July 19th, 2022

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Illustration: Willy Pogany’s Mother Goose

Willy Pogany's Mother Goose

One of my favorite blogs is David Apatoff’s Illustration Art. David is one of the best writers on the subject of art that I’ve read online. He’s unique because he thinks like an artist and he’s concise, two characteristics that are rare when it comes to art criticism in the blogosphere.

The other day, David posted about one of my favorite illustrators, Willy Pogany. (Read his post HERE.) You might recall that we featured Pogany on the Animation Resources site last Summer… (Willy Pogany’s Drawing Lessons) The post on Illustration Art discusses how much better Pogany’s work was when it was less embellished and more direct. I couldn’t agree more. I would add that it’s even better when it doesn’t take itself quite so seriously. A perfect example of Pogany at his absolute peak is a book that just happens to be my favorite illustrated children’s book, Willy Pogany’s Mother Goose.

Pogany's Mother GoosePogany's Mother GooseI’m afraid that viewing this book on the web puts you at a distinct disadvantage. This is one of those books that expresses itself beyond just the images. The size and weight of the book, the feel of the paper, the proportion of text blocks and margins, and the counterpoint in the layout of opposing pages all contribute to the powerful impression this book makes on the reader. The best way I can describe the feeling of reading this book is that each turn of the page is like revealing a new surprise.

From a design standpoint this book was revolutionary, because in 1928 when it was first published, the norm for illustrated books was to have uniform text blocks filling the bulk of the pages with an occasional hand tipped and tissue protected color plate. Pogany breaks all those conventions and makes every single page a fully illuminated illustration. I think it could be argued that this is one of the very first modern children’s books. The watercolors are rendered quickly in a deceptively simple style, but they’re packed with a million clever design ideas and tremendous spontaneity.

I’m afraid this is one book that I can’t afford a clean first edition copy of. The copy I scanned was battered and worn. I’ve done extensive Photoshopping to remove smudges and creases from the many decades of abuse by tiny fingers, and I’ve done my best to maintain the relative scale and basic compositions of the page spreads. I hope you enjoy this book as much as I do.

Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose
Willy Pogany's Mother Goose

One last image (racially insensitive)

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Posted by admin @ 10:34 am

July 15th, 2022

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RefPack046: A Peek At The Early Anime Section

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Over the next couple of weeks, we will be posting what each section of our current RefPack looks like, starting today with the Featured section. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

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SD VIDEO:
Wonder 3

Wonder 3
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Curated by JoJo Baptista
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Ep.01 Three Beings From Outer Space (1965) / Ep.43 Mice From The Universe (1966)
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Wonder 3 was unique among early Anime TV programs. Although it did appear serially as Manga, it was conceived and designed from the first as a television show. Created by Osamu Tezuka, it was the first show produced by his studio, Mushi Productions. In this program, Tezuka cast his animators as characters, the way Disney Studios did it, This allowed the animators to create and refine specific walks and gestures for the characters. 52 episodes were broadcast between June 6th, 1965 ad June 27th, 1966.

Wonder 3
Wonder 3

The plot of the first episode establishes the characters and situation. The Galactic League sends three investigators to Earth to determine if recent nuclear testing poses a threat to the universe. The investigators are named Bokko, Bukko and Nokko, and they are authorized to destroy Earth if they feel it is necessary. They disguise themselves as a rabbit, a horse and a duck and land on Earth to investigate. They become trapped in a mountain fire and are rescued by a kind-hearted boy name Shinichi. They travel in a large vehicle called a Big Wheel, which is capable of traveling at very high speeds.

Wonder 3

Tezukaโ€™s designs are brimming with appeal. The Wonder 3 in particular are a trio of wonderful contrasting shapes. Also, not to be ignored is Koichi, the older brother of Shinichi, who sports a black suit, which really highlights the angular, graphic poses he strikes. This series is produced quite economically, with very limited animation, held drawings and even jump cuts to keep the story going. I would argue that it’s the charm of Tezuka’s style that really holds my interest throughout each episode as opposed to the production values. Tezuka is really masterful at employing a simplistic vocabulary of graphic shapes to make everything read clearly.

REFPACK046: Wonder 3 ep01
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MP4 Video File / SD / 27:28 / 237 MB Download

Wonder 3

The second episode I’m sharing comes much later in the series. The story is very simple. Strange space aliens arrive at Earth intending to conquer it for their planet. They disguise themselves as mice, and enlist the help of the Earth mice to attack humans. The Wonder 3 defend the Earth against the attack, and the battle is won when Rokko takes the form of a cat.

Wonder 3

There’s some scenes with runaway space aliens conversing with each other through the window of their space ship, as their leader devises a plan to blend in on earth. The drawings of the silhouetted aliens are really fun. Nokko goes up against the leader at 18:47 and quickly scrambles to create inventions to foil the leader. The leader strikes some great cartoony poses as each of his attempts are thwarted. Lots of entertainment value with so few drawings!

I’ll have more early Japanese TV series to share with you in our next Reference Pack.

Wonder 3

REFPACK046: Wonder 3 ep43
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MP4 Video File / SD / 26:17 / 262 MB Download


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Posted by Stephen Worth @ 12:05 pm

July 14th, 2022

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Gag Drawings: Scooper Conlon’s Scrapbook

Scooper Conlon Scrapbook

Cartoon by animator, Bill Nolan

Today, we had a visit from John Denos, who is a collector of portrait photography and Hollywood memorabilia. He had a treasure with him… a scrapbook of gag drawings that belonged to publicist, "Scooper" Conlon. Conlon’s career spanned the history of the golden age of Hollywood, from the early silent era all the way through the fifties. He had many friends in the business, including many famous animators. John is looking for information on the artists behind these great cartoons. If you have any pertinent details, please leave a comment below.

Scooper Conlon Scrapbook

Cartoon by Lantz animator, Bill Nolan in his retirement years

Scooper Conlon Scrapbook

Gag by unknown cartoonist (Bill Nolan?)

Scooper Conlon Scrapbook

Cartoon by Lantz director, Dick Lundy from the late 1930s

Scooper Conlon Scrapbook

Cartoon by MGM animator, Irv Spence dealing with Conlon’s work on "Gunga Din" (1939)

Scooper Conlon Scrapbook

Another by Irv Spence

Scooper Conlon Scrapbook

Gag by Warner Bros animator, George Grandpre, soon after he left John Sutherland Productions, and before starting his long run at Warner Bros

Scooper Conlon Scrapbook

Gag by unknown Disney animator

Scooper Conlon Scrapbook

Caricatures of the cast of "Gunga Din&quot with Conlon by MGM animator, Carl Urbano

Scooper Conlon Scrapbook

Scooper Conlon Scrapbook

Gags by unknown magazine cartoonist

Scooper Conlon Scrapbook
Scooper Conlon Scrapbook
Scooper Conlon Scrapbook

Gags by Warner Bros story man, Warren Foster

Thanks to John Denos for sharing these with us!

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

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Posted by admin @ 10:57 am