Archive for the ‘refpack’ Category

Monday, May 13th, 2024

RefPack057: Animation Resources Delivers Another Great Reference Pack!

Reference Pack


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Every other month, Animation Resources shares a new Reference Pack with its members. They consist of e-books packed with high resolution scans video downloads of rare animated films set up for still frame study, as well as podcasts and documentaries— all designed to help you become a better artist. Make sure you download this Reference Pack before it’s updated. When it’s gone, it’s gone!


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The latest Animation Resources Reference Pack has been uploaded to the server. Here’s a quick overview of what you’ll find when you log in to the members only page…

PDF E-BOOK:
Hokusai Manga

Hokusai Manga Volume 3
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Katsushika Hokusai / 1814
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Katsushika Hokusai was arguably the greatest artist Japan ever produced. Best known for his monumental set of woodblock prints titled Thirty-Six Views of Mount Fuji, his career spanned more than 75 years, and in his lifetime he produced more than 30,000 paintings, sketches and woodblock prints. Japan was closed to the Western world while Hokusai was living and working, but it didn’t take long after Japan’s borders were opened to the world for his fame spread to the West. He is now regarded as one of the greatest artists in the entire history of art.

Hokusai’s fame attracted talented young artists, eager to study under him. He took on 50 pupils over the years. In 1812, he found himself in need of some quick money, and decided to publish an art manual called Quick Lessons In Simplified Drawing. The book was surprisingly successful, so the following year, he published the first volume of a series of sketchbooks known as Hokusai Manga. At that time, the word “manga” meant “random drawings” and that is exactly what his first volume consisted of… scenes of everyday life, animals, plants, landscapes, rendering experiments… the book contained very little text, just lots and lots of amazing drawings.

The volunteers of Animation Resources have taken great pains to insure that Hokusai’s genius is not undermined by poor reproduction. Hundreds of hours of careful digital restoration has gone into this e-book to create the ultimate version of Hokusai’s masterwork.

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Harman Ising

Three Transitional MGM Cartoons
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“The Bookworm Turns” 1940 / “The Alley Cat” 1941 / “The Stork’s Holiday” 1943

Throughout their careers, Hugh Harman and Rudy Ising pushed to produce films with high production values to compete with Disney on his own turf. This ended up causing friction with the studios that financed their cartoons. There was no set footage limit for their shorts. Many of them run three or four minutes longer than other studios’ cartoons. The emphasis on lavish backgrounds and full animation became so much of a focus at times that entertainment value suffered. It was all eye candy and overlapping action with very little humor. Rudy Ising was once quoted as saying that he aspired to make a cartoon without a single gag… and with a couple of his films, he might have actually succeeded at that. Their cartoons were needlessly complex, over-animated and had timing that was sluggish to the point of dragging.

Clearly, this couldn’t continue. MGM fired Harman and Ising in 1937 and created an in-house animation studio. But they required the team’s experience to produce shorts on a schedule, so they hired them back the following year to work with a team of younger artists. The shorts produced in this transitional time didn’t exhibit the influence of the young blood at first, but after a year or two the humor in the shorts became more focused. In particular, the influence of Bill Hanna made a pronounced improvement on the timing. Action became snappier and the pacing of the cartoons sped up. Eventually, Hanna would partner with Joe Barbera to direct “Puss Gets The Boot”, the first Tom & Jerry cartoon, which would set the house style for the studio for the next two decades.


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Baron Munchausen

Two Films By Hans Held
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The Troublemaker 1940 / Baron Munchausen 1944
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In previous Reference Packs, we’ve featured films by the German animator Hans Fischerkoesen. Drafted by Joseph Goebbels to produce animated films for the Nazi regime and charged with building a studio to rival Walt Disney, Fischerkoesen succeeded in making some remarkable cartoons that largely avoided straying over the line into being outright propaganda. Today we feature one of Fischerkoesen’s peers, Hans Held, who wasn’t quite as lucky or successful.

Sometimes we can learn as much from bad examples as good ones. Hans Held is an example of an artist who was skilled in the medium of live theater and live action movies, but was wrongly cast as an animator by Joseph Goebbels. These films also show that as persuasive as animation can be, there needs to be a certain core of humanity if one wants the audience to embrace the idea. The Nazis were ill suited to compete with Walt Disney, who had his finger on the pulse of middle America and strove to serve his audience, not force his audience to serve his ideology.

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Well Just You Wait

Well, Just You Wait Ep.07
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Vyacheslav Kotyonochkin / Soyuzmultfilm, Russia / 1973

We continue the Russian Wolf and Rabbit cartoons with episode 07, “Cruise Ship At Sea”.

The premise of Nu, Pogodi! (which translates into English as Well, Just You Wait!) was pitched by a writing team of satirical humorists to many directors at Soyuzmultfilm, but was rejected every time. Finally in 1969, Gennady Sokolsky agreed to direct a 2 1/2 minute pilot for the series in an omnibus film called “Happy Merry Go Round”. The general consensus at the studio was that the cartoon was “low class” and beneath the dignity of Soyuzmultfilm, but director Vyacheslav Kotyonochkin strongly believed in the concept, so the studio decided to take a chance and allow him to direct a few episodes… and then a few more… and then more.

Kotyonochkin was proven correct. The cartoons were a huge success. Between 1969 and 2006, Soyuzmultfilm ended up making 22 episodes, and in a 2014 poll of audiences all over Russia, Well, Just You Wait! was voted the most popular cartoon series of all time by a landslide. Although the series resembles both Tom & Jerry and the Roadrunner and Coyote series, the director, Kotyonochkin claimed not to have ever seen any of these Hollywood cartoons until 1987 when his son got a video tape recorder and Western tapes began to be imported.


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Pies Kot I

Dog, Cat And… Ep 06
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Jaroslaw Jakubiec & Jan Siupik / Studio Miniatur Filmowych, Poland / 1972

In this Reference Pack, we are sharing another short cartoon from a series produced by Studio Miniatur Filmowych, Pies, Kot I… which translates to Dog, Cat And… The episode is titled "Vacuum Cleaner".

This series is a different sort of take on the Tom & Jerry model, with the opponents outsmarting each other instead of just chasing each other out of hate or hunger. There is more to the relationship between the characters than just rivalry. The relationship of the characters makes it easy to see how it relates to slapstick comedy teams like Laurel & Hardy and Fatty Arbuckle and Buster Keaton. The dog and cat are not just generic animals, but individual personalities with a dynamic relationship that is much more engaging than most “cat and mouse” or “dog and cat” cartoons.

These cartoons are almost devoid of dialogue with the focus on loose, funny animation. In fact, the drawings are often hilarious on their own, even removed from their context within the gag sequence. The facial expressions are well observed, and the poses employ clear silhouettes that form funny graphic shapes.

SD VIDEO:
Monkey King

Goku no Daiboken Ep. 1 & 11
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Giasaburo Sugii / Japan / 1967

Goku no Daiboken (aka Adventures Of The Monkey King) was an animated series released in 1967 made by Mushi Productions. It was supervised by Giasaburo Sugii, and directed by several artists including Osamu Dezaki, Hideaki Kitao and Sad Tsukioka, among others. The 39 episodes were loosely based on the 16th century Chinese epic tale, Journey to the West. Ostensibly, Osamu Tezuka was the creator of the series, but he had very little to do with the production of the series, since he was completing the final episodes of Mighty Atom (Astro Boy) while Goku no Daiboken was in production at Sugii’s studio. Tezuka had published a manga comic based on Journey To The West, but this animated version is quite different in tone.

Sugii’s take on the characters was more “rough and tumble”. The focus was on the animation, with extreme takes and reflexive gags. Pay attention to the design as well. There are some very attractive layouts and color schemes. One scene even references Hanna Barbera’s The Flintstones!


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HD VIDEO:
Canova

Canova
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Francesco Invernizi / Galleria Borghese / 2019
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Animators are called upon to animate the human figure in motion. They need to know how the body flexes and contracts, they have to be able to turn the masses in three dimensions, and they need to be able to convey personality through posing and gesture. There is no better way to develop these skills than figure drawing.

The nicest thing about drawing from sculpture is that the model is more patient and doesn’t get tired of holding a pose. The student has all the time he needs to capture all the planes and masses that make up the human figure. But it has to be a very special kind of sculpture to directly relate to live human models. Antonio Canova is one of the greatest sculptors for this purpose. His knowledge of musculature and skeletal structure is encyclopedic. His figures exude life and energy from all angles and all distances. A lifetime could be spent studying his work.

HD VIDEO:
Breakdowns

Crowd Shots
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Curated By David Eisman
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Crowd shot animation is a topic that should almost always be approached under the lens of scale, cost, and resources. Take the following two examples. In Example A, the animator decides to animate a crowd, wherein each member of the crowd has their own separate, distinguishable character design, and is animated with their own bespoke movements.

Ultimately, as demonstrated by the variety of crowd shots, there are many different methods by which an animator can design such a sequence. They may choose to limit the number of characters, but design them in such a way that each is unique and moves in a unique way. They may instead choose to design a scene with dozens of identical characters, but with a wide variety of different motions. Or the animator may choose to design a scene that suggests the existence of a large crowd where one does not actually exist, instead generating the effect through tricks of perspective and background. There is no one right way to design a crowd shot. What is important is allocating resources effectively and in such a way as to trick the audience into thinking the shot is more elaborate than it actually is.


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Bonus Download

As a special thank you to our annual General and Student members, we have created a special page where we will archive past Reference Packs. There will be a new rerun of a complete RefPack between the new ones.

ANNUAL MEMBER BONUS ARCHIVE
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Available to Student and General Members

REFPACK027: April / May 2019

DVD QUALITY VIDEO:
Momotaro

Momotaro’s Sacred Sailors
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Seo Mitsuyo / 1945

In 1939, due to the outbreak of WWII, Japan banned all foreign movies. This provided a boon for the Japanese film business, which stepped into the gap and ramped up production of domestic wartime training films and propaganda. The Japanese Navy contracted with Director Seo Mitsuyo to create a feature length animated film to promote the draft, and give support and encouragement to children whose fathers had been taken up into military service.

However, Momotaro’s Sacred Sailors failed to accomplish its goals. By the time it was completed most Japanese men of age to serve had already been drafted. The movie was finally released immediately following a series of allied bombings that had effectively destroyed movie exhibition in Tokyo. Within a few months, almost nothing remained from the making of the film. Allied bombers had destroyed both the studio building where the film was produced, and the home of the director where thousands of production sketches were being stored. In September, the Japanese surrendered, and a purge was undertaken to destroy all traces of propaganda before the US occupying force arrived. The prints of this film, and many others were shredded and burned. The film was effectively wiped out of existence.

In the years one solitary print of the film lay hidden in the warehouse, while animation in Japan flourished and grew and became an important part of Japanese culture. When the dusty film cans were discovered in the back of a warehouse in 1984, they were restored and exhibited. But this time, instead of being dubbed a creative and commercial failure, Momotaro’s Sacred Sailors was recognized as the first of a long line of Japanese animated features, and as the film that established the animation business in Japan.

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Annual Member Bonus Archive
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Downloads expire after April 2024

HD QUALITY VIDEO:
Rhapsody of Steel

“Rhapsody Of Steel”
John Sutherland / 1959

John Sutherland’s studio was very influential in the mid-1950s, employing some of the best designers in the business. This film is no exception. Legendary stylists Eyvind Earle (Sleeping Beauty, Pigs is Pigs) and Maurice Noble (Duck Dodgers, How The Grinch Stole Christmas) collaborated on Rhapsody of Steel, and you can see evidence of both of their hands everywhere in this film. (Earle in the landscapes and textures, Noble in the bold primary and secondary colors…)

Rhapsody of Steel

Time Magazine said of this film…

Rhapsody of Steel, a 23-minute animated cartoon that cost $300,000, is one of those rare industrial films with enough specific quality and general interest to play the commercial circuits. In the next few months it will be shown as an added attraction in several thousand U.S. movie houses. Made by former Disney Staffer John Sutherland, Rhapsody sets out to tell a sort of child’s history of steel from the first meteor that ever hit the earth to the first manned rocket that leaves it, and most of the time Moviemaker Sutherland proves a slick entertainer and a painless pedagogue. Unhappily, the music of Oscar-Winning Dmitri Tiomkin, who is probably the world’s loudest composer, bangs away on the sound track like a trip hammer. But the picture’s pace is brisk, its tricks of animation are better than cute, and the plug, when the sponsor slips it in on the final frame, is modestly understated: “A presentation of U.S. Steel.”

As always, many thanks to Steve Stanchfield for sharing his treasures with us. If you haven’t already, check out the videos at his Thunderbean Animation Store at Amazon.

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Annual Member Bonus Archive
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Downloads expire after June 2024

If you are currently on a quarterly membership plan, consider upgrading to an annual membership to get access to our bonus page with even more downloads. If you still have time on you quarterly membership when you upgrade to an annual membership, email us at…

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membership@animationresources.org

…and we will credit your membership with the additional time. These bonus downloads expire after January 1st, 2024.


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Whew! That is an amazing collection of treasures! The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


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FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Monday, March 4th, 2024

RefPack038: Podcast- Different Artists, Different Paths

Reference Pack

Animated Discussions 003
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Members Only Download

Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects, podcasts and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.


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AUDIO PODCAST:
Animated Discussions Podcast

Different Artists, Different Paths
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Animated Discussions 003 / Davey Jarrell & Stephen Worth

There are as many different paths to success as there are different artists. How does a young artist go about charting a course to find his own way in the artistic world? That is the subject of the third podcast in our “Animated Discussions” series. Animation Resources’ Director of Programming Davey Jarrell and President Stephen Worth are the hosts.

Here is an index of the topics that are discussed in “Different Artists, Different Paths”:

  • 01:20 – Studio Artists and Independent Artists
  • 05:25 – Versatility and Functionality vs Personal Style and Creativity
  • 15:51 – Finding Your Place In The Business
  • 20:35 – How Independents Can Compete With Big Studios
  • 35:37 – How To Cultivate An Audience Online
  • 54:30 – Give The Audience What It Wants
  • 64:32 – Teaming Up To Split the Workload

We hope you find this podcast useful and we welcome your feedback.

AD003: Different Artists Different Paths
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MP3 Audio File / 1:11:31 / 137 MB Download

CLICK to hear an excerpt


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Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Friday, March 1st, 2024

RefPack056: A Peek At The International Downloads

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Over the next couple of weeks, we will be posting what each section of our current RefPack looks like. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

What are you waiting for?
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International Animation

The world of animation is much bigger than it might appear to us at first glance. We are all familiar with the films we grew up with, but Hollywood wasn’t the only place that produced great cartoons… Poland, Japan, Russia, China and Europe all have their own traditions and a rich history of animated film making. Animation Resources’ archive contains many foreign films that are rarely seen in the United States. We feature a sampling of interesting animation from around the world in each Reference Pack.


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HD VIDEO:
VIP My Brother Superman

VIP: My Brother Superman
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Bruno Bozetto / Italy / 1968
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Bruno Bozzetto is an Italian animator known for his parody of Fantasia titled Allegro Non Troppo. His other feature films include a superhero parody called VIP My Brother Superman and a spaghetti western parody titled West And Soda. Bozzetto’s work is often satirical and political in nature, championing the common man and lampooning government inefficiency and oppression.

VIP My Brother Superman

VIP: My Brother Superman was Bozetto’s second animated feature. The film features two superheroes- SuperVIP, a strongman who is irresistible to women, and MiniVIP, a small not-so-superhero who is an ineffectual nebbish. The villain of the story, Happy Betty is a lady industrialist who has her eye on ruling the world. It was financed by American investors who objected to the depiction of the Asian slaves working in Happy Betty’s sweatshops and demanded that Bozetto paint them green. But the satirical jab at American exploitation of cheap labor in third world countries is still clear.

VIP My Brother Superman

Bozzetto’s work is not as well known in the United States as it should be, but it is recognized and appreciated across Europe. Recently, Animation Resources has been working to acquire more of his films for the Animation Archive, and we hope to share them with you in future Reference Packs. We think you’ll find a lot to inspire you in Bozzetto’s work.

REFPACK056: VIP My Brother Superman 1968
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MP4 Video File / HD / 01:21:36 / 2.43 GB Download


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SD VIDEO:
Early German Commercial

Two Early German Commercials
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Sun In The House (1932) / Song Of The Mill (1934)

In this Reference Pack, we are sharing two rare animated theatrical commercials from Germany. One of these was made by Hans Fischerkoesen, a pioneer in using animation as a medium for advertising. The other was directed by the team of Bernhard Huth and Wintzer von Tresckow, film makers who worked in the Nazi era making short advertising and propaganda films for UFA.

Early German Commercial

Hans Fischerkoesen was often referred to as “the Walt Disney of Germany”, but truth be told, his talent wasn’t for long form storytelling animation, but rather cartoon advertising shorts. His advertising career began in 1921, and until his death in the early 1970s, he produced over a thousand animated commercials, most of which are lost. By the 1930s, his work had achieved widespread fame throughout Europe.

Many of the products his films had advertised were luxury items, which were banned from being advertised under the Nazis. By 1940, his business had diminished to a trickle. However both Hitler and Gobbels had an interest in the films of Walt Disney and aspired to create similar films in Germany. The Nazis established the Deutsche Zeichentrickfilme studio, which trained young cartoonists with the goal of creating an animated feature. With few other options, Fischerkoesen moved his studio to Potsdam, near the Nazi’s UFA Studios.

Early German Commercial

When the war ended, Fischerkoesen was arrested as a Nazi collaborator, and thrown in the Sachsenhausen concentration camp by the Russian army. He was a model prisoner and eventually convinced his Russian captors that he was a part of an underground organization of artists that worked to undermine the Nazis. When he was released, he fled from the Soviet controlled area of Germany to the district overseen by France. Here he established the Fischerkoesen Studios, returning to the production of animated commercials. The studio was hugely successful throughout the 1950s.

The influence of television on the advertising industry in the early 60s led to shorter and snappier commercials, and Fischerkoesen found it difficult to keep up with the times. His studio closed briefly in 1972, returning under the supervision of his son shortly after Hans’ death.

REFPACK056: Sun In The House 1932
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MP4 Video File / SD / 03:01 / 68 MB Download

REFPACK056: Song Of The Mill 1934
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MP4 Video File / SD / 01:57 / 60 MB Download


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SD VIDEO:
Wolfgang The Intrepid

Wolfgang The Intrepid
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Mikhael Tumelya / AnimaFilmCenter / Russia / 1991

Mikhael Tumelya is a Russian animator based in Belarus. Born in 1961, he has had a prolific career directing a variety of both long and short form films, commercials and TV series. He studied under Edward Nazarov and Yuri Norstein. He currently teaches at the SHAR School and Studio in Moscow.

Wolfgang The Intrepid

Tumelya’s short film, "The Song Of Wolfgang The Intrepid, The Glorious Destroyer Of Dragons" is a remarkable example of his work. It opens with an impressive multi-layer pan, and the style of movement perfectly matches the design of the characters. The anatomy of the main character is divided into segments that separate from each other, but the movement is always handled as one unit. Even though this isn’t built from an object library, Flash animators interested in making their animation less stiff would be well advised to study this film carefully.

Wolfgang The Intrepid

Russian animation is rarely seen in America, but there is a rich and diverse history there to explore. In the International section of every one of our Reference Packs, we bring the best of these amazing films to you to study.

REFPACK056: Wolfgang The Intrepid
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MP4 Video File / SD / 04:16 / 75 MB Download

NOTE: In order to consolidate space on our VIP Download Page, from here on we are including the Early Anime downloads within the International section.


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SD VIDEO:
Gaboten Island

Gaboten Island Ep. 8 & 12
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Studio / Japan / 1964

Adventure On The Gaboten Island was based on a manga by Fumio Hisamatsu, and was animated by Eiken Studios. It aired from April 4th, 1967 to December 26th of the same year. In total, thirty nine half hour episodes were produced.

Gabon Islandl

The story begins when Ryuta and his sister Tomato sneak on board a submarine docked at an amusement park. The amusement park’s son Iago and his friends Cucumber and Cabo enter the submarine and get in a fight with Ryuta. In the tussle, a switch is flipped and the submarine heads out to sea. Unable to steer it and running low on fuel, the children wreck the sub in a storm and end up shipwrecked on an island in the South Pacific. Ryuta and Tomato befriend a myna bird and a gorilla. Together, the group struggles with each other and nature for survival.

Gabon Island

Gaboten Island appears to have been made on a meagre budget. The music score consists of noodling on an electric organ. The animation is padded out with cycles repeating over and over. Scenes are reused shamelessly. Characters stick their face into the shot from the left, then later in the show, the face is flopped and it comes in from the right. Cutaway shots of animals are inserted in the middle of dialogue, and the same shot of a tree falling in the jungle is repeated at least eight times in as many minutes. But there’s plenty of fun stuff- In episode 8, there’s a spooky shipwreck, boxing kangaroos and kids playing with a loaded pistol. And the children are attacked by a giant eagle in episode 12. There’s a nice balance of adventure and humor, courtesy of the sidekick animals. Of course the theme song is great! Enjoy!

REFPACK056: Gabotan Island Ep. 8
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MP4 Video File / SD / 24:33 / 188 MB Download

REFPACK056: Gabotan Island Ep. 12
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MP4 Video File / SD / 24:33 / 204 MB Download

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Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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