Archive for the ‘refpack’ Category

Friday, February 16th, 2024

REFPACK056: Members Appreciation Month Special!

Reference Pack


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Every other month, Animation Resources shares a new Reference Pack with its members. They consist of e-books packed with high resolution scans video downloads of rare animated films set up for still frame study, as well as podcasts and documentaries— all designed to help you become a better artist. Make sure you download this Reference Pack before it’s updated. When it’s gone, it’s gone!

This month’s RefPack is very special. We’re celebrating Members Appreciation Month, so we’re throwing open the doors to share this one with as many people as possible. Check the website about our Dollar Days special where non-members can get a week’s access to the current RefPack and Bonus Archive for only a buck! We think that when you see all the treasures Animation Resources shares with its members each and every month, you’ll want to join and become part of our organization.


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The latest Animation Resources Reference Pack has been uploaded to the server. Here’s a quick overview of what you’ll find when you log in to the members only page…

VIDEO SEMINAR:
Animated Discussions Podcast

Action Analysis: Acting For Animation
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Animated Discussions 014 / Hosted by Davey Jarrell with Stephen Worth
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Animators have been referred to as "actors with a pencil," but most classes in animation and articles on technique deal more with the pencil mileage than acting. In this special two hour episode of Animated Discussions we set out to change that. What *is* acting anyway? What constitutes *good* acting? Is acting the same in live action as it is in animation? How does an animator put across personality and action through acting? We’ll be addressing those questions and many more.

We’ve been working on this seminar for a couple of years. It’s jam-packed with useful information and all the concepts are illustrated with amazing video clips. You’ll want to download this program and save it for future reference.

PDF E-BOOKS:
Best of 25

Best of The E-Books
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A Sampler of the First 10 Years of RefPack E-Books
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This pair of e-books gather together some of the highlights from the first 50 members only e-books. It is provided to the general public to give prospective members an idea of what they will receive when they join. Totaling over 500 pages, these books will give you an idea of the breadth of material Animation Resources has shared over the years.

VIDEO PODCAST:
Best of 25

Best of Videos 1 to 50
Sampler Reels of the First 10 Years of RefPack Animation Videos

In the past decade of Reference Packs, Animation Resources members have had an opportunity to see rarely seen films of all types, from century old silent shorts, to stop motion puppet films, animation from China, Poland, Japan and Russia; animated commercials from the early 1950s; classic theatrical cartoons; experimental animation and rare industrial training films… Our intent is not to bring back a “golden age” of animation. We encourage artists to build on the past as a foundation for surpassing it.

This pair of reels runs over 2 1/2 hours and they gather together some clips of the highlights from the first 50 members only Reference Packs. They are only shared on special occasions to give prospective members an idea of what they will receive when they join. You’ll want to download these while you can.


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HD VIDEO:
VIP My Brother Superman

VIP: My Brother Superman
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Bruno Bozetto / Italy / 1968
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Bruno Bozzetto is an Italian animator known for his parody of Fantasia titled Allegro Non Troppo. His other feature films include a superhero parody called VIP My Brother Superman and a spaghetti western parody titled West And Soda. Bozzetto’s work is often satirical and political in nature, championing the common man and lampooning government inefficiency and oppression. Bozzetto’s work is not as well known in the United States as it should be, but it is recognized and appreciated across Europe.

VIP: My Brother Superman was Bozetto’s second animated feature. The film features two superheroes- SuperVIP, a strongman who is irresistible to women, and MiniVIP, a small not-so-superhero who is an ineffectual nebbish. The villain of the story, Happy Betty is a lady industrialist who has her eye on ruling the world. It was financed by American investors who objected to the depiction of the Asian slaves working in Happy Betty’s sweatshops and demanded that Bozetto paint them green. But the satirical jab at American exploitation of cheap labor in third world countries is still clear.

SD VIDEO:
Early German Commercial

Two Early German Commercials
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Sun In The House (1932) / Song Of The Mill (1934)

In this Reference Pack, we are sharing two rare animated theatrical commercials from Germany. One of these was made by Hans Fischerkoesen, a pioneer in using animation as a medium for advertising. The other was directed by the team of Bernhard Huth and Wintzer von Tresckow, film makers who worked in the Nazi era making short advertising and propaganda films for UFA.

Hans Fischerkoesen was often referred to as “the Walt Disney of Germany”, but truth be told, his talent wasn’t for long form storytelling animation, but rather cartoon advertising shorts. His advertising career began in 1921, and until his death in the early 1970s, he produced over a thousand animated commercials, most of which are lost. By the 1930s, his work had achieved widespread fame throughout Europe.


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SD VIDEO:
Wolfgang The Intrepid

Wolfgang The Intrepid
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Mikhael Tumelya / AnimaFilmCenter / Russia / 1991

Mikhael Tumelya is a Russian animator based in Belarus. Born in 1961, he has had a prolific career directing a variety of both long and short form films, commercials and TV series. He studied under Edward Nazarov and Yuri Norstein. He currently teaches at the SHAR School and Studio in Moscow.

Tumelya’s short film, "The Song Of Wolfgang The Intrepid, The Glorious Destroyer Of Dragons" is a remarkable example of his work. It opens with an impressive multi-layer pan, and the style of movement perfectly matches the design of the characters. The anatomy of the main character is divided into segments that separate from each other, but the movement is always handled as one unit. Even though this isn’t built from an object library, Flash animators interested in making their animation less stiff would be well advised to study this film carefully.

NOTE: In order to consolidate space on our VIP Download Page, from here on we are including the Early Anime downloads within the International section.

SD VIDEO:
Gaboten Island

Gaboten Island Ep. 8 & 12
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Studio / Japan / 1964

Adventure On The Gaboten Island was based on a manga by Fumio Hisamatsu, and was animated by Eiken Studios. It aired from April 4th, 1967 to December 26th of the same year. In total, thirty nine half hour episodes were produced.

Gabon Island

The story begins when Ryuta and his sister Tomato sneak on board a submarine docked at an amusement park. The amusement park’s son Iago and his friends Cucumber and Cabo enter the submarine and get in a fight with Ryuta. In the tussle, a switch is flipped and the submarine heads out to sea. Unable to steer it and running low on fuel, the children wreck the sub in a storm and end up shipwrecked on an island in the South Pacific. Ryuta and Tomato befriend a myna bird and a gorilla. Together, the group struggles with each other and nature for survival.


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SD VIDEO:
Lumiere

Lumiere!
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Thierry Fremaux / 2016
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One of the best ways to discern the essence of an artistic medium is to look at the very first works created in that medium. We are so inundated with movies, TV shows and commercials nowadays, it’s not easy to imagine a world without film or video. Today Animation Resources is sharing a collection of films by Auguste and Louis Lumière, brothers who were manufacturers of photographic equipment and innovators in the earliest days of film making.

The films of the Lumiere brothers are very basic- no editing, the camera is in a fixed position and doesn’t zoom, truck or pan. There is no attempt at narrative. They are designed to simply capture a moment, and they do that brilliantly. The appeal of the films fall into two categories: recognizable imagery (everyday scenes on the street, children playing with their parents, etc.) and remarkable imagery (exotic locations, dramatic industrial scenes, etc.) Animated film works with these same two categories. Cartoon characters perform small secondary actions that the audience recognizes and identifies with, creating a bond between audience and character to help suspend disbelief. And animation depicts remarkable things that could never exist in the real world- animals that talk, inanimate objects coming to life, the laws of physics bend and broken at will.

Lumiere

There’s a tendency in movies and TV today to always keep things moving for fear that the audience will lose interest if the plot isn’t moving forward or the pacing slows down. But these short unassuming films prove that “stopping to smell the roses” can also draw in viewers. The core element of film is observation. You might want to think about how you can use this kind of observational technique to enhance your own work.

HD VIDEO:
Breakdowns

Pickups
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Curated By David Eisman
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Up to this point, there have been a total of fourteen published breakdown articles, discussing a range of topics, from hair and fur, to weight, resistance, and camera moves. While most of the articles seemed relatively complete at the time, post-hoc, I frequently discover examples that would, if included within their articles, have deepened analysis of the respective categories. Thus, it makes sense that the occasional addendum would be needed, as to provide analysis of these new breakdowns, and perhaps discuss them with a deeper level of understanding, built upon all the theories discussed in the fourteen articles previous. Instead of focusing on one particular theme or principle, the article will provide examples for the following: fur simulation, camera moves, morphs, and resistance.


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ANNUAL MEMBER BONUS ARCHIVE
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Available to Student and General Members

  • EBOOK: Boris Artzybasheff: As I See
  • VIDEO: Cheburashka 1971
  • VIDEO: Dental Hygiene Dilemma 1971

As I See

ANIMATION RESOURCES ANNUAL MEMBERS: Bonus Reference Pack 8 is now being rerun and is now available for download. It includes an e-book of the incredible anthropomorphic imagery of Boris Artzybasheff, a charming Russian stop-motion cartoon, and a rarely seen animated sequence from Frank Zappa’s "100 Motels". These downloads will be available until March 1st and after that, they will be deleted from the server. So download them now!

Cherubashka

If you are currently on a quarterly membership plan, consider upgrading to an annual membership to get access to our bonus page with even more downloads. If you still have time on you quarterly membership when you upgrade to an annual membership, email us at…

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membership@animationresources.org

…and we will credit your membership with the additional time.

Dental Hygiene Dilemma

Click to access the…

Annual Member Bonus Archive
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Downloads expire after March 1st, 2024


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Whew! That is an amazing collection of treasures! At Animation Resources, our Advisory Board includes great artists and animators like Ralph Bakshi, Will Finn, J.J. Sedelmaier and Sherm Cohen. They’ve let us know the things that they use in their own self study so we can share them with you. That’s experience you just can’t find anywhere else. The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.

Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Haven’t Joined Yet?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

CLICK TO DOWNLOAD A Sample RefPack!

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.

Members Appreciation Month

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Monday, January 22nd, 2024

UPDATE: Upcoming RefPack / Member Appreciation Month

Bunny vs Barrymore

Things have been quiet around Animation Resources lately, but that isn’t because we aren’t working… We have a couple of large projects that we’ve been working on for over a year that will be released in our next Reference Pack. One is a subtitled version of a rare European animated feature, and the other is a two hour video seminar on acting for animation that we have been planning and putting together for the past couple of years. Both of these projects will be included in the February Reference Pack.

We always pull out all the stops to make the February Reference Pack special because that is our Members Appreciation Month. It’s when we throw open the doors and invite people to join our organization and express our thanks to our loyal members for their support over the past years. We’ll have more information on all of this soon. Thanks for your patience.

To our fantastic members:
THANK YOU FOR YOUR SUPPORT!


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Monday, January 8th, 2024

Bonus 008: Artzybaseff, Cheburashka and Dental Hygiene

Bonus Archive

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Today we are sharing the current Bonus Archive. If you are an annual member of Animation Resources, click on this post to go to the Bonus Archive page. If you aren’t a member yet, today is the perfect time to join! You’ll get six new RefPacks a year. Sign up for a General or Student Membership and you’ll get access to the special Bonus Archive with even more material from past Reference Packs.

These downloads will expire March 1st.

What are you waiting for?
Download Page
JOIN TODAY!
https://animationresources.org/membership/levels/


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PDF E-BOOK:
As I See

As I See
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by Boris Artzybasheff

Boris Artzybasheff was a well known book illustrator, but today he is best known for his magazine covers and advertisements. His illustrations appeared in Life, Fortune and Time magazine. From 1942 to 1966, he painted over 200 covers for Time, creating interpretive portraits of the most important people of the day. During this period, Artzybasheff also illustrated advertisements employing anthropomorphism to give life and personality to the products of such sponsors as Xerox, Alcoa Steamships, Parker Pens, Shell Oil and the Wickwire Steel Company. His interest in psychology led him to serve as an expert advisor on psychological warfare to the U.S. State Department.

ArtzybasheffArtzybasheffIn 1954, Boris Artzybasheff produced his most famous book, As I See where he organized his personal art and illustration work by thematic content… psychology, machines, warfare and fantasy. Like Salvador Dali, Artzybasheff employed surrealism in the Neurotica section to explore the depths of the subconscious. In the Machinalia chapter, he used his incredible draftsmanship to imbue inanimate objects with personality- anthropomorphism- a technique that Walt Disney also was well known for. In Diablerie Artzybasheff merged dysfunctional psychology with anthropomorphic machines of modern warfare to create a devastating comment on the futility of war. The last section, titled Escapades took a more lighthearted approach to fantastic subjects. Artzybasheff’s influence on Wally Wood and Basil Wolverton is undeniable, and the sinuous lines of his graphic work suggests a kinship with Al Hirschfeld.

As I See has been out of print for many years, and fetches high prices at rare book stores. Animation Resources was fortunate enough to obtain a first edition in excellent shape to digitize. This PDF e-book is optimized for display on the iPad or printing two sided with a cover on 8 1/2 by 11 inch paper.

REFPACK024: As I See
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Adobe PDF File / 114 Pages / 299 MB Download


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DVD QUALITY VIDEO:
Cherubashka

Cheburashka
Roman Kachanov / Soyuzmultfilm / 1971

The film we are sharing with members this time features the children’s character, Cheburashka. Created for a children’s story by Eduard Uspensky, the character is best known from a series of films produced by the Soyuzmultfilm studio, directed by Roman Kachanov. Four films featuring the character were released between 1969 and 1984. Cheburashka is the second in the series, released in 1971.

The animation in this film is brilliant, and it’s well worth still framing through to study how the various personalities are put across through the walk cycles and gestures. The puppets limit the flexibility of facial expressions, but the animators more than make up for it through the way the characters move. The principles behind stop motion, hand drawn animation and CGI are all the same. We hope this film is useful to you. If you would like to see more of these films, let us know.

REFPACK024: Cheburashka
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M4V Video File / 19:39 / 135 MB Download


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DVD QUALITY VIDEO:
Dental Hygiene Dilemma

Dental Hygiene Dilemma
From “200 Motels” / Chuck Swenson / 1971

In 1971, director Tony Palmer and Frank Zappa teamed up to create a film based on the music of Zappa and the Mothers of Invention. The film starred Ringo Starr and Theodore Bikel, and it utilized revolutionary editing techniques and avant-garde video effects- solarization, multiple exposures, layering, keying out colors, and speed manipulation. 200 Motels inspired many films that followed, most notably The Monkees’ Head and it is now acknowledged as being one of the primary forefathers of the rock video.

The film is a montage of impressions of a rock band’s life on the road. It consists of brief surreal skits depicting members of the band interacting with the citizens of Centerville, Ohio, “A nice place to bring your kids up”. Before the film began shooting, Zappa fired his bass player Jeff Simmons for insubordination and replaced him in the film by Ringo Starr’s chauffeur. Zappa hired animator Chuck Swenson to make a cartoon version of Simmons being led by his devil conscience to “quit the comedy band and become a rock star”. The cartoon starts out pretending to be an educational film on dental hygiene, but it quickly becomes a case study in the psychological pressures and clashes of ego commonly experienced by touring rock bands.

We present this film as an example of “bang for the buck”. The budget of 200 Motels was quite modest and the schedule was tight. Swenson, obviously inspired by the work of Terry Gilliam for Monty Python and the short animated sequences from Sesame Street, uses a variety of highly efficient techniques to build up to a chaotic ending. If you break down the animation, you’ll see how he uses key drawings with little or no inbetweening to great effect by following the rhythms in the voices and music. It isn’t the number of drawings or complexity of draftsmanship in animation that makes it good. It’s the way the drawings are used to describe the motion, and even more importantly, how they are timed.

REFPACK024: Dental Hygiene Dilemma
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M4V Video File / 06:18 / 305 MB Download


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Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!

It’s easy to join Animation Resources. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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