August 28th, 2020

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AUG 29: Animation Resources Discord Discussion- FREE STUFF!

Animation Resources Discord

Animation Resources is hosting monthly Discord parties on its Discord server. Join us the last Saturday of every month to participate in discussions and network with fellow artists from all over the world. The party starts at 4:30 pm (PDT) and the program begins at 5:30 pm.

THIS MONTH’S PROGRAM

Free Stuff

Last month we had too much FREE STUFF to give away, we didn’t have time to share all of it. So we are giving away MORE FREE STUFF tomorrow, Saturday August 29th!

Ever since the pandemic hit, there are no more free samples at Costco. But Animation Resources is making up for that! If you attend this program, you will get links to download a FREE e-book packed with incredible images and a reel of rare cartoons. You can follow along with us as we talk about the great stuff in this sample Reference Pack and after the program is over, you will get to keep the book and video download for FREE!

Join us Saturday for an informal discussion of some of the highlights of our past Reference Packs. Learn about the artists! See rare animation! Find out how wide the world of cartooning is! Have fun with other like-minded folks!

FREE STUFF!
Animation Resources
Animation Resources Reference Packs

Animation Resources
At The Animation Resources Discord Server
SATURDAY AUGUST 29th, 2020 5:30 pm (PDT)
HOSTED BY DAVEY JARELL, WITH STEPHEN WORTH

Animation Resources is one of the best kept secrets in the world of cartooning. Every other month, we share a book and up to an hour of rare animation with our members- but unless you’re a member, you don’t know how great these Reference Packs are!

Why are we giving stuff away for free? Because we think that once you see the treasures we share with our members ever other month, you will want to join!

Join Or Die

ABOUT YOUR HOSTS

Davey Jarell is a member of the Board of Directors of Animation Resources. He is a professional storyboard artist for television and acts as our Director of Programs. Stephen Worth has been working in animation as a producer for 35 years. He is the President of Animation Resources.

ABOUT DISCORD

Discord is a free chat app that supports video, voice chat and text chat. Discord servers are divided into channels, which all have their own subject or theme of discussion. Members are assigned roles which helps everyone keep track of who’s who. The Animation Resources Discord channel is a virtual meeting place for our supporters. You can meet other Animation Resources members, talk with the people behind the scenes at our organization, and attend lectures and screenings— all without leaving your home. It’s free and open to everyone in the creative community. If you’d like more info on how Discord works, see this article: What is Discord?

Here’s how to install the Discord app and login to the Animation Resources Discord Server:


    1. INSTALL DISCORD
  • iPhone or Android: Download the app from the App Store or Google Play Store and install.
  • Desktop: You can access Discord for your Mac or PC from discordapp.com. You can choose to download and install the free Discord app, or enter our channel directly using your web browser.
    2. CREATE AN ACCOUNT
  • Just follow the prompts to create your own login account.
    3. JOIN THE ANIMATION RESOURCES CHANNEL
  • Click the plus sign to the right of the app and select "JOIN A SERVER".
  • Enter this invite code: vES5YsV
    4. YOU’RE THERE!
  • Take a moment to look around, read the rules and introduce yourself.

The Animation Resources Discord Server is open to the public right now. Pop in and look around, and make a point to visit on Saturday!

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Posted by Stephen Worth @ 6:12 pm

August 28th, 2020

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RefPack035: MORE Treasures of Experimental Animation!

Reference Pack

REFPACK 034
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Members Only Download

Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.


MEMBERS LOGIN To Download Video

JOIN TODAY To Access Members Only Content


DVD QUALITY VIDEOS:
Len Lye

Five More Films By Len Lye
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A Colour Box (1935) / The Birth Of The Robot (1936) / Trade Tattoo (1937) / Colour Flight (1938) / Colour Cry (1952)

In RefPack029, we shared five rare films by Len Lye. This time we have five more for you to view and study.

Len Lye was a revolutionary figure, not only in the history of animation, but of fine art as well. His work explored motion through experimental film and kinetic sculpture. It is well worth taking a few moments to read the Len Lye Wikipedia Page if you aren’t familiar with him. But there are some personal points I need to make about these films to get across their context to you.

Len Lye

Whenever we post experimental films on Animation Resources, inevitably I am asked how any of this relates to what character animators do. Artists will say that abstract animation is interesting, but they don’t see how it applies to their own work. Nothing can be further from the truth. Animation is more than just creating characters and telling stories. Comics and illustration have characters and stories, but the thing that makes animation unique is the element of time. Len Lye strips away all of the narrative and figurative elements and focuses entirely on rhythm and the visual representation of music. Few other animated films are as concentrated when it comes to this kind of unity of sound and image. Lye was essentially distilling animation down to the one thing that makes the medium totally unique.

The technique is drop dead simple and direct… Lye painted directly on blank rolls of film with colored dyes and created layers of movement in an optical printer. But that is just the surface. It goes much deeper than that. The planning required to achieve this complete synthesis of sound and motion required incredible concentration. Think about it a moment… Lye was breaking down the soundtrack into its individual voices and rhythms and representing all that on exposure sheets frame by frame. How did he do that? What did Lye’s notes and plans look like before he began work? I really don’t know, but the level of detail and the abstract thinking involved is staggering.


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JOIN TODAY To Access Members Only Content


Len Lye

Too often, animators slug their exposure sheets according to the length of the dialogue and how long it takes to perform an action, with no thought given to pacing or rhythm. Len Lye is operating on a much more sophisticated level. He represents complex syncopated Latin and jazz rhythms visually with abstract shapes that move. The technique of painting little doodles of shapes on film gives it a deceptively simple appearance, but the planning going on under the hood must have required fourth dimensional thinking. Imagine if instead of the action in an animated film happening at a normal pace dictated by the speed the voice actor performs the dialogue, the animator creates a rhythmic pattern for the action that merges the character’s performance with the beats and accents in the music… Are you beginning to understand the importance of these films now?

Len Lye

In the past, animation was planned out to a musical beat. The music established the pace of the footsteps and the rhythm of the action. The way this was achieved was by analyzing the voices in the music and breaking down the rhythms frame by frame. When Len Lye’s and Norman McLaren’s films first were shown, traditional animators sat up and took notice. They were greatly impressed by how these seemingly simple little films effortlessly accomplished amazingly complex things that the Hollywood animators struggled to do in their character animation. When I was first becoming interested in animation in the early 1980s, there was a Len Lye retrospective where many of his films were screened in Los Angeles for the first time. I attended the screening and was amazed to look around the audience… it was a virtual who’s who of animators from Disney, Warner Bros, MGM and every other major animation studio. These great animators thought there was something to learn from these films. You should too.

REFPACK035: A Color Box (1935)
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MP4 Video File / SD / 3:13 / 98 MB Download

REFPACK035: Birth Of The Robot (1936)
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MP4 Video File / SD / 6:30 / 122 MB Download

REFPACK035: Trade Tattoo (1937)
Download Page
MP4 Video File / SD / 5:25 / 133 MB Download

REFPACK035: Color Flight (1938)
Download Page
MP4 Video File / SD / 4:13 / 71 MB Download

REFPACK035: Color Cry (1952)
Download Page
MP4 Video File / SD / 4:03 / 102 MB Download


Len Lye

Len Lye

Len Lye


MEMBERS LOGIN To Download Video

JOIN TODAY To Access Members Only Content


Not A Member Yet? Want A Free Sample?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

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Posted by Stephen Worth @ 10:30 am

August 27th, 2020

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Welcome A New Board Member To Animation Resources: David Eisman

DAVID EISMAN
Director of Publications
deisman466@gmail.com

David Eisman is a New York native who ventured to Los Angeles in pursuit of higher education and a career in the animation industry. He worked as a development intern at Frederator Studios for two years. At Frederator, David met Stephen Worth and began to volunteer and study at Animation Resources. David is passionate about editing, and he hopes to bring musical timing back into animation’s spotlight.

David Eisman serves as Director of Publications. He oversees adapting Animation Resources’ assets to new markets.


THE OFFICERS AND BOARD
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OF ANIMATION RESOURCES


STEPHEN WORTH
President
sworth@animationresources.org

Stephen Worth has worked as an animation producer for over thirty years. He is the recipient of three Annie Awards, including the June Foray Lifetime Achievement Award for Benevolent Service to the Art of Animation. His credits include Alvin & the Chipmunks, Cool World, Yogi Bear, Ren & Stimpy, Bravest Warriors and Bee & Puppycat. He is a well known figure in the Hollywood animation community, having produced the first animated cartoon series created exclusively for the internet, as an authority on vintage animation art, and as the person responsible for establishing the Animation Archive, a digital reference library that serves animation professionals and students, as well as cartoonists and illustrators.

Stephen oversees the day to day operation of Animation Resources, and is chairman of the committee that oversees the Animation Archive.

TABER DUNIPACE
Vice President
tdunipace@animationresources.org

Taber Dunipace is a southern California freelance artist and educator specializing in 3D art and animation. For the last five years, he has taught a wide range of digital arts subjects, including character animation, digital painting, game development, and Flash animation. He also frequently does freelance work for both commercial animation and mobile games. He is currently teaching at Mt. San Antonio College and Riverside Community College, Norco.

As Vice President, Taber represents Animation Resources to the membership and communicates with the Executive Board in order to receive their invaluable guidance for the future growth of our organization.

PAUL ANDERSON
Secretary
panderson@animationresources.org

Originally from Minnesota, Paul arrived in Southern California in 2006, with dreams of someday entering the animation industry. Unexpectedly, he soon found a niche working on the production side. Currently, he can be found working as a Production Manager on several projects, both long and short form, across a variety of genres and styles. He also has experience in helping to produce CG content, stereoscopic 3D, live action, flash animation, and enhanced ebooks. He continues to develop his own art, both in classes at the Animation Guild, and in his own projects.

Paul is responsible for taking meeting minutes, cataloging and coordinating tax records to comply with federal law, and distributing material to the rest of the board.

JOSEPH BAPTISTA
Treasurer
jbaptista@animationresources.org

Joseph “JoJo” Baptista is an animator from San Diego, California. He has worked for John Kricfalusi, Ralph Bakshi, Cartoon Network, Wild Brain and Frederator Studios as an animator, designer and storyboard artist. When JoJo was in college, he volunteered and studied at Animation Resources, where he found its treasures were invaluable. He has much to thank Animation Resources for helping him break into the animation industry, and feels that it is important for him to help others as the head of the Education Committee.

Joseph oversees the financial operations of Animation Resources, as well as chairing the Education Committee.

Mike AmatoMIKE AMATO
Director of Technology
mamato@animationresources.org

Surviving in LA as a New Jersey transplant, Mike Amato is currently part of a college training cohort for marketing and promotion production, where he does work at an editor, graphic designer and voice actor. He has done stereo 3D compositing on films such as “Guardians of the Galaxy,” “Mad Max: Fury Road,” and “The SpongeBob Movie: Sponge Out of Water.” He also works on his own art, and is very passionate about the history of animation and art preservation.

Mike Amato serves as Director of Technology. He is responsible for helping to maintain the Animation Resources digital archive.

DAVID HOFMANN
Director of Communications
dhofmann@animationresources.org

David Edward Hofmann, also known as Pez, has worked in the animation industry since 2006. At a very young age he developed a love of classic animation, leading to a career in 2D based Television Animation in Los Angeles. David has worked with Cartoon Network (Stan Bayou), Wild Brain (Umigo), HBO’s “The Ricky Gervais Show”, Nickelodeon’s “Breadwinners” and Warner Bros’ new Bugs Bunny series “Wabbit”. David also passionately supports the preservation of classic works, so future artists can advance the art of animation for years to come.

David Hofmann serves as the Director of Communications. He is responsible for representing Animation Resources to the worldwide animation community.

Davey JarrellDAVEY JARRELL
Director of Programming
daveyhjarrell@gmail.com

Davey Jarrell has been working in the animation industry as a storyboard artist since 2017. He has worked on "Let’s Go Luna!" and "Dinosaur Train" for PBS, Warner Brothers’ Flintstones spinoff series, "Yabba-Dabba Dinosaurs!" and the adult animated shows "SuperMansion" and "Crossing Swords." Davey started volunteering at Animation Resources in 2015 when he was still a student at the University of Southern California. He credits much of his accomplishments in the industry to his time volunteering in the archive at Animation Resources.

Davey Jarrell serves as the Director of Programming. He is spearheading the Podcast Initiative.


ADVISORY BOARD


RALPH BAKSHI

Ralph Bakshi is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 1992, he directed nine theatrically released feature films, including “Heavy Traffic”, “Wizards”, “American Pop”, “Lord of the Rings” and “Fritz the Cat”, which upon release was the highest grossing animated feature to date. He has been involved in numerous television projects as director, writer, producer and animator.  He created and directed the “Mighty Heroes” TV show and produced “The New Adventures of Mighty Mouse”, among others. Currently, he is living in New Mexico, drawing, painting and animating a personal film, “Last Days of Coney Island”. Link: RalphBaksi.com

DAVID CHAI

Award winning filmmaker David Chai, brings artistic excellence and technical know how to every project that he is involved in. David has been animating for over 14 years, on productions ranging from from educational software, animation for television and video, commercial advertising, to independent films. He is currently an Associate Professor of Animation and Illustration at San Jose State University in California. Link: House of Chai

SHERM COHEN

Sherm Cohen has helped bring to life some of the biggest animation hits of the past twenty years: His storyboarding, writing and directing credits include SpongeBob SquarePants, Hey Arnold, Disney’s Phineas & Ferb, Fish Hooks, and Kick Buttowski (for which he received an Emmy nomination). Sherm is the creator of  “Storyboard Secrets”, a comprehensive university-level video course at http://StoryboardSecrets.com

WILL FINN

Will Finn is an animation director and animator. His work includes films by Disney and Don Bluth, such as The Secret of NIMH, Oliver & Company, and Pocahontas. His characters include Laverne (The Hunchback of Notre Dame), Iago (Aladdin), and Cogsworth (Beauty and the Beast). Finn co-wrote and co-directed the 2004 film Home on the Range and did voice acting in Chicken Little. In 2006, Finn directed the computer animated short Hammy’s Boomerang Adventure, a spin-off of Over the Hedge. And in 2014, he directed Legends of Oz: Dorothy’s Return. Link: Will Finn Blog

J. J. SEDELMAIER

As the director and creative force of J. J. Sedelmaier Productions, J. J. Sedelmaier oversees everything that is produced by the studio. He is known in the industry as an all-around expert on the history of film and cartoons, animation, graphic design and illustration. His forte is translating print/illustration into film, and over the years has collaborated with many of the country’s foremost illustrators and artists, including David Levine, Al Hirschfeld, Garry Trudeau, Alex Ross, Don Martin, Neal Adams, Douglas Fraser, Gary Baseman, and many others. His unique abilities have contributed, over the years, to the studio’s extraordinarily diverse and entertaining collection of work. Link: J. J. Sedelmaier Productions

STEVE STANCHFIELD

Steve Stanchfield is an award winning character animator, educator, animation director and animation historian. His experience includes working for many of the major animation studios on projects that include television shows, commercials, educational programming, original short films, interactive games and feature animation. He is the co-owner of Thunderbean Animation, a studio based in Ann Arbor, Michigan that produces animation as well as compilations of classic animation on DVD. Link: Thunderbean Animation

MIKE VAN EATON

Mike Van Eaton is the owner and gallery director of Van Eaton Galleries, a full service animation art gallery and resource center featuring production artwork, limited editions, sculpture, videos, and books. He has hosted many special events in the Los Angeles area, and his gallery is the a hub for the animation community. His gallery represents both established and up and coming artists, as well as a wide array of vintage artwork from all the major studios. Link: Van Eaton Galleries


COMMITTEES


ARCHIVE COMMITTEE:
Stephen Worth (Chair) sworth@animationresources.org
Mike Amato
Megan Simon

ANIMATION PODCASTS:
Taber Dunipace (Chair) tdunnipace@animationresources.org
Stephen Worth

EDUCATION COMMITTEE:
Joseph Baptista (Chair) jbaptista@animationresources.org
Taber Dunipace

PUBLCITY COMMITTEE:
David Hofmann (Chair) dhofmann@animationresources.org
Nicholas Pozega

EVENTS COMMITTEE:
David Hofmann (Chair) dhofmann@animationresources.org
Stephen Worth

WEBSITE COMMITTEE:
Alex Vassilev (Chair) avassilev@animationresources.org
Stephen Worth

Animation Resources Board

The Board of Directors of Animation Resources browses through the precious reference material donated to our digital library by Advisory Board Member Ralph Bakshi. Standing L to R: Stephen Worth (President), Taber Dunipace (Membership), David Hofmann (Public Relations), JoJo Baptista (Treasurer), Seated L to R: Sherm Cohen (Advisory Board), Paul Anderson (Secretary), Michael Woodside (Vice President).

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Posted by Stephen Worth @ 2:59 pm