Archive for the ‘history’ Category

Tuesday, August 12th, 2014

Inbetweens: Robert Hughes’ “The Shock of the New”

image

Here is an episode of Robert Hughes landmark art miniseries, “The Shock of the New”; “Culture As Nature”.


https://www.youtube.com/watch?v=zgYDuA-fBLg

-Nicholas John Pozega

Monday, January 20th, 2014

Interview: Bob Givens- Grand Old Man Of Animation

Bob Givens

In November of 2008, Will Finn, Mike Fontanelli, JoJo Baptista, Michael Woodside and I were treated to nearly three hours of fabulous stories from Bob Givens relating to his half century in the animation business. I’ve included the whole interview as two Quicktime movies…

Bob Givens

You’ll notice that the kinds of stories that Bob relates here are quite different from what you might have read. When I first met Bob, I asked him if he had read any of the books written on the subject of animation history. He was blunt. “A lot of it is bologna. Those books are written by people who weren’t there… people who have never set foot in an animation studio.” This is a sentiment that I’ve heard expressed by a lot of the "old timers" I’ve had the privilege of being able to speak to. But Bob may be the last one left. We’re all lucky to have this opportunity to virtually sit at the feet of a "golden age" animator and hear about his experiences in his own words.

Bob Givens

Bob began his career as an Assistant Animator at Disney. His raw talent led him to be assigned to assist the Grim Natwick unit on Snow White. Please correct me in the comments if I’m wrong, but I believe that Bob is the last surviving member of the Snow White crew.

Private Snafu

During WWII, Bob was a part of the First Motion Picture Unit producing training films for the war effort.

Bob Givens

At Warner Bros, Bob designed the character models for the first true Bugs Bunny cartoon, "A Wild Hare", as well as providing background layouts and story sketches for countless Jones, Freleng, Avery and McKimson cartoons.

Linus the Lionhearted

Givens’ career continued to flourish throughout the television era. He worked on the first TV cartoon, Jay Ward’s Crusader Rabbit, as well as Clampett’s Beany & Cecil, Post Cereal’s Linus the Lionhearted and Hanna Barbera’s The Flintstones. Along with Bernie Gruver, Givens designed the classic "Raid Bug" spots for Cascade, and continued to work steadily into his 80s, retiring in 2001 after laying out Chuck Jones’ Timber Wolf.

Bob Givens

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Many thanks to Bob Givens for sharing his experiences with us, to Mike Fontanelli and Will Finn for taking time out of their busy schedules to speak with Bob, and to Michael Woodside and JoJo Baptista for producing this video.

Will Finn posts his impressions of the interview on his blog, Small Room.

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

Friday, November 22nd, 2013

Exhibit: Natwick on Iwerks

Ub Iwerks

Ub Iwerks Self Portrait

One of the principle goals of Animation Resources is to tell the history of animation, not by character or studio, but through the lives of the people who made the cartoons. No single animator’s life and career tell the history of animation better than Grim Natwick’s.

Grim started in the 20’s animating silent Krazy Kat cartoons at the Hearst Studio in New York. He ended up at Fleischer, where he created Betty Boop. He received an offer to move West to join Walt Disney, but friends advised him that Ub Iwerks, who had just left animationresources.org to form his own studio, was the real creative spark behind the Mickey Mouse pictures. So Grim joined Ub instead, and ended up running the studio. A few years later, Grim became excited with the prospect of a feature length cartoon, so he went to Disney, where he ended up animating the title character. He returned to the Fleischers in Florida for a spell, and ended up back in Hollywood working for Walter Lantz on the wartime Woody Woodpecker cartoons. At an age when most of his contemporaries were retiring, Grim jumped into the modern stylization of UPA with both feet, and was instrumental in setting up their New York offices. He worked with Culhane, Ward and Melendez; and in his 80s, animated on Richard Williams’ Theif and the Cobbler. Here is a life that spanned the entire history of animation.

Walt Disney and Ub Iwerks

Walt Disney & Ub Iwerks

I’m very proud to introduce the first bit of information into the biographical database… an interview done with Grim in the at Animafestival 1982 produced by Reg Hartt. Michael Gowling ran a tape of Grim’s comments. In the interview, he talks about his entire career… animating Snow White, experimenting with timing on commercials at UPA, and sharing insight on the various people he worked with over the years. One particularly interesting part of the interview deals with Ub Iwerks, and Grim answers a question that many animation historians have been puzzling over for years… in his own unique way.

NatwickOnIwerks.mp3

Thanks again to Reg Hartt and Craig Davison.

Stephen Worth
Director
Animation Resources

TheoryGrim Natwick

This posting is part of an online exhibit entitled Grim Natwick’s Scrapbook.
Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.