Archive for the ‘disney’ Category

Thursday, March 28th, 2024

Animation: Nat Falk’s How To Make Animated Cartoons Part Two

Nat Falk Book

Today, we continue our posting on Nat Falk’s "How To Make Animated Cartoons". This section details the production process, including great pictures and artwork from Terrytoons in the late 30s.

Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.
INSTRUCTIONINSTRUCTION

This posting is part of an online series of articles dealing with Instruction.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


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Sample RefPack

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Thursday, December 21st, 2023

Illustration: Early 50s Disney Christmas Cards

50s Disney Xmas Cards
Today, we digitized a batch of wonderful 1950s Christmas cards from the Disney studio from 1948 through the mid-1950s. The designs on these cards are so much fun, it makes you wish the films themselves looked this cartoony.

50s Disney Xmas Cards50s Disney Xmas CardsThere’s a point that I need to make every once in a while… The Animation Archive Project Blog is NOT the archive itself. It is only a forum for us to report the progress of the project and show examples of the sorts of things we were working on that particular day. Today, we digitized Christmas cards… tomorrow it might be an illustrated children’s book from the 1920s… the next day a clip from an animated cartoon by Paul Terry… there is no order implied or intended. The order comes in the way keyword searches link material within the database itself.

The other thing to keep in mind is that for every image you see here on this blog, there are dozens and dozens that we don’t post. Our database has grown into the terabytes. There’s no way that we will ever be able to post all of it online. My hope is to eventually syndicate the archive as kiosks at university libraries, studios and to Animation Resources members all over the world. But that’s quite a ways in the future!

I want to thank the family of Clair Weeks for sharing these great cards with us.

50s Disney Xmas Cards
50s Disney Xmas Cards

1949

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1950

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1951

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1952

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1953

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1954

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1955

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

1956

50s Disney Xmas Cards
50s Disney Xmas Cards
50s Disney Xmas Cards

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Thursday, October 12th, 2023

STUDENTS: Will Finn’s Letter From Ward Kimball

STUDENTS! READ THIS!

Ward Kimball Advice

Here is perhaps the best tip you’ll get all year… Ward Kimball’s advice for young animators. Thanks to Will Finn for sharing this!

I found the last paragraph to be particularly interesting and relevant. Kimball knows that his point is apt to fly right over an enthusiastic 15 year old’s head, so he tells him to save the letter and read it later in his life. Kimball’s words are directly applicable to the things animation is going through today…

He says, “Of course Hanna Barbera are pretty crude compared to Disney’s. But this is a problem of economics. H&B are filling a need and it is a business just like selling washing machines. We all can’t be part of an organization such as Disney’s with almost untold capital to underwrite full animation. Lots of cartoon co.’s would like to indulge in full animation, but the economic realities of the jungle prevent it. It’s OK to have an idol and a goal but a realistic assessment of what’s going in on the world of animation is very important.”

Kimball knew what he was talking about. He had just witnessed the downsizing of theatrical animation, and saw the competing studio-run operations shut down one by one. The handwriting was on the wall at Disney. He ironically uses the phrase “untold capital”, but he knew that in 1972, Disney was changing too. They wouldn’t be producing as much animation as in the past. On his blog post, Will says that Kimball retired shortly after this letter was written.

But Kimball doesn’t come off as being the least bit angry or disappointed in this letter. He doesn’t bemoan the loss of what once was, he’s exuberant about where a passionate 15 year old could take animation in the future. He told Will to study the fundamentals of art and encouraged him to look beyond what Disney had done and consider the new ideas coming from Bakshi and Crumb. He advised developing a thirst for learning and figuring out how things work. And he summed it all up with the line, “A realistic assessment of what’s going on in the world of animation is very important.”

Beginning with “The Little Mermaid”, big studios dominated. Nickelodeon, Dreamworks, Sony, Cartoon Network, Netflix and Disney created their own cartoon factories and employed thousands of people. Now, one by one, just like in 1972, they are cutting back staff. Yesterday, Netflix announced further cutbacks and said that they would be focusing on content created by third party creators in the future. Many of my Facebook friends were bemoaning the layoffs and predicting doom and gloom. But as Kimball points out, it’s important to figure out “how it works” in the here and now.

The phrase “Third party creators” should be a reason to rejoice for all artists. The whole point of being an artist is to CREATE, not to comfortably do the same thing day after day for the rest of your life. Creation requires risks. Corporate studios are averse to taking risks. Put two and two together and read the press release for what it’s really saying to artists. Layoffs may be hard to manage today, but if you follow Kimball’s advice, they may be the best thing that every happened to you.

A job isn’t like your parents. It isn’t there to take care of you. As Kimball says, it’s “a problem of economics”. If you have “a realistic assessment of what’s going on in the world of animation”, you’ll discern the path to the future. Instead of focusing on pink slips and they way things were in the “golden” past, we should focus on the creative aspects… specifically we should engage in curiosity about all things… THINK! THINK! THINK! and consider different approaches that may not fit the formula of our “idols and goals”.

In short, you need to be an artist, not a cog in a corporate wheel. You might be able to be comfortable in a job for a while, but it isn’t going to last forever. The world changes and evolves and you have to change and evolve with it. Instead of being devoted to a job title, specific technology or studio, be devoted to your art form. Focus on creative curiosity and look for the opportunities that come with change and you will be able to accomplish great things even in the downturns. In fact, the downturns may turn into great opportunities for you as an artist.

Student Membership Drive

Fall is time to save when you join Animation Resources as a student member. For the next couple of weeks our Student Membership will be discounted to only $60/year! Best of all, you will continue to get that savings every year you renew as a student for up to three years. Yes, this applies to full time educators too. Why should you join? Each day we’ll be highlighting more reasons why you should be a member of Animation Resources. Bookmark us and check back every day.

$60Reference PacksSTUDENT MEMBERSHIP

Discount Ends Nov. 6th!
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FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

There’s no better way to feed your creativity than to be a member of Animation Resources. Every other month, we share a Reference Pack that is chock full of downloadable e-books and still framable videos designed to expand your horizons and blow your mind. It’s easy to join. Just click on this link and you can sign up right now online.

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