critical reassessment is long overdue.

Al Capp Li'l Abner

Revisiting the pages of Li’l Abner today, modern readers will be aghast at the still astonishing plotlines, highly original concepts, and vivid, hilariously ludicrous characterizations. As you’ll see in the examples we’ll be presenting over the next couple of months, Li’l Abner went where no other comic strip has ever dared to go before or since.

Al Capp Li'l Abner

By any modern standard, Li’l Abner must be reckoned an American masterpiece of cartoon satire. The best of Capp’s great body of work could arguably hold its own against any classic work of satire, from Candide to Gulliver’s Travels, from The Pirates Of Penzance to CATCH-22. While no less an authority than John Steinbeck once recommended Capp for the Nobel Prize in literature, (and he duly deserved a Pulitzer Prize before Gary Trudeau was even born) Capp’s rightful place as a modern American equal to Jonathan Swift has still to be recognized.

Al Capp Li'l Abner
Al Capp Li'l Abner

"With Li’l Abner," writes Richard Marschall, "Capp was calling society absurd, not just silly; human nature not simply misguided, but irredeemably and irreducibly corrupt. Unlike any other strip, and indeed unlike many other pieces of literature, Li’l Abner was more than a satire of the human condition. It was a commentary on human nature itself."

Al Capp Li'l Abner

While Al Capp presented himself to the world "warts and all", there’s been an effort of late to portray only the warts. We at Animation Resources are grateful for this opportunity to present the rest of the story.

To start out, here is one of the finest stories in the history of the strip, "Loverboynik, or Ketch A Critic By The Toe". It’s a timely spoof of two diametrically opposed pillars of mid-20th century manhood: Charles Atlas and Liberace. According to Capp, Liberace was “cut to the quick” when this story first appeared in 1956, and even threatened legal action.

Al Capp Li'l Abner

This superb example of Capp’s masterfully controlled plotting technique, breathlessly combines humor and suspense into a seamless whole. The tension doesn’t let up until the hilarious and characteristically bizarre resolution. It also showcases some of the most memorably harrowing aspects of the strip (gulp!) Sadie Hawkins Day, (gasp!) Nightmare Alice, and (shudder!) The Scraggs…

Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner

TO BE CONTINUED…

Mike Fontanelli, 2008

Let Mike know in the comments what you think of his article!

Stephen Worth
Director
Animation Resources

Al CappAl Capp

This posting is part of a series of articles comprising an online exhibit by Mike Fontanelli profiling the career of Al Capp.

Newspaper ComicsNewspaper Comics
This posting is part of the online Encyclopedia of Cartooning under the subject heading, Newspaper Comics.

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Posted by admin @ 2:10 pm

September 27th, 2016

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PODCAST: Warming Up Exercises For Beginning Artists

Warming Up Exercises for Beginning Artists

Many of you viewed our video podcast last week discussing Animation Resources’ plans for future podcasts. As an example of what we are working on, here is a basic drawing lesson by Taber Dunipace on warming up exercises. This video will only be available publicly until Friday. After that, it will be hosted on the Members Only page of our website. Members of Animation Resources will be able to download it and use it for their self study.

If you aren’t a member of Animation Resources yet, now is the time to join. Members get new e-book and video downloads every other month, as well as a 30 day archive of our video podcasts. Membership is $85 a year for a general membership, and $60 a year for full time students. All proceeds go to expand out offerings to the worldwide animation community. JOIN TODAY! https://animationresources.org/membership/levels/


DRAWING LESSON PODCAST: https://youtu.be/y3JJv6WW62w

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Posted by Stephen Worth @ 3:30 pm

September 26th, 2016

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Animation: Ferdinand the Bull (1938)

Ferdinand the Bull

I am catching up on my scanning duties here at Animation Resources, and today we digitized this 1938 storybook based on the Oscar winning Disney short subject, Ferdinand the Bull. This oversized book is very close to the look of the actual cartoon, and I wonder if perhaps Claude Coates might have been the one who painted it.

Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull
Ferdinand the Bull

Looks like some little fingers have gotten to that cover! Thanks to Archive Supporter, Jennifer Roth for sharing this with us.

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.
IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Posted by admin @ 1:09 pm