
Here is a fun batch of comic book covers from golden age funny animal comics. Let me know if you would like to see more. We have a lot of these in the Animation Resources collection…























Stephen Worth
Director
Animation Resources













Thursday, December 15th, 2022
Here is a fun batch of comic book covers from golden age funny animal comics. Let me know if you would like to see more. We have a lot of these in the Animation Resources collection…
Stephen Worth
Director
Animation Resources
Monday, December 12th, 2022
Every other month, Animation Resources shares a new Reference Pack with its members. They consist of e-books packed with high resolution scans video downloads of rare animated films set up for still frame study, as well as podcasts and documentaries— all designed to help you become a better artist. Make sure you download this Reference Pack before it’s updated. When it’s gone, it’s gone!
JOIN TODAY To Access Members Only Content
The latest Animation Resources Reference Pack has been uploaded to the server. Here’s a quick overview of what you’ll find when you log in to the members only page…
Willy Pogany’s Mother Goose
1928
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Willy Pogany is best known for his work on illustrated book adaptations of Richard Wagner’s operas, Lohengrin, Parsifal and Tannhauser, as well as a book of Coleridge’s The Rime of the Ancient Mariner. In 1929, Pogany designed a book of Mother Goose rhymes for children. Heavily influenced by Art Deco, this edition is unique in several ways. Pogany didn’t utilize standard text blocks. All of the rhymes are hand lettered and laid out on the page in imaginative ways that accent the rhythms and illustrations.
Two Early Van Beuren Cartoons
Summer Time 1929 / The Office Boy 1930
Van Beuren cartoons are among the most misunderstood animated shorts from the golden age of animation. Armchair animation historians tend to have a certain set of criteria they judge by— either the polish and production values of Disney, or the carefully constructed gags of Tex Avery at Warner Bros and MGM. If you judge like that, Van Beuren cartoons fall far short, but that doesn’t mean that there’s nothing to learn from these films. The secret to their success is the fun and freedom the artists had making them.
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Twelve Months
Ivan Petrovich Ivanov-Vano / Soyuzmultfilm, Russia / 1956
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This time Animation Resources shares another rare Russian animated feature, The Twelve Months. The quality of the animation in this film is every bit as good as what Disney was producing at the time. The animators at Soyuzmultfilm were masters at blending rotoscope footage and animation techniques to create realistic and nuanced acting and action. You won’t want to miss this one!
Snowy Roads
Boris Dyozhkin / Soyuzmultfilm, Russia / 1963
In previous Reference Packs, we’ve featured the work of Boris Dyozhkin, and this time we are sharing one of his most brilliant films, "Snowy Roads." This film is a masterpiece of musical timing. Notice how the movement perfectly mirrors the rhythms in the music. Dyozhkin really gets the most out of the simple character designs by focusing on strong line of action, clear silhouettes and big contrasts. It’s a very appealing style of animation that seems much more modern than its six decade age.
Two Czech Commercials
Johnnie Loves It Clean 1932 / The Unforgettable Poster 1937
Animation Resources’ digital archive recently received a batch of early Czechoslovakian animated films. Among them were these two animated commercials. We tend to think of commercials as being primarily from the television era, but in the 1930s, a great deal of advertising animation was produced for theaters. These two examples are interesting examples, and the illustrate how influential Disney and Fleischer cartoons were, even in Europe. I believe the two films we are sharing with you here are by Karel Dodal, who not only produced advertisements (some featuring Felix the Cat), but also puppet and experimental films.
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Professor Balthazar in "Lighthouse Keeping"
Zlatko Grgic / Zagreb Films, Croatia / 1967
In a previous Reference Pack we featured several Maxi-Cat mini-cartoons by Zlatko Grgic, a Croatian animator who later emigrated to Canada to join the Canadian Film Board. Grgic is best known for his series of cartoons featuring the character Professor Balthazar, an old man who solves problems for his friends by creating inventions with a magical machine. Produced between 1967 and 1973, the series ran all over the world. Its silent pantomime with voice over narration made it easy to translate to other countries It aired everywhere from New Zealand to Romania to Zimbabwe. In the United States it was featured on Chuck Jones’ television program, Curiosity Shop.
Golden Bat
Curated by JoJo Baptista
Ep.16 / Ep.39 (1967)
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The character of Golden Bat goes as far back as 1930, and is, by some, considered to be the first superhero. He was created by Suzuki Ichiro and Takeo Nagamatsu, who named the character after a popular cigarette brand of the time. The character first appeared in "paper theater", a form of entertainment similar to a Punch and Judy show, but in 1967, it made the transition to television animation. There isn’t a lot of filler in this series. It’s wall to wall action most of the time. Golden Bat’s maniacal laughter is infectious. This series delivers exactly what kids in the 1960s wanted… giant monsters, superheroes, robots, evil villains and tons of stuff exploding into bits. Enjoy!
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Decasia
Bill Morrison 2002
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In this RefPack, we introduce a new section, Sidetracks. Inspiration for animated films doesn’t just come from other animated films. A lot can be gained from exposing yourself to music, dance, live action cinema and fine art. Even architecture can be a useful area to study. This time we are sharing a film that uses the decay of film as its subject matter, Decasia by Bill Morrison. This film is a collage of bits of silent films that show the ravages of time on nitrate film stock. As such, it acts as a symbol of our own all too human mortality. In the past we’ve shared experimental films by Len Lye and Norman McLaren that were created by adding abstract shapes to the surface of a strip of film. These rotting fragments accomplish much the same thing naturally without human intervention.
More Morphs
Curated By David Eisman
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Animation Resources Board Member, David Eisman elaborates further on a subject he explored in a previous RefPack, morphs. Morphs are a broad and varied technique that houses multiple distinct subcategories. Nevertheless, it is necessary for the animator to understand each of these subcategories, if not be able to replicate the techniques in original work. Moreover, in order to successfully implement morphs, it is imperative to fully comprehend Line Efficiency and how the informal principle informs the difficulty and feasibility of the techniques in question.
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Annual Member Bonus Archive
Available to Student and General Members
ANIMATION RESOURCES ANNUAL MEMBERS: Reference Pack 017 is now being rerun and is now available for download. It includes a PDF e-book of rare sports cartoons by Willard Mullin, two Cinemascope cartoons in their original aspect ratio (and high definition!) and a half hour of rare paper puppet films by Lotte Reiniger. These downloads will be available until December and after that, they will be deleted from the server. So download them now!
Click to access the…
JOIN TODAY To Access Members Only Content
Whew! That is an amazing collection of treasures! At Animation Resources, our Advisory Board includes great artists and animators like Ralph Bakshi, Will Finn, J.J. Sedelmaier and Sherm Cohen. They’ve let us know the things that they use in their own self study so we can share them with you. That’s experience you just can’t find anywhere else. The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.
Haven’t Joined Yet?
Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!
CLICK TO DOWNLOAD A Sample RefPack!
Animation Resources is a 501(c)(3) non-profit arts organization dedicated to providing self study material to the worldwide animation community. If you are a creative person working in animation, cartooning or illustration, you owe it to yourself to be a member of Animation Resources.
JOIN TODAY To Access Members Only Content
Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!
It’s easy to join Animation Resources. Just click on this link and you can sign up right now online…
Animation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.
Friday, December 2nd, 2022
LAST CALL! RefPack048 will be replaced by RefPack049 soon. Download the current one while you can.
If you aren’t a member of Animation Resources yet, you can join today and download the current Reference Pack, and have a new one to download next week. JOIN Today! >https://animationresources.org/membership/levels/
Every other month, Animation Resources shares a new Reference Pack with its members. They consist of e-books packed with high resolution scans video downloads of rare animated films set up for still frame study, as well as podcasts and documentaries— all designed to help you become a better artist. Make sure you download this Reference Pack before it’s updated. When it’s gone, it’s gone!
JOIN TODAY To Access Members Only Content
The latest Animation Resources Reference Pack has been uploaded to the server. Here’s a quick overview of what you’ll find when you log in to the members only page…
Irv Spector’s Coogy
1951-1952
Irv Spector was an animation story and layout artist who also worked in newspaper comics and comic books. Spector’s newspaper comic, Coogy is little known today, largely because of its limited distribution. This is a shame, because Coogy is an excellent comic, with brilliant compositions and great character posing and acting.
Two Cinemascope Cartoons
Grand Canyonscope 1954 / No Hunting 1955
Film makers often take aspect ratios for granted, because most films are made with standard formats— the Academy aspect (similar to old school television) or 1.85 1 (the current standard for HD TV and movies). However there have been exceptions to these standards over the years, and each aspect has its own pluses and minuses. In this RefPack, we talk about two rare cartoons filmed in Cinemascope.
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Two Fischerkoesen Shorts
Hans Fischerkoesen: Weathered Melody 1943 / The Snowman 1944 (Germany)
Hans Fischerkoesen was often referred to as "the Walt Disney of Germany". During the Nazi years, Hitler and Goebels ordered him to produce films that were technically the equal of those of the Disney Studios. The orders were backed by ample funding, and Fischerkoesen went to work on three animated films that would introduce the German animation industry to the world. We are sharing two of them in this RefPack.
Cipollino: The Onion Boy
Boris Dyozhkin / Soyuzmultfilm, Russia / 1961
The story of Cipollino, the Onion Boy began as a fairy tale in an Italian children’s magazine, and became well known in Russia, leading to an animated featurette and an opera. In the 1930s, Boris Dyozhkin broke with other Soviet artists who rejected the Western style, studying Fleischer and Disney films frame by frame to break down the techniques being used. His study led him to an unique understanding of the synchronization of rhythm between music and motion, which made him one of the most sought after timing directors at Soyuzmultfilm.
Well, Just You Wait Ep.05
Vyacheslav Kotyonochkin / Soyuzmultfilm, Russia / 1972
We continue the Russian series Nu, Pogodi! (Well, Just You Wait!) with episode 05, “City Streets: Metro”. In a 2014 poll of audiences all over Russia, Well, Just You Wait! was voted the most popular cartoon series of all time by a landslide. Although the series resembles both Tom & Jerry and the Roadrunner and Coyote series, the director, Kotyonochkin claimed not to have ever seen any of these Hollywood cartoons until 1987 when his son got a video tape recorder and Western tapes began to be imported.
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Six Maxi Cat Mini Cartoons
Zlatko Grgic / Zagreb Films, Croatia / 1971
Next up is a series of mini-cartoons from Zagreb. The animator and director of these mini-cartoons was Zlatko Grgic, a Croatian animator who later emigrated to Canada to join the Canadian Film Board. The cartoons are based on a simple premise or prop, and play off a simple sequence of gags building to a topper gag. There is no attempt at telling a story or conveying complex personality— just fun. They form a great model for students wanting to learn to animate.
Cat And Mouse
Wladyslaw Nehrebecki / Bielsko Biala Studio, Poland / 1958
Now we shift from Croatia to Poland. Clearly influenced by the films of UPA, "Cat And Mouse" skillfully juggles three of the fundamental elements of artistic rendering— line, shape and form. There’s a lot of fourth dimensional gags where one dimensional lines move alongside two dimensional flat shapes of color in three dimensional ways. This combines to create the best kind of cartoon magic.
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Hajime Ningen Gyatorz
Curated by JoJo Baptista
Ep.36 / Ep.44 (1975)
Animation Resources Board Member JoJo Baptista curates another pair of half hour episodes from Japan with First Human Giatrus, an anime series from 1974, based on the manga by Shunji Sonoyama. The series follows the misadventures of a cave dwelling family set in the stone age. The animation studio behind the anime (Tokyo Movie) did their best to keep his style intact. There’s a note in the style guide to not draw the characters volumetrically, but rather in Sonoyama’s flat style. Lots of funny designs are to be found in this series, along with some simple but effective staging as well.
Two Billy Bevan Keystone Comedies
“She Sighs By The Seaside” 1921
“Lizzies Of The Field” 1924
Billy Bevan was a skilled pantomimist, and an integral part of the Mack Sennett troupe of silent comics. Even though Keystone introduced many comics that would go on to become famous, they generally didn’t reach their peak of fame at Keystone. This was due to Sennett’s focus on funny situations, rather than funny characters in his films. As you study these shorts, you’ll want to pay attention to the staging and timing rather than subtle acting or story construction. There are some brilliant action sequences here.
Resistance
Curated By David Eisman
David Eisman shares some breakdown clips with us this time on the subject of resistance. Resistance, like weight, is a crucial technique in the animator’s toolkit. Knowledge of the different categories will allow the animator to craft poses and sequences that best create the effect that the audience will recognize as the correct type of resistance.
JOIN TODAY To Access Members Only Content
Annual Member Bonus Archive
Available to Student and General Members
ANIMATION RESOURCES ANNUAL MEMBERS: Reference Pack 017 is now being rerun and is now available for download. It includes a PDF e-book of rare sports cartoons by Willard Mullin, two Cinemascope cartoons in their original aspect ratio (and high definition!) and a half hour of rare paper puppet films by Lotte Reiniger. These downloads will be available until December and after that, they will be deleted from the server. So download them now!
Click to access the…
JOIN TODAY To Access Members Only Content
Whew! That is an amazing collection of treasures! At Animation Resources, our Advisory Board includes great artists and animators like Ralph Bakshi, Will Finn, J.J. Sedelmaier and Sherm Cohen. They’ve let us know the things that they use in their own self study so we can share them with you. That’s experience you just can’t find anywhere else. The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.
Haven’t Joined Yet?
Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!
CLICK TO DOWNLOAD A Sample RefPack!
Animation Resources is a 501(c)(3) non-profit arts organization dedicated to providing self study material to the worldwide animation community. If you are a creative person working in animation, cartooning or illustration, you owe it to yourself to be a member of Animation Resources.
JOIN TODAY To Access Members Only Content
Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!
It’s easy to join Animation Resources. Just click on this link and you can sign up right now online…
Animation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.