Archive for the ‘biography’ Category

Sunday, February 6th, 2011

Biography: Fred “Tex” Avery

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Birth/Death

February 8, 1908 Taylor, Texas
Death August 26, 1980 died on the job at Hanna Barbera Studios (had been suffering from lung cancer for a year)

Occupation/Title

American animator, cartoonist, and director

Bio Summary

Tex Avery was a natural artist from a young age, he did a comic book in high school, and he went to an art college. He was famous for producing cartoons during the “Golden Age of Hollywood”. He is most synonymous for the work he did for Warner Bros. (working in the famous “Termite Terrace”) also working for Metro Goldwyn Mayer studios, creating the characters Bugs Bunny, Daffy Duck, and Droopy. His work had a vast far-reaching influence in the 1940’s and 1950’s. “Avery’s directing style broke the mold of strict realism established by Walt Disney”.

Early Life/Family

Parents, George Walton Avery and Mary Augusta “Jessie” Bean
Paternal grandparents, Needham Avery and Lucinda C. Baxley
Maternal grandparents, Frederick Mumford Bean and Minnie Edgar
Tex’s interest in animation began at an early age. He started drawing comic strips in high school. Where he came up with the famous catch phrase “what’s up doc”. He graduated from high school in 1926.

Education/Training

Tex spent a summer studying at the Chicago Art Institute. He moved to California in the early thirties. Avery got a job at a small cartoon studio doing inking and cel painting. Afterwards he worked for Walter Lantz as a painter, and eventually landed a job as a story boarder.

Tex Avery
Tex Avery at Walter Lantz’s studio

Career Outline

While at Walter Lantz studios, Avery did work on Oswald the Lucky Rabbit cartoon series. He left Lantz studios and had the opportunity to lead his own production team with Warner Bros. In 1935, he was assigned the Looney Toons cartoon series. Along with his creative team of Bob Clampett, Chuck Jones, and Frank Tashlin, Avery had the almost insurmountable task of dethroning the Walt Disney Studio, who were the kings of short animated film at the time. They succeeded by creating such lunatic, zany characters, like Porky Pig, Daffy Duck, and Bugs Bunny. “Unlike Disney, Avery cartoons had their own personality”. He later went on to work for MGM in 1941, and created characters like The Wolf, Droopy, and Screwball “Screwy” Squirrel. After MGM, Avery went back to Lantz studios for a short time and directed four cartoons, which introduced the character Chilly Willy the penguin. In the 1960’s Tex got involved in commercials for Raid, and Frito Lay’s. His final employer was Hanna Barbera studio, where he wrote gags for Saturday morning cartoons like Kwicky Koala.

Tex Avery
Tex Avery and Fred Quimby at MGM

Comments On Style

Avery had a terrific, zany sense of humor, which showed in his films. His favorite story’s to tell were the American “tall tales”, that were predominant in Texas. Also I found it interesting that he couldn’t see out of his left eye, thus his depth of perception was hindered. But in my opinion it didn’t take away from his films, instead it added a sort of “bizarre directional style”. I also like how Avery disregarded realism in his works, like laws of gravity, and life and death situations. His characters personalities were very dynamic, almost insane at times (good example would be Daffy Duck).

Influences

Walter Lantz
Walt Disney
Telling his Texas sized “tall tales” and stories.
Appealing to grown ups as well as children.
The loss of vision in his left eye as a result of “horse play” by his co-workers, instead of hindering him, it inspired him to a “driving perfectionism”.

Personality

“Savage” sense of humor
Ladies man, athletic until his accident
Fun loving, eccentric, and charismatic

Anecdotes

“What’s up Doc?”
“In a cartoon you can do anything”
“Animation owed me a living”

an anecdote from Daws Butler:

“Tex was a marvelous guy to learn the business with. He was the first brilliant (director) I ever worked for, and he’s such a fussy man. This was before they had tape, and everybody was afraid of wasting film, so he would rehearse me, until I wouldn’t have any voice left. There would be yells- he loved yells. I don’t know if he invented the gag, but he sure used it a lot, where the guy hits his thumb with a hammer or something, then looks up and it says, “Hospital Zone- Quiet,” and he runs over hill and dale, into the distance, and goes YEOWW! A yell is a yell, and I do pretty good yells, but he would have me do about eight of these, then he’d say, “Gee, that’s close.” Then he’d say, “Well, let’s lay one down,” then we’d do one on the film. Then he would always throw in a couple himself, just for protection.” ( www.dawsbutler.com)

Miscellaneous

Avery often did the voices of the characters in his cartoons he mostly did the more “buffoonish” types of characters.
Someone who actually had a moderately bad stutter did the voice of Porky Pig.
Avery got the idea for the signature voice of Daffy Duck from his boss, Leon Schlesinger, who had a speech impediment.
When he moved to California, Avery worked loading fruits and vegetables on the docks at Los Angeles, during this time he had to sleep on the beach.
Tex Avery was a descendent of the infamous Judge Roy Bean

Filmography

Director:
Towne Hall Follies (1935) (uncredited)
Quail Hunt (1935) (uncredited)
Gold Diggers of ’49 (1935) (as Fred Avery)
The Blow Out (1936) (as Fred Avery)
Plane Dippy (1936) (as Fred Avery)
I’d Love to Take Orders from You (1936) (as Fred Avery)
Page Miss Glory (1936) (uncredited)…, Aka Miss Glory (USA: short title)
I Love to Singa (1936) (as Fred Avery)
Porky the Rainmaker (1936) (as Fred Avery)
The Village Smithy (1936) (as Fred Avery)
Milk and Money (1936) (as Fred Avery)
Don’t Look Now (1936) (as Fred Avery)
Porky the Wrestler (1937) (as Fred Avery)
Picador Porky (1937) (as Fred Avery)
Porky’s Duck Hunt (1937) (as Fred Avery)
I Only Have Eyes for You (1937) (as Fred Avery)
Uncle Tom’s Bungalow (1937) (as Fred Avery)
Ain’t We Got Fun (1937) (as Fred Avery)
Porky’s Garden (1937) (as Fred Avery)
I Wanna Be a Sailor (1937) (as Fred Avery)
Egghead Rides Again (1937) (as Fred Avery)
A Sunbonnet Blue (1937) (as Fred Avery)
Little Red Walking Hood (1937) (as Fred Avery)
Daffy Duck & Egghead (1938) (as Fred Avery)
The Sneezing Weasel (1938) (as Fred Avery)
The Penguin Parade (1938) (as Fred Avery)
The Isle of Pingo Pongo (1938) (as Fred Avery)
A Fued There Was (1938) (as Fred Avery)
Johnny Smith and Poker-Huntas (1938) (as Fred Avery)
Daffy Duck in Hollywood (1938) (as Fred Avery)
Cinderella Meets Fella (1938) (as Fred Avery)
The Mice Will Play (1938) (as Fred Avery)
Hamateur Night (1939) (as Fred Avery)
A Day at the Zoo (1939) (as Fred Avery)
Thugs with Dirty Mugs (1939) (as Fred Avery)
Believe It or Else (1939) (as Fred Avery)
Dangerous Dan McFoo (1939) (as Fred Avery)
Detouring America (1939) (as Fred Avery)
Land of the Midnight Fun (1939) (as Fred Avery)
Fresh Fish (1939) (as Fred Avery)
Screwball Football (1939) (as Fred Avery)
The Early Worm Gets the Bird (1940) (as Fred Avery)
Cross Country Detours (1940) (as Fred Avery)
The Bear’s Tale (1940) (as Fred Avery)
A Gander at Mother Goose (1940) (as Fred Avery)
Circus Today (1940) (as Fred Avery)
A Wild Hare (1940) (as Fred Avery)…, Aka The Wild Hare (USA: reissue title)
Ceiling Hero (1940) (as Fred Avery)
Wacky Wildlife (1940) (as Fred Avery)
Of Fox and Hounds (1940) (as Fred Avery)
Holiday Highlights (1940) (as Fred Avery)
The Haunted Mouse (1941) (as Fred Avery)
The Crackpot Quail (1941) (as Fred Avery)
Tortoise Beats Hare (1941) (as Fred Avery)
Porky’s Preview (1941) (as Fred Avery)
Hollywood Steps Out (1941) (uncredited)
The Heckling Hare (1941) (uncredited)
Aviation Vacation (1941) (as Fred Avery)
Speaking of Animals Down on the Farm (1941)…, Aka Down on the Farm (USA: short title)
All This and Rabbit Stew (1941) (uncredited)
The Bug Parade (1941) (uncredited)
Speaking of Animals in the Zoo (1941)
The Cagey Canary (1941) (uncredited)
Aloha Hooey (1942) (uncredited)
Crazy Cruise (1942) (uncredited)
Blitz Wolf (1942)
The Early Bird Dood It! (1942)
Dumb Hounded (1943)
Red Hot Riding Hood (1943)
Who Killed Who? (1943)
One Ham’s Family (1943)
What’s Buzzin’ Buzzard? (1944)
Screwball Squirrel (1944)
Batty Baseball (1944)
Happy-Go-Nutty (1944)
Big Heel-Watha (1944)…, Aka Buck of the Month
The Screwy Truant (1945)
Jerky Turkey (1945)
The Shooting of Dan McGoo (1945)…, Aka The Shooting of Dan McScrew
Swing Shift Cinderella (1945)…, Aka Swingshift Cinderella (USA: poster title)
Wild and Woolfy (1945)…, Aka Robinson’s Screwball
Lonesome Lenny (1946)
The Hick Chick (1946)
Northwest Hounded Police (1946)…, Aka The Man Hunt
Henpecked Hoboes (1946)
Hound Hunters (1947)
Red Hot Rangers (1947)
Uncle Tom’s Cabana (1947)
Slap Happy Lion (1947)
King-Size Canary (1947)
What Price Fleadom (1948)
Little ‘Tinker (1948)
Half-Pint Pygmy (1948)
Lucky Ducky (1948)
The Cat That Hated People (1948)
Bad Luck Blackie (1949)
Senor Droopy (1949)
The House of Tomorrow (1949)
Doggone Tired (1949)
Wags to Riches (1949)…, Aka From Wags to Riches
Little Rural Riding Hood (1949)
Out-Foxed (1949)
The Counterfeit Cat (1949)
Ventriloquist Cat (1950)
The Cuckoo Clock (1950)
Garden Gopher (1950)
The Chump Champ (1950)
The Peachy Cobbler (1950)
Cock-a-Doodle Dog (1951)
Daredevil Droopy (1951)
Droopy’s Good Deed (1951)
Symphony in Slang (1951)
Car of Tomorrow (1951)
Droopy’s Double Trouble (1951)
Little Johnny Jet (1952)
Magical Maestro (1952)
One Cab’s Family (1952)
Rock-a-Bye Bear (1952)
T.V. of Tomorrow (1953)
The Three Little Pups (1953)
Crazy Mixed Up Pup (1954)…, Aka Crazy Mixed-up Pup (USA)
Drag-A-Long Droopy (1954)
Billy Boy (1954)
Homesteader Droopy (1954)
Farm of Tomorrow (1954)
The Flea Circus (1954)
Dixieland Droopy (1954)
I’m Cold (1954)
The Legend of Rockabye Point (1955)…, Aka Legend of Rock-A-Bye Point (USA: video box title)…, Aka The Rock-a-Bye Legend (USA: reissue title)
Field and Scream (1955)
Sh-h-h-h-h-h (1955)
The First Bad Man (1955)
Deputy Droopy (1955)
Cellbound (1955)
Millionaire Droopy (1956)
“The Woody Woodpecker Show” (1957) T.V. series (theatrical cartoon segments)
“Tom and Jerry” (1965) T.V. series (uncredited)
Woody Woodpecker and His Friends (1982) (V) (original material)
“Merrie Melodies”: Starring Bugs Bunny and Friends (1990) T.V. series (original material)
“That’s Warner Bros.!” (1995) T.V. series (original material)
“The Bugs and Daffy Show” (1996) T.V. series (original material)
“Cartoon Alley” (2004) T.V. series (original material)
Writer:
Quail Hunt (1935)
Crazy Mixed Up Pup (1954) (written by)
Sh-h-h-h-h-h (1955)
“The Woody Woodpecker Show” (1957) T.V. series (writer)
“Tom and Jerry” (1965) T.V. series (writer) (uncredited)
“The Kwiky Koala Show” (1981) T.V. series (creator)
Himself:
Bugs Bunny Superstar (1976)”. Himself

Honors

Academy Award/Oscar: (1943) Nominated for Best Short Subject, Cartoons for: Wolf Blitz (1942)
Annie Award: (1974) Winsor McCay Award

Related Links

www.wikipedia.org/biography/texavery
www.imdb.com
www.texavery.com

Bibliographic References

Bright Lights Film Journal/ The Life and Career of Tex Avery

Contributors To This Listing

Theo Young
Josh Heisie

To make additions or corrections to this listing, please click on COMMENTS below…

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Tuesday, February 1st, 2011

Biography: Boris Artzybasheff

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Born: 1899
Died: 1965

Occupation/Title

Illustrator

Bio Summary

Early Life/Family

Boris Artzybasheff was born in Kharkiv, Russia. His father, Mikhail, was an author. He fought during the Russian Revolution in the White Army.

Education/Training

Artzybasheff’s education was cut short in 1917 at the age of eighteen due to the Russian Revolution. He was separated from his parents, and came to America without the ability to speak English. He arrived with 14 cents in his pocket. He found work at an engraving shop thanks to an immigration officer. He already showed the aptitude of a great draughtsman. His mature skills opened doors to new opportunities for him.

Career Outline

His artistic career started in the 1920’s doing art deco illustrations for books. These flat and graphic illustrations were often black and white in stark contrast to his later work. In his lifetime, Boris illustrated some 50 books, of which his most well known, As I See, he wrote himself. Around 1940, he dedicated himself to commercial work, cranking out more than two hundred covers for Time, countless illustrations for Life Magazine, as well as advertisements for many companies.

Comments On Style

Perhaps one of the most flexible artists, Artzybasheff’s style ranged from flat, graphic designs to meticulously rendered compositions. He did technical drawings of machinery, portraits, whimsical illustrations for books, silly comics, and even some typography. Sometimes he worked with strong black and white shapes, while other compositions are delicately laid out with subtle colors and careful treatment of value. To credit Artzybasheff with a single style is to pigeonhole him where he does not belong. Boris Artzybasheff was a master of many very diverse styles, but they are all unmistakably his own.

Influences

Artzybasheff was strongly influenced by the then contemporary, representational surrealist movement. This shows in his anthropomorphized characters, his juxtaposition of unrelated objects, and his realistic rendering of subjects.

Personality

Anecdotes

Miscellaneous

Filmography

Honors

Artzybasheff was awarded the Newbery Medal in 1928 for illustrating Dhan Mukerji’s Gay Neck.

Related Links

http://en.wikipedia.org/wiki/Boris_Artzybasheff
http://www.bpib.com/artzybas.htm
http://www.americanartarchives.com/artzybasheff.htm
http://www.enter.net/~torve/art/artzy/artzy.html
http://www.eisnermuseum.org/_artzybashoff/main.html

Bibliographic References

http://en.wikipedia.org/wiki/Boris_Artzybasheff (2006)
Heller, Stephen. The Graphic Design Reader. New York : Allworth Press, 2002.
Vadeboncoeur, Jim. Boris Artzybasheff Biography.
http://www.bpib.com/artzybas.htm (1999)
http://www.eisnermuseum.org/_artzybashoff/main.html

Contributors To This Listing

Chris Allison

To make additions or corrections to this listing, please click on COMMENTS below…

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Sunday, January 30th, 2011

Biography: Ernesto Garcia Cabral (aka “Chango”)

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death
1890 Huatusco , Veracruz , Mexico
1968 Toluca , Mexico

Occupation/Title
Political Cartoonist, Poster Illustrator

Bio Summary
The Mexican Artist: Ernesto Garcia Cabral was nicknamed “El Chango”, which means “The Monkey” in Spanish. He was a talented Cartoonist and Poster Illustrator who became famous in Mexico during the 1940s and 50s, but was not well known for his work in the United States. His work was primarily done for Advertisement on Mexican Film Comedies. He was also greatly recognized for his unique comic art and political cartoons.

Early Life/Family
Ernesto Cabral, was the son of Vicente Garci’a and Aurelia Cabral. Ever Since Ernesto was a young child; he loved art and admired the great illustrators and artists of the time. He kept a scrapbook that included printed material about illustrators and caricaturists Arias Bernal, Paolo Garretto, Norman Rockwell. He later added clippings of his own caricatures to this scrapbook. Ernesto came from a Cape Verdian culture, and lived in a transplanted Cape Verde . This was a place that included Goats, chickens, ducks, geese and pigs, and all sort of garden vegetables. It was located in the country side, and he would take the trolley into the city. His father worked as a longshoreman, while his mother was the one taking care of the house and family.

Education/Training

  • Studied at San Carlos Art Academy in Mexico (1907)
  • Studied art in Paris just before WWI, and became well known there as a cartoonist (1910)

Career Outline
Cabral returned to Mexico in 1918 where he established himself as a top caricaturist and illustrator. His work often appeared on the covers of magazines such as the weekly “Revista de Revistas”. Much of his poster work was done during 1936-1956, which was considered the Golden Age of Mexican Cinema. During this time he drew a number of Mexican lobby Cards, which may have been what Cabral was remembered for the most. These were the similar movie posters, but smaller. They were about 11 x 14 and depicted a scene from the film.
Cabral also painted murals, one of which can be found in Toluca , Mexico.

Comments On Style
Cabral used bold colors and dynamic designs, which he combined with cartoony caricature. His caricature was much different then most other artwork at the time, and drew audiences into theaters to see films by Mexican comedians like Cantinflas, Tin Tan and Resortes.

Influences
Arias Bernal, Paolo Garretto, Norman Rockwell

Personality
Ernesto has always been a determined artist ever since he was young, and knew how to enjoy life, and loved to spend time with his parents and brother.

Anecdotes
Cabral was a great artist recognized in Mexico , and France . In the United States he has not become well known by many, and said to be, “The Greatest Cartoonist You’ve Never Heard Of”.

Miscellaneous

Filmography
Mexican Cinema Lobby Cards:

  • Las Interesadas(1952) (Illustrator)
  • Las Locuras de Tin-Tan (1953) (Illustrator)
  • Rumba Caliente (1952) (Illustrator)
  • Tres Viudas Alegres (1953) (Illustrator)
  • Que Lindo Cha Cha Cha (1955) (Illustrator
  • Soy un golfo (1955) (Illustrator)
  • Resortes Cadena de Mentiras (1955) (Illustrator)
  • El Campeon Ciclista (1956) (Illustrator)
  • Resortes hora media de balazos (1957) (Illustrator)
  • Las Carinosas (1958) (Illustrator)

Political Line Drawings:

  • Tipos Que Desaparecen (1912) (Illustrator)
  • Semidiosa Por Rafael Diaz De Leon (1914) (Illustrator)
  • El Pamoso Pintor Nacho Rosas (1915) (Illustrator)
  • Un Poeta (1915) (Illustrator)
  • Lo Que Se Vende En Los Puestos (1917) (Illustrator)
  • Le Semanadio Nacional (1919) (Illustrator)

Honors

  • Cabral was 17 when he first won a scholarship to the San Carlos Art Academy
  • By 1910 he was drawing for popular publications and two years later received a grant to study art in Paris .

    Related Links

    Rogelio Agrasanchez Jr., Collecting Mexican Film Posters . Mexican Horror Cinema, www.Santostreet.com/subpages/postercollect.htm

    Bibliographic References

    Barrow, Randy, ImpactGraphicsPosters, August 7, 2004
    www.impactgraphicsposters.com/cabral.htm

    Anonymous Writer, IMDb message board, Internet Movie Database Inc.
    http://www.imdb.com/name/nm0305573/

    Anonymus Writer, Movie memorabilia, Wikipedia.org
    http://en.wikipedia.org/wiki/Movie_memorabilia

    Fernandez , Rosa M, Archives of American Art, Smithsonian Institution
    http://www.aaa.si.edu/collections/findingaids/lamaabri.htm

    Cabral, Ernesto, Two Worlds, Cape Verde Home Page
    http://www.umassd.edu/specialPrograms/caboverde/foxpoint/twoworlds.html

    Contributors To This Listing
    Rosa M. Fernandez – Smithsonian Archives of American Art: Reference Department

    To make additions or corrections to this listing, please click on COMMENTS below…

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