January 5th, 2023

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Pinups: Jack Cole And More Great 50s Playboy Cartoonists

50s Playboy Cartoonists

Today, we continue our series of posts on the great cartoonists who worked for Playboy magazine over the years. Today, we feature artists from the late 1950s. Starting with…

JACK COLE

More than any other artist who worked at Playboy, Jack Cole was most responsible for establishing the tone and style of the single panel full page cartoons that appeared in its pages His watercolor technique was loose and free, but the overall impression was brilliantly planned out and remarkably expressive.

50s Plastic Man Jack Cole50s Plastic Man Jack ColeBorn in 1914 in New Castle Pennsylvania, Cole was a self-taught artist. At age 17, he bicycled across the country to Los Angeles and sold the story of his odyssey, along with his own illustrations, to Boy’s Life. After graduating from High School, he moved to New York and took up work in the comic book business. He moved up through the ranks at Harry A. Chesler, Centaur Publications and Lev Gleeson on a variety of crime and action comics. In 1940, he assisted WIll Eisner on The Spirit, ghosting the strip when Eisner was drafted during the War. He is best known though, as the creator of the Marvel superhero, Plastic Man.

In 1954, Cole began selling one panel "girlie" cartoons to various magazines, and his work caught the attention of the editors of the fledgling publication, Playboy. For the next few years, Cole’s cartoons appeared in every issue, until his untimely suicide in 1958. Here are a few of Cole’s beautiful watercolors from the late 1950s…

50s Playboy Cartoonist Jack Cole
50s Playboy Cartoonist Jack Cole
50s Playboy Cartoonist Jack Cole
50s Playboy Cartoonist Jack Cole
50s Playboy Cartoonist Jack Cole

Here’s a Valentine’s Day feature by Cole…

Jack Cole Shel Silverstein Valentine Gift

Jack Cole Shel Silverstein Valentine Gift

Jack Cole Shel Silverstein Valentine Gift

JACK DAVIS

When you think of Jack Davis, you probably think of his work with Harvey Kurtzman at Mad magazine, his covers for TV Guide, his advertising work and movie posters, and perhaps the Little Annie Fanny comics he painted for Kurtzman at Playboy. But you don’t normally think of him as a one-panel cartoonist. Here’s a rare example…

50s Playboy Cartoonist Jack Davis

CHARLES W. MILLER

I don’t have any info on Charles W. Miller. His tighter style is closer to the illustrators who worked for Colliers in the late 1940s than it is the washy, stylized work of Dedini, Sokol or Cole. But he was obviously a very accomplished artist- check out the sophisticated lighting in the second example for proof of that. If you know details of his biography, please post to the comments below.

50s Playboy Cartoonist Charles W Miller
50s Playboy Cartoonist Charles W Miller

AL STINE

Al Stine is still living, painting and teaching in South Carolina. In fact, he recently started doing editorial cartoons for the Anderson South Carolina Independent Mail. His masterful transparent watercolor technique really sets him apart. If you enjoy his work, drop him an email through his website- AlStine.com. It would be nice if someone out there would interview him and collect the info for our Biography Page.

50s Playboy Cartoonist Al Stine
50s Playboy Cartoonist Al Stine


If you’re a fan of Playboy artists like Cole, Dedini, Wilson and Sokol, you will want to get this great collection of cartoons, Playboy: 50 Years- The Cartoons. Check it out!

Stephen Worth
Director
Animation Resources

Magazine CartoonsMagazine Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Magazine Cartoons.

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Posted by admin @ 11:45 am

January 3rd, 2023

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RefPack049: A Peek At The International Section

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Over the next couple of weeks, we will be posting what each section of our current RefPack looks like. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

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International Animation

The world of animation is much bigger than it might appear to us at first glance. We are all familiar with the films we grew up with, but Hollywood wasn’t the only place that produced great cartoons… Poland, Japan, Russia, China and Europe all have their own traditions and a rich history of animated film making. Animation Resources’ archive contains many foreign films that are rarely seen in the United States. We feature a sampling of interesting animation from around the world in each Reference Pack.

SD VIDEO:
Twelve Months

Twelve Months
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Ivan Petrovich Ivanov-Vano / Soyuzmultfilm, Russia / 1956
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The plot of this animated feature is pretty complicated, so all I have room for here is a synopsis…

A young girl is queen of a kingdom. Because she achieved her position at such a young age, she is self-centered and entitled, and believes she knows everything. She refuses to be taught. Her professor tries to teach her about botany and the names of various flowers. The young queen announces that she wants April to arrive so she can have the Spring flower, snowdrops. The Professor explains that this isn’t possible because it is the dead of winter, but the girl doesn’t listen. She makes a royal proclamation that whoever brings her a basket of these flowers will receive a basket full of gold and a fur coat.

A poor woman and her daughter hear of this proclamation and dream of receiving the reward for themselves. But they are too lazy to search for the snowdrops themselves. They resolve to make the step-daughter do it for them. As soon as her step-daughter returns home after gathering firewood, the wicked woman sends her back out into the woods to search for the impossible to find snowdrops. She tells her not to come back until she’s found them.

The girl searches through the snow with no luck and becomes very cold. She stumbles across a glade where twelve brother months have lit a fire to warm themselves. She tells them her story about her search for the elusive snow drops. They listen carefully; and when she is done, Brother April asks his brothers to allow him an hour or so to help her. They agree and the season magically changes just long enough to allow her to collect the snowdrops. Brother April gives her a magic ring… If she ever encounters trouble, all she needs to do is to throw the ring and call for them, and all twelve brother months will come to her aid.

Twelve Months

Exhausted from her adventure, the step-daughter returns home and falls asleep. The wicked woman and her daughter steal the snowdrops and magic ring and head for the royal palace to collect the reward for themselves. The young queen is pleased and orders them to tell her where they found the flowers in the dead of Winter. Not knowing where, the woman and her daughter invent a tale about a wonderful place in the forest that grows flowers, mushrooms and berries, even in Wintertime.

The young queen decides she wants to go to this wonderful place and calls to her court to prepare for a trip. Their bluff called, the mother and daughter are forced to admit that they weren’t the ones that found the snowdrops— it was the step-daughter. So the queen takes all three of them into the woods to find the place. The step-daughter complains that the woman and her daughter stole a ring from her. The young queen makes them return it to her.

The young queen demands that the step-daughter tell her where she found the snowdrops. The girl refuses, and the bratty queen threatens to execute her and orders her guards to strip her of the fur coat. Finally, the queen snatches away the ring and tosses it into a hole in the ice. The step-daughter quickly speaks the magic words summoning the Brother Months and runs away.

Twelve Months

All at once it becomes Springtime… and then Summer and they all take off their fur coats… then comes Autumn with its heavy rains. The drenched young queen freezes as the Winter comes again. A blizzard sweeps away the fur coats, and the queens attendants abandon her, fleeing back to the palace. The queen is left alone in the cold with one old soldier and her professor. The horses are gone so they can’t use the sled to get home.

Out of the woods comes Brother January. He promises to grant their wishes. The young queen wishes to return home to her palace. The professor wishes for the seasons to return to normal. The soldier wishes for a warm fire. And the wicked woman and her daughter wish for nice dog fur coats.

January begins with the dog fur coats. But the woman and her daughter begin to squabble, so he magically transforms them into dogs. They harness the dogs to the sled and try to head home, but they don’t get very far. The old soldier joins the Brother Months at their fire. Here he finds the step-daughter who now has beautiful furs and a team of Snow White horses. The soldier suggests to the queen that they ask to borrow the horses to pull their sled back to the castle. But the queen doesn’t ask… she demands, offering the step-daughter wealth and power in exchange. The step-daughter refuses.

The old soldier explains to the haughty queen that it is better to ask nicely than to demand. She capitulates and asks nicely with a “please”. As soon as she does this, the step-daughter lends them her horses and furs with pleasure. They all head back to the palace, wishing the Brother Months a Happy New Year.

REFPACK049: Twelve Months 1956
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MP4 Video File / SD / 54:57 / 1.61 GB Download

SD VIDEO:
Snowy Roads

Snowy Roads
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Boris Dyozhkin / Soyuzmultfilm, Russia / 1963

Boris Dyozhkin, the director of Snowy Roads, was one of the most respected and prolific animators in Russia. In the 1930s, he broke with other Soviet artists who rejected the Western style, studying Fleischer and Disney films frame by frame to break down the techniques being used. His study led him to an unique understanding of the synchronization of rhythm between music and motion, which made him one of the most sought after timing directors at the studio. He was also unique among the directors at Soyuzmultfilm because he animated extensively on his own films. This gives them more of an unique personal style than other films at the time.

During WWII, Dyozhkin was staying at the home of fellow animator Roman Davydov when the Nazis bombed the area from the air. He threw himself over his wife to protect her from the blast, saving her life, but he lost his left eye to a shell fragment.

Snowy Roads

Dyozhkin is best known for a series of comedy shorts based on teams competing in various sportsโ€” hockey, boxing, track and field, etc. This one is on skiing. As you watch "Snowy Roads", notice how the movement perfectly mirrors the rhythms in the music. It’s a brilliant example of musical timing (see our previous podcast on that subject.) He really gets the most out of the simple character designs by focusing on strong line of action, clear silhouettes and big contrasts. It’s a very appealing style of animation that seems much more modern than its six decade age.

Snowy Roads

This film has no dialogue and the action speaks for itself, so I wonโ€™t provide a synopsis. We think you are really going to find a lot to like this film. Like John Sibleyโ€™s animation in Disneyโ€™s Goofy sports cartoons, the action can be very extreme and still maintain perfect clarity.

REFPACK049: Snowy Roads 1963
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MP4 Video File / SD / 10:27 / 155 MB Download

SD VIDEO:
Johnny Loves It Clean

Two Czech Commercials
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Johnnie Loves It Clean 1932 / The Unforgettable Poster 1937

Animation Resources’ digital archive recently received a batch of early Czechoslovakian animated films. Among them were these two animated commercials. We tend to think of commercials as being primarily from the television era, but in the 1930s, a great deal of advertising animation was produced for theaters. These two examples are interesting examples, and the illustrate how influential Disney and Fleischer cartoons were, even in Europe.

Unforgettable Poster

The history of animation in Czechoslovakia goes back to the 1920s. I believe the two films we are sharing with you here are by Karel Dodal, who not only produced advertisements (some featuring Felix the Cat), but also puppet and experimental films. The first advertisement, "Johnnie Likes It Clean" looks very much like a contemporary American cartoon. The notes that came with these films were sparse and all in the Czech language, so we don’t know much about them. If you have information you can share with us, please drop us a line.

Unforgettable Poster

REFPACK049: Johnnie Loves It Clean
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MP4 Video File / SD / 04:22 / 65 MB Download

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REFPACK049: The Unforgettable Poster
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MP4 Video File / SD / 03:24 / 37 MB Download

SD VIDEO:
Professor Balthazar

Professor Balthazar in "Lighthouse Keeping"
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Zlatko Grgic / Zagreb Films, Croatia / 1967

In a previous Reference Pack we featured several Maxi-Cat mini-cartoons by Zlatko Grgic, a Croatian animator who later emigrated to Canada to join the Canadian Film Board.

Professor Balthazar

Grgic is best known for his series of cartoons featuring the character Professor Balthazar, an old man who solves problems for his friends by creating inventions with a magical machine. Produced between 1967 and 1973, the series ran all over the world. Its silent pantomime with voice over narration made it easy to translate to other countries It aired everywhere from New Zealand to Romania to Zimbabwe. In the United States it was featured on Chuck Jones’ television program, Curiosity Shop.

Professor Balthazar

Altogether there were 59 episodes of Professor Balthazar produced between 1969 and 1978. We will be sharing more with you in upcoming Reference Packs.

REFPACK049: Professor Balthazar Ep. 01
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MP4 Video File / SD / 09:05 / 89 MB Download

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Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!

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Posted by Stephen Worth @ 12:51 pm

January 2nd, 2023

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Animation Resources’ Tenth Anniversary

10th Anniversary

In January of 2013, we re-introduced the Animation Archive as a 501(c)(3) non-profit organization under the name Animation Resources and began accepting memberships. Many of those charter members are still members to this day, and we have grown to become an influential educational resource serving the entire world over the internet. This remarkable achievement is thanks to the tireless work of the countless volunteers who contribute their time and efforts to sharing our archive with the world, and to our members who contribute to our programs financially. Because of their support, we are able to provide benefits of membership that far exceed the cost of membership dues.

Over the past ten years, Animation Resources has digitized and archived a wide variety of treasures, from vintage storyboards to timing documents to gorgeous artwork and rare films from around the globe to art instructional material to classic examples cartooning and caricature. These resources have been used by hundreds and thousands of artists in their self study. We have instituted an audio podcast and video live-streaming project which has featured many important topics and has introduced our members to important artists working in the field of animation. But our most significant accomplishment in the past decade has been the publishing of Reference Packs- downloadable e-books, still framable videos and documentaries on subjects of interest to artists working in the fields of animation, cartooning and illustration. These Reference Packs are curated by professional artists on our Board, including Ralph Bakshi, Will Finn, Sherm Cohen, J.J. Sedelmaier and Steve Stanchfield. In February, we will be offering our fiftieth Reference Pack- a retrospective of the best of past Reference Packs.

Looking back on the past decade, the amount of important work our volunteers have been able to accomplish is staggering. Our members care about the art of animation and are willing to give back to the muse by lending a helping hand to others. They understand that raising up the artists around them raises the art form itself, allowing them to express themselves better through collaboration. Altruism seems like a rare thing in this day and age, but at Animation Resources, it is our stock-in-trade.

2023 is going to be a very exciting year for Animation Resources. We have some changes planned that will take us to the next level and provide even more valuable resources to our membership. We’ll have details on those changes in February when we launch our annual Member Appreciation month. Until then, we want to express our profound thanks to all of the people who contributed their time, efforts and dues to make this organization what it is today. The future is bright. The best is yet to come.

Sincerely,
The Board of Directors of Animation Resources

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Posted by Stephen Worth @ 2:04 pm