Here’s a gallery of fantastic pulp magazine covers…
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Archive for the ‘illustration’ Category
Tuesday, August 8th, 2023
Inbetweens: Pulp Magazine Covers
Tuesday, August 1st, 2023
Illustration: Artzybasheff’s Neurotica
Naught so sweet as Melancholy
One of the key concepts that an animator deals with every day is anthropomorphism… In most cases, this is applied to animals or teapots, but this aspect of caricature has barely been explored in mainstream animated films. Boris Artzybasheff was a master of anthropomorphism. He was able to give life and personality not only to animals, machines and objects, but to ideas.
Artzybasheff had a long career as an illustrator, beginning in the late 1920s with art deco style illustrations for books like Creatures, extending all the way through the 1950s. His most notable achievements are his cover illustrations for Time magazine, depicting a wide range of contemporary people in the news; and also his arresting images for magazine ads promoting Shell Oil, Xerox and Parker Pens.
Animation Resources is lucky to have a friend like Mike Fontanelli. His library of books on cartooning is one of the best in the country. Mike has agreed to share his collection with us. The first book he selected to loan us to be digitized is one of the rarest books in his collection… Artzybasheff’s "As I See". The first section of this book is titled "Neurotica" and it is a visual depiction of extreme states of mind.
Anxiety
Frustration
Timidity
Repressed Hostility
Indecision
Infantalism
Paranoia
Schizophrenia
Inferiority
So pure, and so relaxing
Hypochondria
Manic-Depressive
Stephen Worth
Director
Animation Resources
This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.
by Monday, July 31st, 2023
Editorial Cartoons: Arthur Szyk The New Order
Arthur Szyk was born in Poland and began painting at the age of four. He studied art in Paris until the outbreak of World War I, when he travelled East to study Mohammedan art. In 1914, he joined the Russian army, and later served as an officer in a guerrilla regiment in the Polish army. He married in 1921 and moved back to Paris, where he lived and painted until 1931. Szyk received many important commissions during this time… He illuminated the Covenant of the League of Nations, painted a series of miniatures dealing with the American Revolution that hangs in the White House, and spent three years working on an illumination of the Haggadah, the story of the Jews’ flight from Egypt which was dedicated to the King of England.
In 1940, Szyk relocated to Canada, eventually settling in New York City in 1941. Szyk’s political cartoons, which were published in the newspaper PM, were described by art critic, Thomas Craven as being “as compact as a bomb, extraordinarily lucid in statement, firm and incisive of line, and deadly in their characterizations.” The illustrations we scanned today are from a collection of Szyk’s political cartoons called “The New Order”..
Caricature is the foundation of cartooning. It involves the exaggeration of features to highlight and focus personality traits. Szyk was a master of caricature. His ability to clearly express the arrogance, irony and evil behind the trumped up facade of civilized behavior spoke louder than words. “The New Order” is a rare book. It was ahead of its time when it was published in 1941, before the United States entered the Second World War. Animation Resources was fortunate to locate a clean copy to digitize.
Stephen Worth
Director
Animation Resources
This posting is part of the online Encyclopedia of Cartooning under the subject heading, Editorial Cartoons.
This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.
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