Author Archive

Tuesday, November 15th, 2022

Animation: Bugs Bunny in Coronet Magazine

Coronet Magazine

Animation Resources supporter, Rich Borowy stopped by to digitize some classic Stan Freberg radio shows for the archive database yesterday. Under his arm was a box of old Coronet and Omnibook magazines. Rich said that he was given the box at a garage sale that was closing down. I’ve never looked at these particular magazines, but they have wonderful illustrations and features. Here are highlights from the December, 1945 issue. Check it out. There’s a big surprise at the end. Thanks for bringing these in, Rich!

Each issue opens with an inspirational message and illustration. This one is by illustrator, Vera Bock. Many issues contain the work of Arthur Szyk, whose book “The New Order” we featured last year. I’ll be doing a whole post of Szyk illustrations from Coronet soon.

Coronet Magazine

Next up is a retelling of "The Night Before Christmas" by Golden Book illustrator, Sheilah Beckett. Will Finn recently posted about her book on Gilbert & Sullivan Operettas. These pages strongly resemble the back of Little Golden Books. Do you think Sheilah Beckett designed that?

Coronet Magazine
Coronet Magazine
Coronet Magazine

Here’s a feature on the artists who created the Famous Artists Course… Stevan Dohanos, along with his illustrator friends Albert Dorne, Ben Stahl, Hardie Gramatky, Fred Ludekens and Dean Cornwall donated their services to decorate casts in the Halloran Army Hospital in New York.

Coronet Magazine
Coronet Magazine

And here’s a feature on exotic superstitions and religious beliefs by Stevan Dohanos…

Coronet Magazine
Coronet Magazine

Here’s a real surprise- The autobiography of Bugs Bunny! "A Hare Grows In Manhattan"…

Coronet Magazine
Coronet Magazine
Coronet Magazine
Coronet Magazine
Coronet Magazine
Coronet Magazine
Coronet Magazine

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.
Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

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Friday, November 11th, 2022

Comic Books: Basil Wolverton On Cartoon Sounds

Basil Wolverton Lena the Hyena

Here are some features from the fanzine, Graphic Story Magazine devoted to the genius of Basil Wolverton.

Basil Wolverton

Here is an article Wolverton wrote in 1948 for the Daily Oregonian…

Basil Wolverton

ACOUSTICS IN THE COMICS
By Basil Wolverton

The so called comic strip on my drawing board showed a heavy horse stepping on a bozo’s bean. The horse was tramping on the guy’s head in a delicate way, of course, so the situation would be more entertaining than grusome- depending on the reader’s sense of humor. But, like an old silent movie, the cartoon needed something, and that something was sound. There had to be a heavily lettered word oozing out from the exact point of contact between the horse’s hoofs and the man’s head. Thus the reader, pronouncing that sound word to himself, would actually hear within his mind the excitingly comical noise that would eminate from such action.

Basil Wolverton

Summoning both brain cells hurriedly together, I tried desperately to imagine just what sort of sound would ensue if a nag were to step on someone’s skull. The word CRUNCH popped into my mind. Then CRONCH. Then CRANCH. I settled for CRANCH because somehow it seemed more refined. But before I could letter the word on the cartoon, I suddenly recalled my latest unhappy interview with the person who publishes my comic strips.

Basil Wolverton

“I want realism!” he had bellowed. “No more of this wild imaginitive stuff that’s causing some people to want to ban our comic books! From now on, get that realism in there, and your strips will be horribly funny! Then the readers will go into hysterics and laugh like crazy, and our books will be acclaimed the most laugh provoking on the stands!” That meant that an imaginative word like CRANCH was taboo. It was up to me to get the real sound word. I looked furtively about as a preposterous plan permeated my pate.

Basil WolvertonBasil WolvertonIt was easy to rent a horse. It wasn’t as easy to argue my brother in law into placing his pan on the pavement, and letting me ride the nag over his noggin. “Horses are so heavy!” he foolishly kept countering. “Besides, I have a cold sore.” As he waddled away, I realized my plan was hopeless- until he stumbled over something in the street. Before he could pull his chin out of the asphalt, I had steered the rented mare over him, and her hind hoof scored a bull’s eye on his bare bean.

The sound? It was far from CRANCH. The real thing turned out to be SLORNK. It was a sort of a slippery liquid sound. That was probably because my brother in law has oily skin and a thin skull. With the noxious noise fresh in mind, I streaked into my studio and feverishly lettered the word SLORNK boldly across the cartoon.

Basil Wolverton

Weeks later the fan mail began pouring in. They all said the same thing. In fact, both of them were worded the same. The first one read “I want to congratulate you on that completely true to life cartoon you drew of the horse stepping on a man’s head. The word SLORNK describing the sound was absolutely accurate. I know, because I am always getting my head stepped on by some careless nag.” The second letter was the same as the first, except for the signature. I figured when I wrote them that there should be some difference. Otherwise the publisher might get wise when I showed them to him.

He was dumbfounded when he saw them. After recovering, he slapped me on my sunburn and rammed one of his dollar cigars into my mush. Unfortunately, he stuck the wrong end into my mouth. Besides, he was smoking it. “Two fan letters in eleven years” he murmured incredulously. “My boy, you have arrived! It’s just like I predicted,” my publisher beamed, “your horribly realistic sound words are paying off!”

Basil Wolverton

I leaped on his desk. “Then I’m ripe for a raise?” I queried. peering so anxiously and closely into his red-rimmed readers that I could detect his wife’s fingernail scratches on his contact lenses. Anticipation was causing me to quiver like a rat terrier with radio-active fleas on a cold day. The suspense was terrible. Finally he opened his trap. He was grinning. This was the day for which I had waited eleven long years. “It does not!” he roared, brushing me off his desk. “I was merely feeling pleased that at last you may be worth almost as much as I’ve been paying you!”

While I gathered my teeth up off the floor, he pointed at me demandingly. “If you want a raise, every one of your sound effect words will have to be absolutely authentic! In other words, don’t draw a single sound word into your strips until you’ve actually staged the cartoon situation with real people and things!”

Basil Wolverton

(Incidentally, you readers should stop worrying about my brother in law. Ever since the day the horse stepped on his head, he has had nothing but good luck. Why shouldn’t he, what with a horseshoe embedded in the back of his bean? Furthermore, he’s the only living person who can slide his head inside those record-in-the-slot phonographs without crushing his ears.)

My publisher pointed at me demandingly. “If you want a raise, every one of your sound effect words will have to be absolutely authentic! In other words, don’t draw a single sound word into your strips until you’ve actually staged the cartoon situation with real people and things!”

As for my publisher’s demands, they resulted in my running out of friends and relatives within a week. Neighbors complained about howls and screams emanating from the studio. People su
ed. The ASPCA hounded me. My wife and fourteen kids swore sudden allegiance to the Progressive party, then fled to Siberia.

Basil Wolverton

Meanwhile, however, I managed to catalog hundreds of authentic sound words- enough to last me for a lifetime of cartooning, and enough I thought, to cover any and all comic situations, regardless of how terrible. I was so proud of my achievement that I showed the lengthy list to my publisher. Here are some of the more subtle sound words describing various clashings, crashings, slashings, bashings, hashings, mashings, etc. Read the situation, then voice the accompanying sound word to yourself, and note how vividly the picture then comes to your mind:

  • Pinheaded person pullingg pate out of a pop bottle: FOINK!
  • Glass eye falling into tomato soup: PLOOP!
  • Glass eye falling into a pitcher of thick syrup: PLOFF!
  • Man sitting on short tack: SQUINCH!
  • Man sitting on long tack: SQUONCH!
  • Uppers dropping in gob of putty: FLUP!

Basil Wolverton

  • Hungry cannibal filing eyetooth: FWATCH!
  • Man with calloused feet crossing rough linoleum: SKIRP! SKIRP!
  • Thumb gouging eye: SPOP!
  • Hot lava speweing on WCTU convention: FOOSK!
  • Hot lava spewing on Elks’ convention: SSSCRISH!
  • Person skidding on hot stove in bare feet: SCREESH!
  • Beaver biting into wooden leg: CRASP!
  • Car crashing into large vat of frogs’ eggs: SKWORP!
  • False teeth falling through skylight: TWUNK!
  • Sock in the face with Sears Roebuck catalog: PWOSH!
  • Sock in the face with Montgomery Ward catalog: PWASH!
  • Octopus slapping a tentacle on bald bean: SPOOP!

Basil Wolverton

  • Man dragging toenails over No.2 grade sandpaper: SKARP!
  • Man falling on face in a barrel of wet teabags: FROMP!
  • Sock in the kisser with a wet codfish: SCHALAMPF!
  • Person socking wet halibut with his kisser: SCHLOOF!
  • Lowers falling into a bucket of cup grease: UNPH!
  • Man with small head drowning in a glass of tomato juice: GOIK!
  • Woodpecker hammering on human head: DUD-DUD-DUD-DUD-DUD!
  • Cannon ball landing in mush of toothless man: FWOCK!
  • Two bald men colliding headon: KROCK!
  • Garter snapping on varicose vein: SCHWIPP!
  • Single BB shot landing on a cow’s udder: PWIP!
  • Person pulling ponderous pate through a puny porthole: SPOOCH!
  • Bear trap springing on human noggin: SPROCK!
  • Rat trap springing on person’s big toe: SPACK!
  • Man falling into a garbage can full of spoiled caviar: CROFF!
  • Surgeon tossing gallstones into empty garbage can: KRANG!
  • Man with one hair getting a haircut: WHICK!
  • Person being kicked in the neck: PFWUMPFPH!
  • Person getting kicked in snappers: PWACK!
  • Measle germ snapping at skin: SCHLOPP!

Basil Wolverton

If you’ve been able to struggle through the foregoing list of cartoon words, perhaps now your acoustical sense has been sharpened to the extent that you can readily guess a situation just by reading a sound word. To test your ability, hee is a list of cartoon words denoting various noises. If you can guess the action by which even one of them is produced, then your extremely something or other.

SNIKK / SPIRP / FAMP / SWORP / SPITCH / KANK / IKK / SPRATCH / PWOT / YOTCH / KZEEP / KLISH / FEEMP / SHZWOP / KOPYP

Basil Wolverton

Now check your definitions with the following list. Even if you missed defining all the words, it’s no reflection on your intelligence. Fact is, the more you miss, the brighter you probably are. On the other hand, the more you can guess, the better comic strip cartoonist you can become- unless, unfortunately, you’re already one.

  • SNIKK: The sound made by an African pygmy idly snapping his fingernail against his skull
  • SPIRP: Nose being caught in an orange juicer
  • FAMP: Corpulent person falling on back in a vat of peanut butter
  • SWORP: Meteor hitting obese dame on back of neck
  • SPITCH: Man sticking his head inside huge dynamo in action
  • KANK: Crazed horsefly crashing into dome of empty-headed man
  • IKK: Person with protruding eyeballs falling face down

Basil Wolverton

  • SPRATCH: Court plaster being yanked off polose chest
  • PWOT: Wet socks being tossed into the corner of the room
  • YOTCH: Post office pen forming the letter O
  • KZEEP: Man with rusty eyelid winking at gal
  • KLISH: Man falling on chin on thin crusted beetle
  • FEEMP: Mole (on chin) being hit with stray buckshot
  • SHZWOP: Obese dame’s girdle splitting out
  • KOPYP: Skin pore snapping shut on contact with cold air

Basil Wolverton

“Good work!” my publisher mumbled two days later, when he had finished reading the list. “Then I get the raise?” I gurgled hopefully. His brows knitted. (He was working on a pair of socks at the same time.) “Not until you complete that list by adding one more sound word! The word that’s missing is the one that describes the sound of a railway train running over a cartoonist’s conk!”

“That should be easy,” I chirped. “I’ll just-” Suddenly, the awful significance of his demand dawned on me. My publisher had conceived of this diabolical plan to prevent my getting a raise. But I would fool him.

A half hour later my noggin was resting uncomfortably on a railroad rail.

Basil Wolverton

They told me later at the hospital that it wasn’t too bad. Only 22 cars, plus the locomotive had been derailed. “The train crew wanted the day off anyway” my doctor said. “They will be up later to thank you.” While he poured glue in the cracks in my conk, I struggled to recall the exact sound of the locomotive passing over my pate. I became frantic at the thought that it had eluded me. Then I remembered. How could I forget something that had been so forcefully crammed into my mind?

I raced out of the hospital and downtown to my publisher’s office. When that man saw the Scotch tape on my skull, he blanched a little. “Did you find out what the sound of a train running over a cartoonist’s head is?” he asked. “I did.” I announced triumphantly. He leaned expectantly so far forward that his rear suspender buttons flew off, zipped out the window, and nailed a burglar who was ransacking a safe in an office across the street.

Basil Wolverton

“What is the sound?” he asked shakily.
“It is GJDRKZLXCBWQ.”
“GJDRKZLXCBWQ?” he queried doubtfully.
“No. It’s GJDRKZLXCBWQ. The L is silent.”

Basil Wolverton

My publisher is not emotional. I have never known him to be moved to tears. But now his lips quivered violently. Or perhaps he was just trying to get something out of his teeth. “Now I have heard everything!” he blubbered.

“The raise.” I reminded him. “How about it?” “The raise? Oh yes. To show my appreciation for collecting the most complete and authentic list of cartoonists’ sound words, I’m going to double your salary!” Whereupon he reached into his wallet and tossed me twice as much as I had been getting previously per week.

Basil Wolverton

Then I realized that my list of sound words wasn’t quite complete until that moment. In all my life I had never heard that lush, lovely sound. It was a mild, whispery sound, barely audible.

Here it is: FMNW!

It was the sound made by my new doubled salary- two $1.00 bills brushing lightly together.

Basil Wolverton

Stephen Worth
Director
Animation Resources

Comic BooksComic Books

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Comic Books.
Magazine CartoonsMagazine Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Magazine Cartoons.

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Wednesday, November 9th, 2022

Golden Book: Tibor Gergely’s Early Children’s Books

Tibor Gergely

Tibor Gergely was born in Budapest, Hungary, and studied and taught in Vienna before the War. He escaped the Nazis and relocated to New York City in 1939, along with his wife. He became a well known illustrator, creating covers for the New Yorker and illustrating countless Little Golden Books. The subjects of his children’s books were often anthropomorphic automobiles, trucks, trains or boats. In his free time, Gergely was a fine artist, sketching and painting the city and small seaport towns in New England. In his own art, he was fascinated by bridges, in particular the Brooklyn Bridge. Perhaps the feeling of being planted with one foot in New York City and the other in his native Europe had something to do with that.

Here are two of Gergely’s earliest children’s books. On the surface, they appear very simple, but there is a great deal of thought in these compositions. Today, many children’s book illustrations are cluttered and packed with details. Gergely was at his core a storyteller, so he keeps the illustrations clear enough that even very young children can follow the story.

“WATCH ME” SAID THE JEEP

Tibor Gergely
Tibor GergelyTibor Gergely
Tibor Gergely
Tibor Gergely
Tibor GergelyTibor Gergely
Tibor GergelyTibor Gergely
Tibor Gergely
Tibor Gergely
Tibor GergelyTibor Gergely
Tibor Gergely Tibor GergelyTibor Gergely
Tibor GergelyTibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely

THE RED, WHITE AND BLUE AUTO

Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely
Tibor Gergely

Many thanks to Terry and Linda for sharing these books with us.

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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