December 17th, 2010

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Biography: Bill Hanna

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Birth/Death

Birth:14 July 1910
Death: March 22, 2001

Occupation/Title

Director, Animator, Producer, Composer, Screenwriter, Story Editor,

Bio Summary

In 1931, he began working as a story editor and assistant to Harman-Ising. Later in 1933 through 1937; he worked with Warner Brothers, as a director and story editor He later went on to work for MGM Studios in 1937 which he directed his first animated feature Blue Monday. In 1938; he teamed up with Joseph Barbera as joint directors Warner brothers. Primarily they made Tom and Jerry shorts which totaled up to over 100. From 1940 to 1955 Hanna worked as co-head, with Barbera Animation Department. until 1955-57 when he and Barbera co-founded Hanna-Barbera Productions, 3 years later (1960) they went on to produce the very first animated prime time show, The Flintstones, which aired from 1960-66. Hanna was the executive producer for Once Upon a Forest. in 1993 he directed the ABC specials I Yabba Dabba Do and Hollyrock-A-Bye Baby; executive producer, The Flintstones movie, 1994; director (his first solo directorial effort since 1941), Cartoon Network’s World Premiere Toons project of the original cartoon short Hard Luck Duck, 1995.
Early Life/Family
Hanna’s father was a construction worker. He moved the family from job to job before finally settling them in Los Angeles in 1919. soon after, William became Boy Scout. He joined the new organization quickly and remained an active participant in it through his entire life. It was here where he also started down the path of animation. when he was out working with his father one day, he learned that Warner Brothers was going to be starting an animation division. With strong natural talents and no formal training, he went looking for work. He landed himself a job and rose quickly through the studio. He was married to Violet Wogatzke, they had two children David and Bonnie.

Early Life/Family

Education/Training

William Hanna studied to become a structural engineer but had to drop out of college with the onset of the Depression. He Studied journalism and engineering

Career Outline

1931- Story editor and assistant to Harman-Ising.
1933 -1937 – Warner Brothers, as a director and story editor
1937 – MGM Studios
1940 -1955 co-head of Barbera Animation Department.
1955-Present – He co-founded Hanna-Barbera Productions,

Comments On Style

He and barbera created some of the most popular cartoons of their time some of which till show today. The impact they had was tremendous their cartoon were and still are enjoyed today.

Influences

Personality

Anecdotes

During a partnership that spanned over sixty years of film and television, Hanna and Barbera worked with over 2,000 animated characters.
Miscellaneous
Hanna and Barbera worked together for fifty years, they created of a 100 cartoons and TV specials. Tom & jerry won seven academy awards.

Miscellaneous

Filmography

1938 Blue Monday,
1945; Anchors Aweigh,
1946; Holiday in Mexico,
1949; Neptune’s Daughter,
1952; Dangerous When Wet,
1956; Invitation to Dance,
1957Ruff and Reddy
1958 Huckleberry Hound
1959 Quick Draw McGraw
1960 The Flintstones
1960 Snagglepuss
1961 The Yogi Bear Show
1961 Top Cat
1962 The Jetsons
1964 Jonny Quest
1964 Hey There, It’s Yogi Bear,
1966; A Man Called Flintstone,
1966 Alice in Wonderland
1967 Project X,
1967 Fantastic Four
1967 Jack and the Beanstalk
1969 Scooby Doo
1971 Pebbles and Bamm-Bamm
1972 The Flintstones Comedy Hour
1972 The Last of the Curlews
1973 Yogi’s Gang
1973 Superfriends
1973 Charlotte’s Web,
1974 The Runaways
1974 Cyrano
1977 The Gathering
1979 The Gathering, Part II
1978- The New Fantastic Four
1979 Caspar’s First Christmas
1979 The Popeye Valentine Special: Sweethearts at Sea
1981 The Smurfs (co-production with Sepp Int.)
1982 Pac-Man
1982 Heidi’s Song,
1982 My Smurfy Valentine
1982 Yogi Bear’s All-Star Comedy Christmas Caper 1985 Smurfily-Ever-After
1984 Going Bananas
1985 The Jetsons
1985 Funtastic World of Hanna Barbera
1986 Foofur
1986 The Flintstones’ 25th Anniversary Celebration 1989 Hagar the Horrible
1986 Pound Puppies
1986; Gobots: Battle of the Rock Lords,
1986 The Flintstone Kids
1986 Wildfire
1987 Snorks
1987 Sky Commanders
1987 Popeye and Son
1987 The Stone Fox
1990 Jetsons: The Movie,
1993 I Yabba-Dabba Do!
1993 Captain Planet
1994 The New Adventures of Captain Planet
1994 The Pagemaster,
1994. The Flintstones, (movie)

Honors

Seven Oscars,
Eight Emmy Awards Governor’s Award,
Television Arts and Sciences; Hollywood Walk of Fame Star, 1976;
Golden IKE Award,
Annie Award: Winsor McCay Award 1977
Pacific Pioneers in Broadcasting, 1983
Pioneer Award, BMI (Broadcast Music Inc.),
1987; Iris Award-NATPE Men of the Year, 1988
Licensing Industry Merchandisers’ Association Award for Lifetime Achievement, 1988
Academy of Television Arts and Sciences Governors Award, 198
Jackie Coogan Award for Outstanding Contribution to Youth through Entertainment Youth in Film,
1988; Frederic W. Ziv Award for Outstanding Achievement in Telecommunications, Broadcasting Division, College-Conservatory of Music, University of Cincinnati, 1989
Elected to Television Academy Hall of Fame, 1991

Related Links

Bibliographic References

http://www.museum.tv/archives/etv/H/htmlH/hannawillia/hannawillia.htm
http://www.digitalmediafx.com/Features/williamhanna.html

Contributors To This Listing

Aaron Harris

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Posted by Stephen Worth @ 1:17 am

December 16th, 2010

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Biography: Heinrich Kley

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Birth/Death

Occupation/Title

Bio Summary

Heinrich Kley was born in 15 of April of 1863, in Karlsruhe, in Germany having studied in the Academy of Karlsruhe with Ferdinand Keller and immediately afterwards with Frithjob Smith in Munique. Its initial works had been illustrations, paintings of landscapes, scenes of interiors, pictures and nature-deceased, Between 1888 and 1894 it sent its pictures for expositions in Munique.
After 1908 decide to dedicate itself exclusively to the drawing ink. Its drawings had been published in satirical magazines and are characterized by subjects of the antiquity as well as of the modern industrial life, always marked for grotescs and erotics aspects. Its workmanships had been published in Simplissimus and Junged and had gotten immediate success.
Its drawings possess one character satirical few times equaled, the acidity of the content, the mobility of the line, and the expressivity of the composition makes of its work one of most representative of the satirical drawing, and even so he is not valid to place it in a restricted position as cartunist or caricaturist, we can in fact consider it as such.
The expressives qualities of the graphism of Kley as well as its mood in send the James to them Ensor, and even so its workmanship is almost that exclusively dedicated to the graphical arts, also we can point out it as a great pictorial master whose original solutions are of the interest of all the ones that if interest for visual arts.
In Brazil we have J. Carlos, a true master of the line and that, little recognized in the exterior the category of one of the great graphical masters of century XX can be transported, and that as Kley also it possesss interesting graphical solutions for all.
Heinrich Kley after the decade of twenty if consecrated the advertising and produces incessantly until its disappearence in 1945 (probably), its drawings possesss graphical characteristics that had been lost practically nowadays, to a large extent due to the easy linearism searched by the graphical artists.

Early Life/Family

Education/Training

Career Outline

Comments On Style

Influences

Personality

Anecdotes

Miscellaneous

Filmography

Honors

Related Links

Bibliographic References

BIO-AAA-467

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Posted by Stephen Worth @ 6:57 pm

December 16th, 2010

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Biography: T. S. Sullivant

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Birth/Death

Birth: 1854, Columbus, Ohio ?Death: 1926

Occupation/Title

Caricaturist/Cartoonist/Illustrator

Bio Summary

Sullivant did not seriously pursue his art until the age of 33. His work appeared in periodicals such as Truth, Puck, Judge, Harper’s Weekly and Bazar, Texas Siftings and Time. He is known primarily for his work in Life.

Early Life/Family

His father was William Starling Sullivant, renowned bryologist. T.S. Sullivant left Columbus at age 18, and lived for several years in Europe. After this time, he lived in Philadelphia.

Education/Training

In 1887, Sullivant studied briefly at the Philadelphia Academy of Fine Arts. Sullivant apprenticed himself to E.B. Bensell “an illustrator of the old school, who drew on the wooden block” according to V. Robard author of “The Caricatures of T.S. Sullivant” from Godey’s Magazine
Vol. CXXXV, No. 807, Sept. 1897 (http://john-adcock.blogspot.com/2008/03/t-s-sullivant.html)
Career Outline

1896 – “Fables for the Times” in Life (published afterward as a book)?Worked for Puck during the 1890’s?Worked for Judge around 1900?Worked for William Randolph Hearst: 1904- 1907?Continued working for Life: 1911-1926

Comments On Style

Sullivant emphasized the features or traits he intended to ridicule through enlargement of such parts, which Robard described Sullivant accomplished though “a manner most modern and most individual.” Beyond Sullivant’s exaggeration of parts, Robard further described Sullivant’s style as having “great simplicity of line, an infrequency of cross-hatching, and a general openness of treatment. His lines are direct, strongly black…and rarely broken up…Sullivant always takes some unexpected view-point.”?According to director Stephen Worth, “He pioneered many of the elements of caricature and anthropomorphism that we now take for granted.”?(http://www.animationarchive.org/2007/03/biography-father-of-cartooning-t-s.html)?According to animator Andreas Deja, “Sullivant had a truly unique style of animal and human caricature, incorporating an element of surprise into every one of his drawings. To emphasize certain personality traits, he used the most amazing methods of distortion which makes it seem as if we’re looking at his creations through a fish eye lens. He also demonstrates a very keen understanding of lighting, with a rendering technique that gives his characters a quite believable presence. His style remains unique; he never lapses into formulas. He maintains a brilliant originality in all of his mature work.” ?(http://www.cartoonbrew.com/old-brew/ts-sullivant-and-andreas-deja)

Influences

Sullivant admired John Leech’s drawings since childhood.

Personality

Anecdotes

Miscellaneous

Filmography

Honors

Related Links


http://john-adcock.blogspot.com/2008/03/t-s-sullivant.html?

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Posted by Stephen Worth @ 6:47 pm