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Saturday, October 30th, 2010

Biography: John Lounsbery

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Birth/Death

Birth: March 9, 1911, Cincinnati, Ohio
Death: February 13, 1976, Los Angeles, California

Occupation/Title

Animator, Director

Bio Summary

Best known as one of Disney’s “Nine Old Men”, John Lounsbery was born the youngest of three brothers on March 9, 1911, in Cincinnati, Ohio, and raised in Colorado. He graduated from East Denver High School and then attended the Art Institute of Denver.

After graduating from collage in 1932 he moved to Los Angeles where he worked as a freelance commercial artist while attending illustration courses at the Art Center School of Design. One of the teachers there told him to look into the Walt Disney Studios which were searching for artists at the time.

In 1935 he was hired as an assistant animator to director Norman Ferguson to draw the Mickey Mouse cartoon series. He worked on the project through 1939 including such films as Society Dog Show (1939), The Pointer (1939), The Practical Pig (1939); and he worked on Snow white and the Seven Dwarfs (1937), the studio’s first full-length animated feature.

By 1940 he had been promoted to animator because of his great natural ability, skill, and talent. During the next seven years he worked mostly in the studio’s feature animation department. During the next seven years he worked on many great projects including: Honest John J. Worthington Foulfellow and Gideon in Pinocchio (1940), the “Dance of the Hours” segment in Fantasia (1940), Victory through Air Power (1943), The Three Cabelleros (1945) and the Wolf in the “Peter and the Wolf” segment of Make Mine Music (1946). Lounsbery also worked as the character animator on the 1940 development of Donald Duck and from 1941 to 1945 on the Pluto full-color theatrical cartoon series.

In 1940 Lounsbery was made a directing animator for the Disney Studio’s feature animation department; he went on to helm eighteen features. These included Timothy the mouse and Elephants in Dumbo (1941), Song of the South (1946), Willie the Giant in the “Mickey and the Beanstalk” section of Fun and Fancy Free (1947), Melody Time (1948) and The Adventures of Ichabod and Mister Toad (1949). Throughout the 50’s and 60’s, Lounsbery was a directing animator on Cinderella (1950), Alice in Wonderland (1951), George Darling and the Indians in Peter Pan (1942), Tony, Joe, and Bull in Lady and the Tramp (1955), Prince Phillip, Owl, and Maleficent’s Goon in Sleeping Beauty (1959), Sergeant Tibs and Horace Badun in One Hundred and One Dalmatians (1961), Wolf in The Sword in the Stone (1963), Mary Poppins (1964), and Shere Khan and Bugler in The Jungle Book (1967).

In the 70’s Lounsbery worked on The Aristocrats (1970), Edgar, Madame Bonfamille, and Georges Hautecourt in Bedknobs and Broomsticks (1971), Supervising animation of the Sheriff of Nottingham in Robin Hood (1973). Lounsbery died in 1976 while still working on The Rescuers (1977) and The Many Adventures of Winnie the Pooh (1977).

Early Life/Family

Lounsbery was born in Cincinnati, Ohio. He was raised in Colorado where he enjoyed winter sports and trips to the mountains in the summer.

Education/Training

Graduated from the Art Institute in Denver, Colorado in 1932.

Career Outline

Disney studios 1935 – 1976

Comments On Style

Frank Thomas and Ollie Johnston wrote, “Hardly subtle, John’s characters were always fun to watch,” and “His better drawings and bigger concept, not limited by old vaudeville acts, brought the bold, crude approach to new heights, using more refinement, more dramatic angles, more interest, and all without losing the main idea. His simple staging, appealing characters, good taste, strong squash and stretch, and controlled anticipations and follow through made a big bold statement, but they never lost believability. Hardly subtle, his characters were always fun to watch.”

Personality

Shy by nature but very light hearted.

Anecdotes

Frank Thomas and Ollie Johnston wrote that no matter how bad a situation might be, John could always make “some funny observation to lighten the situation.”

Miscellaneous

Miscellaneous
Filmography

Filmography

Snow White and the Seven Dwarfs (1937) (assistant animator) (uncredited)
Society Dog Show (1939) (animator) (uncredited)
The Practical Pig (1939) (animator) (uncredited)
The Pointer (1939) (animator) (uncredited)
Officer Duck (1939) (animator)
Pinocchio (1940) (animator)
Donald’s Dog Laundry (1940) (animator)
Bone Trouble (1940) (animator)
Fantasia (1940) (animator) (segment “Dance of the Hours”)?Pluto’s Playmate (1941) (animator) (uncredited)
Dumbo (1941) (animation director)
Out of the Frying Pan Into the Firing Line (1942) (animator) (uncredited)
Pluto at the Zoo (1942) (animator) (uncredited)?Pluto and the Armadillo (1943) (animator) (uncredited)
Victory Through Air Power (1943) (animator)
Chicken Little (1943) (animator) (uncredited)
Springtime for Pluto (1944) (animator) (uncredited)
The Three Caballeros (1944) (animator)
The Legend of Coyote Rock (1945) (animator)
Canine Patrol (1945) (animator)
Make Mine Music (1946) (animator)
Peter and the Wolf (1946) (animator)
Song of the South (1946) (directing animator)
Fun & Fancy Free (1947) (directing animator)
Mickey and the Beanstalk (1947) (animator)
Melody Time (1948) (directing animator)
So Dear to My Heart (1948) (animator)
The Adventures of Ichabod and Mr. Toad (1949) (directing animator)
Cinderella (1950) (directing animator)
Alice in Wonderland (1951) (directing animator)
Lambert the Sheepish Lion (1952) (animator)
Peter Pan (1953) (directing animator)
Ben and Me (1953) (animator)
Once Upon a Wintertime (1954) (animator)
Lady and the Tramp (1955) (directing animator)
The Legend of Sleepy Hollow (1958) (animator)
Sleeping Beauty (1959) (directing animator)
Goliath II (1960) (directing animator)
One Hundred and One Dalmatians (1961) (directing animator)
Aquamania (1961) (animator)
“Disneyland” (animator) (7 episodes, 1955-1963)
The Sword in the Stone (1963) (directing animator)
Mary Poppins (1964) (animator)
Winnie the Pooh and the Honey Tree (1966) (animator)
The Jungle Book (1967) (directing animator)
Winnie the Pooh and the Blustery Day (1968) (animator)
The AristoCats (1970) (directing animator)
Bedknobs and Broomsticks (1971) (animator)
Robin Hood (1973) (directing animator)
The Many Adventures of Winnie the Pooh (1977) (animator)?
?Director:?
Winnie the Pooh and Tigger Too! (1974)
The Many Adventures of Winnie the Pooh (1977)?The Rescuers (1977)?

Honors

Annie Award: Winsor McCay Award 1986
Named a Disney Legend in 1989

Related Links

http://legends.disney.go.com/legends/detail?key=John+Lounsbery
?http://www.imdb.com/name/nm0522028/

Bibliographic References

Lenburg, Jeff. Who’s Who in Animated Cartoons: An International Guide to Film and Television’s Award-Winning and Legendary Animators. Applause Books: 2006.?Thomas, Frank and Ollie Johnston. The Illusion of Life: Disney Animation. Walt Disney Productions. New York: 1981.

BIO-AAA-231

Contributors To This Listing

Asa Enochs

To make additions or corrections to this listing, please click on COMMENTS below…

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Saturday, October 30th, 2010

Biography: Ollie Johnston

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Birth/Death

Birth: October 31, 1912
Death: April 14, 2008

Occupation/Title

Animator

Bio Summary

Johnston was born in Palo Alto. He attended Stanford University as a journalism major as well as becoming a contributor to the school newspaper. He enrolled in the first and only art course which was landscape painting. While waiting for a class to start, a man by the name of Frank Thomas came over to him and introduced himself. This began a relationship between the two that has lasted 70 years. It was frank who convinced Ollie to try and get a job at Disney. Ollie retired from Disney in 1978 because of Palsy which he inherited from his parents. It was also at Disney where Ollie met his wife, Marie, who was working in the Ink and Paint department. They got married in January 1943.

Early Life/Family

Ollie’s father was a teacher at Stanford University. When Ollie was three years old, his father took him to the Panama Pacific Fair in San Francisco where his life long love of trains began. It was his love of trains that got Walt Disney into trains as well.

Education/Training

After college Thomas and Johnston both came south to attend Chouinard’s Art Institute where they studied with illustrator Pruett Carter.

Career Outline

Ollie started at Disney as an assistant animator on Snow White and worked his way up to Animation supervisor.

Comments On Style

Ollie was very emotional, sensing tender in his scenes which were delicate scenes, unexpected actions and deep feelings. His way of drawing and animating was very intuitive.

Influences

Personality

Johnston loved outdoor activities and sports.

Anecdotes

Johnston always had a sign on his animation desk that said, “What is the character thinking and why does he feel that way?”

Miscellaneous

Filmography

Mickey’s Garden (1935) (inbetween artist) (uncredited)
Mickey’s Rival (1936) (inbetween artist) (uncredited)
More Kittens (1936) (assistant animator) (uncredited)
Little Hiawatha (1937) (assistant animator) (uncredited)
Snow White and the Seven Dwarfs (1937) (assistant animator) (uncredited)
Brave Little Tailor (1938) (animator) (uncredited)
Mickey’s Surprise Party (1939) (animator) (uncredited)
The Practical Pig (1939) (animator) (uncredited)
The Pointer (1939) (animator) (uncredited)
Pinocchio (1940) (animator) (as Oliver M. Johnston)
Fantasia (1940) (animation supervisor) (segment “The Pastoral Symphony”)
Bambi (1942) (supervising animator)
How to Play Baseball (1942) (animator)
Victory Through Air Power (1943) (animator)
Reason and Emotion (1943) (animator)
Chicken Little (1943) (animator)
The Pelican and the Snipe (1944) (animator)
The Three Caballeros (1944) (animator: “The Flying Gauchito”)
Make Mine Music (1946) (animator: “Casey at the Bat” and “Peter and the Wolf”) (as Ollie Johnston)
Peter and the Wolf (1946) (animator)
Song of the South (1946) (directing animator)
Melody Time (1948) (directing animator: “Little Toot” and “Johnny Appleseed”) (as Ollie Johnston)
Johnny Appleseed (1948) (animator)
The Adventures of Ichabod and Mr. Toad (1949) (directing animator)
Cinderella (1950) (animator)
Alice in Wonderland (1951) (directing animator)
Susie the Little Blue Coupe (1952) (animator)
Peter Pan (1953) (directing animator)
Ben and Me (1953) (animator)
Little Toot (1954) (animator)
Disneyland (1954) TV Series (animator)
Lady and the Tramp (1955) (directing animator)
The Mickey Mouse Club (1955) TV Series (animator) (uncredited)
The Legend of Sleepy Hollow (1958) (animator)
Sleeping Beauty (1959) (directing animator)
101 Dalmatians (1961) (directing animator)
The Sword in the Stone (1963) (directing animator)
Mary Poppins (1964) (animator)
The Jungle Book (1967) (directing animator)
Winnie the Pooh and the Blustery Day (1968) (animator)
The Aristocats (1970) (animator)
Robin Hood (1973) (directing animator)
Winnie the Pooh and Tigger Too! (1974) (animator)
The Madcap Adventures of Mr. Toad (1975) (animator)
The Many Adventures of Winnie the Pooh (1977) (animator)
The Rescuers (1977) (key animator)
The Fox and the Hound (1981) (supervising animator)

Honors

Annie Award: Winsor McCay Award 1980
National Medal of the Arts

Related Links

FrankAndOllie.com

Bibliographic References

“Walt Disney’s Nine Old Men and the Art of Animation” by John Canemaker

BIO-AAA-232

Contributors To This Listing

Tom Kidd

To make additions or corrections to this listing, please click on COMMENTS below…

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Saturday, October 30th, 2010

Biography: Frank Thomas

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Birth/Death

Born: September 5, 1912
Died: September 8, 2004

Occupation/Title

Animator

Bio Summary

Thomas, born in Santa Monica, graduated from Stanford University, where he majored in art, drew cartoons for the school newspaper called Chaparral and other articles which were printed in the San Francisco Chronicle. At Disney, Thomas animated on such memorable characters as Thumper in Bambi, the wicked step mother in Cinderella, the Queen of Hearts in Alice in Wonderland, and Captain Hook in Peter Pan.

After retiring from Disney, both Thomas and Johnston began writing a book about animation titled “Disney Animation: The Illusion of Life” which took 5 years to finish and was published in 1981. It is considered “the bible” among character animators. Thomas was also part of Walt Disney’s “Nine Old Men,” which Disney jokingly dubbed Thomas and other top animators. The phrase derived from a description of the Supreme Court by President Franklin Roosevelt. Thomas also expressed his musical talents as the piano player in the popular jazz group, The Firehouse Five Plus Two formed in 1940s and consisted of mostly Disney animators. Thomas and Johnston were also the title subjects of a heartfelt 1995 feature-length documentary entitled “Frank and Ollie” written and directed by Frank’s son, Ted Thomas.

Early Life/Family

Thomas went to Fresno State College and became president of his sophmore class. At Fresno State, he wrote and directed a film spoofing college life for a school project. The film became a hit in local theaters which earned his school some money and sparked his ambition to get into the arts. He then went to Stanford where he met his best friend Ollie Johnston. After college Thomas and Johnston both came south to attend Chouinard’s Art Institute where they studied with illustrator Pruett Carter.

Education/Training

Career Outline

Comments On Style

Influences

Personality

Frank was always planning, keeping everything orderly, even in wild, crazy actions. At Disney, he was very ambitious and was a political player.

Anecdotes

Frank was an assistant animator or in-betweener on “Snow White and the Seven Dwarfs” and was given the job of animating the dwarfs in the scene where they grieve over Snow White’s death, the most crucial and emotional scene in the entire movie. He was never entirely satisfied with it, and the sequence ended up being trimmed.

Miscellaneous

Filmography

Mickey’s Circus (1936) (animator) (uncredited)
Mickey’s Elephant (1936) (animator) (uncredited) 
More Kittens (1936) (animator) 
Little Hiawatha (1937) (animator) (uncredited) 
Snow White and the Seven Dwarfs (1937) (animator: dwarfs) 
Brave Little Tailor (1938) (animator) (uncredited) 
The Practical Pig (1939) (animator) 
The Pointer (1939) (animator) 
Pinocchio (1940) (animation director) (as Franklin Thomas) 
Fantasia (1940) (animator) 
Dumbo (1941) (supervising animator) (uncredited) 
Bambi (1942) (supervising animator) (as Franklin Thomas) 
The Winged Scourge (1943) (animator) (uncredited) 
Education for Death (1943) (animator) (uncredited) The Making of the Nazi (USA: complete title) 
Victory Vehicles (1943) (animator) 
The Three Caballeros (1944) (animator: “The Flying Gauchito”) (as Franklin Thomas) 
Melody Time (1948) (animator: “Johnny Appleseed”) (uncredited) 
The Adventures of Ichabod and Mr. Toad (1949) (directing animator) 
Cinderella (1950) (animator) 
Alice in Wonderland (1951) (directing animator) 
Peter Pan (1953) (directing animator) 
Lady and the Tramp (1955) (directing animator) 
The Legend of Sleepy Hollow (1958) (animator) 
Sleeping Beauty (1959) (directing animator) 
Donald in Mathmagic Land (1959) (animator) (uncredited) 
101 Dalmatians (1961) (directing animator) 
The Sword in the Stone (1963) (directing animator) 
Mary Poppins (1964) (animator) 
The Jungle Book (1967) (directing animator) 
Winnie the Pooh and the Blustery Day (1968) (animator) 
The Aristocats (1970) (animator) 
Robin Hood (1973) (directing animator) (story sequences) 
Winnie the Pooh and Tigger Too! (1974) (supervising animator) 
The Madcap Adventures of Mr. Toad (1975) (animator) 
The Many Adventures of Winnie the Pooh (1977) (animator) 
The Rescuers (1977) (key animator) 
The Fox and the Hound (1981) (supervising animator) 

Actor – filmography 

I Give My Love (1934) (uncredited) …. Art Student
Man at Large (1941) (uncredited) …. Dr. G.G. Cataloni
Saludos Amigos (1942) (uncredited) …. Artist
The Iron Giant (1999) (voice) …. Train Engineer #2
The Incredibles (2004) (voice) …. Additional Voices

Writer – filmography

The Aristocats (1970) 
The Rescuers (1977) (script) 

Honors

Annie Award: Winsor McCay Award 1980

Related Links

FrankAndOllie.com

Bibliographic References

“Walt Disney’s Nine Old Men and the Art of Animation” by John Canemaker
BIO-AAA-541

Contributors To This Listing

Tom Kidd

To make additions or corrections to this listing, please click on COMMENTS below…

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