Archive for the ‘illustration’ Category

Friday, September 16th, 2011

Exhibit: Illustration Jump Page

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Modern Illustration Artzybasheff

Animation Resources isn’t just an archive OF animation… it’s an archive FOR animators. There’s a subtle but important distinction there… One of the aspects of modern animation that could stand improvement is design. Too many current animated films ignore the importance of appealing design, or lean too heavily on the designs of other animated films. There’s absolutely no reason why every princess, king or mouse should look like princesses, kings and mice from previous films. There’s a wide world of design inspiration to be found in the history of illustration. Here’s just a sampling of the important material related to illustration contained in the Animation Resources Database…


CLASSIC ILLUSTRATION

Classic Illustration Kay Nielsen

One of the primary projects of Animation Resources is to gather together the reference materials that inspired the artists who made animated cartoons in the golden age. It’s a little known fact that every animation studio had a library of children’s books for the reference of the background painters and designers. Rare editions of Rackham, Dulac and Wyeth sat on the shelves at studios in both New York and in Hollywood. Many great children’s book illustrators worked for a time in animation, including Kay Nielsen, Gustaf Tenggren and Willy Pogany.


BLAND TOMTAR OCH TROLL: John Bauer’s Trolls (Bauer Biography) / Einar Norelius 1929, 1934, 1944 & 1949 (Norelius Biography)

KAY NIELSEN: East of the Sun and West of the Moon / Twelve Dancing Princesses and Hansel & Gretel

ARTHUR RACKHAM: Grimm’s Fairy Tales

EDMUND DULAC: Hans Christian Anderson / Poe’s Poetical Works and Tanglewood Tales

MILO WINTER: Aesop For Children

FELIX LORIOUX: Fables de la Fontaine and Le Buffon des Enfants / Tales From Perrault

GUSTAF TENGGREN: D’Aulnoy’s Fairy Tales, Good Dog Book, Small Fry And The Winged Horse / Heidi – Wonderbook – Juan & Juanita / Grimm’s Fairy Tales (See also Gustaf Tenggren under Golden Book Style below.)

WILLY POGANY: Willy Pogany’s Drawing Lessons / Mother Goose

OTHER CLASSIC ILLUSTRATORS: W. Lee Hankey’s Deserted Village / Maxfield Parrish’s Arabian Nights (1909) / N. C. Wyeth’s Legends of Charlemagne / Mabel Lucie Attwell’s Peter Pan and Wendy / Frank Reynolds Paints Pickwick / Monks By Eduard von Grutzner / Boris O’Klein’s Dirty Dogs of Paris / Reginald Birch and St. Nicholas Magazine / Gustave Dore


MODERN ILLUSTRATION

Mary Blair

From the 1920s through the late 1950s, magazines featured the work of some of the top talents in the art world. Leindecker, Artzybasheff, Szyk and Hurst were all great artists whose work has a lot to offer today’s cartoonists and character designers. Thanks to Archive Supporters Mike Fontanelli and Kent Butterworth, we have been able to bring many of these great names to your attention.


BORIS ARTZYBASHEFF: As I See: Neurotica, Machinalia and Diablerie

LAWSON WOOD: The Monkey Painter

WARTIME PROPAGANDA: Arthur Szyk: The New Order / WWI & WWII Propaganda Posters / Aviation Illustrators

COLLIERS MAGAZINE: 1930s & 40s Colliers Illustrations, Advertisements, Ink Wash Paintings / and WWII Era Illustrations

CORONET MAGAZINE: Bugs Bunny: A Hare Grows In Manhattan 1945 / Disney’s Casey At The Bat / Harper Goff’s Blood On The Moon / Norman Rockwell: The People’s Painter

VANITY FAIR MAGAZINE: The Genius of Miguel Covarrubias


GOLDEN BOOK STYLE

Mary Blair

Thanks to a generous donation by Animation Resources supporter John Kricfalusi, we are able to share the beautiful work of the great artists who made a fortune for Western Publishing’s Little Golden Book line. The style was created by Disney concept artist, Gustaf Tenggren and reached its peak in books by Mel Crawford. Many animation artists moonlighted as children’s book illustrators… among them Norm McCabe, Harvey Eisenberg, Mary Blair and J. P. Miller.


GUSTAF TENGGREN: Tenggren’s Tell It Again Book: Genesis of the Golden Book Style / Sing for Christmas / The Little Trapper (See also Gustaf Tenggren under Classic Illustration above.)

FEODOR ROJANKOVSKY: Frog Went A-Courtin’

TIBOR GERGELY: A Day In The Jungle / “Watch Me! Said the Jeep” and “The Red, White and Blue Auto”

MARY BLAIR: Mary Blair’s Baby’s House / Little Verses / The New Golden Song Book

MEL CRAWFORD: Rootie Kazootie Joins The Circus

AL WHITE: Rocky & His Friends and Huck Hound Builds A House

ANIMATION RELATED: Disney Christmas Cards / Disney’s Uncle Remus Stories / Ferdinand the Bull / Late 30s Looney Tunes Placemats

RECORD ALBUMS & MOVIE MEMORABILIA: 50s & 60s LP Covers / Bozo And His Rocket Ship / Ernesto Garcia Cabral: The Greatest Cartoonist You’ve Never Heard of Before! / Fantastic Mexican Lobby Cards


ADDITIONAL BIOGRAPHIES


INBETWEENS ARTICLES


FINE ART PRINTS

Mary Blair

VISIT OUR GALLERY OF FINE ART PRINTS

Imagekind Kay Nielsen GalleryImagekind Kay Nielsen GalleryAnimation Resources in association with Imagekind is proud to present a collection of fine art prints representing some of Kay Nielsen’s greatest work- illustrations from the classic book, East of the Sun and West of the Moon. Produced on demand from high resolution archival scans, these prints are carefully color corrected for maximum image quality and fidelity to the original book. Visit the Kay Nielsen Gallery at Imagekind to see all the available images.

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Tuesday, November 23rd, 2010

Biography: Milo Winter

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: August 7, 1888
Death: August 15, 1956

Occupation/Title

Book Illustrator

Bio Summary

Milo Winter was and is known for his great illustrations, especially the work he did for the Chicago-based printer and publisher Rand McNally’s Windermere series. The titles he is well-known for illustrating include Gulliver’s Travels, Arabian Nights, Alice in Wonderland, Twenty Thousand Leagues Under the Sea, The Three Musketeers, A Christmas Carol, Treasure Island, and Aesop’s Fables. Winter’s illustrations covered the subjects of animals, the human figure, Genre (Human Activity), and Fantasy/Adventure/Sci-Fi. While prominently known for children’s book illustrations, he also did Muragraphs, a series of reproductions of 12 historical paintings that he did for libraries and schools. He worked in Chicago until the early 1950s, when he moved to New York, where he shortly died thereafter in 1956.

Early Life/Family

Milo Winter was born in Princeton, Illinois in 1888. He attended the School of the Art Institute of Chicago to receive his art training. He wrote and illustrated his first book, Billy Popgun, which he submitted to Houghton Mifflin in 1912. Since then, Winter worked most of his life in Chicago, illustrating for publishers.

Education/Training

Winter attended the School of the Art Institute of Chicago until 1912. He did illustrations for books from his teens to thirties.

Career Outline

Winter worked as a book illustrator starting from 1911. He gained recognition by doing illustrations for East Coast publications. He illustrated for Chicago publishers, such as Houghton Mifflin and Rand MacNally all the while still being active with the East Coast publications. From 1947 to 1949, Winter took position in Field Enterprises’ Childcraft books as the art director. From 1949, he worked in the Silver Burdett Company in the film strip division, again employed as the art editor.

Comments On Style

Winter’s art was masterful with accuracy and humor. His animal drawings demonstrate his ability to create personality in anatomically accurate depictions of animals. His illustrations also show great attention to detail.

Influences

Edmund Dulac, Walter Crane, Howard Pyle, N.C. Wyeth

Personality

Winter was adaptive to popular techniques and mediums. For example, in 1946, he created illustrations for Houghton Mifflin’s Animal Inn using the scratch board technique, a then-current technique. Also, his Muragraphs were in response to murals being popular in the 1930s.

Anecdotes

Winter was a personal friend of Harry Clow, the president of Rand McNally, and he married a noteworthy sculptress and had a son in 1913 who also grew up to be an artist.

Miscellaneous

Filmography

His credits roll long for book illustrations, but apparently none for film.

Honors

Part of the canon of established Chicago book illustrators

Related Links

?http://www.animationarchive.org/2008/03/illustration-milo-winters-aesop-for.html?

Arabian Nights Books

The Children’s Literature Research Collections
Wikipedia?http://en.wikipedia.org/wiki/Milo_Winter

Bibliographic References

Miller, Arthur H. “Children’s Book Illustrator Milo Winter.” Caxtonian. Jan. 2004: 4,5.

Contributors To This Listing

BIO-AAA-338

A. Nonymous

To make additions or corrections to this listing, please click on COMMENTS below…

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Monday, November 15th, 2010

Biography: Mary Blair

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: October 21, 1911, McAlester Oklahoma.
Death: July 26, 1978

Occupation/Title

color stylist and designer

Bio Summary

Blair graduated from the Chouinard School of Art which became known as the California School of Watercolor. She wanted to become a fine art watercolorist, but because of the great depression it was not a dream she could achieve. She soon married Lee Blair, and they both began working for Disney in 1934. For the next 37 years she has been working on and off for Disney. She died of a cerebral Hemorrage in July 26, 1978.

Early Life/Family

During her earlier years born as Mary Browne Robinson. Her family moved to San Jose in 1920. Her family was a very poverty stricken family because of the great depression, however she was always one to strive and become a successful artist. She received a scholarship at Chouinard school of Art and met Lee Everett Blair. The two married March 3, 1934 after they both graduated in 1933. She eventually went back to stay with her parents because of the bleak market industry. She worked as a barmaid until she soon became a cell painter for Ub Iwerks studio.

Education/Training

San Jose State College, Chouinard School of Art in Los Angeles.

Career Outline

Joined the Ub Iwerks studio, went to the Walt Disney Studios in 1940, worked on concept art for the animated feature films, Saludos Amigos and The Three Caballeros. She worked heavily from 1950 to 1953 on color styling for Cinderella, Alice in Wonderland and Peter Pan. Resigned from Disney after Peter Pan to do graphic designes and illustrations for Nabidsco, Pepsodent, Maxwell House, and Beatrice Foods.She also illustrated several Golden Books for publisher Simon and Schuster and she designed Christmas and Easter sets for Radio City Music Hall. Mary soon began working on Walt Disney’s It’s a Small World attraction. 1967 she created mural art for Tomorrow Land’s Adventure Thru Inner Space. In the same year she had also been given credit to the film version of “How to Succeed in Business without Really Trying”.

Comments On Style

She liked to use flat graphic color to describe her images, using complementary colors and different shades to bring her art work to life.Animator Mark Davis says that Mary’s work is “on par with Matisse”. Frank Thomas notes that “she was the first artist I knew to have different shades of red next to each other”.

Influences

Some of Blair’s instructors during her college years such as illustrator Pruett Carter, and Chouinard’s master composition teacher Lawrence Murphy.

Personality

Strong willed, confident, child at heart. Mary’s art always showed a soft innocence, which contrasted the dark and dismal mood of the time.

Anecdotes

Disney had been informed by the United States office of the Co-ordinater of Inter-American Affairs to make films as part of the U.S. “Good Neighbor” policy with South America. So Mary and Lee Blair went to South America, which is where she developed her style of bright whimsical colors with a flat graphic style.

Miscellaneous

Mary Blair, even though loved by Walt Disney and many other Disney animators, was often at odds with the artists because of her not so film ready style. The animators tended to have a difficult time trying to keep her flat non- realistic style, while remaining with their more realistic Disney characters.

Filmography

Saludos Amigos -1942 (herself)
The Three Caballeros -1944 (art supervisor)

Song of the South -1946 (color stylist)
Make Mine Music -1946 (art director)
Melody Time -1948 (color and styling) 
Johnny Appleseed -1948 (color stylist)
Cinderella -1950 (color and styling
Alice in Wonderland -1951(color and styling)
Peter Pan -1953 (color and styling)
Lake Titicaca -1955 (color and styling)
The Legend of Sleepy Hollow -1958 (color stylist)

Honors

Honored as a Disney Legend in 1991
Winsor McCay Award from ASIFA-Hollywood in 1996

Related Links

http://wikipedia.org/wiki/Mary_Blair
http://www.imdb.com/name/nm0086304/
http://www.bobstaake.com/artists/maryblair/page1.html
http://www.lorenjavier.com/popculture/maryblair.html

Bibliographic References

Contributors To This Listing

Ulysses Albert III

To make additions or corrections to this listing, please click on COMMENTS below…

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