Author Archive

Wednesday, June 22nd, 2022

Comics: Paul Coker Jr’s Cartoons For Mad

Paul Coker

Paul CokerPaul CokerPaul Coker Jr. is one of those cartoonists that always seems to be overlooked, yet he is one of the most talented and stylistically ubiquitous artists of modern times. His drawings have appeared in advertisements, on greeting cards and in the pages of Mad Magazine for over half a century. He designed characters for many of the Rankin/Bass holiday puppet TV specials, including “Frosty the Snowman” and “Santa Claus Is Coming To Town”. His sketches are deceptively simple on first glance, but they are solidly drawn and incorporate many fundamental principles in a sophisticated manner. (For instance, check out the masterful control of perspective in the cartoon above.) John Kricfalusi has written an appreciation of Coker’s work, as has David Apatoff. Check out this devastating satire on network television and you’ll be a fan too.

From “The Mad Guide To Careers” 1978
BE A NETWORK TV EXECUTIVE

Paul Coker
Paul Coker
Paul Coker

Stephen Worth
Director
Animation Resources

Magazine CartoonsMagazine Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Magazine Cartoons.

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Tuesday, May 18th, 2021

Illustration: Arthur Rackham’s Grimm’s Fairy Tales

Arthur Rackham

Arthur RackhamArthur RackhamArthur Rackham was one of the most influential illustrators who ever lived. If you aren’t familiar with his work, see Bud Plant’s biography. These scans are from a first edition of Grimm’s Fairy Tales from 1909. This book is packed with amazing color plates and ink sketches.

Along with Edmund Dulac, Rackham was one of the most popular book illustrators of the early 20th century.

Arthur RackhamArthur RackhamWalt Disney admired Rackham’s watercolor and pen & ink style, and instructed Gustaf Tenggren to work with Claude Coates and Sam Armstrong to adapt it for use in Snow White and the Seven Dwarfs. In animation backgrounds however, the sinewy Rackham line was overly busy, distracting from the characters; so Tenggren evolved towards the more dimensional painting style which reached its peak in Pinocchio, setting the standard for Disney cartoons throughout the 1940s.

Of Rackham’s style, Bud Plant writes, “Most obvious, in retrospective, is the calm and good humor of the drawings. They seem imbued with a gentle joy that must have been reassuring to both the children and their parents. Rackham had found his niche. His drawings would convey a non-threatening yet fearful thrill and a beauty that was in no way overtly sexy or lewd. It was a perfect Victorian solution and he seems to have taken to it with an impish delight.”

Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham
Arthur Rackham

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Wednesday, February 17th, 2021

Theory: Live The Fabulous Lifestyle Of A Hollywood Cartoonist

Cartoonist Party

Wrap party for “Toot Whistle Plunk & Boom”

BingBingA few years ago, a student at Woodbury volunteered to help build out our database. He told me how much this blog, along with Eddie Fitzgerald’s has opened his eyes to how great cartoons were in the 30s, 40s and 50s. He had a sketchbook full of Preston Blair drawings and enthusiasm for Fleischer, MGM and Warner Bros cartoons. So I asked him what kinds of music he listens to…

“David Bowie mostly.”

My jaw hit the floor. I couldn’t believe what I was hearing. I gave him this advice…

Cartoons aren’t the only things that were better back in the first half of the 20th century.

Roy SmeckRoy SmeckA friend of mine once pointed out that somebody should write a book titled "The Golden Age of Everything". Sure, there are things today that are incredibly great… computers, the internet, iPhones, frost-free refrigerators, etc… but music, dance, illustration, writing, movies and cartoons were all going through a golden age back then. Cartoonists should be aware of this, and they should absorb all of the greatness of the past. It will give them a solid foundation to build upon and make them better cartoonists.

Today, I’m going to talk about music…

Bob Wills and his Texas Playboys

I know that someone out there is going to post a comment saying that there’s still great music being made, it just isn’t mainstream. I’m fully aware of the fact that there are talented musicians working today. But in the 30s through the 50s, incredible talent was a given. Performers, from the top of the heap to the bottom- from most popular to least- were all capable of making you do a double take and say “wow!”.

Fats WallerFats WallerWhen I ask kids what kinds of music they listen to, I usually get the response, “All kinds.” But “all kinds” usually turns out to mean a million shades of the same color… current rock music. There are so many names today for the same kind of music. For the life of me, I can’t tell the difference between rave, techno and electronica. In the past, there really were a million kinds of music… pop vocals, hot jazz, country western, big band swing, folk, rhythm & blues, bluegrass, mambo, dixieland, rock n’ roll, sweet orchestral, be bop…

I could talk for hours about this subject, but the best proof is seeing what I’m talking about…

JAZZ

Lucky Millinder

Lucky Millinder & Sister Rosetta Tharpe
"Four Or Five Times" (Soundie/1941)
(Quicktime 7 / 5.5 megs)

COUNTRY MUSIC

Collins And Maphis

Larry Collins & Joe Maphis
"Under The Double Eagle" (Tex Ritter’s Ranch Party/1959)
(Quicktime 7 / 5 megs)

THE BLUES

Collins And Maphis

Leadbelly
"Gray Goose" "Pick A Bale Of Cotton"(1950s)
(Quicktime 7 / 10 megs)

POPULAR MUSIC

Les Paul

Les Paul & Mary Ford
"The World Is Waiting For The Sunrise" "Amuka Riki" (Grand Old Opry/1959)
(Quicktime 7 / 12 megs)

If you are a student planning to be a professional cartoonist, listen to music that relates to your work- read books that inspire cartoony ideas- watch movies to learn cinematic techniques that can be applied to cartooning- LIVE THE FABULOUS LIFESTYLE OF A FAMOUS HOLLYWOOD CARTOONIST!

By the way… That animation student is a big Fats Waller fan now! And that’s not all… He’s a professional in the animation business working as a storyboard artist at Cartoon Network.

Stephen Worth
Director
Animation Resources

TheoryTheory

This posting is part of a series of articles comprising an online exhibit entitled Theory.

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