AnimationResources.org – Serving the Online Animation Community

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Born: September 5, 1912
Died: September 8, 2004

Occupation/Title

Animator

Bio Summary

Thomas, born in Santa Monica, graduated from Stanford University, where he majored in art, drew cartoons for the school newspaper called Chaparral and other articles which were printed in the San Francisco Chronicle. At Disney, Thomas animated on such memorable characters as Thumper in Bambi, the wicked step mother in Cinderella, the Queen of Hearts in Alice in Wonderland, and Captain Hook in Peter Pan.

After retiring from Disney, both Thomas and Johnston began writing a book about animation titled “Disney Animation: The Illusion of Life” which took 5 years to finish and was published in 1981. It is considered “the bible” among character animators. Thomas was also part of Walt Disney’s “Nine Old Men,” which Disney jokingly dubbed Thomas and other top animators. The phrase derived from a description of the Supreme Court by President Franklin Roosevelt. Thomas also expressed his musical talents as the piano player in the popular jazz group, The Firehouse Five Plus Two formed in 1940s and consisted of mostly Disney animators. Thomas and Johnston were also the title subjects of a heartfelt 1995 feature-length documentary entitled “Frank and Ollie” written and directed by Frank’s son, Ted Thomas.

Early Life/Family

Thomas went to Fresno State College and became president of his sophmore class. At Fresno State, he wrote and directed a film spoofing college life for a school project. The film became a hit in local theaters which earned his school some money and sparked his ambition to get into the arts. He then went to Stanford where he met his best friend Ollie Johnston. After college Thomas and Johnston both came south to attend Chouinard’s Art Institute where they studied with illustrator Pruett Carter.

Education/Training

Career Outline

Comments On Style

Influences

Personality

Frank was always planning, keeping everything orderly, even in wild, crazy actions. At Disney, he was very ambitious and was a political player.

Anecdotes

Frank was an assistant animator or in-betweener on “Snow White and the Seven Dwarfs” and was given the job of animating the dwarfs in the scene where they grieve over Snow White’s death, the most crucial and emotional scene in the entire movie. He was never entirely satisfied with it, and the sequence ended up being trimmed.

Miscellaneous

Filmography

Mickey’s Circus (1936) (animator) (uncredited)
Mickey’s Elephant (1936) (animator) (uncredited) 
More Kittens (1936) (animator) 
Little Hiawatha (1937) (animator) (uncredited) 
Snow White and the Seven Dwarfs (1937) (animator: dwarfs) 
Brave Little Tailor (1938) (animator) (uncredited) 
The Practical Pig (1939) (animator) 
The Pointer (1939) (animator) 
Pinocchio (1940) (animation director) (as Franklin Thomas) 
Fantasia (1940) (animator) 
Dumbo (1941) (supervising animator) (uncredited) 
Bambi (1942) (supervising animator) (as Franklin Thomas) 
The Winged Scourge (1943) (animator) (uncredited) 
Education for Death (1943) (animator) (uncredited) The Making of the Nazi (USA: complete title) 
Victory Vehicles (1943) (animator) 
The Three Caballeros (1944) (animator: “The Flying Gauchito”) (as Franklin Thomas) 
Melody Time (1948) (animator: “Johnny Appleseed”) (uncredited) 
The Adventures of Ichabod and Mr. Toad (1949) (directing animator) 
Cinderella (1950) (animator) 
Alice in Wonderland (1951) (directing animator) 
Peter Pan (1953) (directing animator) 
Lady and the Tramp (1955) (directing animator) 
The Legend of Sleepy Hollow (1958) (animator) 
Sleeping Beauty (1959) (directing animator) 
Donald in Mathmagic Land (1959) (animator) (uncredited) 
101 Dalmatians (1961) (directing animator) 
The Sword in the Stone (1963) (directing animator) 
Mary Poppins (1964) (animator) 
The Jungle Book (1967) (directing animator) 
Winnie the Pooh and the Blustery Day (1968) (animator) 
The Aristocats (1970) (animator) 
Robin Hood (1973) (directing animator) (story sequences) 
Winnie the Pooh and Tigger Too! (1974) (supervising animator) 
The Madcap Adventures of Mr. Toad (1975) (animator) 
The Many Adventures of Winnie the Pooh (1977) (animator) 
The Rescuers (1977) (key animator) 
The Fox and the Hound (1981) (supervising animator) 

Actor – filmography 

I Give My Love (1934) (uncredited) …. Art Student
Man at Large (1941) (uncredited) …. Dr. G.G. Cataloni
Saludos Amigos (1942) (uncredited) …. Artist
The Iron Giant (1999) (voice) …. Train Engineer #2
The Incredibles (2004) (voice) …. Additional Voices

Writer – filmography

The Aristocats (1970) 
The Rescuers (1977) (script) 

Honors

Annie Award: Winsor McCay Award 1980

Related Links

FrankAndOllie.com

Bibliographic References

“Walt Disney’s Nine Old Men and the Art of Animation” by John Canemaker
BIO-AAA-541

Contributors To This Listing

Tom Kidd

To make additions or corrections to this listing, please click on COMMENTS below…

by

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: March 30, 1913 

by

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: March 22, 1909, in San Francisco, California, USA,
Death: April 19, 1987, in Mill Valley, California, USA

Occupation/Title

Animator, One of Walt Disney’s “Nine Old Men”

Bio Summary

Kahl left high school early to pursue work in as a magazine illustrator/cartoonist. He attended local art schools and studied under local artists while working for the Oakland Post Enquirer, and then the San Francisco Bulletin. After these jobs at the local magazine and newspaper companies he decided to start his own art business, which did not fair well due to the Great Depression. During these hard times he saw the Disney animated short, “Three Little Pigs” and was inspired to move into animation. He worked for nearly forty years for Disney Studios but when Walt Disney died in 1966 and the studio became engulfed in politics was when he started to lose his dedication to the company. In 1976 he gave notice to the CEO of Disney, Ron Miller, that he would be leaving for good. He returned home to Northern California to enjoy other interests, such as sculpting.

Early Life/Family

Education/Training

Left high school early to pursue his dream. Studied under local artists and at local schools. Once he became an assistant animator for Disney he refined the ideas of Bill Peet with the ideas of Ken Anderson and gained further experience.

Career Outline

After his work in the magazine and newspaper industry as an illustrator/cartoonist he started his own art business which didn’t do very well, but after watching an animated clip he pursued animation. In June 1934 Kahl applied to Disney Studios and was hired to work as an assistant animator. He contributed to numerous animated shorts such as “Lonesome Ghosts,” Mickey’s Circus,” and “The Ugly Duckling.” Continuing his work at the studio he rose in rank and worked on many different projects. These include “Melody Time,” The adventures of Ichabod and Mr. Toad,” “Cinderella,” “The Lady and the Tramp,” 101 Dalmations,” “The Jungle Book,” and “The Rescuers.” For further work and credits please look below at filmography.

Comments On Style

Very meticulous and focused. Floyd Norman states that Kahl would sit silently for hours without making a single drawing, but suddenly he would put out pages of finished work, and when they looked in his waste basket they would never find a single drawing. Some say he has never had a bad drawing. He was also humble in his talent. While Kahl was working on “The Sword in the Stone” the director of the film Woolie Reitherman, commented on his drawings of Merlin and Madam Medusa by saying, “These things look so beautiful, they could hang in a museum” but Kahl simple said, “aw…you’re full of it!”

Influences

Inspired by Ronald Searle and Picasso. When he saw “The Three Little Pigs” he was influenced heavily and was very interested in where animation would lead him.

Personality

Humble, yet demanding in all that he does. Motivated and true to his beliefs.

Anecdotes

• Woolie Reitherman: “These things look so beautiful, they could hang in a museum”
• Kahl: “Aw…You’re full of it!”

Miscellaneous

Filmography

1937 Snow White and the Seven Dwarfs, Animator
1940 Pinocchio ,Animator
1942 Bambi Animator
1945 The Three Caballeros, Animator
1946 Song of the South, Animator
1946 Make Mine Music, Animator
1948 So Dear to My Heart, Animator
1951 Alice in Wonderland, Animator
1953 Peter Pan, Animation Director
1955 Lady and the Tramp, Animator?1957 Disneyland: Disneyland, the Park, and Pecos Bill Animator
1961 101 Dalmatians Animator
1963 The Sword in the Stone, Animator
1964 Mary Poppins, Animator
1967 The Jungle Book, Animator
1970 The Aristocats, Director
1970 The Aristocats, Animator
1973 Robin Hood, Animator
1977 The Rescuers, Director
1977 The Many Adventures of Winnie the Pooh, Animator
1977 The Rescuers, Animator

Honors

Annie Award: Winsor McCay Award 1977

Related Links

http://en.wikipedia.org/wiki/Milt_Kahl?http://legends.disney.go.com/legends/detail?key=Milt+Kahl?