Author Archive

Saturday, January 30th, 2021

JAN 30: Discord Discussion – Live Action Reference

TODAY! 5:30pm PST

Animation Resources Discord

Animation Resources is hosting monthly Discord parties on its Discord server. Join us the last Saturday of every month to participate in discussions and network with fellow artists from all over the world. The party starts at 4:30 pm (PDT) and the program begins at 5:30 pm.

THIS MONTH’S PROGRAM

Live Action Reference

Our schedule of monthly programs under the banner Discord Discussions continues this Saturday January 30th!

All animators are inspired by animation. But how many are inspired by live action? While there’s a seemingly infinite variety of styles in live action, animation tends to same stick to the same few kinds of films. Join Animation Resources President Stephen Worth and Board Member Davey Jarrell this Saturday on Discord as they discuss the ways in which live action can be used as an influence to create new kinds of animation. We’ll discuss what you should look for in analyzing a film, and what kinds of films to search out. Don’t miss it! Doors open at 4:30 PST and the program starts at 5:30 PST.

LEARNING FROM LIVE ACTION REFERENCE
Animation Resources
At The Animation Resources Discord Server
SATURDAY JANUARY 30th, 2021 5:30 pm (PDT)
HOSTED BY DAVEY JARELL, WITH STEPHEN WORTH

Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!

ABOUT YOUR HOSTS

Davey Jarell is a member of the Board of Directors of Animation Resources. He is a professional storyboard artist for television and acts as our Director of Programs.

Stephen Worth is the President of Animation Resources. He is a producer with over 30 years of experience in animation.

Cinematography

ABOUT DISCORD

Discord is a free chat app that supports video, voice chat and text chat. Discord servers are divided into channels, which all have their own subject or theme of discussion. Members are assigned roles which helps everyone keep track of who’s who. The Animation Resources Discord channel is a virtual meeting place for our supporters. You can meet other Animation Resources members, talk with the people behind the scenes at our organization, and attend lectures and screenings— all without leaving your home. It’s free and open to everyone in the creative community. If you’d like more info on how Discord works, see this article: What is Discord?

Here’s how to install the Discord app and login to the Animation Resources Discord Server:


    1. INSTALL DISCORD
  • iPhone or Android: Download the app from the App Store or Google Play Store and install.
  • Desktop: You can access Discord for your Mac or PC from discordapp.com. You can choose to download and install the free Discord app, or enter our channel directly using your web browser. https://discord.gg/cuvNvsMNQP
    2. CREATE AN ACCOUNT
  • Just follow the prompts to create your own login account.
    3. JOIN THE ANIMATION RESOURCES CHANNEL
  • Click the plus sign to the right of the app and select "JOIN A SERVER".
  • Enter this invite code: vES5YsV
    4. YOU’RE THERE!
  • Take a moment to look around, read the rules and introduce yourself.

The Animation Resources Discord Server is open to the public right now. Pop in and look around, and make a point to visit on Saturday!

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Thursday, January 28th, 2021

REFPACK037: Cinematography For Animators

Reference Pack

REFPACK 037
Download Page
Members Only Download

Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.


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DVD QUALITY VIDEO:
Cinematography

Visions Of Light
Download Page
Todd McCarthy & Stuart Samuels / 1992

At Animation Resources, we often speak of animation’s many links to drawing and painting. But it shares an even closer kinship with live action movie-making. Cinematic principles are just as important as the fundamentals of drawing. The best source of information on this is the study of live action movies.

Cinematography

When I ask young animators about the films that inspired them to pursue a career in animation, they usually mention classic cartoons and animated features made by Disney, Fleischer or Warner Bros; or they cite Miazaki or anime as being an important influence on them. But when I ask about the live action films that inspired them to become a film maker, they generally mention recent mainstream films, and admit they really don’t know much about the history of live action movies.

Cinematography

The range of subject matter in animation is very narrow… talking dogs, princesses, and superheroes account for most of it. But in live action, the range is infinite… westerns, horror, crime, science fiction, romance, comedy, documentaries, musicals… you name it. Live action spans a whole universe of genres. There is no reason that animation should be so limited in its subjects. Animation is a medium, not a genre. It is capable of telling any kind of story. But as long as animators focus on other animated films as a model and fail to open their frame of reference to encompass the vast universe of live action film making, we may never know just how broad animation’s range could be.

Cinematography

Animation Resources has featured slapstick comedies in the past and explained how they can be used to inform animated techniques. With this Reference Pack, we’re going to take that a step further and explore the visual links that live action and animation share. There is no better place to start than to examine the role of the cinematographer in live action film making. The camera is the viewer’s eye, and the Director of Photography chooses how the audience sees the action on the screen. In this Reference Pack, we are presenting a rare documentary titled Visions Of Light to introduce animators to the rich visual language of live action films.

Cinematography

In 1992 Japanese television, the American Film Institute and the American Society of Cinematographers teamed up to create a documentary outlining the visual history of cinematography. It brought together some of the greatest Directors of Photography in the business to discuss their work, as well as the work of the generation of cameramen that proceeded them. The documentary included clips from just about every major studio and because of this, distributing this film has become a nightmare of licensing problems. Visions Of Light has been out of print in the US for many years. Animation Resources has obtained a copy for our digital archive and we are proud to be able to share it with our members.

Cinematography

Young animators will want to take note… This documentary includes clips from some of the most important films of all time. It would be a good idea to take this documentary as a jumping off point for your research. We have made a list for you of the films in the order of their appearance. Print it out, search out copies, and check off the films as you watch them. Take notes on the scenes that are visually striking and break them down by sketching them to see how the compostions work. If you see sequences that have real energy and guts, do a thumbnail storyboard to learn how they use mise en scene and editing to convey motion and emotion. What better way to spend a pandemic lockdown than by studying great film making?

Cinematography

In order of appearance: The Dickson Experimental Sound Film (1895), Repas de bébé (1895), L’Arrivée d’un train à la Ciotat (1895), The Kiss (1896), Le Spectre rouge (1907), The Birth of a Nation (1915), Intolerance (1916), The Cabinet of Dr. Caligari (1920), Way Down East (1920), Der Letzte Mann (1924), Ben-Hur (1925), Napoléon (1927), Sunrise: A Song of Two Humans (1927), The Crowd (1928), The Cameraman (1928), The Cocoanuts (1929), Applause (1929), The Locked Door (1929), Possessed (1931), Dr. Jekyll and Mr. Hyde (1931), Shanghai Express (1932), As You Desire Me (1932), What Price Hollywood? (1932), Red Dust (1932), Mystery of the Wax Museum (1933), Gold Diggers of 1933 (1933), Queen Christina (1933), Becky Sharp (1935), Peter Ibbetson (1935), Desire (1936), Camille (1936), Jezebel (1938), The Adventures of Robin Hood (1938), Midnight (1939), The Story of Vernon and Irene Castle (1939), The Wizard of Oz (1939), Gone with the Wind (1939), The Grapes of Wrath (1940), Rebecca (1940), The Sea Hawk (1940), The Long Voyage Home (1940), Citizen Kane (1941), How Green Was My Valley (1941), The Magnificent Ambersons (1942), Meet Me in St. Louis (1944), Mildred Pierce (1945), The Killers (1946), Out of the Past (1947), T-Men (1947), The Naked City (1948), Oliver Twist (1948), She Wore a Yellow Ribbon (1949), Young Man with a Horn (1950), Sunset Boulevard (1950), On the Waterfront (1954), The Big Combo (1955), The Night of the Hunter (1955), Picnic (1955), Sweet Smell of Success (1957), Touch of Evil (1958), Jules et Jim (1962), Lawrence of Arabia (1962), Hud (1963), Who’s Afraid of Virginia Woolf? (1966), The Professionals (1966), Cool Hand Luke (1967), In Cold Blood (1967), The Graduate (1967), 2001: A Space Odyssey (1968), Rosemary’s Baby (1968), Easy Rider (1969), Midnight Cowboy (1969), The Conformist (1970), McCabe & Mrs. Miller (1971), The French Connection (1971), The Godfather (1972), Fat City (1972), Chinatown (1974), The Godfather Part II (1974), The Day of the Locust (1975), Jaws (1975), Dog Day Afternoon (1975), Taxi Driver (1976), Eraserhead (1977), Annie Hall (1977), Days of Heaven (1978), Apocalypse Now (1979), Raging Bull (1980), E.T. the Extra-Terrestrial (1982), Blade Runner (1982), Mishima: A Life in Four Chapters (1985), Blue Velvet (1986), The Last Emperor (1987), Empire of the Sun (1987), The Unbearable Lightness of Being (1988), The Last Temptation of Christ (1988), Do the Right Thing (1989), Goodfellas (1990)

REFPACK037: Visions Of Light
Download Page
MP4 Video File / SD / 1:30:99 / 1.07 GB Download


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Not A Member Yet? Want A Free Sample?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

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Saturday, December 5th, 2020

REFPACK037: LAST CALL! Two Feature Films

Our February/March Reference Pack will be going online this weekend and RefPack037 will be removed from the server. If you haven’t downloaded it yet, do it now before it’s too late.

Reference Pack

Every other month, Animation Resources shares a new Reference Pack with its members. They consist of an e-book packed with high resolution scans and video downloads set up for still frame study. Make sure you download the Reference Packs before they’re updated. When it’s gone, it’s gone!


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Animal Farm

Animation Resources has just posted its 37th RefPack! COVID-19 has made it difficult for volunteers to digitize and prepare e-books, so this time we are focusing on videos. We have two wonderful feature films for you to study. First up is a British animated feature based on George Orwell’s anti-Stalinist fable, “Animal Farm”. John Halas and Joy Batchelor produced the film with a crew of over 80 artists and it took three years to complete. It’s a forward thinking and efficient animated film with simplified backgrounds and brilliant layouts. We think you will learn a lot from this stylish and efficient animated feature, and hopefully it will inspire you to create films with a more adult point of view.

Animal Farm


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JOIN TODAY To Access Members Only Content


Cinematography

At Animation Resources, we often speak of animation’s many links to drawing and painting. But it shares an even closer kinship with live action movie-making. Cinematic principles are just as important as the fundamentals of drawing. The best source of information on this is the study of live action movies. The range of subject matter in animation is very narrow… talking dogs, princesses, and superheroes account for most of it. But in live action, the range is infinite… westerns, horror, crime, science fiction, romance, comedy, documentaries, musicals… you name it. There is no better place to start than to examine the role of the cinematographer in live action film making. The camera is the viewer’s eye, and the Director of Photography chooses how the audience sees the action on the screen. In this Reference Pack, we are presenting a rare documentary titled Visions Of Light to introduce animators to the rich visual language of live action films. This documentary includes clips from some of the most important films of all time. It would be a good idea to take this documentary as a jumping off point for your research. What better way to spend a pandemic lockdown than by studying great film making?

Cinematography


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JOIN TODAY To Access Members Only Content


Gustave Dore

Our bonus download this month is a fabulous e-book of high resolution images by one of the greatest illustrators who ever lived, Gustave Dore. In 1847, Dore decided he wanted to create a book of engravings based on a great literary work, Dante’s Inferno. He visited the offices of Louis Hachette, the most successful publisher in Paris. Even though no book up to that point had sold for more than 15 Francs, Dore told Hachette that he wanted to produce a deluxe oversize book of engravings that would sell for 100 Francs. The publisher scoffed at the idea and assured him that no book would ever sell at that price. But Dore called his bluff, offering to pay the printing and binding expenses if Hachette would manufacture and distribute the book for him. Dore created 76 full page engravings for Inferno, and financed a print run of 100 large format books. Within two weeks, the first printing had sold out and Hachette was eager to eat his words and publish the book on Dore’s terms. With a team of the greatest available engravers working under his supervision, Dore went on to create iconic engravings for Don Quixote, Baron Munchausen, Fontaine’s Fables, Milton’s Paradise Lost and the Bible, among many others. In just three years, he produced over 2,000 engravings, and continued to maintain an incredible pace for another two decades.

The influence of the imagery of Gustave Dore can be seen in classic movies like Intolerance, King Kong, Great Expectations and The Ten Commandments. Despite the fact that Dore’s engravings are nothing more than lines etched in black and white, he achieved a remarkable sense of scale, depth and mass, as well as truly spectacular lighting effects. It’s no wonder that the masters of epic filmmaking, D.W. Griffith, Cecil B. DeMille and David Lean referred to Dore’s illustrations for their set designs. Stop-motion animators, Willis O’Brian and Ray Harryhausen have cited Dore as one of their main influences as well.

Gustave Dore
Set design for D.W. Griffith’s "Intolerance" (1916).
See Dore’s depiction of Babylon above.


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Animal Farm

At Animation Resources, our Advisory Board includes great artists and animators like Ralph Bakshi, Will Finn, J.J. Sedelmaier and Sherm Cohen. They’ve let us know the things that they use in their own self study so we can share them with you. That’s experience you just can’t find anywhere else. The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.

Cinematography


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Haven’t Joined Yet?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

CLICK TO DOWNLOAD a sample RefPack!

Animation Resources is a 501(c)(3) non-profit arts organization dedicated to providing self study material to the worldwide animation community. If you are a creative person working in animation, cartooning or illustration, you owe it to yourself to be a member of Animation Resources.

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