Archive for the ‘illustration’ Category

Tuesday, August 2nd, 2022

Aviation Illustrators: The Unsung Heros of Commercial Art

Aviation Art

Harper Goff

Last week, I posted an article about Harper Goff, the designer of Captain Nemo’s Nautilus in Walt Disney’s “20,000 Leagues Under The Sea”. A couple of days later, I was going through a stack of aviation prints to see if I could find an idea for a post, and I and stumbled across these amazing WWII era pantings by Goff. It made me think about the changing role of the commercial artist in society.

Back in the postwar era, the major aircraft builders employed illustrators to conceptualize how complex engineering would transform blueprints and raw materials into real-life massive flying machines. These talented illustrators would create fine art prints for the aerospace companies to give away as gifts to their clients and suppliers. Southern California swap meets are well stocked with these prints, and I’ve picked up a nice sized pile of them myself over the years.

Today, Photoshop and computer modeling has replaced these great technical artists, and a lot of the magic of flight has been replaced by dull literalism. On first glance, these images might seem super-realistic, but a closer look reveals the amazing technique and creative virtuosity involved in making watercolors evoke speed and power. Here’s a facet of illustration history that I would like to know more about. If you have any information on these artists, please post to the comments at the end of this article.

Two more by Harper Goff…

Aviation Art
Aviation Art

CHARLES H. HUBBELL

Charles Hubbell had a lifelong love of aviation and art. As a child, his hobby was model airplane building, and by the time he was in High School, he had built himself a full scale glider. He attended the Cleveland School of Art in the early 1920s, and sold his paintings to pay for flying lessons. He became a licensed pilot and successful commercial artist. In the late 1930s, Hubbell was approached to combine his interests to illustrate a calendar depicting the winners of an annual air race. For the next three decades, Hubbell painted airplane calendars with terrific authenticity and attention to detail. In the course of his career he painted over 1000 images, which together comprise a fairly complete history of aviation.

Aviation Art
Aviation Art
Aviation Art
Aviation Art
Aviation Art

JACK LEYNNWOOD

If the art of Jack Leynnwood looks familiar, you are probably a baby boomer who had an interest in model kits growing up. Leynnwood’s distinctive paintings on the Revell model kit box covers featured antique biplanes, WWII fighters, helicopters, modern jets and even space rockets. Leynnwood’s images jumped off the shelf with their dramatic colors and lighting and dynamic momentum and motion blur. The wings of his airplanes would overlap the corners of the box, making it look like they were ready to fly away. He taught at Art Center College of Design, and passed away in 1999.

Aviation Art
Aviation Art
Aviation Art
Aviation Art

MORE AVIATION ARTISTS

Aviation Art

George Akimoto

Aviation Art

C.F. Coppock

Aviation Art

Crundall?

Aviation Art
Aviation Art

MR?

Aviation Art

Alexander Leydenfrost

Let me know in the comments if you have any information on these great artists, or if you’d like to see more aviation illustration.

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Tuesday, July 19th, 2022

Illustration: Willy Pogany’s Mother Goose

Willy Pogany's Mother Goose

One of my favorite blogs is David Apatoff’s Illustration Art. David is one of the best writers on the subject of art that I’ve read online. He’s unique because he thinks like an artist and he’s concise, two characteristics that are rare when it comes to art criticism in the blogosphere.

The other day, David posted about one of my favorite illustrators, Willy Pogany. (Read his post HERE.) You might recall that we featured Pogany on the Animation Resources site last Summer… (Willy Pogany’s Drawing Lessons) The post on Illustration Art discusses how much better Pogany’s work was when it was less embellished and more direct. I couldn’t agree more. I would add that it’s even better when it doesn’t take itself quite so seriously. A perfect example of Pogany at his absolute peak is a book that just happens to be my favorite illustrated children’s book, Willy Pogany’s Mother Goose.

Pogany's Mother GoosePogany's Mother GooseI’m afraid that viewing this book on the web puts you at a distinct disadvantage. This is one of those books that expresses itself beyond just the images. The size and weight of the book, the feel of the paper, the proportion of text blocks and margins, and the counterpoint in the layout of opposing pages all contribute to the powerful impression this book makes on the reader. The best way I can describe the feeling of reading this book is that each turn of the page is like revealing a new surprise.

From a design standpoint this book was revolutionary, because in 1928 when it was first published, the norm for illustrated books was to have uniform text blocks filling the bulk of the pages with an occasional hand tipped and tissue protected color plate. Pogany breaks all those conventions and makes every single page a fully illuminated illustration. I think it could be argued that this is one of the very first modern children’s books. The watercolors are rendered quickly in a deceptively simple style, but they’re packed with a million clever design ideas and tremendous spontaneity.

I’m afraid this is one book that I can’t afford a clean first edition copy of. The copy I scanned was battered and worn. I’ve done extensive Photoshopping to remove smudges and creases from the many decades of abuse by tiny fingers, and I’ve done my best to maintain the relative scale and basic compositions of the page spreads. I hope you enjoy this book as much as I do.

Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose

One last image (racially insensitive)

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Thursday, June 2nd, 2022

Illustration: Felix Lorioux’s Fantastic Worlds

Felix Lorioux

Here’s another post about an artist you’ve never heard of before, but you’ll never forget once you look at his work! My pal Tony "Superslice" Mora gave me this book as a birthday gift. It’s a real treasure.

Felix LoriouxFelix LoriouxFelix Lorioux was one of France’s best loved artists, but he was a humble, quiet man who did little to promote himself beyond his home country. He was born in 1872 and began as a advertising designer. But his childlike sense of wonder led him to a career as a children’s book illustrator. Walt Disney met him in 1919 when Disney was an Red Cross ambulance driver and Lorioux’s wife ws a Red Cross nurse. Disney was impressed with his abilities and hired him to illustrate books for the French market based on Mickey Mouse and the Silly Symphonies. A Lorioux illustration of a duck in a sailor suit may have even been the inspiration for Donald Duck! Around 1934, Lorioux resigned from illustrating for Disney, citing the language barrier and also because he didn’t want to relocate to California to join the studio.

Felix Lorioux

Felix LoriouxFelix LoriouxLorioux went on to illustrate definitive editions of Perrault’s Fairy Tales, Don Quixote, the Fables of La Fontaine and Robinson Crusoe. However, he was most at home painting delicate watercolors of the birds, flowers and insects in his garden. He imagined fantastic worlds populated by these little creatures. This book, "Le Buffon des Enfants: Les Insectes de Chez Nous" is one of his greatest works. Tony was fortunate enough to stumble across a deluxe edition from 1946 that was limited to only 2000 copies. The print quality is astounding. Lorioux’s books are rarely seen in the United States.

Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux
Felix Lorioux

I don’t have room on the blog to reproduce this entire book, but check out the way Lorioux incorporates his watercolors into the text of the book…

Felix Lorioux

Here’s another jaw-droppingly beautiful book by Lorioux, Fables De La Fontaine…

Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop
Felix Lorioux Aesop

Thanks to Michael Andrew Wilson for sharing some information in this article. If anyone reading this has more information about Lorioux or his work, feel free to post it in the comments.

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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