Archive for the ‘carlo vinci’ Category

Monday, June 2nd, 2014

Animation: Carlo Vinci Notes From Terry-Toons

Carlo Vinci at Terrytoons

Not long ago, archive assistant Amir Avni, John Kricfalusi and I took a trip out to visit Carlo Vinci’s family at the home of his wife, Margaret. Mrs. Vinci graciously welcomed us into her home for a tour of her collection of artwork belonging to her late husband. Carlo’s animation desk, which he designed and built himself, still stands in his office just as he left it, with caricatures by co-workers hanging above it on the wall. Every room in the house has beautiful artwork filling the space. It was an awe inspiring experience to get a chance to see it all.

Vinci Family

John K, Steve Worth and Margaret Vinci


Carlo Vinci was a remarkable artist. He received classical art training at the National Academy of Design in 1930. He joined Paul Terry’s Terry-Toons soon after, and worked there for twenty years. He came West to join Joe Barbera at MGM, and ended up as the lead animator at H-B for twenty more years. But as I learned at my visit, those great achievements were only a small part of his story. In addition to cartooning, Vinci was an all-around fine artist, adept at oil painting, watercolor, illustration, stained glass and sculpture… in a variety of styles, from classical to baroque to art deco… with a wide range of subjects- still lifes, portraiture, landscapes and religious subjects. It was a mind blowing experience to discover the depth of talent behind a cartoonist we thought we already knew.

Vinci Family

Carlo Vinci’s son, Paul and grandson, John
with John K in front of Vinci’s self-portrait

After we had viewed all the amazing artwork, Mrs. Vinci invited us to enjoy some home made Italian desserts with her family. Excited by everything we had seen, we had plenty of questions about Carlo and his wonderful career as an artist. We asked if she had met him before he started working for Terry-Toons or after, and she replied, "He was working for Mr. Terry when I met him. When we were courting, he lived in the Bronx, and I lived in Brooklyn. It was a long trip across town to meet for our date every Wednesday evening. Carlo would send me a little note with a cartoon every day in the mail when we couldn’t be together. I’ve saved them all these years, but I don’t suppose you would be interested in seeing them…"

Naturally, we were! Her son, Paul Vinci helped her to retrieve the hundreds of letters from a closet- all on Terry animation paper in envelopes with the distinctive Terry-Toons logo. Dating from 1938 to 1939, these charming little notes had a personal message, along with brilliant drawings depicting Terry characters. Paul commented that he himself hadn’t seen the letters since he was very small; and even then, his mother only shared one or two with him. They had been bundled away carefully for over fifty years. Mrs. Vinci has kindly allowed us to share these drawings with you…

Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons
Carlo Vinci at Terrytoons

All of us at Animation Resources appreciate Mrs. Vinci’s generosity. Paul and John Vinci will be printing out this post and sharing it with her, so you can thank her yourself in the comments below.

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

Wednesday, May 21st, 2014

Animation: Terrytoons Studio Tour 1939

Terry Production Process

Carlo Vinci and Connie Rasinski

Terry Production Process

Bill Weiss, Paul Terry, unknown, Larry Silverman, Carlo Vinci

Recently, the family of the legendary animator, Carlo Vinci lent us two 8mm films to transfer for the archive. I’ll post about the other one soon, but today I have a special treat for you… a color film outlining the animation production process from Terrytoons in 1939!

Here are frame grabs of most of the people appearing in this short. If you can identify anyone, please let us know in the comments below.

Terrytoons Makin Em Move

Animator Carlo Vinci

Terrytoons Makin Em Move

Terrytoons Makin Em Move

Story Man Larry Silverman

Terrytoons Makin Em Move

Story Man Tommy Morrison

Terrytoons Makin Em Move

Music Director Phil Scheib and Director Connie Rasinski

Terrytoons Makin Em Move

Animator Jim Whipp and his assistant

Terrytoons Makin Em Move

Terrytoons Makin Em Move

Terrytoons Makin Em Move

Terrytoons Makin Em Move

Makin’ Em Move (Terry/1939)
(Quicktime 7 / 30.7 megs)

Here is the cartoon we see the artists working on in this film…

Terrytoons Harvest Time

Terrytoons Harvest Time

Terrytoons Harvest Time

Terrytoons Harvest Time

Harvest Time (Terry/1940)
(Quicktime 7 / 13.8 megs)

Mike Fontanelli shares this great collection of Terry-Toons lobby cards with us…

Terrytoons Lobby Card
Terrytoons Lobby Card
Terrytoons Lobby Card
Terrytoons Lobby Card
Terrytoons Lobby Card
Terrytoons Lobby Card
Terrytoons Lobby Card
Terrytoons Lobby Card

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

Wednesday, November 3rd, 2010

Biography: Carlo Vinci

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Carlo VinciCarlo VinciBirth/Death

Born: February 27, 1906, New York City

Died: September 30, 1993, Thousand Oaks, CA

Occupation/Title

Animator

Bio Summary

Carlo Vinci (originally Vinciguerra), a pioneer of the animation industry for over 50 years, animated hundreds of characters such as Mighty Mouse, Tom & Jerry, Donald Duck, Ruff and Reddy, Quick Draw McGraw, Huckleberry Hound, Yogi Bear, the Jetsons, Scooby Doo and the Flintstones. He became known, to quote John Kricfalusi, as the master of the Flinstones. Carlo Vinci could be counted on to deliver quality work at a remarkably fast pace, no matter what he was asked to do. He retired at the rip old age of 72, loved by all in the industry. Carlo passed away on September 30, 1993, leaving behind his wife, Margaret, four children and ten grandchildren.

Early Life/Family

Carlo Vinci was born February 27, 1906, in New York City. A few weeks later in March of 1906, the very first animated cartoon, “Humorous Phases of Funny Faces” was produced. That was destiny in the making! He was the only child of Italian immigrants. His father, Andrea was a barber, and his mother, Maria was a dressmaker, making custom-made dresses before they were available in department stores. In 1938, Carlo met Margaret Leonardi, the love of his life, and the two were married in 1939. They remained married for the next 54 years.

Education/Training

Carlo showed artistic talent at a very early age, and was nurtured throughout his childhood so much so that after he graduated high school, he was awarded a scholarship at the National Academy of Design. He studied day and night for four years and graduated with honors. In 1929, he was awarded a silver medal, the highest award for craftsmanship from the Tiffany Foundation Fellowship.

Career Outline

He spent his first years as an artist in commercial art from 1921 to 1932. He drew murals, landscapes for homes and business offices and also did commercial stained glass. In 1933, during the depression, Carlo heard about the animation industry and wanting a better way to support his family, applied for a job at the Terrytoons Studios. He was paid $75 a week (a lot of money for the time) and in less than a year he became an exceptional animator, specializing in dancing sequences and scenes that required acting and graceful movement.

In 1955, Joe Barbera, a fellow animator at Terry, (now in California and the head of the MGM animation studio along with Bill Hanna) offered Carlo a job. He packed up his wife, four children and dog and drove out to Culver City, California to animate Tom and Jerry and Droopy cartoons. Soon after, there was a bump in the road when MGM decided to close down their animation studio. Joe Barbera helped Carlo get a job at Walt Disney Studios. He worked there for two years on TV projects, and also free-lanced as an animator for Paul Fennell, who was doing animated commercials for television. In the meantime, Joe and Bill were preparing to open their own studio.

Then in 1957, Hanna-Barbera opened, and Joe immediately hired Carlo as one of his first three animators. A few years later in 1960, the Flinstones premiered on television and Carlo animated the first Flinstone cartoon single-handedly. This was the first time a cartoon series was on prime-time television, making television history. He worked on many of the Flintstones episodes, animating an entire 24 minute episode by himself every six weeks. Carlo was featured in LIFE magazine (see below) with a full page photo, featuring him acting out his drawing of Fred Flinstone.

Over the years he was recognized as an accomplished artist and received many awards. He also drew for comic books and later in his career illustrated ads for HARPER magazine drawing the Flinstones characters. In his retirement he continued drawing and painting, especially portraits of his children, their spouses, and grandchildren. He never stopped learning and growing as an artist. As a final challenge, toward the end of his life he began to sculpt.

Comments On Style

TERRYTOONS YEARS
From John K on Carlo Vinci Dancing:

Carlo Vinci
Click to see a larger view.

Carlo moves things as if he invented animation himself and had never seen anyone else’s animation. He made up all his own rules. He doesn’t use simple lines of action like the Disney animators did. Instead he uses zigzagged poses that to most animators would seem awkward. I used to notice that about his Flintstone poses when I was a kid and I loved it. I learned early that the kind of stuff I liked most didn’t fit a mold. It had to be skilled, but also needed to stand out and be a little “off”- like Carlo Vinci.

Here is some of Carlo’s “full-animation” from a 40s Terrytoon. He was using his broken-wrist/collapsing joints theories way back when. The Terrytoons directors always gave him the dance scenes and you can spot his style a mile away.

Carlo Vinci


Carlo Vinci
Click on the image above to see Mighty Mouse In Krakatoa (1945 / Quicktime / 13.5 mb).

HANNA-BARBERA YEARS
From John K on Flintstones Animators:

Carlo Vinci
Click on the image to see a movie of Carlo Vinci scenes.

Carlo Vinci is the master of Flintstone. He handles him clean, smooth, without shame. Here’s how to spot him… Carlo loves drawing crooked poses with the characters’ appendages- the head, the hands, the pelvic girdle- all pointing different directions. Keep your eyes peeled for socially unacceptable (in some circles) wrist actions. He likes to flip the wrist around- have the hand up, then flip down, then twist around, fingers wiggling, taking turns sticking up- it’s truly a joy to watch.

He utilizes the butt generously. Remember the old Yogi Bear cartoons? The ones where Yogi bops up and down to bongo beats? That’s Carlo. He’s always thinking of you. In Carlo’s hands, Fred’s butt is a sensative emoting creature. He also draws quite a few meaty expressions on the characters, whereas some other animators are stingy with their expressions. Carlo did great stuff for Terrytoons, but I think he was made for Hanna Barbera. His animation style combined with Ed Benedict’s designs created a whole new entertainment experience. Count on Carlo to deliver a quality package to you. -John Kricfalusi

Influences

Renaissance artists: Michelangelo, Raphael, Leonardo Da Vinci.

Personality

Carlo was known for his great sense of humor, was always the life of the party wherever he went, a great dancer and loved opera.

Anecdotes

Joe Barbera on his first job as an animator…

Joe BarberaJoe BarberaI worked in a bank, and at night I would go home and draw cartoons. It seemed to titillate me when I would see a magazine like a Colliers or a Life or a Judge. So I began drawing cartoons and suddenly they began to buy them. It was very bad times, and finally the bank closed its doors… So, I’m strolling down the street and I meet a fraternity brother, and he says, “Go across the street to 729 7th Avenue and tell them you’re an animator.” I didn’t even know what that meant. So I went in and I had four magazines with me which had my printed material in it. It made enough of an impression on them to decide to hire me.

They walked me into a room and sat me down at a desk with a light board and gave me a scene which had about thirty pages in it, and I stared at it. I didn’t know what the heck it was all about. But fortunately, a fella next to me- named Carlo Vinci said, “You don’t know what to do, do ya?” I said, “Noooo…” So he said, “Well, I’ll show ya…” He put drawing one down and drawing three and showed me the job of an Inbetweener. He said, “You have to make that drawing inbetween these two drawings.” He described motion to a degree, and that’s how I got started in that end of the business.

Miscellaneous

Filmography

Terrytoons 1933-1955

MGM (Tom & Jerry) 1955-1957

Disney (Donald Duck) 1957

Hanna-Barbera 1957-1982

  • Ruff and Reddy
  • Huckleberry Hound
  • Yogi Bear
  • Quick Draw McGraw
  • Jetsons
  • Scooby Doo
  • Charlotte’s Web

    Honors

    Exhibits:
    National Academy Gallery, New York City
    American Art Gallery, New York City,
    Grand Central Gallery, New York City

    Tiffany Foundation Fellowship and Silver Medal, 1929

    Related Links

    Carlo Vinci’s Model Sheets & "The Temperamental Lion" (1940)

    From John Kricfalusi’s ALL KINDS OF STUFF:

    Flintstone Flyer: Carlo Vinci
    More Flintstone Flyer: Carlo Vinci
    Krakatoa Katie: Carlo Vinci Dancing
    I Want You To Love Carlo Vinci
    Slow But Sure

    Bibliographic References

    Carlo Vinci in Life Magazine
    Carlo Vinci in Life Magazine, November 21st, 1960

    Contributors To This Listing
    Paul & John Vinci, John Kricfalusi, Stephen Worth

    To make additions or corrections to this listing, please click on COMMENTS below…