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Thursday, February 24th, 2011

Biography: Al Capp

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Birth/Death

Alfred Gerald Caplin
Born: September 28, 1909 (New Haven, CT)
Died: (Emphysema) November 5, 1979 (South Hampton, NH

Occupation/Title

Comic Strip Cartoonist, Newspaper Columnist, Radio & TV Commentator
Creator of LI’L ABNER for United Features Syndicate in 1934
Co-creator of ABBIE AN’ SLATS [with Raeburn Van Buren], and LONG SAM [with
Bob
Lubbers]

Bio Summary

Parents: Otto Philip Caplin and Maltida [Davidson] Caplin
Married: Catherine Wingate Cameron
Children: Julie, Cathy, Colin
Brother: Elliot Caplin – Comic book publisher / co-creator of THE HEART
OF
JULIET JONES [with Stan Drake] and BROOM HILDA [with Russ Myers]
Brother: Jerry “Bence” Capp – Licensing, Capp Enterprises Inc.

Early Life/Family

Capp’s father was reportedly an amateur cartoonist.
At the age of 9, Capp jumped off the back of an ice wagon directly into
thepath of an oncoming streetcar. The trolley severed his left leg below
the hip. This childhood accident likely helped shape Capp’s cynical
worldview,certainly darker and more sardonic than that of the average newspaper
cartoonist. Capp wore a prosthetic leg for the next 60 years. Rather than hide the
fact, he openly joked about it all his life.

Education/Training

Bridgeport Central High School
Capp attended several art schools, including the Boston Museum School
of
Fine Arts, Pennsylvania Academy of Fine Arts, and Designers Art School

Career Outline

Took over the single-panel feature COLONEL GILFEATHER for the
Associated
Press in 1932. Resigned after 3 months.
Apprenticed with Ham Fisher on JOE PALOOKA. (Their stormy relationship
was recounted by Capp in a magazine article for The ATLANTIC, “I
Remember
Monster” – April, 1950)
Began LI’L ABNER for United Features Syndicate in August, 1934. The
strip
was an immediate success. It lasted until 1977.

Comments On Style

“I consider LI’L ABNER the greatest comic strip of all time. Al Capp was a true genius, despite falling apart mentally in his later years. The strip had everything- literate, witty writing, great adventure, wild humor, social satire, fabulous babes. And of course,
Fearless Fosdick… Capp’s “Case of the Poisoned Beans” is my all-time
favorite comics story. The absurdity is wonderful.”
(Mystery Writer / DICK TRACY author Max Allan
Collins – 1999)

By any modern standard, LI’L ABNER was an American masterpiece of cartoon satire. The best of Capp’s great body of work could arguably hold its own against any classic satirical literary work. No less an authority than John Steinbeck once earnestly recommended Capp
for the Nobel Prize in literature, and called Capp “possibly the greatest writer in the world today” in 1953.

“Many have commented on the shift in Capp’s political viewpoint, from
as liberal as POGO in his early years to as conservative as LITTLE ORPHAN
ANNIE when he reached middle age. At one extreme, he displayed consistently
devastating humor, while at the other, his mean-spiritedness came to the
fore – but which was which seems to depend on the commentator’s own
point of view. From beginning to end, Capp was acid-tongued toward the targets
of his wit, intolerant of hypocrisy, and always wickedly funny.”
– Don Markstein’s Toonopedia

Influences

Words, concepts and phrases in the English language, attributed or
partially
attributed to Al Capp:
Sadie Hawkins Day
Double whammy
Shmooing
Lower Slobbovia
Skunk Works
Druthers
Nogoodnik

Fearless Fosdick, Capp’s innovative strip-within-a-strip parody of DICK TRACY, was a direct inspiration to Harvey Kurtzman’s MAD Magazine.

Personality

Volatile, contentious, complex, erratic, iconoclastic, misanthropic, curmudgeonly,
controversial, and sardonically funny.
Frank Frazetta described Al Capp as “exasperating, infuriating,
domineering,
obnoxious, loud, lots of fun, acidic and lovable.”

Anecdotes

JOE PALOOKA creator Ham Fisher and Al Capp waged a famous
feud for
years. It finally came to a head when
Fisher
“doctored” photostats of LI’L ABNER in order to make its panels appear
pornographic. Fisher promptly accused Capp of indecency, and attempted
to
have him expelled from the National Cartoonists Society. An ensuing
lawsuit
revealed Fisher’s duplicity, and culminated in Fisher’s expulsion from
the
NCS instead. (Fisher subsequently committed suicide in
1955.)

Capp is often associated with two other giants of
the medium, Milton Caniff (TERRY AND THE PIRATES, STEVE CANYON) and Walt Kelly (POGO).
The three men were close personal friends and professional associates throughout their adult lives, and often referenced each other in their strips.

Once, Capp and his brother Elliot ducked out of a dull party at Capp’s home – leaving Walt Kelly alone to fend for himself entertaining a group of Argentine envoys who didn’t speak English. Kelly retaliated by giving away Capp’s baby grand piano! (According to Capp, Kelly’s perfectly logical reason was, “because you can’t play the piano, anyway!”)

Miscellaneous

During and after World War II, Capp worked tirelessly going to
hospitals to
entertain patients, often accompanied by his friend Milton Caniff. Capp especially wanted to cheer up recent amputees, and explain
that
the loss of a limb did not mean an end to a happy, productive life.
Capp was also involved with the Sister Kenny Foundation, which did
charity
volunteer work for crippled children.

LI’L ABNER lasted 43 years, and along the way was turned into a radio
serial
(1939-40), a Broadway musical (1956), two feature films (1940 and
1959),
three TV pilots, and its own theme park, Dogpatch USA in northwest
Arkansas,
which operated from 1968 to 1993.
Perhaps the strip’s most lasting influence on American culture was the
creation of “Sadie Hawkins Day.” The event became an unofficial
holiday, and
begat thousands of real-life chases on college and high school
campuses. In
1952, 40,000 Sadie Hawkins Day events were documented.

Filmography

LI’L ABNER (1940)
KICKAPOO JOY JUICE (1944)
AMOOZIN’ BUT CONFOOZIN’ (1944)
A PEE-KOOL-YAR SIT-CHEE-AY-SHUN (1944)
PORKULIAR PIGGY (1944)
SADIE HAWKINS DAY (1944)
FEARLESS FOSDICK (1952) NBC-TV (series, 13 episodes)
THAT CERTAIN FEELING (1956) cameo
LI’L ABNER (1959)
THIS IS AL CAPP (1970) NBC-TV (special)
LI’L ABNER (1971) NBC-TV (special)
IMAGINE: JOHN LENNON (1988) cameo

“No other comic artist has come close to Capp’s television exposure.
During TV’s infancy, Capp appeared as a regular on THE AUTHOR MEETS THE
CRITICS (1947-54). He was a periodic panelist on ABC and NBC’s WHO SAID THAT?
(1948-55). In 1953 Capp moderated WHAT¹S THE STORY? for the Dumont
network.
The same year he hosted ANYONE CAN WIN for CBS.
He could appear as a celebrity guest on a kiddie show like ROD BROWN OF
THE ROCKET RANGERS as well as Sid Caesar’s top-rated YOUR SHOW OF SHOWS.
For two decades the outspoken Capp regularly entertained millions as a regular
guest on NBC’s TONIGHT SHOW, spanning three hosts (Steve Allen, Jack Paar and
Johnny Carson). And no less than four different times he had his very own TV vehicle:
THE AL CAPP SHOW (1952), AL CAPP¹S AMERICA (1954), THE AL CAPP SHOW (1968),
and AL CAPP (1971-72)”
– Denis Kitchen

Honors

NCS Reuben Award ­ 1947 (Cartoonist Of The Year)
NCS Elzie Segar Award – 1979 (posthumous)
US Postage Stamp – 1995

Related Links

http://www.lil-abner.com/

Bibliographic References

(All by Al Capp unless otherwise noted)
THE LIFE AND TIMES OF THE SHMOO (1948) Simon & Schuster
THE WORLD OF LI’L ABNER (1953) Farrar, Straus & Young
EIGHT HUMORISTS by George Mikes (1954) Allan Wingate, London
AL CAPP’S FEARLESS FOSDICK: HIS LIFE AND DEATHS (1956) Simon & Schuster
AL CAPP’S BALD IGGLE: THE LIFE IT RUINS MAY BE YOUR OWN (1956) Simon &
Schuster
THE RETURN OF THE SHMOO (1959) Simon & Schuster
FROM DOGPATCH TO SLOBBOVIA (1964) Beacon Press, Boston
LI’L ABNER: A STUDY IN AMERICAN SATIRE by Arthur Asa Berger, Ph. D.
(1970)
Univ. Press of MS
THE HARDHAT’S BEDTIME STORY BOOK (1971) Harper & Row
THE BEST OF LI’L ABNER (1978) Holt, Rinehart & Winston
ABBIE AN’ SLATS by Raeburn Van Buren – 2 Volumes (1983) Ken Pierce, Inc
LI’L ABNER: Reuben Award Winner Series – Book 1 (1985) Blackthorne
LI’L ABNER DAILIES – 27 Volumes (1988 – 1997) Kitchen Sink Press
FEARLESS FOSDICK (1990) Kitchen Sink Press
MY WELL-BALANCED LIFE ON A WOODEN LEG (1991) John Daniel & Co.
FEARLESS FOSDICK: THE HOLE STORY (1992) Kitchen Sink Press
AL CAPP REMEMBERED by Elliot Caplin (1994) Bowling Green Univ. Popular
Press
AMERICA’S GREAT COMIC STRIP ARTISTS by Richard Marschall (1997)
Abbeville
THE ENIGMA OF AL CAPP by Alexander Theroux (1999) Fantagraphics
GLAMOUR INTERNATIONAL #26 The Good Girl Art of Bob Lubbers (2001)
THE SHORT LIFE AND HAPPY TIMES OF THE SHMOO (2002) Overlook (Previous
titles
reprinted in one volume)
AL CAPP’S LI’L ABNER: THE FRAZETTA YEARS – 4 Volumes (2003 – 2004) Dark
Horse
AL CAPP’S SHMOO: THE COMPLETE COMIC BOOKS ­ Ed. by Denis Kitchen
(2008) Dark
Horse
Contributors To This Listing

Mike Fontanelli
Joe Suggs

To make additions or corrections to this listing, please click on COMMENTS below…

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Monday, February 21st, 2011

Biography: Andreas Deja

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death
Birth: 1957, Gda?sk, Poland.

Occupation/Title

Character Animator, Character designer, Supervising Animator

Bio Summary

Deja has worked in Disney more than two decades. He was always a fan of Disney since he was little. He wanted to become an animator in Disney studio when he saw Jungle Book at 10 years old. Then he went to art school to study graphic design and human and animal drawing in German. While he was still in school, he had contacted with Eric Larson (who was a head of the training program in Disney) and sent some of his best drawing to Eric. Then Deja was invited to go to four weeks training cession in Disney and was hired to work in the studio in 1980. He has served as supervising animator for most memorable characters in Hollywood, like Roger Rabbit, King Triton, Gaston, Jafar, Hercules, Lilo, and Queen Narissa. He is the current resident specialist for the animation of Mickey Mouse and also working on a film The Princess and the Frog.

Early Life/Family

In Germany, Deja had always grown up with Disney and was exposed in Disney comics. When he was 10 years old, Jungle Book came out, He saw it and kept thinking he would like to work with great artists in the Disney studio in the future. Then he wrote to the studio and asked about how he can become a Disney animator and what training was involved. Then, he got nice letter back from the studio and they suggested him to go to art school to get solid academic art training and study human figure and animal study as well. The letter gave Deja a meaningful encouragement and helped him found the way to become a good animator.

Education/Training

Studied graphic design at the Folkwang-Schule in Essen, Germany

Career Outline

Deja jointed the Walt Disney studio in 1980. The first movie he worked on was The Black Cauldron, in which he designed a pig-keeper and animated a lot of the boy Tran and the Princess Eilonwy and Dallben. Then he re-did some of the animation of the Mouse Queen in The Great Mouse Detective. While he was worked for Oliver & Company, he was invited by Richard Williams to go to London for a year and assist with the animation Who Framed Roger Rabbit. After he came back to LA, his next film was The Little Mermaid and he animated the King Triton. Then the next film was on a Mickey short, The Prince and the Pauper Then he did several villain, like Gaston on Beauty and the Beast, Jafar in Aladdin, and Scar on The Lion King. Then he went to France again and worked on Mickey Mouse on the Runway Brain Project in Paris. Then he animated the title characters from the Hercules, Lilo & Stitch, and Queen Narissa from Enchanted. He is current resident specialist for the animation of Mickey Mouse. He is also working on an eccentric character in The Princess and the Frog and it will be released in 2009.

Comments On Style

He has very strong background and knowledge in the style of Disney characters. He does both villains and heroic characters in different projects and he always like to explore different characters possibility through his work.

Influences

Heinrich Klay, the German Illustrator form the 20’s and 30’s who drew for ‘St Putitimus’.
Classic Disney Animation, and more…

Personality

Anecdotes

At the time Disney was working on The Little Mermaid, he one time asked the management if he could have a certain table, but they were not sure how to make of it. One evening after people were gone Deja walked around and he found Milt Kahl’s drawing table which was exactly the one he wanted. This was how he acquired Milt Kahl’s table and always inspired by Milt when he used it.

Miscellaneous

Once Deja knows the studio only keeps the clean up works in the Animation Research Library. Deja starts to collect a lot of
original works (rough drawings) either from art dealers or all over the place because they are treasures for him and he can learn so much from those original works by different animators.

Filmography

The Black Cauldron (1985) (animator) (character designer)
—Taran and the Magic Cauldron
The Great Mouse Detective (1986) (character animator)
—Basil – The Great Mouse Detective (international: English title)
—Basil of Baker Street (UK)
—The Adventures of the Great Mouse Detective (USA: reissue title)
Oliver & Company (1988) (character designer)
Who Framed Roger Rabbit (1988) (supervising animator: “Roger Rabbit”)
The Little Mermaid (1989) (character designer) (directing animator: “King Triton”)
The Prince and the Pauper (1990) (supervising animator)
—Mickey’s the Prince and the Pauper (USA: complete title)
Beauty and the Beast (1991) (supervising animator: “Gaston”)
—Beauty and the Beast: Special Edition (USA: longer version)
Aladdin (1992) (supervising animator: “Jafar”)
The Lion King (1994) (supervising animator: “Scar”)
—Rey leon, El (USA: Spanish title)
Runaway Brain (1995) (animation supervisor)
Hercules (1997) (supervising animator: “Adult Hercules”)
Fantasia/2000 (1999) (animator) (segment “Rhapsody in Blue”) (character animator: “Mickey Mouse”, host sequences)
—Fantasia 2000 (Philippines: English title) (USA: alternative spelling)
Lilo & Stitch (2002) (supervising animator: “Lilo”)
Home on the Range (2004) (animator: “Slim” and “Junior”)
Mickey’s Twice Upon a Christmas (2004) (V) (animation consultant)
Bambi II (2006) (animation consultant)
How to Hook Up Your Home Theater (2007) (animator)
Enchanted (2007) (animator)
The Princess and the Frog (2009) (supervising animator: “Mama Odie”)

Honors

Winsor McCay Annie Award 2006

Related Links

IGN: An Interview with Andreas Deja
The animator discusses his work on Who Framed Roger Rabbit and Lilo& Stitch by Ken P. (March 31, 2003)

Exclusive: Andreas Deja Talks the Animation of 101 Dalmatians (source by Brian Gallagher March 4th, 2008)

UltimateDisney.com’s Interview with Andreas Deja, legendary Disney animator and expert by Aaron Wallace (March 17, 2008)

Jim Hill chats with this noted Disney animator as he gets ready for “An Evening with Andreas Deja,” a fundraising event for the AISFA-Hollywood Animation Archive that will be held at Van Eaton Galleries tomorrow night (June 20, 2007)

Dalmatians 101” “Spotting” fun facts with Andreas Deja by Jeremie Noyer (March 6th, 2008)

IMDB-Andreas Deja (Filmography)

Bibliographic References

Contributors To This Listing
Enoch Allen
Cara

To make additions or corrections to this listing, please click on COMMENTS below…

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Monday, February 21st, 2011

Biography: Eric Larson

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Occupation/Title

Bio Summary

Early Life/Family

Education/Training

Career Outline

Comments On Style

Influences

Personality

Anecdotes

Miscellaneous

Filmography

Honors

Annie Award: Winsor McCay Award 1983

Related Links

Bibliographic References

Contributors To This Listing

To make additions or corrections to this listing, please click on COMMENTS below…

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