Archive for the ‘fantasy art’ Category

Tuesday, June 18th, 2013

Illustration: Three Early Tenggren Books

Gustaf Tenggren

TenggrenTenggrenToday, we digitized the illustrations from three more early books by Gustaf Tenggren. Tenggren was a key concept artist on Snow White and Pinocchio, and it’s clear that the Disney artists looked to his work for inspiration in establishing the Disney feature style.

As we scan more books, we are able to find interesting parallels. For instance, it’s interesting to compare Tenggren’s approach to Hawthorne’s “Tanglewood Tales” to Edmund Dulac’s highly stylized version.

Tenggren and Dulac

And a similar comparison between Tenggren’s approach to a battle scene and the way Kay Nielsen handled the same subject in East of the Sun, West of the Moon.

Tenggren and Nielsen

We can also compare Tenggren’s early “Juan And Juanita” to his treatment of an almost identical subject in a totally different style in the Golden Book, “The Little Trapper”.

Tenggren comparison

We can also see similarities to Tenggren’s contemporary book, “Small Fry And The Winged Horse”.

Tanglewood and Small Fry

As our database fills out, more and more interesting comparisons and relationships like this will become apparent. That’s one of the most exciting things about the collection of Animation Resources. The information has always existed, but gathering it all together in one place, and making it searchable will add a level of understanding that has never been possible before. Stay tuned. It will get even better!

Here then, are three more books by the great artist, Gustaf Tenggren…

Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren

Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren

Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren
Gustaf Tenggren

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

Monday, June 10th, 2013

Illustration: Gustaf Tenggren’s Grimm’s Fairy Tales

Tenggren

TenggrenTenggrenThis is a real treat… an extremely rare 1923 edition of Grimm’s Fairy Tales illustrated by Gustaf Tenggren.

When I first began my work sharing the stories of the great artists of the past with you, there was very little information on Tenggren online other than a few of his concept pieces for Disney film. I’m happy to have had a part in changing that. Tenggren is one of the most influential and creative illustrators of the 20th century. No other artist reinvented himself the way Tenggren did.

This book is one of the peaks of his early classical illustration career. It’s extremely rare, having never been published in the United States. I’m happy to be able to bring it to you.

Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
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Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren
Tenggren

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

Tuesday, June 4th, 2013

Illustration: Arthur Rackham’s Grimm’s Fairy Tales

Arthur Rackham

Arthur RackhamArthur RackhamArthur Rackham was one of the most influential illustrators who ever lived. If you aren’t familiar with his work, see Bud Plant’s biography. These scans are from a first edition of Grimm’s Fairy Tales from 1909. This book is packed with amazing color plates and ink sketches.

Along with Edmund Dulac, Rackham was one of the most popular book illustrators of the early 20th century.

Arthur RackhamArthur RackhamWalt Disney admired Rackham’s watercolor and pen & ink style, and instructed Gustaf Tenggren to work with Claude Coates and Sam Armstrong to adapt it for use in Snow White and the Seven Dwarfs. In animation backgrounds however, the sinewy Rackham line was overly busy, distracting from the characters; so Tenggren evolved towards the more dimensional painting style which reached its peak in Pinocchio, setting the standard for Disney cartoons throughout the 1940s.

Of Rackham’s style, Bud Plant writes, “Most obvious, in retrospective, is the calm and good humor of the drawings. They seem imbued with a gentle joy that must have been reassuring to both the children and their parents. Rackham had found his niche. His drawings would convey a non-threatening yet fearful thrill and a beauty that was in no way overtly sexy or lewd. It was a perfect Victorian solution and he seems to have taken to it with an impish delight.”

Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.