August 25th, 2021

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Dues Are Increasing At The End Of The Month

Animation Resources is growing. As we grow, we provide more and more valuable self-study material to our members, and our Membership Dues need grow to support the bandwidth and expenses required to provide those resources. We plan to raise the dues across the board at the end of the month. If you are currently a member, this doesn’t affect you. Your dues will always remain the same as long as you maintain your membership. That is our way of thanking the people who helped us grow. But if you aren’t a member yet and you’ve been considering joining, NOW IS THE TIME.

When you think about it, our membership dues are one of the biggest bargains in animation. Breaking down our annual General Membership rate of $85 into months, that is only about $7 a month… You probably spend more than that for lunch! But Animation Resources’ Reference Packs stay with you much longer that a burger and fries. We’re working to help you grow as an artist by sharing education and inspiration curated by professional animators. Isn’t your creativity worth nourishing too?

If you join today, your dues rate will remain the same for as long as you’re a member. If you wait until after our dues go up, you will pay more, not just this year, but every year from now on. It just doesn’t make sense to wait. General Membership is just $85 a year, and it’s $60 a year if you are a full time student or educator. If you would rather pay quarterly, the rate is currently $25 for three months. All of these will be increasing in a month or so, so don’t delay. Once you join, your dues will never increase. That is our promise to you for your continued support.

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Posted by Stephen Worth @ 3:34 pm

August 20th, 2021

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RefPack041: International Section

Reference Pack


REFPACK 041
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August-September 2021

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Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.

HD VIDEO:
Mowgli

Adventures of Mowgli – Ep 2: Kidnapping
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Roman Davydov / Soyuzmultfilm, Russia / 1967
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In this Reference Pack, we’re continuing Roman Davydov’s series of films based on Rudyard Kipling’s The Jungle Book. The story was broken into five short films, which were produced by Soyuzmultfilm between 1967 and 1971. In 1973, the five films were trimmed and merged into a single feature film, and in 1998 it was released in America in a dubbed version narrated by Charleton Heston. Over the next several Reference Packs, we will continue to share the five shorts with their original soundtracks. Although the dialogue is in Russian, if you are familiar with the books or the Disney version, you’ll have no trouble following along.

Davydov’s first film was produced independently of Disney’s Jungle Book and was released the very same year. They make an interesting subject for comparison and contrast. Disney’s version relies heavily on the personalties of the voice actors, rather than the characters in the story itself. It’s funnier, tending towards being goofy at times, and takes a relatively light-hearted pass at the story. Davydov’s version couldn’t be more different. It follows the book more closely, seriously addressing the themes of death, duty and the meaning of being a human being.

Mowgli

This time we are presenting the second episode, titled "Kidnapping". Here is Wikipedia’s synopsis of the action:

Rakshura’s cubs, including Mowgli are being taught to hunt by Baloo. The bear scolds Mowgli for running like a man. They arrive at a watering hole full of crocodiles. Baloo teaches Mowgli the call of the jungle, “We are of one blood, you and I.” Bagheera arrives and teaches Mowgli to climb trees and jump from one to another. A group of monkeys in the trees see Mowgli free an elephant from a trap laid by the villagers. They decide that even without a tail, he could be useful to the pack of monkeys. While Mowgli sleeps, the monkeys kidnap him and sweep him off to the ruins of an abandoned city in the jungle.

Mowgli

Baloo and Bagheera run after them, but realize that they need more help to rescue Mowgli from the gang of monkeys. They enlist the help of the python, Kaa. An eagle flying above them tells them that he saw Mowgli being carried away by the monkeys. Mowgli had asked him for help invoking the call of the jungle. The eagle tells them about the abandoned city, and the three set off to find it. Baloo and Bagheera arrive first, but they are quickly overwhelmed by the monkeys. Kaa arrives and the monkeys form a circle around him. Kaa performs a hypnotizing dance, and the monkeys are tempted to come closer and closer. Bagheera and Baloo are nearly caught in the trap as well, but Mowgli takes the opportunity to drag them away and go back home.

We will have part three for you in the next Reference Pack.

REFPACK041: Mowgli Ep02
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MP4 Video File / HD / 20:03 / 1.2 GB Download



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Well Just You Wait

Well, Just You Wait Ep.02
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Vyacheslav Kotyonochkin / Soyuzmultfilm, Russia / 1970

We continue the Russian Wolf and Rabbit cartoons with episode 02, "Fairground At Night".

The premise of Nu, Pogodi! (which translates into English as Well, Just You Wait!) was pitched by a writing team of satirical humorists to many directors at Soyuzmultfilm, but was rejected every time. Finally in 1969, Gennady Sokolsky agreed to direct a 2 1/2 minute pilot for the series in an omnibus film called "Happy Merry Go Round". The general consensus at the studio was that the cartoon was "low class" and beneath the dignity of Soyuzmultfilm, but director Vyacheslav Kotyonochkin strongly believed in the concept, so the studio decided to take a chance and allow him to direct a few episodes… and then a few more… and then more.

Well Just You Wait

Kotyonochkin was proven correct. The cartoons were a huge success. Between 1969 and 2006, Soyuzmultfilm ended up making 22 episodes, and in a 2014 poll of audiences all over Russia, Well, Just You Wait! was voted the most popular cartoon series of all time by a landslide. Although the series resembles both Tom & Jerry and the Roadrunner and Coyote series, the director, Kotyonochkin claimed not to have ever seen any of these Hollywood cartoons until 1987 when his son got a video tape recorder and Western tapes began to be imported.

Well Just You Wait

In these Russian cartoons, there’s almost no dialogue, and the action almost always occurs on screen. Static tableaux are rare, as are detailed backgrounds and "on model" drawings. These cartoons focus on expressive poses and movement, and save time and expense by avoiding the careful cleanup required for character model details and overlapping action. The theory here is, if it moves funny, it’s funny… and they are right about that.

Shamus Culhane once lamented that television animation consisted of mostly lip-sync animation. He would have preferred to do away with lip-sync entirely and just have simple drawings that really move. Well, Just You Wait proves that he was correct.

We will have more Wolf and Rabbit cartoons in upcoming Reference Packs.

REFPACK041: Well Just You Wait Ep. 02
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MP4 Video File / SD / 09:32 / 139 MB Download



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SD VIDEO:
Pies Kot I

Dog, Cat And… Ep 2
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Zofia Oraczewska / Studio Miniatur Filmowych, Poland / 1972

In this Reference Pack, we are sharing another short cartoon from a series produced by Studio Miniatur Filmowych, Pies, Kot I… which translates to Dog, Cat And… This is a different sort of take on the Tom & Jerry model, with the opponents outsmarting each other instead of just chasing each other out of hate or hunger. There is more to the relationship between the characters than just rivalry. The relationship of the characters makes it easy to see how it relates to slapstick comedy teams like Laurel & Hardy and Fatty Arbuckle and Buster Keaton. The dog and cat are not just generic animals, but individual personalities with a dynamic relationship that is much more engaging than most “cat and mouse” or “dog and cat” cartoons.

Pies Kot I

These cartoons are almost devoid of dialogue with the focus on loose, funny animation. In fact, the drawings are often hilarious on their own, even removed from their context within the gag sequence. The facial expressions are well observed, and the poses employ clear silhouettes that form funny graphic shapes.

Well, Just You Wait!, and Dog, Cat And… both are very efficient at what they do. They could easily serve as a model for internet animation. The internet encourages repeat viewing more than television does. When you watch a dialogue driven cartoon on TV, once you’ve heard the jokes, you don’t need to watch it again. However, a short cartoon that looks and moves funny is entertaining no matter how many times you watch it. And for the animator who is making the cartoon, it’s a lot more fun to animate simple funny characters than it is to animated a lot of tedious lip-sync.

Pies Kot I

Dog, Cat And… looks like it was a lot of fun to make. The film makers at Studio Miniatur Filmowych didn’t feel constrained by the ordinary lives of animals. Their characters can drive cars, build their own houses and go to exotic places. That freedom allowed the animators to keep their series fresh, and gave them the opportunity to experiment within a 10 minute format. Simple drawings, funny movement and no rules… these are the kinds of series that would work well as episodic internet cartoons.

We will have more episodes from this series in upcoming Reference Packs.

REFPACK041: Dog Cat And… Ep02
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MP4 Video File / SD / 09:12 / 124 MB Download


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Sample RefPack

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Posted by Stephen Worth @ 12:00 pm

August 18th, 2021

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Video Seminar: Background Layouts By Nestor Redondo

Podcasts

Animation Resources has embarked on a podcasting series with informal screenings, interviews and seminars. Check back to the Members Only page regularly for the latest episodes.
Nestor Redondo
Nestor Redondo


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Animation Resources is proud to present a two hour video seminar on background layout featuring the work of Nestor Redondo. The video contains hundreds of incredible drawings illustrating every conceivable environment from Amazon rain forests to urban cityscapes to cartoon towns to outer space. Redondo was a brilliant artist and his work will show you how a professional background layout artist thinks.

Nestor Redondo
Nestor Redondo

Nestor Redondo

BIOGRAPHY

Nestor Redondo was born in Canton, Ilocos Sur, Philippines on May 4, 1928. He began drawing at an early age influenced vt European old masters such as Michelangelo, DaVinci and Rembrandt, as well as American illustrators Dean Cornwell, Virgil Finlay, J. C. Leyendecker and Norman Rockwell. He was an admirer of the graphic story work of Caniff, Foster, Raymond, Fine and Kirby.

Nestor Redondo
Nestor Redondo

Nestor and his brother Virgillo were encouraged to pursue an artistic career by their father, who attended Ohio State University with Milton Caniff. He would proudly show Caniff’s strips to his two sons. Nestor drew day and night as a youngster. At night, the only illumination was a flickering candle. When his mother would call a halt by taking the candle away, Nestor would continue to draw by the light of the moon.

Nestor Redondo
Nestor Redondo

After high school, Redondo studied architecture. His elder brother Virgillo, already an artist and writer for comics, encouraged him to take up that trade. Virgillo was the writer and Nestor the artist on many of the Philippine comics industry’s all-time classics. Several of these efforts were made into movies by the Philippine movie industry. Nestor was also active creating posters and ads for these and other Phillipine movies.


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Nestor Redondo
Nestor Redondo

Nestor Redondo’s comics were among the most popular in the Philippines from their first appearance in the late Forties. Among the major characters he created was “Ga Ga Mba” (“The Spider”) who was a superhero with the trappings of a spider, which preceded (and differed somewhat) from the U.S. version. Another was “Palos”, a James Bond style detective/adventure strip (written with Virgillo).

Nestor Redondo
Nestor Redondo

Redondo eventually became a comics publisher himself. Two of the weekly and bi-weekly books he published were “Cras Pubs” and “Ares Pubs” These were notable for two reasons, aside from Nestor’s beautiful art. One is that Nestor used these books to give experience to many of the students of the fine arts who would come to Redondo for training in basic drawing and storytelling techniques, which were unavailable in art school curriculums. The other was the free hand he gave to the legendary experimental and wildly imaginative Philippine artists: Renato Lemos, Joel Maggayo, Alex Nino, Roz Matienzo and Tony DeZuniga.

Nestor Redondo
Nestor Redondo

In the early 1970s, Nestor’s work came to the attention of DC Comics. They saw the potential his work contained and hired him. His first solo book for DC, “Rima” stands as a magnificently rendered comic. He took over art chores on the popular “Swamp Thing” comics, replacing Berni Wrightson. He also did a noteworthy treasury sized adaptation of the Bible for DC.

Nestor Redondo
Nestor Redondo

Nestor is also an accomplished oil and watercolor painter. He is one of the few fine artists working in the comics His paintings are purchased by art collectors in the Philippines and Japan, including Imelda Marcos, first lady of the Philippines. To this day, sculptors will often consult with Nestor regarding their basic drawings. American audiences got their first look at Redondo’s painting style in 1979 with two covers for Marvel Comics’ “Savage Sword of Conan”. It’s interesting to note that Nestor Redondo does not use models in his work. Nestor plans to keep busy in the coming years with a variety of projects, as well as continuing to develop new artists at his studio in Manilla. Already younger brother Francisco (“Quico”) has done illustrations for DC.


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Nestor Redondo
Nestor Redondo

Nestor’s attitude toward his art can be summed up in this quote from Philippine archivist Orly Jundis…

“He takes fine art away from the confines of the museum or the home of a private collector and draws specifically for the entertainment of the masses”

Nestor Redondo
Nestor Redondo

This biography of Redondo was written in 1979. He passed away in 1995.

Many thanks to Ken Leonard for sharing these treasures with us.


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Posted by Stephen Worth @ 2:23 pm