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Saturday, October 30th, 2010

Biography: Marc Davis

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Birth/Death

Birth: March 30, 1913 

Death: January 12, 2000

Occupation/Title

Character designer/Animator/Imagineer, Disney

Bio Summary

Began working with Disney on December 2nd 1935, during the production of Snow White and the Seven Dwarfs. He developed and animated many of the best-remembered characters, including Thumper from Bambi (1942), Cinderella (1951), Tinker Bell in Peter Pan (1953), Maleficent and Briar Rose in Sleeping Beauty (1959) and Cruella De Vil of 101 Dalmatians (1961). He played a significant role in the development of the story and characters for many of Disneyland’s “E-Ticket” rides, including The Enchanted Tiki Room, Great Moments with Mr. Lincoln, Ford’s Magic Skyway, Carousel of Progress, Pirates of the Caribbean, The Jungle Cruise, America Sings, The Haunted Mansion, “it’s a small world”, Western River Expedition, and the Country Bear Jamboree. He retired in 1978, but remained active with the development of attractions at Florida’s EPCOT Center and Tokyo Disneyland. In 1989, he was named a Disney Legend. He died of a stroke on January 12 2000, after a brief illness.

Early Life/Family

Education/Training

Career Outline

Comments On Style

Influences

Personality

Anecdotes

Miscellaneous

He was a member of Walt Disney’s original “Nine Old Men” and was considered one of Disney’s greatest animators.

Filmography

Snow White and the Seven Dwarfs (1937) (assistant animator) (uncredited) 
Bambi (1942) (animator) (as Fraser Davis)
Victory Through Air Power (1943) (storyboard artist)
African Diary (1945) (animator)
Song of the South (1946) (directing animator)
Fun and Fancy Free (1947) (character animator)
The Adventures of Ichabod and Mr. Toad (1949) (animator)
Cinderella (1950) (animator) (directing animator)
Alice in Wonderland (1951) (directing animator)
Peter Pan (1953) (directing animator)
Adventures in Music: Melody (1953) (animator)
Adventures in Music: Toot Whistle Plunk and Boom (1953) (animator)
Sleeping Beauty (1959) (directing animator)
One Hundred and One Dalmatians (1961) (directing animator)
The Madcap Adventures of Mr. Toad (1975) (animator)

Honors

Annie Award: Winsor McCay Award 1982
Disney Legend, 1989

Related Links

Bibliographic References

Contributors To This Listing

Trevor May

To make additions or corrections to this listing, please click on COMMENTS below…

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Saturday, October 30th, 2010

Biography: Milt Kahl

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Birth/Death

Birth: March 22, 1909, in San Francisco, California, USA,
Death: April 19, 1987, in Mill Valley, California, USA

Occupation/Title

Animator, One of Walt Disney’s “Nine Old Men”

Bio Summary

Kahl left high school early to pursue work in as a magazine illustrator/cartoonist. He attended local art schools and studied under local artists while working for the Oakland Post Enquirer, and then the San Francisco Bulletin. After these jobs at the local magazine and newspaper companies he decided to start his own art business, which did not fair well due to the Great Depression. During these hard times he saw the Disney animated short, “Three Little Pigs” and was inspired to move into animation. He worked for nearly forty years for Disney Studios but when Walt Disney died in 1966 and the studio became engulfed in politics was when he started to lose his dedication to the company. In 1976 he gave notice to the CEO of Disney, Ron Miller, that he would be leaving for good. He returned home to Northern California to enjoy other interests, such as sculpting.

Early Life/Family

Education/Training

Left high school early to pursue his dream. Studied under local artists and at local schools. Once he became an assistant animator for Disney he refined the ideas of Bill Peet with the ideas of Ken Anderson and gained further experience.

Career Outline

After his work in the magazine and newspaper industry as an illustrator/cartoonist he started his own art business which didn’t do very well, but after watching an animated clip he pursued animation. In June 1934 Kahl applied to Disney Studios and was hired to work as an assistant animator. He contributed to numerous animated shorts such as “Lonesome Ghosts,” Mickey’s Circus,” and “The Ugly Duckling.” Continuing his work at the studio he rose in rank and worked on many different projects. These include “Melody Time,” The adventures of Ichabod and Mr. Toad,” “Cinderella,” “The Lady and the Tramp,” 101 Dalmations,” “The Jungle Book,” and “The Rescuers.” For further work and credits please look below at filmography.

Comments On Style

Very meticulous and focused. Floyd Norman states that Kahl would sit silently for hours without making a single drawing, but suddenly he would put out pages of finished work, and when they looked in his waste basket they would never find a single drawing. Some say he has never had a bad drawing. He was also humble in his talent. While Kahl was working on “The Sword in the Stone” the director of the film Woolie Reitherman, commented on his drawings of Merlin and Madam Medusa by saying, “These things look so beautiful, they could hang in a museum” but Kahl simple said, “aw…you’re full of it!”

Influences

Inspired by Ronald Searle and Picasso. When he saw “The Three Little Pigs” he was influenced heavily and was very interested in where animation would lead him.

Personality

Humble, yet demanding in all that he does. Motivated and true to his beliefs.

Anecdotes

• Woolie Reitherman: “These things look so beautiful, they could hang in a museum”
• Kahl: “Aw…You’re full of it!”

Miscellaneous

Filmography

1937 Snow White and the Seven Dwarfs, Animator
1940 Pinocchio ,Animator
1942 Bambi Animator
1945 The Three Caballeros, Animator
1946 Song of the South, Animator
1946 Make Mine Music, Animator
1948 So Dear to My Heart, Animator
1951 Alice in Wonderland, Animator
1953 Peter Pan, Animation Director
1955 Lady and the Tramp, Animator?1957 Disneyland: Disneyland, the Park, and Pecos Bill Animator
1961 101 Dalmatians Animator
1963 The Sword in the Stone, Animator
1964 Mary Poppins, Animator
1967 The Jungle Book, Animator
1970 The Aristocats, Director
1970 The Aristocats, Animator
1973 Robin Hood, Animator
1977 The Rescuers, Director
1977 The Many Adventures of Winnie the Pooh, Animator
1977 The Rescuers, Animator

Honors

Annie Award: Winsor McCay Award 1977

Related Links

http://en.wikipedia.org/wiki/Milt_Kahl?http://legends.disney.go.com/legends/detail?key=Milt+Kahl?

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Saturday, October 30th, 2010

Biography: Les Clark

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: 17 November, 1907

Death: 12 September, 1979

Occupation/Title

Animator, Director, the first of Walt’s “Nine Old Men”

Bio Summary

Les Clark was born in Ogden, Utah, in 1907. He attended the elementary school there until his parents decided to move to Los Angeles. It was there that he graduated from Venice Highschool, 4 days before he began working for Walt Disney. He joined the ink and paint department in 1929 and had also started inbetweening. He won his first animation on Disney’s first Silly Symphonies “The Skeleton Dance.” Les became the key person in the development of Mickey Mouse. He started with Mickey’s debut film “Steamboat Willie”, then began creating his most memorable mickey scene’s such as Mickey in the Sorcerer’s apprentice. Les animated and directed on over 20 features which include “101 Dalmations,” “Dumbo,” Cinderella,” Alice in Wonderland,” “Peter Pan,” and many others as well as over 100 shorts. Les soon became director for television specials and educational films such as “Donald in Mathmagic Land,” and “Donald and the Wheel.” He retired from Disney in 1976 then later died of cancer in 1979.

Early Life/Family

Les Clark married Mirian Clark and had one biological daughter, Miriam Leslie Clarke Weible. They adopted Richard.

Education/Training

Went to elementary school in Twin Falls Idaho. Graduated from Venice Highschool in Los Angeles.

Career Outline

Clark entered animation at a pivotal time and participated in events that shaped not only Disney’s future but the history of the art form itself. When he arrived, the Alice series was winding down and a series starring a new character named Oswald the Lucky Rabbit was beginning. Ub Iwerks, who became Clark’s mentor, was the studio’s top animator, capable of turning out large numbers of cleverly animated drawings each day.

Before working at the Disney Studios, Walt Disney had complimented Les on the lettering he made for the menus on the mirrors at a candy store. Two years later in 1927, about to graduate from Venice High School, Clark got up the nerve to ask Walt for a job. “Bring some of your drawings in and let’s see what they look like,” he recalled Walt saying. At the Hyperion studio in the Silver Lake area east of Hollywood, Clark showed his samples, which he admitted were freehand copies of cartoons in College Humor, but Walt admired his “swift, deft” graphic line and hired him.

Clark graduated from high school on a Thursday and jubilantly reported to work the following Monday, February 23, 1927 though Walt warned him “it might just be a temporary job.” The “temporary” job lasted nearly half a century. By the time he retired in 1975, Les Clark was a senior animator and director, and the “longest continuously employed member of Walt Disney Productions.”

One of his earliest jobs was in-betweening for Ub Iwerks on Steamboat Willie. Les Clark’s debut as an animator came in the first Silly Symphony, The Skeleton Dance (delivered on May 10, 1929). He animated a scene of a skeleton playing the ribs of another skeleton like a xylophone.

Disney’s job offer changed Clark’s life. Throughout his lengthy career he repaid Walt with loyalty and a dogged striving to improve his work. In return, he gained a knowledge of the animation business from the ground up. During Clark’s first year at the studio, he happily toiled in the industry’s lowest entry-level positions: for his first six months he operated the animation camera, then spent a subsequent six months as an inker-painter.

Over the span of 48 years Les Clark animated and Directed a copious amount of films, as well as more than 100 short films. After serving as sequence director for “Sleeping Beauty” Les was asked by Walt to direct television specials and educational films. Les was the longest continuously employed member to Walt Disney. He was employed from February 23, 1927 to September 30, 1975.

Comments On Style

Influences

Trained by Ub Iwerks.

Personality

Les really did not have an art background, but because of his sheer determination and desire, he ended up being the principle animator for the iconic character, Mickey Mouse. His own personality was very similar to Mickey Mouse in fact. Les Clark was one of the more shy animators. He wasn’t one to boast about himself.

Anecdotes

Miscellaneous

Filmography

Animator

The Skeleton Dance 1929(Animator: “Xylophone scene)(uncredited)
The Barn Dance 1929(Animator: “Mickey Mouse”)
Frolicking Fish 1930(Animator)
The Goddess of Spring 1934(Animator)
The Dognapper 1934(Animator)
Two-Gun Mickey 1934(Animator)(uncredited)
The Band Concert 1935(Animator: “Mickey Mouse”)
Orphan’s Picnic 1936(Animator)
Mickey’s Grand Opera 1936(Animator)
The Country Cousin 1936(Animator)
Snow White and the Seven Dwarfs 1937(Animator: “Silly Song Sequence”)
Pinocchio 1940(Animator: “Pinocchio”)
Fantasia 1940(Animator)(segments “Nutcracker Suite”, “the Dewdrop Fairies” and “ the Sorcerer’s Apprentice”)
Dumbo 1941(Animator)
Der Fuehrer’s Face 1942(Animator)
The Three Caballeros 1944(Animator: “Train to Baia”)
Make Mine Music 1946(Animator)
Song of the South 1946(Animator: minor animals)
Fun and Fancy Free 1947(Directing Animator: “Lulubelle”)
Melody Time 1948(Directing Animator: “Bumble Boogie” sequence)
Plutopia 1951(Animator)
Alice in Wonderland 1951(Directing Animator)
Lady and the Tramp 1955(Directing Animator: “Lady” as puppy)
So Dear to My Heart 1949(Animator)
Peter Pan 1953(Directing Animator)
Disneyland 1954(Tv Series)(Animator: Tinker Bell”)(Director)(episode “ An Adventure in Color/Mathmagic Land”)
One Hundred and One Dalmations 1961(Character Animator)
The Mickey Mouse Anniversery Show 1968 (Animator:Mickey Mouse)
A Symposium on Popular Songs 1962(Animator)
Fantasia/2000 1999 (Animator)(segment “The Sorcerer’s Apprentice”)
Mickey Mouse Disco 1979 (Animator)

Director

You the Human Animal 1955(Director)
Paul Bunyan 1958(Director)
Sleeping Beauty 1959(Sequence Director)
Donald the Mathmagic Land 1959(Sequence Director)
Freewayphobia # 1 1965(Director)
Donald’s Fir Survival Plan 1965(Director)
Goofy’s Freeway Troubles 1965 (Director)
I’m No Fool with Electricity 1970 (Director)
VD Attack Plan 1973 (Director)
Man, Monsters and Mysteries 1973 (Director)

Choreographer:

You Were Meant for Me 1948(Choreographer)

Inbetween Artist:

Steamboat Willie 1928 (Inbetween Artist)

Honors

Winsor McCay Award 1992

Disney Legend 1989

Related Links

http://en.wikipedia.org/wiki/Les_Clark

http://legends.disney.go.com

http://www.www.imdb.com/Name?Clark, Les (I)

http://www.http://www.disneylandtoday.com/Legends/lesclark.htm

Bibliographic References

Canemaker, John. (2001). Walt Disney’s Nine Old Men and the Art of Animation. New York, NY: Disney Editions. ISBN 0-7868-6496-6

Contributors To This Listing

Josh Heisie

To make additions or corrections to this listing, please click on COMMENTS below…

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