Archive for the ‘Uncategorized’ Category

Tuesday, July 14th, 2020

Michael Dooley’s Outside The Lines Programs

Outside the Lines

Our friend Michael Dooley is presenting a series of free online film screenings that you will want to check out… “Outside the Lines” is a mini-festival of documentary films. It’s the first installation of a virtual screening series that features comics and animation creators who don’t fit the conventional mold. Each screening is followed by live discussions with the filmmakers and special guests, and includes a Q&A session in which everyone can participate.

SHE MAKES COMICS: A Women’s History
Friday, July 17 5pm PDT

LILLY: The Life And Times Of A Comics Pioneer
Saturday, July 18 5pm PDT

LOTTE: The Silhouette Girl
Saturday July 18 6:15 PDT

Here is the link for the event… https://www.cya.live/channel/outsidethelines

And here is a link to the Facebook information page… https://www.facebook.com/events/2780973192179583

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Thursday, July 2nd, 2020

REFPACK034: Caricaturist Rudolf Wilke

Reference Pack

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Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.


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Rudolf Wilke

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Rudolf Wilke
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Gesindel “Riff-Raff” (1908)

Rudolf Wilke was born in Braunschweig, Germany in 1873. He studied fine art in Munich and Paris, and later set up a studio with Bruno Paul, one of the founders of "Jugenstil". Paul was a regular contributor to Jugend magazine and brought Wilke in to work with him there. Albert Langen, the publisher of Simplicissimus saw Wilke’s in Jugend and recruited both him and Paul to join the staff in 1897. Their work in Simplicissimus won them both worldwide acclaim. Langen had originally envisioned the publication as a literary and illustrative magazine, but as time passed, the staff’s focus shifted to caricature and aggressive political satire.

Rudolf Wilke

Along with artists Eduard Thöny and Ludwig Thoma, Wilke embarked on a trip to Marseilles, Algiers, Tunis, Naples and Rome in 1904. He honed his skills as a caricaturist on this trip, focusing on common people and the contrasts between classes. In 1906, the staff of Simplicissimus— Paul, Wilke, Thöny and Thoma, along with Thomas Theodore Heine, Olaf Gulbransson, and Ferdinand von Reznícek— petitioned Arthur Langen to convert Simplicissimus into a joint stock company, granting more editorial power to the staff. This shift in power envigorated the magazine. But just two years later, Wilke died unexpectedy; and the following year, artist Ferdinand von Reznícek also passed away. Their deaths were keenly felt at the magazine, and they were never replaced.

Rudolf Wilke

Even though he only lived to be 35 years old, Wilke has made a lasting impact on the world of cartooning. This portfolio of cartoons, titled “Gesindel” (which translates to “Riff-Raff”) was published as a memorial to Wilke upon his death. This collection represents some of his best work. Assistant Archivist, Megan Simon supervised the digitization, and Stephen Worth did the digital restoration work and layout. Hendrick Vham and Damian Christinger of the Weimar Era Facebook group kindly agreed to translate the captions and provide context to the cartoons. Many thanks to all of Animation Resources’ members and volunteers for making projects like this possible.

REFPACK034: Rudolf Wilke
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Sunday, June 7th, 2020

Biography: Oskar Fischinger

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

b. Gelnhausen, Germany 1900
d. Los Angeles, CA 1967

Occupation/Title

Animator, Filmmaker, Painter

Bio Summary

Oskar Fischinger (1900–67) was a pioneer of abstract animation and visual music. Working in Frankfurt, Munich, Berlin and Los Angeles, he has been called the Father of Visual Music and the Grandfather of Motion Graphics. Fischinger made some of the first music videos in the early 1930s, influenced John Cage’s theories of percussion, and the style of Disney’s Fantasia (1940). He has influenced generations of animators and filmmakers and continues to do so today. He first made silent black and white films in the 1920s, and a series of live cinematic performances called Raumlichtkunst (1926). His ground-breaking 1930s Studies series synchronizing animation and music screened in first-run theatres worldwide. Fischinger was involved with the invention of Gaspar Color, a three-color system which was an early rival to Technicolor. With this color system he made Kreise (1933-34), Squares, a Muratti commercial, and Composition in Blue (1935).

Fischinger made commercials in his Berlin animation studio, and his color Muratti cigarette commercial made him famous worldwide. Paramount Studios brought him to Hollywood in 1936, where he had several unsuccessful encounters with Hollywood studios (Paramount, MGM, Disney). He did find support in the 1940s for a few films from Hilla Rebay and the Guggenheim Foundation in New York, and in the early 1950s made a few animated commercials. In his later years he could not find support for his films and focused on painting, drawing and a light-play instrument, the Lumigraph. —C. Keefer, Center For Visual Music

Early Life/Family

Education/Training

Career Outline

Comments On Style

Influences

Personality

Anecdotes

Miscellaneous

Filmography

Honors

Related Links

Center For Visual Music: Fischinger Research Portal

Bibliographic References

Contributors To This Listing

Cindy Keefer, Archivist / Curator, Center For Visual Music

To make additions or corrections to this listing, please click on COMMENTS below…

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