June 3rd, 2021

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REFPACK039: Something New! Lots To Be Inspired By!

YOU MISSED IT! REFPACK 040 HAS REPLACED THIS ON THE SERVER.

Reference Pack

Every other month, Animation Resources shares a new Reference Pack with its members. They consist of an e-book packed with high resolution scans and video downloads set up for still frame study. Make sure you download the Reference Packs before they’re updated. When it’s gone, it’s gone!


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Last month’s Membership Drive was a big success. As a thank you to our faithful members, Animation Resources has expanded the offerings in our Reference Packs. This time you’ll find several new sections… International Animation, Slapstick Analysis and Breakdowns. As we get more members, we share more wonderful material with them. Here’s an overview of what you will find in RefPack039…

Featured Borley

In our last Reference Pack we featured a podcast called “Different Artists, Different Paths” where we discussed advice for independent animators. In this RefPack, we are highlighting an independent animated feature film that you probably haven’t seen that checks off just about every one of the suggestions on our list… Borley Rectory by Ashley Thorpe.The genre of film making, the way the story is presented, and the techniques and tools used to make the film all work together to create an efficient animated feature that follows no established model. The film is a brilliant example of “thinking outside the box” and if the art of animation is to progress, it needs to push the boundaries of what an animated film can be.


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Russian Animated Propaganda

In our new International Animation section, we present a sampling of Russian animated propaganda films spanning the years between the 1920s and the 1970s. They chart the path of animation in Russia from the earliest years after the revolution, through Stalinism and beyond. You can clearly see how American and European animation and design influenced Soviet film makers and I think you will be amazed by the diversity of styles and incredible draftsmanship in these films.

For obvious reasons, Soviet authorities aren’t motivated to share obsolete propaganda like this any more; and revisiting these films likely isn’t viewed favorably by Russian citizens either. Film prints don’t exist outside the Soviet Union, so they have fallen into a cultural black hole. Animation Resources is lucky to have obtained copies of some of these fascinating films to share with you. In the future, we will share even more little known Russian animation.


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Buster Keaton

In the next new section, we feature a landmark documentary on one of the greatest slapstick performer/directors who ever lived… Buster Keaton. As we have mentioned before, during the late 1970s and early 1980s, many great documentaries on film history were produced in Great Britain. One of the best of these was a three part series titled, “Buster Keaton- A Hard Act To Follow”. Over the next few Reference Packs, we will presenting this whole series, starting this time with episode one.

If you have never seen a Buster Keaton film before, this documentary will give you a taste of what you’ve been missing. If like me, you have studied all of his films over and over many times, you will learn new things about Keaton and his creative process that you didn’t know before. It’s a rare opportunity to sit at the feet of a master, and even though these films were made a century ago, “A Hard Act To Follow” allows you to do just that.


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James Gillray

With every Reference Pack, we’ll be including a bonus video or e-book from one of our past Reference Packs. This time we are sharing a monumental book that was originally published in 1871 outlining the life and works of James Gillray, the Caricaturist.

James Gillray (1756–1815) was an English caricaturist and printmaker famous for his political and social satires, mainly published between 1792 and 1810. Best known for his works satirizing King George III, prime ministers and generals, Gillray’s wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists.


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Breakdowns

One of the most popular features of Animation Resources’ social media accounts is our breakdowns- short clips of great animation, slowed down so you can see the nuts and bolts of how it works. We will be sharing a batch of them with you in each Reference Pack, so you can download them and build your own library of breakdowns. Organize them into folders by subject, like “walk cycles” or “takes” and refer to them when you need inspiration in your own animation.

And that’s not all… We maintain an archive of our podcasts on the Members Only page as well. We’ve had programs covering advice for finding your place in animation, Chuck Jones’ bar sheets, how to break down slapstick films, examples of great background layout and more… When you log in, you can spend hours learning and getting inspired!


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Russian Propaganda

At Animation Resources, our Advisory Board includes great artists and animators like Ralph Bakshi, Will Finn, J.J. Sedelmaier and Sherm Cohen. They’ve let us know the things that they use in their own self study so we can share them with you. That’s experience you just can’t find anywhere else. The most important information isn’t what you already know… It’s the information you should know about, but don’t know yet. We bring that to you every other month.

Buster Keaton


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Haven’t Joined Yet?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

CLICK TO DOWNLOAD A Sample RefPack!

Animation Resources is a 501(c)(3) non-profit arts organization dedicated to providing self study material to the worldwide animation community. If you are a creative person working in animation, cartooning or illustration, you owe it to yourself to be a member of Animation Resources.

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Posted by Stephen Worth @ 12:14 pm

May 28th, 2021

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DISCORD DISCUSSION: Self Study Techniques May 29th

YOU MISSED IT!

Animation Resources Discord

Animation Resources is hosting monthly Discord parties on its Discord server. Join us the last Saturday of every month to participate in discussions and network with fellow artists from all over the world. The party starts at 4:30 pm (PDT) and the program begins at 5:30 pm.

THIS MONTH’S PROGRAM

Animation Genres

Our schedule of monthly programs under the banner Discord Discussions continues Saturday May 29th!

You spend $50,000 a year on animation school, you get straight A’s, you graduate, and now you’re ready for a job, right? Not necessarily. While animation school can be beneficial if you can afford it, it is by no means a necessity for getting a job in the animation industry. It is up every individual artist to better themselves; no institution alone can do it. Join Animation Resources Director of Programming Davey Jarrell and animation educator Taber Dunipace on Saturday, May 29th, on Discord as they discuss self-study techniques for bettering your art and animation skills. Doors open at 4:30 PDT and the program starts at 5:30 PDT!

SELF STUDY TECHNIQUES
Animation Resources
At The Animation Resources Discord Server
SATURDAY MAY 29th, 2021 5:30 pm (PDT)
HOSTED BY DAVEY JARELL WITH TABER DUNIPACE

Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!

ABOUT YOUR HOSTS

Davey Jarell is a member of the Board of Directors of Animation Resources. He is a professional storyboard artist for television and acts as our Director of Programs.

Taber Dunipace is an animation educator and member of the Board of Directors of Animation Resources.

ABOUT DISCORD

Discord is a free chat app that supports video, voice chat and text chat. Discord servers are divided into channels, which all have their own subject or theme of discussion. Members are assigned roles which helps everyone keep track of who’s who. The Animation Resources Discord channel is a virtual meeting place for our supporters. You can meet other Animation Resources members, talk with the people behind the scenes at our organization, and attend lectures and screenings— all without leaving your home. It’s free and open to everyone in the creative community. If you’d like more info on how Discord works, see this article: What is Discord?

Here’s how to install the Discord app and login to the Animation Resources Discord Server:


    1. INSTALL DISCORD
  • iPhone or Android: Download the app from the App Store or Google Play Store and install.
  • Desktop: You can access Discord for your Mac or PC from discordapp.com. You can choose to download and install the free Discord app, or enter our channel directly using your web browser. https://discord.gg/cuvNvsMNQP
    2. CREATE AN ACCOUNT
  • Just follow the prompts to create your own login account.
    3. JOIN THE ANIMATION RESOURCES CHANNEL
  • Click the plus sign to the right of the app and select "JOIN A SERVER".
  • Enter this invite code: vES5YsV
    4. YOU’RE THERE!
  • Take a moment to look around, read the rules and introduce yourself.

The Animation Resources Discord Server is open to the public right now. Pop in and look around, and make a point to visit on Saturday!

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Posted by Stephen Worth @ 2:39 pm

May 18th, 2021

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Illustration: Arthur Rackham’s Grimm’s Fairy Tales

Arthur Rackham

Arthur RackhamArthur RackhamArthur Rackham was one of the most influential illustrators who ever lived. If you aren’t familiar with his work, see Bud Plant’s biography. These scans are from a first edition of Grimm’s Fairy Tales from 1909. This book is packed with amazing color plates and ink sketches.

Along with Edmund Dulac, Rackham was one of the most popular book illustrators of the early 20th century.

Arthur RackhamArthur RackhamWalt Disney admired Rackham’s watercolor and pen & ink style, and instructed Gustaf Tenggren to work with Claude Coates and Sam Armstrong to adapt it for use in Snow White and the Seven Dwarfs. In animation backgrounds however, the sinewy Rackham line was overly busy, distracting from the characters; so Tenggren evolved towards the more dimensional painting style which reached its peak in Pinocchio, setting the standard for Disney cartoons throughout the 1940s.

Of Rackham’s style, Bud Plant writes, “Most obvious, in retrospective, is the calm and good humor of the drawings. They seem imbued with a gentle joy that must have been reassuring to both the children and their parents. Rackham had found his niche. His drawings would convey a non-threatening yet fearful thrill and a beauty that was in no way overtly sexy or lewd. It was a perfect Victorian solution and he seems to have taken to it with an impish delight.”

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Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Posted by admin @ 12:04 pm