Archive for the ‘george clark’ Category

Wednesday, September 25th, 2013

Cartooning: Byrnes’ Complete Guide To Cartooning Part Three

Heinrich Kley

We continue our series of posts on Gene Byrnes’ Complete Guide To Cartooning with the section on the fundamental skill that at is the root of all pictorial art…

SKETCHING
Introduction by Gene Byrnes

Byrnes Complete Guide To Cartooning

WILLIAM VON RIEGEN

"William Von Riegen, with his studies of figure drawing, claims that this type of exercise gives him a looseness and freedom of line that he couldn’t get in any other way. Von Riegen is an outstandingly talented young man in the field- an especially fine artist." -Gene Byrnes

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

FINE ARTISTS

In this section, Byrnes does a fine job of clearly showing the link between fine art and cartooning.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

HEINRICH KLEY

"Heinrich Kley as a pen and ink artist is in a class by himself. I know of nobody who ever had the freedom of line with a pen that could compare with Kley’s. Each of his drawings is a little masterpiece." -Gene Byrnes

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

ROGER VERNAM

"Roger Vernam’s animals are good examples of on the spot sketching. In his book published by Harper, entitled Drawing People For Fun, he sketches people from all walks of life." -Gene Byrnes

Byrnes Complete Guide To Cartooning

GORDON GRANT

"Gordon Grant, the world renowned marine artist, whose work appears in dozens of art museums, works in oil, watercolor, and pen and ink. Whenever he has any spare time, he uses it to sketch. His sketches on the following pages were taken from his private sketchbooks and were done on a trip through Brittany. They were accomplished with a fountain pen and no preliminary pencil work." -Gene Byrnes

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

HOWARD BRODIE

"Howard Brodie’s portrait sketches were done in Germany when he was an artist correspondent with the United States Army. His drawings of the G,I. the battle scenes, and the action that he portrayed while he was in the Army have made him famous." -Gene Byrnes

Byrnes Complete Guide To Cartooning

FURTHER READING

Byrnes Complete Guide To CartooningByrnes Complete Guide To CartooningIn his blog, Temple of the Seven Camels, Mark Kennedy has been offering sage advice to beginning animators about the value of carrying a sketchbook with you wherever you go. Make sure to read the whole series…

Carrying A Sketchbook Part One, Part Two, Part Three and Part Four

Searle's Secret Sketchbook

…And don’t miss his posts on Ronald Searle’s Secret Sketchbook Part One and Part Two; and Ken Anderson’s Africa Sketchbook

Drawings By Heinrich KleyIf you don’t have The Drawings of Heinrich Kley in your library, get over to Amazon right away and order it. As Gene Byrnes says, no cartoonist should be without this book!

Many thanks to Marc Crisafulli and David King for sharing this great book with us.

Stephen Worth
Director
Animation Resources

Newspaper ComicsNewspaper Comics
This posting is part of the online Encyclopedia of Cartooning under the subject heading, Newspaper Comics.

Tuesday, September 24th, 2013

Cartooning: Byrnes’ Complete Guide To Cartooning Part Two

Willard Mullin

SINGLE PANEL COMICS, SPORTS CARTOONISTS, EDITORIAL CARTOONS AND COMIC BOOKS

We continue with the section on two column panel and sports cartoonists from Gene Byrnes’ Complete Guide To Cartooning (1950). Here are step by step descriptions of the creation of panel cartoons by George Clark and Lichty; as well as an article on Robert L. Ripley and features on sports cartoonists Pap, Howard Brodie and the great Willard Mullen. Following that is a gallery of Pulitzer Prize winning editorial cartoons, features on C. D. Batchelor and Bill Crawford, and a cursory look at how comic books were edited.

TWO COLUMN PANELS

Two column panel cartoons are a staple of newspaper comics today, even though the width of the standard column has shrunk. As the size decreased, artists were forced to reduce detail. Daily strips are so small now, it’s hard to do anything wider than a medium closeup in every panel. The two column panel cartoon has become the last bastion of cartoons with any kind of detail at all. Here, Gene Byrnes covers a few of the most popular single panel comics from the late 40s.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

GEORGE CLARK
The Neighbors

George ClarkGeorge ClarkGeorge Clark was born in Oklahoma. He began drawing at a very young age, and by 16 years old, his cartoons were appearing in the Daily Oklahoman. His first syndicated cartoon was "Side Glances", and in 1939, he created the one panel comic he is best known for, "The Neighbors". Clark’s gags were inspired by quiet observation of people in soda fountains and railroad stations. He would photograph situations, street scenes and expressions to incorporate into his drawings. The family in the comic was loosely based on his own wife and children.

He would create all of his comics for a week in one marathon session. He wrote, "It takes me at least six hours to warm up. I sit there trying to work and wondering what I’ve been doing all these years that it should still come so hard to me." When the ideas started flowing, he would work nonstop for up to 12 hours straight to complete the six cartoons for the week. He commented on the grueling process by saying, "When I’m trying to think of ideas for cartoons and they won’t come, I think it would be wonderful to paint landscapes, with no gags in them."

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

LICHTY
Grin & Bear It

Lichty

George Lichty was one of the most famous and highly paid one panel cartoonists in the newspapers. He created the cartoon, "Grin And Bear It" in 1932, and it ran every day for many decades. When asked to what he attributed the popularity of his wonderful lummoxes with names like "Bascomb Belchmore" and "Senator Snort", he replied, "From little acorns mighty oafs grow."

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

LARGE PANEL COMICS

When newspaper comics were at their zenith, whole pages were sometimes devoted to a single comic. Other comics would be half pages. Interspersed throughout the comics pages were quarter and third page single panels that depicted scenes and panoramas filled with gags. Today, each comic is so small, it’s lucky if it can put across a single gag. A lot of the richness and depth of view has been lost.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

ROBERT L. RIPLEY
Believe It Or Not

Robert RipleyRobert RipleyRobert Ripley was unique among cartoonists, because he truly lived his strip. Ripley travelled the world in search of the odd and unusual, which he featured in his daily newspaper comic. He passed away in 1949 at 56 years of age.

Byrnes Complete Guide To Cartooning

SPORTS CARTOONISTS
“PAP”

PapPapThomas "Pap" Paprocki was referred to as the "Rembrandt of the sports pages". Born in 1902, he began his artistic endeavors at age nine, when he took painting lessons from an artist near his home in New York. A gifted athelete, it was natural that he would gravitate to being a sports cartoonist. In 1932, he began working for the Associated Press, where his column and drawings ran for over three decades. Check out the meticulous planning he put into his work.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

HOWARD BRODIE

Howard BrodieHoward BrodieHoward Brodie worked as a sports cartoonist for the San Francisco Chronicle. During WWII, he became a combat correspondent, creating illustrations of GIs in action that made a huge impact on readers stateside. He was a decorated veteran, and also served as a combat artist in Korea and Viet Nam. In the 50s and 60s became a courtroom artist, famous for his ability to capture the drama and detail of the proceedings in his quick powerful sketches.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

WILLARD MULLIN

Willard Mullin
Willard Mullin has been featured in this blog before in reference to his work on the Famous Artists Cartooning Course. He grew up in Los Angeles, but like most newspaper cartoonists of his era, he moved to New York in 1934. He worked for the New York World Telegram for over thirty years, where he created the iconic caricature of the Brooklyn Dodgers, the "Brooklyn Bum". Mullin eventually became a respected illustrator for Time, Life, and The Saturday Evening Post. Although sports cartooning is pretty much a dead artform, Mullin’s work is timeless and will live on long after the game has ended.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

EDITORIAL CARTOONING
By C. D. Batchelor

C D BatchelorC D BatchelorClarence Daniel Batchelor started as a staff cartoonist at the Kansas City Star. He worked as a freelance illustrator for a time before joining the New York Daily News in 1931. He worked there for 38 years as an editorial cartoonist, He won the Pulitzer Prize in 1937 for the accompanying cartoon of a young man labelled "Any European Youth" being propositioned by a skull faced whore representing war, captioned… "Come on in, I’ll treat you right! I used to know your Daddy."

Byrnes Complete Guide To Cartooning

PULITZER PRIZE WINNERS

Mauldin
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

WILLIAM CRAWFORD

Bill Crawford
As I went to Google to research this blurb on editorial cartoonist Bill Crawford was a master of the medium. He was awarded the National Cartoonists Society awards for best editorial cartoon of 1956, 1957, 1958 and 1966; he was awarded the Silver T-Square Award in 1977; and he served as president of the organization in 1960. His cartoons first appeared in the Newark News, and later were syndicated to over 700 newspapers around the country.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

COMICS MAGAZINES
By Whitney Ellsworth

Byrnes Complete Guide To CartooningByrnes Complete Guide To CartooningWhitney Ellsworth started out as an assistant artist at King Features, working on strips like Dumb Dora and Tilly the Toiler. He was chief editor at DC Comics during the golden age of Superman, Batman, The Spectre, and The Green Arrow- but Superman was the series he was most closely involved in. Ellsworth wrote many of the story outlines for the comic books, and in the early 50s, he wrote the pilot episode of the Superman TV serial, Superman Meets The Mole Men. He retired in 1970.

Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning
Byrnes Complete Guide To Cartooning

It’s interesting to compare the editorial script to the finished artwork provided here. The only thing the artist used was the basic situations, a few details and the dialogue. The staging of the panels and the pacing of the action from panel to panel had to be completely reworked to function visually. It’s surprising that Byrnes gives this section on comic books such short shrift. Ellsworth focuses on the technical and editorial aspects of the comic book business, and barely mentions the artists who actually create them. Perhaps if Byrnes had gotten Joe Shuster, Bob Kane or Jack Kirby to write this section, it would have been a different story.

Many thanks to Marc Crisafulli and David King for sharing this great book with us.

Stephen Worth
Director
Animation Resources

Newspaper ComicsNewspaper Comics
This posting is part of the online Encyclopedia of Cartooning under the subject heading, Newspaper Comics.

Sunday, May 1st, 2011

Biography: George Clark

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: 1902
Death: 1978

Occupation/Title

Cartoonist

Bio Summary

Oklahoma-born George Clark started drawing at five, and at 16 began cartooning for Oklahoma City’s Daily Oklahoman and Times. He became a staff artist for the Cleveland Press before he was 21. Later, free-lancing in New York, he thought up and sold a cartoon panel called “Side Glances” to N.E.A. Service, Inc. In 1939 he quit for a better deal with the Chicago Tribune-New York News Syndicate. He is best remembered for his nationally syndicated one-panel comic called “The Neighbors.”

Early Life/Family

Clark married his childhood sweetheart, Elise, and the two raised two children, daughter Elise and son George. His family would be the inspiration for many of his illustrations.

Education/Training

Career Outline

Clark was 16 years old when he landed his first cartooning gig with the Daily Oklahoman. After working for The Cleveland Press, Clark freelanced in New York where he managed to sell a his cartoon, “Side Glances,” to N.E.A Services, Inc. He left this sydication in 1939, to work on what would become his trademark cartoon, “The Neighbors.”

Comments On Style

Clark specialized in the one panel gag comic. He was a master of the format and his loose and breezy linework became a hallmark of the genre. His sweet and folksy subject matter in which he is best known is inspired from his family and the people in his neighborhood.

Influences

A lot of his ideas came from Estelle Waldman, a housewife from Los Angeles. She offerd him comic ideas and scenarios, some of which have become his best work.

Personality

Clark was an extremely hard worker. According to Clark, it usually takes him about 6 hours to get warmed up. Once he’s warmed up he would draw a week’s worth of comics in one sitting, which took another 12 hours.

Anecdotes

George Clark on his agonizingly slow creation process: “It takes me at least six hours to warm up. I sit there trying to work and wondering what I’ve been doing all these years that it should still come so hard to me.”

Miscellaneous

“The Neighbors” was nationally syndicated from 1939 to 1971

Filmography

Honors

He received the National Cartoonist Society Newspaper Panel Cartoon Award in 1961.

Related Links

Bibliographic References

http://www.lambiek.net/artists/c/clark_george.htm
http://www.time.com/time/magazine/article/0,9171,936620,00.html?promoid=googlep

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