AnimationResources.org – Serving the Online Animation Community

In the “golden age” of animation, there were no animation schools. Artists trained to be artists, and then worked their way up through an apprenticeship system at the studios. An experienced animator would train an assistant to help him with his scenes, and after a few years, the assistant would advance to being an animator and train his own assistant. Today, this system no longer exists. Few animators work at a single studio for more than a couple of years, and training up staff is not a priority. How does a modern day animator learn the craft?

Self study.

The animators of the golden age are dead and gone now, but that doesn’t mean that you can’t learn from them. The work they left behind contains all the information you need to become a first class animator yourself. Animation Resources has gathered together the best references for self-study you will ever find. Ralph Bakshi described it once as “A Masters Degree in cartooning at your fingertips”. Print this material out. Work with it. Practice and study it. And you too can become a Master Animator.

Preston Blair’s Animation Drawing Course

Animation Resources is conducting an online drawing course teaching the fundamental principles of drawing for animation. It’s based on Preston Blair’s classic book, “Advanced Animation”. Over the next year or so, we will be working over the internet with a group of students who want to sharpen their skills and learn to draw constructively. This is NOT a course in learning to draw in the 1940s style. It is designed to teach you step-by-step how to master the basic principles of drawing and posing characters for animation. These principles apply to all forms of cartooning, not just “funny animal style”.

If you would like to participate, follow our lessons as they are posted and send in your work for critique. As the group of students following this online course progresses, we’ll be introducing more advanced lessons. Each lesson builds on things you learned in previous lessons, so don’t skip ahead. Follow the instructions carefully. We ask that students who benefit from the valuable information in these lessons consider becoming members of Animation Resources. From time to time, we will be referring to materials on the Members Only download page, so to get the most out of this course, you should join our organization. Support the people that are helping you grow as an artist. JOIN NOW! https://animationresources.org/membership/levels/

Animation Drawing Course Lessons

• LESSON 00: Preston Blair’s Advanced Animation 1st Edition

INSTRUCTION POSTS

Founded by Norman Rockwell in the early 1950s, Famous Artists had three courses… Painting, Illustration/Design and Cartooning. Each course consisted of 24 lessons in three oversized binders covering a wide variety of subjects. To design the courses, Rockwell brought together the top artists of the day… Albert Dorne, Stevan Dohanos, Rube Goldberg, Milton Caniff, Al Capp, Willard Mullen, Virgil Partch, and Whitney Darrow Jr, among others. The result was a correspondence course that puts many current university programs to shame. ASIFA-Hollywood has been digitizing these powerful lessons and sharing some of them with you on this website. In addition, we have provided a wealth of educational material written by top cartoonist educators like Grim Natwick and Gene Byrnes; as well as invaluable articles on art theory.

Please Note: We will be reformatting and reposting these articles as time goes by. Please bookmark this page and check back regularly to see what is available.

INDEX OF ARTICLES

DRAWING
• The W.L. Evans Correspondence Course in Cartooning (1916)
• Willy Pogany’s Drawing Lesson
• Willard Mullin on Animals
• Clair Weeks’ Animal Drawings
• A Drawing Lesson From Walter Lantz
• How To Be A Cartoonist In 16 Easy Pages

PAINTING
• Wash Painting- In Praise Of Happy Accidents

DESIGN
• Composition- How To Make Pictures
• Chad’s Design For Television
• Grim Natwick on Animation Design
• Specific Design For Animated Characters

WRITING
• Writing Cartoons 1: The Gag Session
• Writing Cartoons 2: A Continuity Emerges
• George Clayton Johnson on Writing For Television
• STORYTELLING: An Online Screening

REFERENCE

• Nat Falk’s “How To Make Animated Cartoons Part One”
• Nat Falk Part Two: How Animated Cartoons Are Made”
• Nat Falk Part Three: How To Draw And Animate”
• Gene Byrnes’ “Complete Guide to Cartooning” Part One: Newspaper Cartoons
• Gene Byrnes Part Two: Single Panel, Editorial & Sports Cartoons and Comic Books
• Gene Byrnes Part Three: Sketching
• Gene Byrnes Part Four: Magazine Cartoons
• Zim’s Cartoons & Caricatures, Or Making The World Laugh Part One
• Zim’s Cartoons & Caricatures Part Two
• Zim’s Cartoons & Caricatures Part Three

Bill Nolan: Cartooning Self Taught / John K Advice and Eddie’s Boney Finger and John K on Character Design

INBETWEENS ARTICLES

• Animal Artist Rembrandt Bugatti
• Small Room: Will Finn on Style

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