Archive for the ‘caricature’ Category

Tuesday, June 13th, 2017

Editorial Cartoons: Arthur Szyk The New Order

Arthur Szyk was born in Poland and began painting at the age of four. He studied art in Paris until the outbreak of World War I, when he travelled East to study Mohammedan art. In 1914, he joined the Russian army, and later served as an officer in a guerrilla regiment in the Polish army. He married in 1921 and moved back to Paris, where he lived and painted until 1931. Szyk received many important commissions during this time… He illuminated the Covenant of the League of Nations, painted a series of miniatures dealing with the American Revolution that hangs in the White House, and spent three years working on an illumination of the Haggadah, the story of the Jews’ flight from Egypt which was dedicated to the King of England.

In 1940, Szyk relocated to Canada, eventually settling in New York City in 1941. Szyk’s political cartoons, which were published in the newspaper PM, were described by art critic, Thomas Craven as being “as compact as a bomb, extraordinarily lucid in statement, firm and incisive of line, and deadly in their characterizations.” The illustrations we scanned today are from a collection of Szyk’s political cartoons called “The New Order”..

Caricature is the foundation of cartooning. It involves the exaggeration of features to highlight and focus personality traits. Szyk was a master of caricature. His ability to clearly express the arrogance, irony and evil behind the trumped up facade of civilized behavior spoke louder than words. “The New Order” is a rare book. It was ahead of its time when it was published in 1941, before the United States entered the Second World War. Animation Resources was fortunate to locate a clean copy to digitize.

Stephen Worth
Director
Animation Resources

Editorial CartoonsEditorial Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Editorial Cartoons.
IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Tuesday, March 28th, 2017

Illustration: Frank Reynolds Paints Pickwick

Frank Reynolds

Frank ReynoldsFrank ReynoldsFrank Reynolds is a name that you don’t hear mentioned much when artists are discussing classic illustrators. That’s a shame, because there is a lot to learn from his work.

Reynolds was born in 1876, and gained fame for his humorous drawings in Punch, Sketch and The Illustrated London News. His specialty was caricaturization, and at the time, his drawings were described as being non-specific and even ugly. But with modern eyes, the clearness of compositions, economy of detail, and expressive caricature fit right in with what illustrators like Norman Rockwell were doing in the 40s and 50s. The books of Charles Dickens provided the perfect subject for Reynolds’ talents.

Frank Reynolds

In an article on Reynolds (available for viewing at Project Gutenberg) A.E. Johnson wrote: "It is related of Charles Dickens that the creation of many of his famous characters was inspired by a chance remark overheard in the street. A single telling sentence, uttering some quaint sentiment, perhaps in quaint idiom, would set up a train of ideas ultimately resulting, after much meditative elaboration, in a Mrs. Gamp or a Dick Swiveller. The process is not dissimilar, one imagines, from that by which the artist evolves a character sketch: with this difference, that whereas a solitary trait accidentally revealed, was to Dickens sufficient foundation upon which to construct his fanciful portrait, such studies of types as Frank Reynolds excels in must be the outcome, not of one ‘thing seen,’ but of reiterated observation of the same thing in identical or closely similar guise."

There’s a lot to know about this great artist. Project Gutenberg has posted an overview of Reynolds’ career. Check it out.

Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds
Frank Reynolds

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Thursday, November 3rd, 2016

Caricature: The Genius of Miguel Covarrubias

Miguel Covarrubias Caricature

Miguel Covarrubias was one of the most famous artists of his day, but chances are you’ve never heard of him. Caricaturists know his work- Al Hirschfeld studied under Covarrubias and shared a studio with him in 1924. He spoke of Covarrubias’ talent in the same breath as Daumier and Hogarth. Ethnologists and archaeologists know the name of Covarrubias as well. His analysis of pre-Columbian art and the culture of Bali led to books on the subject that have become classics. And his reputation as an anthropologist rivalled any of his peers in that field. Illustrator, caricaturist, anthropologist, author and educator… It’s high time you knew about Covarrubias too!

Miguel Covarrubias Caricature

At the age of nineteen, Miguel Covarrubias, already a renowned caricaturist in his home country of Mexico, emigrated to New York City. He was an instant sensation, and his illustrations began appearing in New Yorker and Vanity Fair. Fellow Mexican artist, Diego Rivera described his illustrations as "those caustic but implacably good-humored drawings which, fortunately for his personal safety, people have been misled into calling caricatures. In Covarrubias’ art there is no vicious cruelty, it is all irony untainted with malice; a humor that is young and clean; a precise and well defined plasticity.”

Most of the caricatures from Vanity Fair below depict unlikely pairs of public figures. Click on the links to the Wikipedia entries on these people and see why Covarrubias put them together.

MIGUEL COVARRUBIAS CARICATURES

Miguel Covarrubias Caricature
Jim Londos & Herbert Hoover
(Vanity Fair, August 1932)


Miguel Covarrubias Caricature
Senator Smith W. Brookhart & Marlene Dietrich
(Vanity Fair, September 1932)


Miguel Covarrubias Caricature
Al Capone & Chief Justice Charles Evans Hughes
(Vanity Fair, October 1932)


Miguel Covarrubias Caricature
Clark Gable & Edward, Prince of Wales
(Vanity Fair, November 1932)


Miguel Covarrubias Caricature
Ex-King Alfonso & James J. Walker
(Vanity Fair, December 1932)


Miguel Covarrubias Caricature
Mrs. Ella Boole & Miss Texas Guinan
(Vanity Fair, January 1933)


Miguel Covarrubias Caricature
Arthur Brisbane & The Sphinx
(Vanity Fair, May 1933)


Miguel Covarrubias Caricature
Emily Post
(Vanity Fair, December 1933)


Miguel Covarrubias Caricature
Admiral Richard E. Byrd
(Vanity Fair, December 1934)


Miguel Covarrubias Caricature
Sally Rand & Martha Graham
(Vanity Fair, December 1934)


Miguel Covarrubias Caricature
Dr. Samuel Johnson & Alexander Woolcott
(Vanity Fair, March 1935)


Miguel Covarrubias Caricature
Auguste Piccard & William Beebe
(Vanity Fair, April 1935)

Covarrubias was much more than just an illustrator and caricaturist though. His books on Bali and Mexico revealed a careful analytical mind with an eye for detail. The following article from an arts magazine from 1948 encompasses the latter part of Covarrubias’ career…

MIGUEL COVARRUBIAS OF MEXICO CITY
By Henry C. Pitz
(January 1948)

Miguel Covarrubias Caricature
Miguel Covarrubias Caricature
Miguel Covarrubias Caricature
Miguel Covarrubias Caricature
Miguel Covarrubias Caricature

Many thanks to the ever-faithful supporter of Animation Resources, Kent Butterworth for sharing this wonderful material from his own collection with us.

Stephen Worth
Director
Animation Resources

Magazine CartoonsMagazine Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Magazine Cartoons.

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