Archive for the ‘biography’ Category

Wednesday, November 10th, 2010

Biography: Arthur Rackham

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Birth/Death

Occupation/Title

Bio Summary

Early Life/Family

Education/Training

Career Outline

Comments On Style

Influences

Personality

Anecdotes

Miscellaneous

Filmography

Honors

Related Links

Bibliographic References

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Contributors To This Listing

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Wednesday, November 10th, 2010

Biography: Gustaf Tenggren

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Birth/Death

Birth: Nov. 3 1896
Death: April 9, 1970 in Dogfish Head, Maine

Occupation/Title

Illustrator

Bio Summary

Born Nov. 3, 1896 in Magda, Sweden his father left him in the hands of Teng Tenggren (Grandfather). His father went to the United States for work as a illustrator. At seventeen Gustaf went to Valand for painting instruction from 1913-1916. After which he worked on a Swedish folklore from 1917-1926. Moved to Cleveland in 1920 and moved to New York in 1922. (Canemaker 39)?Between 1923-1939 he worked in America for a commercial advertisement company and meanwhile, during the depression, in 1936, he worked for Disney; with such films as Bambi. (Santi)?Gustaf Tenggren left the Disney Company in Jan. 1939 with rumors of being disgruntled over the Snow White film. (Canemaker 42)?Jan. 1942-1962 Gustaf Tenggren works on several children’s books such as The Tawny Scrawny Lion and The Pokey Little Puppy (Canemaker 44)
1945 Gustaf moves to Maine for Solitude where he worked on his illustrations until he died on April 9th, 1970. (Canemaker 47)?Early Life/Family

Early Life/Family

Gustaf’s father was a decorative painter and he immigrated to America, leaving Gustaf in care of his Grandfather Teng. His grandfather was a decorative painter and woodcarver who became the boy’s surrogate father. (Canemaker 39)?Gustaf liked the supernatural forests of Magra and watched his grandfather restore the churches in the area in which woodcarvings of sculpted dwarfs were added to the pulpits and altars. (Canemaker 39)

Education/Training

At seventeen Gustaf won a scholarship to study painting at Valand, which was a famous art school in Gothenburg, Sweden. He studied painting there from 1913 to 1916. (Canemaker 40)

Career Outline

After painting school, Gustaf illustrated a popular annual of Swedish folklore and fairy tales called Bland Tomar och Troll (Among Elves and Trolls) (Canemaker 40)?In 1920 Gustaf Tenggren has his first art exhibit and then finally went to New York for a career as a illustrator. Between 1923-1939 Gustaf has placed his illustrations in American commercials in twenty-three books. (Canemaker 40)?During the depression Gustaf worked for Disney. He worked on several features such as Bambi and between features he helped work on the backgrounds and atmospheres of “The Ugly Duckling” and “The Old Mill”. On January 1939, Tenggren left Disney. (Canemaker 41)?Between 1942-1962 Gustaf Tenggren worked for Golden Books in which he worked on illustrations for twenty-eight books. (Canemaker 44)

Comments On Style

Tenggren used silhouetted figures with character faces that had huge noses that filled the faces. ?(Canemaker 39)?Influences ?An influence that was traced back by Mary T. Swanson was that Tenggren got influence from illustrator Arthur Rackham. (Canemaker 40)?Gustaf also had influences from nineteenth-century German and Norwegian folk tale illustrators. (Canemaker 40)

Influences

Personality

Independent personality but was often dramatic and moody. He had long hair and was often seen as a loner. (Canemaker 41)

Anecdotes

“He was arrogant. Part of him was into being a big shot, the most talented. He wouldn’t be interested in anything that was only halfway there. He didn’t like team effort. He didn’t like to be part of a group that was trying to style something. You want style? Come to him, he’ll style it for you.” (Frank Thomas) (Canemaker 41).

Miscellaneous

Tenggren had a problem with Alcohol and was involved in a scandal that involved the Niece of Milt Kahl.
Tenggren was known as a womanizer by a quote of Frank Thomas. “He was a womanizer, a chaser who liked the younger gals.” (Canemaker 44)?
Filmography

Background illustrator for “The Old Mill” (1937)
Background illustrator for “Little Hiawatha” (1937)
Illustrator for Snow White
Illustrator for Pinnocchio
Illustrator for Bambi?Background illustrator for “The little duckling” (1939)

Honors

Related Links

www.thesantis.com/who_who/illustrators___authors.htm

Bibliographic References

Canemaker, John Before the animation begins: the art and lives of Disney inspirational sketch artists New York. Hyperion 1996??Santi, Steve. Illustrators/Authors-Collecting Little Golden Books. Updated 10/1/06. Accessed 10/26/2006. www.thesantis.com

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Contributors To This Listing

Alfredo Lozano

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Monday, November 8th, 2010

Biography: John Sibley

Birth/Death

B. January 25, 1912, Danville, Illinois, USA
D. February 15, 1973. USA

Occupation/Title

Animator

Bio Summary

John Sibley was known to be able to animate life into his animations by adding a caricature quality to them that was truly believable and ironically more real than if the action was performed in reality.
John Sibley for many years was best known for his animating of Goofy at Disney. For this, he was nicknamed the “Goof Master.” He animated Goofy in more than 40 shorts. He brought out Goofy’s personality and life in every action. Many believe that Sibley was not as recognized for his work as he deserved.

Early Life/Family

John Sibley was born on January 12, 1912 in Danville, Illinois. At an early age he became interested in art and began animating as early as high school. He moved where his school and work took him; to Washington and Chicago, and then to Los Angeles, California. Soon after, has girlfriend Jane Crockett also moved to California and they got married.

Education/Training

John Sibley at an early age became very engrossed in art and had a particular interest in animation. He would animate on notepads or stacks of paper. He gained his education at Corcoran School of Art located in Washington, and he also trained at the Chicago Institute of Arts. 
He then came upon an advertisement from Disney Animation Studios asking for artists. He moved to Los Angeles, California where he was interviewed and started working as an inbetweener at Disney. 

Career Outline

John Sibley started his animation career as an inbetweener towards the end of the production of Snow White and the Seven Dwarfs. He continued working for three years as an assistant animator and then for the first time got his screen credit as an animator on the How to Ride a Horse segment in the Reluctant Dragon. 
He moved on to animating many Goofy shorts through the 1940’s and 50’s. He then animated the Adventures of Ichabod and Mr. Toad. He did many of the best scenes such as Ichabod introducing himself to Katrina and the animation on the Headless Horseman. He put life into Ichabod and made him a character that the audience quickly fell in love with.
He continued his animation on projects like Lady and the Tramp where he animated the Siamese cats, Sleeping Beauty, and Horace and Jasper in 101 Dalmations. 
Sadly, for reasons unknown, the quality of Sibley’s work began a decline. He came to work less, and the caricature life in his animations were evidently absent in his later work. He was laid off in 1965. His last credit was Winnie the Pooh and the Honey Tree.
He stopped doing magazine gags which he was very successful in, and stayed in low profile until his death of a stroke on February 15, 1973.

Comments on Style

John Sibley brought life in his animation through caricatured movement to express emotion and feeling. His work was cartoony and not physically realistic in any way but was completely believable because of the emotion he was able to represent in action and movement.
He animated straight-ahead, and was particularly focused on detail and draftsmanship. In his animation was life and energy.

Influences

His influences were the other top talents at the studio including Marc Davis, Wolfgang Reitherman, and Fred Moore.

Personality

Anecdotes

Miscellaneous

Filmography

The Reluctant Dragon (1941)
The Legend of Sleepy Hollow (1949)
Goofy Gymnastics (short) (1949)
Lady and the Tramp (1955)
One Hundred and One Dalmations (1961)
The Sword and the Stone (1963)
Winnie the Pooh and the Honey Tree (1966)

Honors

Related Links

Bibliographic References

Contributors To This Listing

Shawn Chao

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