Archive for the ‘fairy tales’ Category

Wednesday, August 8th, 2018

Illustration: Felix Lorioux’s Tales From Perrault

Felix Lorioux Aesop

Here are some early illustrations by Felix Lorioux depicting three tales from Perrault published in 1926. These delicate watercolors aren’t as elaborately rendered as the ones in our previous postings of Fables De La Fontaine and Le Buffon des Enfants, but the drawing (particularly of nature) and the composition and framing of the images are beautiful. Enjoy!

TOM THUMB

Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop

PUSS IN BOOTS

Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots
Felix Lorioux Puss In Boots

CINDERELLA

Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella
Felix Lorioux Cinderella

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Wednesday, July 11th, 2018

Illustration: Willy Pogany’s Mother Goose

Willy Pogany's Mother Goose

One of my favorite blogs is David Apatoff’s Illustration Art. David is one of the best writers on the subject of art that I’ve read online. He’s unique because he thinks like an artist and he’s concise, two characteristics that are rare when it comes to art criticism in the blogosphere.

The other day, David posted about one of my favorite illustrators, Willy Pogany. (Read his post HERE.) You might recall that we featured Pogany on the Animation Resources site last Summer… (Willy Pogany’s Drawing Lessons) The post on Illustration Art discusses how much better Pogany’s work was when it was less embellished and more direct. I couldn’t agree more. I would add that it’s even better when it doesn’t take itself quite so seriously. A perfect example of Pogany at his absolute peak is a book that just happens to be my favorite illustrated children’s book, Willy Pogany’s Mother Goose.

Pogany's Mother GoosePogany's Mother GooseI’m afraid that viewing this book on the web puts you at a distinct disadvantage. This is one of those books that expresses itself beyond just the images. The size and weight of the book, the feel of the paper, the proportion of text blocks and margins, and the counterpoint in the layout of opposing pages all contribute to the powerful impression this book makes on the reader. The best way I can describe the feeling of reading this book is that each turn of the page is like revealing a new surprise.

From a design standpoint this book was revolutionary, because in 1928 when it was first published, the norm for illustrated books was to have uniform text blocks filling the bulk of the pages with an occasional hand tipped and tissue protected color plate. Pogany breaks all those conventions and makes every single page a fully illuminated illustration. I think it could be argued that this is one of the very first modern children’s books. The watercolors are rendered quickly in a deceptively simple style, but they’re packed with a million clever design ideas and tremendous spontaneity.

I’m afraid this is one book that I can’t afford a clean first edition copy of. The copy I scanned was battered and worn. I’ve done extensive Photoshopping to remove smudges and creases from the many decades of abuse by tiny fingers, and I’ve done my best to maintain the relative scale and basic compositions of the page spreads. I hope you enjoy this book as much as I do.

Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose

One last image (racially insensitive)

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Tuesday, May 1st, 2018

Illustration: John Bauer’s Bland Tomtar Och Troll

John Bauer

Like many of the artists we feature here on this blog, John Bauer is a name that not many people know. His career was relatively short, but his influence was far reaching.

John BauerJohn BauerBorn in 1882 in Sweden, Bauer studied at the Royal Swedish Academy of Arts. In 1904, he illustrated his first book, Lappland, but in 1907 he began work on a series of Christmas annuals that would make him famous. Bland Tomtar Och Troll (Among Gnomes and Trolls) is a Swedish tradition, beginning in 1907 and continuing to this very day. I’m afraid I don’t speak Swedish, so I can’t speak for the folk tales Bauer is illustrating, but the illustrations are stunning.

Bauer had a way with trolls… they are grotesque, yet appealing. The simple, yet elegant compositions conveyed the essence of the image clearly with a sense of humor that both children and adults could understand. His style influenced generations of artists from Gustaf Tenggren (who took over the Bland Tomtar Och Troll series after Bauer’s death in a shipwreck in 1918), Arthur Rackham, Edmund Dulac and Kay Nielsen to Brian Froud and Jim Henson (The Dark Crystal). This particular edition of Bland Tomtar Och Troll is from 1915, but the images are timeless.

John Bauer
John Bauer
John Bauer
John Bauer
John Bauer
John Bauer
John Bauer
John Bauer
John Bauer
John Bauer
John Bauer

MORE BY JOHN BAUER
Einar Norelius
Einar Norelius
Einar Norelius
Einar Norelius
Einar Norelius
Einar Norelius
Einar Norelius

Very little information on Bauer exists outside of his native country of Sweden. There is a museum dedicated to his work in the city where he was born. If you have any information on this great artist, please let us know about it in the comments below.

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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