Archive for the ‘course’ Category

Thursday, November 13th, 2014

Education: W L Evans Cartooning Course

W L Evans Cartooning Course Brochure

In the teens and twenties, cartooning was a burgeoning field. Every newspaper and magazine employed a crew of artists to fill their pages with topical one panel cartoons and comic strips. Schools were not yet teaching the trade, so several artists took it upon themselves to create mail order cartooning courses.

Here a promotional brochure advertising the W. L. Evans Course in Caricature and Cartooning. Shaped like a miniature artist’s portfolio, and packed with great vintage cartoons and sales information, this brochure outlines why students should take up the noble art of cartooning.

THE W. L. EVANS COURSE (1913)
Promotional Brochure

W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure

A cartoonist is a power. His audience is the boundless public. He is talked about. His work is admired in society. He meets the most prominent people, and becomes personally acquainted with them. He is a critic of the world’s happenings.

And he receives a large salary for his work.

W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure
W L Evans Cartooning Course Brochure

W L Evans Cartooning Course

In 1913, Elzie Segar, aged 18 began a correspondence course headed up by the Cleveland Leader cartoonist, W. L. Evans. The course cost a dollar per lesson and it took Segar a year and a half to complete the 20 lessons. By 1917, he had landed a job penning the "Charlie Chaplin Comic Capers" and "Looping the Loop" strips. In the ad above, Segar is quoted as saying, "I’m getting along fine, and it’s all your fault."

W L Evans Cartooning CourseW L Evans Cartooning CourseDecades later, Segar made mention of his early education in his strip, Thimble Theater. In 1934, his character, Sappo took the W. L. Evans Cartooning Course and delighted readers with cartoon drawings made from letters of the alphabet. Segar wasn’t the only cartoonist who got his start with this course. Chester Gould of Dick Tracy fame was a graduate of the W. L. Evans course, as was Dennis the Menace creator, Hank Ketcham.

Here are the first two lessons that got these great cartoonists started on their career path. If there is interest, I will post more of this landmark course.

W L Evans Cartooning Course
W L Evans Cartooning CourseW L Evans Cartooning Course
W L Evans Cartooning CourseW L Evans Cartooning Course
W L Evans Cartooning CourseW L Evans Cartooning Course
W L Evans Cartooning CourseW L Evans Cartooning Course
W L Evans Cartooning CourseW L Evans Cartooning Course

THE PLATES
W L Evans Cartooning Course
W L Evans Cartooning Course
W L Evans Cartooning Course

THE W. L. EVANS COURSE (1916)
Lesson Two

W L Evans Cartooning Course Lesson Two
W L Evans Cartooning Course Lesson TwoW L Evans Cartooning Course Lesson Two
W L Evans Cartooning Course Lesson TwoW L Evans Cartooning Course Lesson Two
W L Evans Cartooning Course Lesson TwoW L Evans Cartooning Course Lesson Two
W L Evans Cartooning Course Lesson TwoW L Evans Cartooning Course Lesson Two
W L Evans Cartooning Course Lesson Two
W L Evans Cartooning Course Lesson Two

STUDENTS: Print this stuff out and USE IT!

Stephen Worth
Director
Animation Resources

INSTRUCTIONINSTRUCTION

This posting is part of an online series of articles dealing with Instruction.

Wednesday, October 16th, 2013

Exhibit: The Zim Course in Cartooning, Comic Art and Caricature

The Zim Cartooning and Caricature Correspondence Course

A few months ago, I stumbled across a "how to" book on cartooning by Eugene “Zim” Zimmerman. It was titled Zim’s Cartoons & Caricatures, Or Making The World Laugh. I happened to be speaking on the phone to Ralph Bakshi, and I mentioned the book. "Ooooohh! So you’ve discovered ZIM now! He’s one of my secrets…"

In 1967, right after he had resigned as the head of the Paramount cartoon studio, Ralph and his wife Liz were walking through Brooklyn when they saw a sign on an old house advertising an estate sale. They went inside, but it was late in the day and there wasn’t much left. Ralph glanced up at a tall bookcase and saw a pile of pamphlets stacked up on a high shelf. It was too high to reach, so he didn’t bother to look at them. As they were walking out the door, he got the feeling that he needed to go back and look at the pamphlets. It was a good hunch. The stack contained a nearly complete set of Zim’s correspondence course in cartooning. He asked the estate agent how much they cost, and was told $50. That was more than he and his wife had in their pockets, so Liz volunteered to run home and get the money. The Zim books were on his desk every day throughout the production of Fritz the Cat, Heavy Traffic and especially Coonskin. This set is Ralph’s most prized possession, and now he is sharing them with Animation Resources.

The Zim Book on Cartooning

Zim’s correspondence course was the most highly regarded cartooning course of its day. Spanning 20 volumes, it covered a wide range of subjects, from practical homespun advice to lofty philosophy. Here are some examples of Zim’s genius from the pages of the four volumes we completed digitizing today…

The Zim Cartooning and Caricature Correspondence Course

The course originally ran in 20 volumes. We have been able to find an earlier edition of the course to supplement and complete Ralph Bakshi’s set. There aren’t chapters or specific assignments. The books consist of page after page of individual nuggets of wisdom. Each book and each page stands on its own.

The Zim Cartooning and Caricature Correspondence Course
The Zim Cartooning and Caricature Correspondence Course

Zim’s course is much more than just a "how to draw" course. In short anecdotal paragraphs, Zim succeeds in conveying what it means to be a cartoonist… the history behind the artform… how to deal with everyday problems and setbacks… and how to live the life of an artist.

The Zim Cartooning and Caricature Correspondence Course

There’s plenty of drawing lessons too. Zim’s masterful expressive line fills every page with perfect examples of the principles he is discussing.

The Zim Cartooning and Caricature Correspondence Course

Zim was the founder of the "grotesque" school of caricature, which formed the basis of what we now call "cartoony drawing". He provides lots of examples of caricatures drawn from life, with photos of his subjects alongside his caricature of the person.

The Zim Cartooning and Caricature Correspondence Course

Zim’s technical skill was unmatched. Just look at the amazing precision and expressiveness of this drawing as he takes it from rough sketch to ink to watercolor.

The Zim Cartooning and Caricature Correspondence Course

The book is full of amusing contrasts. A tip on not thinning your ink too much leads into a speculation on what Rembrandt would be doing if he lived in modern times.

The Zim Cartooning and Caricature Correspondence Course

If you aren’t convinced yet that Zim is a drop dead genius, just click on this image!

The Zim Cartooning and Caricature Correspondence Course

The most impressive illustrations in the course are the examples of Zim’s rough sketches. He had an uncanny knack for being able to express every nuance of his subject with a free flowing and loose pencil technique.

The Zim Cartooning and Caricature Correspondence Course

He was capable of extreme exaggeration that captured the essence of the unique qualities of the personalities he chose to caricature.

The Zim Cartooning and Caricature Correspondence Course

But the most amazing thing about Zim’s artistry was his ability to draw the viewer into his world and make them feel the way the characters in the drawings feel. Look at these sketches of dogs… They make you feel like a flea bitten hound!

If you would like to see more from the Zim course, let me know in the comments.

Stephen Worth
Director
Animation Resources

Eugene Zim ZimmermanEugene Zim Zimmerman

This posting is part of a series of articles comprising an online exhibit devoted to Eugene “Zim” Zimmerman.

Monday, November 26th, 2012

Instruction: $100k Animation Drawing Course 01 – Construction / The Head

You can go to animation school, spend a $100,000 and not learn a damn thing about the basics of good animation drawing- OR you can buy a Preston Blair book for $8 and learn it all in a couple months. You pick.

If you learn the principles correctly, you will be able to draw in any style today. You’ll be miserable having to dumb down your abilities- but you will be in demand. –John Kricfalusi

INTRODUCTION

The internet offers animation students opportunities that have never existed before. The one I’m about to tell you about is the chance of a lifetime. How would you like to learn to draw for animation from one of the greatest cartoonists of the golden age, and one of the greatest current cartoonists? Here’s your chance…

Read this important note from John Kricfalusi before reading any further.

Preston BlairPreston BlairPreston Blair was one of the finest draftsmen to ever work in the animated film. He animated Mickey Mouse in "Sorcerer’s Apprentice", and he was one of the top animators at MGM, where he animated the legendary Red Hot Riding Hood. His book, titled simply "Animation" crystalized the basic principles of cartoon animation, and profoundly influenced a whole generation of young animators. He passed away in 1995.

John KJohn KJohn Kricfalusi revolutionized television animation- first with Ralph Bakshi on "Mighty Mouse: The New Adventures", and then on "The Ren & Stimpy Show. He went on to pioneer Flash animation with the first internet cartoon series, "The Goddamn George Liquor Program". John has done extensive research into the techniques and processes of the golden age cartoons, and he is sharing his knowledge on his blog, All Kinds Of Stuff.

Preston Blair BookPreston Blair BookTo participate in this informal blog-based drawing course, you will need to get a copy of Preston Blair’s Animation (Book 1). You can order it through the link above, or you should be able to find it at your local art store.

You will also need to print out the pages of the first edition of the book…

Preston Blair’s Advanced Animation 1st Edition

LESSON ONE

Read John Kricfalusi’s introduction to this lesson at…
Animation School Lesson 1: Construction- The Head

Then READ and FOLLOW THE INSTRUCTIONS Preston Blair gives you on these two pages…

Preston Blair
Preston Blair

Make an egg model and draw it from several angles using the techniques of construction.

Draw all of the various characters on these pages, paying close attention to the volumetric forms and proportions.

After you have drawn a character, compare it to Preston Blair’s drawing and note any differences on yours in red pencil.

Draw it again, trying to correct your mistakes from the first time.

When you are satisfied with your drawings, post them on a blog.

Don’t have a web page or blog? Get a FREE blog at www.blogger.com. Sign up for free Blogspot hosting and use the free image hosting services.

You can’t participate in the classes if John K can’t go to your blog to see your drawings.

PLEASE NOTE: The procedure for getting your blog listed on this page has changed. Due to the overwhelming response to this course, I don’t have time to add each student’s link by hand. Your assignment will be automatically linked at the bottom of this page if you…

  • Click on “links to this post” at the bottom of this posting.
  • Click on “create a link”.
  • Copy and paste the HTML code into your completed assignment for lesson number 9.
  • Publish your post.

Your page will automatically be added to the list of links. Do not delete or edit your posts or change the title after you have posted them. You will need them later to chart your progress.

FINAL NOTE

Preston Blair BookPreston Blair BookIf you just look at the drawings and read the text, you’ll end up with educated eyes and an educated mind… and ignorant hands. A lot of artists excuse their lack of skill by claiming that flat drawings and unappealing shapes are their “style”. Poor drawing skills don’t constitute a style.

Any artist who doesn’t draw as well as Preston Blair (and that encompasses an awful lot of people!) will benefit from sitting down and doing these exercises. The ASIFA-Hollywood Animation Archive Blog is making it easy for you, bringing all the material you need together. This is a unique opportunity. Don’t waste it.

As the gunfighters said in the old West… DRAW!

Read what Lines & Colors had to say about the course.

Stephen Worth
Director
Animation Resources

INSTRUCTIONINSTRUCTION

This posting is part of an online series of articles dealing with Instruction.