Archive for the ‘history’ Category

Thursday, April 4th, 2024

Animation: Nat Falk’s How To Make Animated Cartoons Part Three

Nat Falk Book

Here is the conclusion of Nat Falk’s "How To Make Animated Cartoons". This section contains lessons on how to draw animated cartoons and how to animate.

HOW TO DRAW ANIMATED CARTOONS

Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book

HOW TO ANIMATE

Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book

Many thanks to the family of Carlo Vinci for sharing this important book with us.

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.
INSTRUCTIONINSTRUCTION

This posting is part of an online series of articles dealing with Instruction.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Thursday, March 28th, 2024

Animation: Nat Falk’s How To Make Animated Cartoons Part Two

Nat Falk Book

Today, we continue our posting on Nat Falk’s "How To Make Animated Cartoons". This section details the production process, including great pictures and artwork from Terrytoons in the late 30s.

Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book
Nat Falk Book

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.
INSTRUCTIONINSTRUCTION

This posting is part of an online series of articles dealing with Instruction.

THIS IS JUST THE TIP OF THE ICEBERG!

Animation Resources has been sharing treasures from the Animation Archive with its members for over a decade. Every other month, our members get access to a downloadable Reference Pack, full of information, inspiration and animation. The RefPacks consist of e-books jam packed with high resolution scans of great art, still framable animated films from around the world, documentaries, podcasts, seminars and MORE! The best part is that all of this material has been selected and curated by our Board of professionals to aid you in your self study. Our goal is to help you be a greater artist. Why wouldn’t you want to be a member of a group like that?

Membership comes in three levels. General Members get access to a bi-monthly Reference Pack as well as a Bonus RefPack from past offerings in the in-between months. We offer a discounted Student Membership for full time students and educators. And if you want to try out being a member, there is a Quarterly Membership that runs for three months.


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month! That’s 560 pages of great high resolution images and nearly an hour of rare animation available to everyone to download for FREE! https://animationresources.org/join-us-sample-reference-pack/

Sample RefPack

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Thursday, March 24th, 2022

Exhibit: Natwick on Iwerks

Ub Iwerks

Ub Iwerks Self Portrait

One of the principle goals of Animation Resources is to tell the history of animation, not by character or studio, but through the lives of the people who made the cartoons. No single animator’s life and career tell the history of animation better than Grim Natwick’s.

Grim started in the 20’s animating silent Krazy Kat cartoons at the Hearst Studio in New York. He ended up at Fleischer, where he created Betty Boop. He received an offer to move West to join Walt Disney, but friends advised him that Ub Iwerks, who had just left Disney to form his own studio, was the real creative spark behind the Mickey Mouse pictures. So Grim joined Ub instead, and ended up running the studio. A few years later, Grim became excited with the prospect of a feature length cartoon, so he went to Disney, where he ended up animating the title character. He returned to the Fleischers in Florida for a spell, and ended up back in Hollywood working for Walter Lantz on the wartime Woody Woodpecker cartoons. At an age when most of his contemporaries were retiring, Grim jumped into the modern stylization of UPA with both feet, and was instrumental in setting up their New York offices. He worked with Culhane, Ward and Melendez; and in his 80s, animated on Richard Williams’ Theif and the Cobbler. Here is a life that spanned the entire history of animation.

Walt Disney and Ub Iwerks

Walt Disney & Ub Iwerks

I’m very proud to introduce the first bit of information into the biographical database… an interview done with Grim in the at Animafestival 1982 produced by Reg Hartt. Michael Gowling ran a tape of Grim’s comments. In the interview, he talks about his entire career… animating Snow White, experimenting with timing on commercials at UPA, and sharing insight on the various people he worked with over the years. One particularly interesting part of the interview deals with Ub Iwerks, and Grim answers a question that many animation historians have been puzzling over for years… in his own unique way.

NatwickOnIwerks.mp3

Thanks again to Reg Hartt and Craig Davison.

Stephen Worth
Director
Animation Resources

TheoryGrim Natwick

This posting is part of an online exhibit entitled Grim Natwick’s Scrapbook.
Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

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