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	<title>Comments on: Story: The Greatest Cartoon Writer Of All Time</title>
	<atom:link href="http://animationresources.org/?feed=rss2&#038;p=736" rel="self" type="application/rss+xml" />
	<link>http://animationresources.org/?p=736</link>
	<description>Provides resorces for self-study for animation professionals, students, educators and researchers.</description>
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		<title>By: Liim Lsan</title>
		<link>http://animationresources.org/?p=736#comment-53486</link>
		<dc:creator>Liim Lsan</dc:creator>
		<pubDate>Fri, 02 Mar 2012 04:27:03 +0000</pubDate>
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		<description><![CDATA[This is eerily similar to how I work.

Not a single goddamn one? No Joe Rinaldi? No Bill Peet? No Don Dagradi? I thought the CalArts regurgitators would know THOSE at least...

To be honest, Warren Foster was made for Hanna-Barbera. He doesn&#039;t have Pierce&#039;s flowery writing and pacing, or Maltese&#039;s solidity and robust humor (which I personally prefer...any coincidence that he was involved in that period in about 1946 where Friz Freleng made his best cartoons?)
His forte is that he knows perfectly how to shuffle a cold, mechanical gag...and it&#039;s so awesome that you get warmth when you combine a cold production team with a cold writer. ^^

Milt Schaffer I also thought had decent taste. Without him, Bugs Hardaway would have dragged Lantz down into punny dreamland. (I mean worse than it already was.)
And...favorite Golden Age cartoon writer? I&#039;d go for Maltese. (My favorite of all time is Vance Gerry, but he&#039;s a few decades too late. It&#039;s depressing that he had to do his stuff during the nadir of Disney animation...)]]></description>
		<content:encoded><![CDATA[<p>This is eerily similar to how I work.</p>
<p>Not a single goddamn one? No Joe Rinaldi? No Bill Peet? No Don Dagradi? I thought the CalArts regurgitators would know THOSE at least&#8230;</p>
<p>To be honest, Warren Foster was made for Hanna-Barbera. He doesn&#8217;t have Pierce&#8217;s flowery writing and pacing, or Maltese&#8217;s solidity and robust humor (which I personally prefer&#8230;any coincidence that he was involved in that period in about 1946 where Friz Freleng made his best cartoons?)<br />
His forte is that he knows perfectly how to shuffle a cold, mechanical gag&#8230;and it&#8217;s so awesome that you get warmth when you combine a cold production team with a cold writer. ^^</p>
<p>Milt Schaffer I also thought had decent taste. Without him, Bugs Hardaway would have dragged Lantz down into punny dreamland. (I mean worse than it already was.)<br />
And&#8230;favorite Golden Age cartoon writer? I&#8217;d go for Maltese. (My favorite of all time is Vance Gerry, but he&#8217;s a few decades too late. It&#8217;s depressing that he had to do his stuff during the nadir of Disney animation&#8230;)</p>
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	<item>
		<title>By: Kyle Baker</title>
		<link>http://animationresources.org/?p=736#comment-29014</link>
		<dc:creator>Kyle Baker</dc:creator>
		<pubDate>Sun, 11 Dec 2011 01:02:09 +0000</pubDate>
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		<description><![CDATA[This is how I work!]]></description>
		<content:encoded><![CDATA[<p>This is how I work!</p>
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	<item>
		<title>By: Kitty M Love</title>
		<link>http://animationresources.org/?p=736#comment-26437</link>
		<dc:creator>Kitty M Love</dc:creator>
		<pubDate>Fri, 09 Dec 2011 02:09:22 +0000</pubDate>
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		<description><![CDATA[These are really terrific, Sherm. Thanks for posting them...;)]]></description>
		<content:encoded><![CDATA[<p>These are really terrific, Sherm. Thanks for posting them&#8230;;)</p>
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	<item>
		<title>By: Michael Polvani</title>
		<link>http://animationresources.org/?p=736#comment-26277</link>
		<dc:creator>Michael Polvani</dc:creator>
		<pubDate>Thu, 08 Dec 2011 20:06:14 +0000</pubDate>
		<guid isPermaLink="false">http://blog.animationarchive.org/?p=736#comment-26277</guid>
		<description><![CDATA[Fantastic Post Steve!!!]]></description>
		<content:encoded><![CDATA[<p>Fantastic Post Steve!!!</p>
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