Archive for the ‘Uncategorized’ Category

Wednesday, April 9th, 2025

RefPack063: More Great Reasons To Become A Member Of Animation Resources!

Reference Pack

Every other month, Animation Resources shares a new Reference Pack with its members. They consist of e-books packed with high resolution scans video downloads of rare animated films set up for still frame study, as well as podcasts and documentaries— all designed to help you become a better artist. Make sure you download this Reference Pack before it’s updated. When it’s gone, it’s gone!


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The latest Animation Resources Reference Pack has been uploaded to the server. Here’s a quick overview of what you’ll find when you log in to the members only page…

PDF E-BOOK:
Gene Hazelton

Gene Hazelton Volume 1
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Flintstones Sundays / 1964
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Wesley "Gene" Hazelton was born in 1919. He began his artistic career working as an assistant to Jimmy Hatlo on the newspaper comic They’ll Do It Every Time, but soon quit to become an entry level animator at the Disney Studios. He animated on Pinocchio and Fantasia, as well as doing preliminary design for Wind In The Willows. He left Disney in 1941 because of the strike and joined Bob Clampett’s crew at Warner Bros. where he did character design and layout on "Coal Black And De Sebben Dwarfs".

He joined MGM where he worked for years as a "floater" with Bill Hanna and Joe Barbera, as well as Tex Avery. Hazelton provided freelance design and layout to Hanna-Barbera in its early days, and eventually left Grantray in 1961 to head up H-B’s newspaper comics, taking over from another MGM alumni, Harvey Eisenberg. Handling two daily strips at once was a Herculean task, but he was assisted by some of H-B’s strongest talents, including Iwao Takamoto and Dick Bickenbach.

There’s nothing more difficult to digitally restore than newspaper comics. Color levels are printed out of register, the ink bleeds into the paper stock, there’s browning and age spots to remove, and the solid blacks break up and aren’t solid. Animation Resources volunteers have spent several hundred hours carefully scanning and cleaning up the comics in this e-book. We think any job worth doing is worth doing right.

SD VIDEO:
Soldiers Tale

Soldier’s Tale
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R. O. Blechman / 1984

R. O. Blechman is an American cartoonist known for his unique line drawing style. Born in New York City in 1930, he attended the High School of Music and Art and Oberlin College. During WWII, he was drafted into the Army and served in Asbury Park, New Jersey. When he got out of the service, he did illustration for Harper’s Bazaar, Trump, Punch, Esquire, Humbug and Theater Arts.

In 1984, Blechman directed the special for PBS we are sharing today, "The Soldier’s Tale", based on Igor Stravinsky’s 1918 theatrical work for septet and dancers. It tells the story of a soldier who trades his violin to the Devil in return for riches and fame. The animators include the cream of the New York animation scene at the time, Tissa David, Ed Smith, Tony Eastman, Dean Yeagle and Fred Burns, as well as Los Angeles veteran animator Bill Littlejohn. Although the drawing style is simple, the animation is very sophisticated with animated camera moves and complex transitional effects.


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Leopold The Cat

Leopold The Cat
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The Golden Fish
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Anatoly Reznikov / T/O Ekran / Russia / 1975
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Leopold the Cat is the star of 11 Soviet short films directed by Anatoly Reznikov. The series ran from 1975 to 1987 and it concerns a cat with a bow tie being pestered by two trouble-making mice. They challenge Leopold saying, "Come out, you cowardly fool!". Leopold keeps trying to make peace, saying, "Guys, let’s all get along." Later episodes were animated traditionally, but this one uses an interesting technique. The characters are paper puppets and their parts are shifted under glass to create the movement.

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German Commercials

German Commercials
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Fair In Hollywood Pinschewer Film AG 1930 / Honeymoon 1932

In this Reference Pack, we are sharing two rare animated theatrical commercials from Germany. The first is a puppet film by Julius Pinschewer, an animation producer who specialized in propaganda and advertising films. His career began during WWI with films advertising war bonds. A Jew, he emigrated to Switzerland when the Nazis began to rise to power.

I’m not sure who produced the second cartoon, "Honeymoon", but it may have been Hans Fischerkoesen. Fischerkoesen was often referred to as “the Walt Disney of Germany”, but truth be told, his talent wasn’t for long form storytelling animation, but rather cartoon advertising shorts.


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SD VIDEO:
Professor Balthazar

Professor Balthazar in “Maestro Koko”
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Zlatko Grgic / Zagreb Films, Croatia / 1967

In a previous Reference Pack we featured several Maxi-Cat mini-cartoons by Zlatko Grgic, a Croatian animator who later emigrated to Canada to join the Canadian Film Board.

Grgic is best known for his series of cartoons featuring the character Professor Balthazar, an old man who solves problems for his friends by creating inventions with a magical machine. Produced between 1967 and 1973, the series ran all over the world. Its silent pantomime with voice over narration made it easy to translate to other countries. It aired everywhere from New Zealand to Romania to Zimbabwe. In the United States it was featured on Chuck Jones’ television program, Curiosity Shop.

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Humanoid Monster Bem

Humanoid Monster Bem Ep. 01 & 26
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Shunsuke Kariyama / Toho Studios / Japan / 1968

Humanoid Monster Bem debuted on Fuji TV in 1968 and ran for 26 episodes. Directed by Shunsuke Kariyama for Toho Studios, this horror series features three supernatural creatures, also known as Yokai Monsters. Bem is the leader of the trio. He is older and carries a walking stick as a weapon. Belo is a bad tempered woman who uses a whip. Belo is childlike and doesn’t carry a weapon. The supernatural trio arrive at a large coastal city which has been overrun by an evil atmosphere created by Yokai monsters and disreputable humans. The three hope to become human someday and perform good deeds, fighting the monsters and criminals and trying to protect the human population.

Shunsuke Kariyama is a prolific anime director with several movies and dozens of television series to his credit, including Gutsy Frog which we shared in a previous Reference Pack.


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Max Ernst

Shock Of The New Ep. 05 & 06
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Robert Hughes / BBC / 1980
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In the first 18 years of the 20th century, the world changed more than in the previous 18 centuries. The rise of the machine age that led to the horrors of the First World War was unprecedented. Rapid change has continued since then. Uncertainty and progress continue to go hand in hand into an unknown future.

In the early 1980s, I happened to see a series on PBS that blew my mind. It was titled “Shock Of The New” and it was hosted by Time Magazine’s art critic, Robert Hughes. It told the story of modern art in a different way, organizing the episodes by the meaning of the art, instead of following a strict chronology. The concepts were illustrated not only by images of art, but with footage illustrating the societal upheaval that inspired it. Hughes travelled about 250,000 miles to film the places and people in the series and spent over three years producing the films and companion book. It is one of the greatest pieces of art criticism that has ever been produced.

ANALYSIS:
Breakdowns

Effects Animation
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Curated By David Eisman
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As a category, effects animation covers a wide range- fire and smoke, water and blood, fur and hair, clouds and lightning- all these and more fall beneath the wide umbrella of effects animation.

In the spirit of these breakdown articles, it would not make much sense to discuss the entire realm of effects animation in animation. Instead, we will take an eye-glass approach, magnifying our critical vision so as to better understand a smaller snippet of this principle.


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Bonus Download

As a special thank you to our annual General and Student members, we have created a special page where we will archive past Reference Packs. There will be a new rerun of a complete RefPack between the new ones.

ANNUAL MEMBER BONUS ARCHIVE
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Available to Student and General Members

REFPACK032: February / March 2020

PDF E-BOOK / HD Video / Podcast
Chuck Jones Bar Sheets

Chuck Jones Bar Sheets
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“How The Grinch Stole Christmas” (1966)

Animation Resources is proud to share with its members our most ambitious project to date— an e-book, video and podcast detailing the timing techniques used to make the Chuck Jones television special “How The Grinch Stole Christmas”. Chuck Jones was a master at controlling the pacing of the action for every single frame of his films. The method of timing cartoons in the golden age of animation is nothing like the way it is done today. We think you will learn a lot from this research, and perhaps discover some techniques to improve the timing of your own projects.

Animation Resources would like to thank Doug Ward and the family of Dan McLaughlin for sharing this important set of documents with us.

Click to access the…

Annual Member Bonus Archive
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Downloads expire after April 2025

DVD QUALITY VIDEO:
Beach

Plaza (Beach)
Edward Sturlis / Poland / 1964

Poland is known for the wide diversity of its animation, from children’s puppet animation to surrealistic nightmares to important social and political commentary to pioneering computer animation. In general, Polish films are less focused on narrative than they are in putting across feelings and states of mind. We will be sharing more of the great work of Polish animators in the near future, but today we have a more straightforward little treat for you… Edward Sturlis’s “Beach”. I’m not going to say too much about it and let you discover its charm for yourself. It’s proof that sometimes the simplest ideas and the simplest execution is the best.

Click to access the…

Annual Member Bonus Archive
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Downloads expire after April 2025

If you are currently on a quarterly membership plan, consider upgrading to an annual membership to get access to our bonus page with even more downloads. If you still have time on you quarterly membership when you upgrade to an annual membership, email us at…

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membership@animationresources.org

…and we will credit your membership with the additional time. These bonus downloads expire after May 1st, 2025.


VIDEO PODCAST:
Animated Discussions Podcast

Willie Ito Interview
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Animated Discussions 018 / Hosted by Davey Jarrell with Willie Ito
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NewNewWillie Ito is an animator, layout artist, character designer, and children’s book illustrator whose career spans seven decades. He began working at Disney in the 1950s as an assistant animator on Lady and the Tramp, and from there worked as an assistant animator at Warner Brothers several classic shorts such as "One Froggy Evening", "What’s Opera, Doc?", and "Robin Hood Daffy". He then worked as a layout artist and character designer at Hanna Barbera on shows like The Flintstones, The Jetsons, and Wacky Races. He also designed merchandise for Disney in its consumer products department and has illustrated many children’s books. Listen to Willie talk about his legendary career and what inspires him as an artist in the latest episode of Animated Discussions!


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Whew! That is an amazing collection of treasures! The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Tuesday, March 11th, 2025

Bonus Archive Update: Musical Timing Rediscovered!

Bonus Download

As a special thank you to our annual General and Student members, we have created a special page where we will archive past Reference Packs. There will be a new rerun of a complete RefPack between the new ones.

ANNUAL MEMBER BONUS ARCHIVE
Download Page
Available to Student and General Members


JOIN TODAY To Access Members Only Content


REFPACK032: February / March 2020

PDF E-BOOK / HD Video / Podcast
Chuck Jones Bar Sheets

Chuck Jones Bar Sheets
Download Page
“How The Grinch Stole Christmas” (1966)

Animation Resources is proud to share with its members our most ambitious project to date— an e-book, video and podcast detailing the timing techniques used to make the Chuck Jones television special “How The Grinch Stole Christmas”. Chuck Jones was a master at controlling the pacing of the action for every single frame of his films. The method of timing cartoons in the golden age of animation is nothing like the way it is done today. We think you will learn a lot from this research, and perhaps discover some techniques to improve the timing of your own projects.

Chuck Jones Bar Sheets
Chuck Jones Bar Sheets

MUSICAL TIMING

One of the biggest mysteries about the way cartoons were made in the classic era is musical timing. The number of frames an action would take to perform was planned along with the music that would accompany the movement. This synergy of timing and music is a big part of why golden age cartoons are so much more rhythmic and synchronized than modern animation. The tool the director used to plan the timing of the action was the bar sheet. Every action was charted to follow a musical beat and structure right alongside the music composed to accompany it. Bar sheets ensured that the pacing was flexible, making it easy to accordion the timing in or out to accommodate specific overall running times. The accents in the animation were designed to fall in line with the musical form of beats, bars and measures. And if the action played a little bit too fast or too slow, it still felt correct when it was viewed because it matched the beat of the music. This allowed for maximum flexibility, and complete control over how the music and action were synchronized. With the advent of television and computers the process of timing animation has changed, and today the generation who knew how to time to a beat have long since retired or passed away. Musical timing has essentially become extinct.

Chuck Jones Bar Sheets

In the mid 1970s, Chuck Jones visited the UCLA film school to speak to the students there. He made a gift of a batch of production material to Dan McLaughlin, the head of the animation department, to use in his curriculum. Included with this collection were the bar sheets for “Grinch”. Dan passed away last year, and his successor at UCLA, Doug Ward was charged with inventorying and finding a home for Dan’s collection of research materials. Doug is a member of Animation Resources, and was familiar with our previous research into musical timing, so he arranged to have the bar sheets donated to us for use in this project.

Davey Jarrell For the past six months, animator Davey Jarrell and Animation Resources President Stephen Worth have been formatting, breaking down and analyzing Chuck Jones’s bar sheets to reverse engineer the secrets of musical timing. The result of this research is now available for members to download. First of all, we have produced a PDF e-book, with high resolution scans of the bar sheets themselves. Covered with notes by the musical director of “Grinch”, Eugene Poddanny, and action notes by Chuck Jones, this document details the first pass of planning for how the storyboard should be edited to time; and it outlined the basic structure of the featured songs and underscore. Also included is a widescreen video which sets the finished animation right next to a scrolling timeline of the bar sheet notes. You can still frame through the video and count frames and see exactly how the planning formed the foundation for the final film. Lastly, Davey Jarrell and Stephen Worth have recorded an hour long audio podcast, where they explain in detail how the process worked and what we can take from it to inform modern day animation technique.

Chuck Jones Bar Sheets

We understand that the material we are presenting here is quite dense and technical. It may not all sink in on your first perusal. We encourage you to download and save this e-book, video and podcast, and archive it all on your hard drive, so you can absorb it at your leisure. The research is still ongoing and if you discover things in here that we may have missed, please let us know so we can share your discoveries with our members. It would be fantastic if today’s animators could learn from the example set by great directors of the past like Chuck Jones. Building on a solid foundation like that is what is needed to take modern animation to a new level.

Animation Resources would like to thank Doug Ward and the family of Dan McLaughlin for sharing this important set of documents with us.

REFPACK032: Chuck Jones Bar Sheets Podcast
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MP3 Audio File / 58:13 / 70 MB Download

REFPACK032: Chuck Jones Bar Sheets E-Book
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Adobe PDF File / 74 Pages / 555 MB Download

REFPACK032: Chuck Jones Bar Sheets Video
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MP4 Video File / HD Widescreen / 25:55 / 1.19 GB Download

Click to access the…

Annual Member Bonus Archive
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Downloads expire after April 2025

Please Note: This is a large download. Please make sure nothing else is downloading in the background when you access it, and allow a little extra time for the download to complete.


DVD QUALITY VIDEO:
Beach

Plaza (Beach)
Edward Sturlis / Poland / 1964

Poland is known for the wide diversity of its animation, from children’s puppet animation to surrealistic nightmares to important social and political commentary to pioneering computer animation. In general, Polish films are less focused on narrative than they are in putting across feelings and states of mind. We will be sharing more of the great work of Polish animators in the near future, but today we have a more straightforward little treat for you… Edward Sturlis’s “Beach”. I’m not going to say too much about it and let you discover its charm for yourself. It’s proof that sometimes the simplest ideas and the simplest execution is the best.

REFPACK032: Beach (1964)
Download Page
MP4 Video File / SD / 8 minutes / 138 MB Download

Click to access the…

Annual Member Bonus Archive
Download Page
Downloads expire after April 2025

If you are currently on a quarterly membership plan, consider upgrading to an annual membership to get access to our bonus page with even more downloads. If you still have time on you quarterly membership when you upgrade to an annual membership, email us at…

Download Page
membership@animationresources.org

…and we will credit your membership with the additional time. These bonus downloads expire after May 1st, 2025.


JOIN TODAY To Access Members Only Content


Whew! That is an amazing collection of treasures! The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Thursday, March 6th, 2025

RefPack062: A Peek At The International Section

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

What are you waiting for?
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International Animation

The world of animation is much bigger than it might appear to us at first glance. We are all familiar with the films we grew up with, but Hollywood wasn’t the only place that produced great cartoons… Poland, Japan, Russia, China and Europe all have their own traditions and a rich history of animated film making. Animation Resources’ archive contains many foreign films that are rarely seen in the United States. We feature a sampling of interesting animation from around the world in each Reference Pack.


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REFPACK062: February-March 2025

SD VIDEO:
Wolf Seven Kids

The Wolf & The Seven Kids
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Pyotr Nosov / Souyzmultfilm / Russia / 1957
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In the past, Animation Resources has shared a few films by pioneering Russian animator, Pyotr Nosov. In our last RefPack, we featured “New Year Night” (1948), which he co-directed with Olga Khodatayeva. Nosov was born in 1907 and studied cinema at the Kiev Art Institute. His first animation credit was in 1931, alongside Lev Atamanov, (The Snow Queen). From 1934 to 1942, he was a cartoonist and illustrator for the Russian caricature journal, Krokodil as well as various children’s books over the years. He worked at Soyuzmultfilm as an animator and designer before being promoted to the director’s chair in 1943.

Wolf Seven Kids

The film we are sharing today, “The Wolf And The Seven Kids” was based on a Russian fairy tale designed to teach children to be wary of strangers. The film has a great deal of dialogue, but it can be followed by a non-Russian speaker if you know the basic plot.

Once upon a time, a mother goat needed to leave the house to attend to an important errand. Concerned for the safety of her children while she was gone, she told them not to open the door to anyone but her. She taught them a little song and promised to sing the song to them through the door so they know it’s her. A wicked wolf who was a thief and bully overheard her speaking to her children and after the mother left, he sang the song to them. They recognized that the wolf’s growl was not their mother’s voice and refused to open the door. The wolf asked a blacksmith bear to help him create a thin singing voice. (It isn’t shown exactly how the bear accomplished this in the film, but it involved hammering a part of the wolf’s anatomy on his anvil!)

The wolf used his new voice to trick the little goats into opening the door and chased them through the house shoving them into a burlap sack. One little goat hid in the oven and when his mother returned, he told her what happened. Heartbroken, they searched the forest for the missing children. The forest animals led her to the wolf’s lair, and when the wolf left to fetch water, she snuck in and freed her kids from the sack. They filled the sack with bricks and hid when the wolf returned. The forest animals saw the danger and ran to the bear to tell him what the wolf had done. He became angry and rushed to punish the wolf. The wolf grabbed the bag of bricks and ran, falling into a stream and drowning under the weight of the bricks. The bear, goats and forest animals danced and sang happily.

Wolf Seven Kids

I think you’ll be impressed at the high quality of the animation and backgrounds in this film. It’s amazing that films like this are virtually unknown in the United States. We will have more great Russian animation in upcoming RefPacks.

REFPACK062: The Wolf Seven Kids 1957
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MP4 Video File / 10:22 / 173 MB Download

SD VIDEO:
Little Checkered Dog

The Little Checkered Dog
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Sophia Oldak / Studio Miniature Filmowych / Poland / 1968

Occasionally, I’m called upon to write about a film that I know very little about. This is one of those cases. This charming film was directed by Sophia Oldak for the Polish animation studio, Studio Miniature Filmowych in 1968. I have been told that this is the first of three films featuring the little checkered dog, but I can’t find the other two films.

Little Checkered Dog

The thing that appeals to me about this film is its simplicity. It doesn’t try to be fancy, with complicated animation, elaborate stop motion armatures, and richly detailed backgrounds. It tells a story on a child’s level simply, and with a great deal of appeal.

Little Checkered Dog

One of the things that surprised me in this film was when a hand puppet was used in place of the stop motion dog. I would never have thought to do that myself… I would assume that if you are making a stop motion film, it should be all stop motion. But the change in technique works perfectly. It adds a little personality that is easy to accomplish in puppetry, but can be complex to achieve in animation. It reminds me that making a film isn’t about working hard, it’s about putting across a character simply, with a maximum of personality.

REFPACK062: Little Checkered Dog 1968
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MP4 Video File / SD / 7:55 / 124 MB Download


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SD VIDEO:
Pies Kot I

Dog, Cat And… Ep 06
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Leszek Komorowski / Studio Miniatur Filmowych, Poland / 1972

In this Reference Pack, we are sharing another short cartoon from a series produced by Studio Miniatur Filmowych, Pies, Kot I… which translates to Dog, Cat And… The episode is titled “Stove”.

This series is a different sort of take on the Tom & Jerry model, with the opponents outsmarting each other instead of just chasing each other out of hate or hunger. There is more to the relationship between the characters than just rivalry. The relationship of the characters makes it easy to see how it relates to slapstick comedy teams like Laurel & Hardy and Fatty Arbuckle and Buster Keaton. The dog and cat are not just generic animals, but individual personalities with a dynamic relationship that is much more engaging than most “cat and mouse” or “dog and cat” cartoons.

Pies Kot I

These cartoons are almost devoid of dialogue with the focus on loose, funny animation. In fact, the drawings are often hilarious on their own, even removed from their context within the gag sequence. The facial expressions are well observed, and the poses employ clear silhouettes that form funny graphic shapes.

Well, Just You Wait!, and Dog, Cat And… both are very efficient at what they do. They could easily serve as a model for internet animation. The internet encourages repeat viewing more than television does. When you watch a dialogue driven cartoon on TV, once you’ve heard the jokes, you don’t need to watch it again. However, a short cartoon that looks and moves funny is entertaining no matter how many times you watch it. And for the animator who is making the cartoon, it’s a lot more fun to animate simple funny characters than it is to animated a lot of tedious lip-sync.

Pies Kot I

Dog, Cat And… looks like it was a lot of fun to make. The film makers at Studio Miniatur Filmowych didn’t feel constrained by the ordinary lives of animals. Their characters can drive cars, build their own houses and go to exotic places. That freedom allowed the animators to keep their series fresh, and gave them the opportunity to experiment within a 10 minute format. Simple drawings, funny movement and no rules… these are the kinds of series that would work well as episodic internet cartoons.

We will have more episodes from this series in upcoming Reference Packs.

REFPACK062: Pies Kot I Ep. 07
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MP4 Video File / SD / 07:55 / 188 MB Download

SD VIDEO:
Ganso Tensai Bakabon

Ganso Tensai Bakabon Ep. 01 & 10
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Hiroshi Saito / Tokyo Movie / Japan / 1975

Ganso Tensai Bakabon was the second series based on Fuji Akatsuka’s manga, debuting on October 6th, 1975. There were 103 half hour episodes produced by Tokyo Movie.

The characters are pretty typical to anime TV series at this time. Bakabon is a mischievous boy who causes problems for his dim witted father. Many of the stories involve Bakabon’s father coming up with crazy ways to accomplish a simple task, assuring everyone “It’ll be all right.” (It never ends up that way.) Bakabon’s younger brother is a genius, and his mother puts up with all the shenanigans like a good wife and mother. In the neighborhood is a strange neighbor and a hyperbolic cop, known to fire his guns indiscriminately when he’s angry.

Ganso Tensai Bakabon

The episodes I’ve selected to share involve a pig that is intended to be eaten for dinner, but no one has the heart to butcher him, so he grows to tremendous size… and an episode involving gangsters with lots of gunplay. But the stories really don’t matter. What matters is the drawings.

A lot of people believe the myth that there are 12 principles of animation. Nothing could be further from the truth. There are hundreds of principles, and animators with familiarity with all kinds of animated films know that. One of the principles that is used extensively in early TV anime is the use of exaggerated expressions. The technique involves creating impactful poses by exaggerating the facial expression to an absurd degree, while changing the proportions of the character to enhance the emotion being expressed. When a character expresses fear or surprise, their eyes can become huge and their head enlarges, their body becoming small with stubby legs and arms sticking straight out. A staggered pair of drawings often vibrates back and forth with a shocking sound effect. It’s easier to recognize than it is to describe, but if you’ve seen any early Japanese TV cartoons, you know what I’m talking about.

Ganso Tensai Bakabon

In “The Illusion of Life” Frank Thomas and Ollie Johnston laid down rules that have been accepted as gospel, even though there are thousands of examples proving them wrong. One of the most egregious examples is when they say that a the volume and proportions of a character in a “take” should never exceed the volume and proportion of the character at rest. Tex Avery’s wolf in the Droopy cartoons and Jim Tyer’s Mighty Mouse “shrink take” break this rule on a regular basis, and Japanese extreme expressions violate Frank and Ollie’s commandment with a lot of glee.

In Disney animation, personality was expressed by means of a lot of tight drawings of characters moving in S curves and performing subtle facial expressions with follow through and overlapping action. Sometimes it worked, but sometimes it just made a scene look like a lot of work. Japanese TV animation expresses a great deal of personality in an efficient way that looks like the animators were having a lot of fun. And isn’t that the point of animated cartoons? I hope you’ll consider adapting the use of extreme expressions for your own films, and add a thirteenth fundamental principle of animation to your list!

REFPACK062: Ganso Tensai Bakabon Ep01
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MP4 Video File / SD / 25:16 / 362 MB Download

REFPACK062: Ganso Tensai Bakabon Ep10
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MP4 Video File / SD / 25:16 / 432 MB Download


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Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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