January 22nd, 2011

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Instruction Jump Page

Instruction

In the “golden age” of animation, there were no animation schools. Artists trained to be artists, and then worked their way up through an apprenticeship system at the studios. An experienced animator would train an assistant to help him with his scenes, and after a few years, the assistant would advance to being an animator and train his own assistant. Today, this system no longer exists. Few animators work at a single studio for more than a couple of years, and training up staff is not a priority. How does a modern day animator learn the craft?

Self study.

The animators of the golden age are dead and gone now, but that doesn’t mean that you can’t learn from them. The work they left behind contains all the information you need to become a first class animator yourself. Animation Resources has gathered together the best references for self-study you will ever find. Ralph Bakshi described it once as “A Masters Degree in cartooning at your fingertips”. Print this material out. Work with it. Practice and study it. And you too can become a Master Animator.


Preston Blair’s Animation Drawing Course

Preston Blairs Advanced AnimationPreston Blairs Advanced AnimationAnimation Resources is conducting an online drawing course teaching the fundamental principles of drawing for animation. It’s based on Preston Blair’s classic book, “Advanced Animation”. Over the next year or so, we will be working over the internet with a group of students who want to sharpen their skills and learn to draw constructively. This is NOT a course in learning to draw in the 1940s style. It is designed to teach you step-by-step how to master the basic principles of drawing and posing characters for animation. These principles apply to all forms of cartooning, not just “funny animal style”.

If you would like to participate, follow our lessons as they are posted and send in your work for critique. As the group of students following this online course progresses, we’ll be introducing more advanced lessons. Each lesson builds on things you learned in previous lessons, so don’t skip ahead. Follow the instructions carefully. We ask that students who benefit from the valuable information in these lessons consider becoming members of Animation Resources. From time to time, we will be referring to materials on the Members Only download page, so to get the most out of this course, you should join our organization. Support the people that are helping you grow as an artist. JOIN NOW! https://animationresources.org/membership/levels/

Animation Drawing Course Lessons


INSTRUCTION POSTS

Design For TV

Founded by Norman Rockwell in the early 1950s, Famous Artists had three courses… Painting, Illustration/Design and Cartooning. Each course consisted of 24 lessons in three oversized binders covering a wide variety of subjects. To design the courses, Rockwell brought together the top artists of the day… Albert Dorne, Stevan Dohanos, Rube Goldberg, Milton Caniff, Al Capp, Willard Mullen, Virgil Partch, and Whitney Darrow Jr, among others. The result was a correspondence course that puts many current university programs to shame. ASIFA-Hollywood has been digitizing these powerful lessons and sharing some of them with you on this website. In addition, we have provided a wealth of educational material written by top cartoonist educators like Grim Natwick and Gene Byrnes; as well as invaluable articles on art theory.


Please Note: We will be reformatting and reposting these articles as time goes by. Please bookmark this page and check back regularly to see what is available.

INDEX OF ARTICLES

Bill Nolan: Cartooning Self Taught / John K Advice and Eddie’s Boney Finger and John K on Character Design


INBETWEENS ARTICLES


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Posted by Stephen Worth @ 12:10 am

January 20th, 2011

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Theory Jump Page

Theory

Bad artists always admire each other’s work. They call it being large-minded and free from prejudice. But a truly great artist cannot conceive of life being shown, or beauty fashioned, under any conditions other than those that he has selected. –Oscar Wilde

Sometimes there are no right or wrong answers- only ideas. One of the things I have always enjoyed most about working with great artists is the opportunity to discuss creative issues without being afraid of offending or saying the wrong thing. Intellectual freedom allows that as long as an argument is well supported, it is a valid opinion. If the criteria for judging are well defined and the arguments sound, diametrically opposed opinions can be equally valid. This sort of open dialogue illuminates a subject from more than one angle and is rare in these polarized times, but strangely, among cartoonists it is still alive and well.

Over the past several years, I’ve occasionally been moved to present articles which express a personal opinion. If I’ve done a good job of it, perhaps my arguments are persuasive, but feel free to disagree. Even if you disagree with me, hopefully you’ll gain some sort of insight on the subject that you might not have otherwise.



FEATURED EXHIBIT

Music ExhibitMusic ExhibitAdventures In Music

Music shares an indescribable magic with animation. It’s hard to describe in words exactly why certain walk cycles or pantomime gags are so wonderful. Music is a source of non-verbal delight as well. The rhythms and pacing of cartoons often mirror the construction of popular music with a statement of theme followed by variations, culminating in a restatement of the theme and a big finish. If you think about it, the best cartoons are inseparable from music. Adventures in Music explores the wide world of music with an eye to revealing the relationships between music and creativity.


THEORY


INBETWEENS ARTICLES


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Posted by Stephen Worth @ 10:53 am

January 17th, 2011

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Biography: Cliff Sterrett

This posting is a stub. You can contribute to this entry by providing information through the comments link at the bottom of this post. Please organize your information following the main category headers below….

Birth/Death

Birth: 12 December 1883 Fergus Falls, Minnesota
Death: 28 December 1964

Occupation/Title

Cartoonist, Professional Commercial Artist, Illustrator, Caricaturist

Bio Summary

Cliff Sterrett was born into a middle-class family in Fergus Falls, Minnesota in 1883. He left at the age of 18 for New York to attend art school and began a hardworking, dedicated career as an artist. Sterrett could very well be one of the most under-rated artists of the 20th century. He was an inspiration and trendsetter by introducing the first ever comic with a female hero. Sterrett was also a one-of-a-kind graphic artist with a unique and inventive style, creating comical narrative and characterization through his use of colorful and abstract drawings. Though Sterrett created several published comic strips (see “Career Outline”), he is most well known for Polly and her Pals. Polly had a sensational run of 46 solid years and appeared both as a daily and a Sunday comic. Due to rheumatism in 1935 Sterrett had to utilize the talent of Paul Fung and Vernon Greene to aid him in continuing Polly and her Pals but subsequently took his name off of the publication. Although he was hindered with illness he drew Polly until his retirement in 1958.

Early Life/Family

Son of middle-class parents
Married with a family. His wife died in 1948. Sterrett went to live with his sister-in-law until his death in 1964.

Education/Training

Sterrett attended Chase Art School in New York and graduated 2 years later.

Career Outline

Sterrett started out working as a newspaper staff artist drawing news illustrations and caricatures for the The New York Herald 1904-1908. He worked at the The New York Times and The Rochester Democrat and Chronicle 1908-1910, and The New York Evening Telegram in 1911. Here he created the following strips:

Ventriloquial Vag
When a Man’s Married
Before and After
For This We Have Daughters?

From 1912-1935 he worked doing dailies for The New York Journal. Here he did the following strips:

The New York American (a Sunday page and four-color supplement)
Polly and her Pals, which was inspired by “For This We Have Daughters?” and started off as Positive Polly.
Dot and Dash (originally known as Damon and Pythias)
Belles and Wedding Belles (originally known as Sweethearts and Wives)
And So They Were Never Married

He retired in 1958

Comments On Style

Sterrett’s work is described as inarguably one of the most important strip artists of all time. During the peak of his most famous comic “Polly and her Pals” Sterrett resorted to a very surrealistic, expressionist, and sometimes cubist style of drawing. This included pantomime story telling, distorted landscapes and interiors, Dali-esque staircases, and trees decorated with stripes or sometimes bulls-eye patterns. Overall his work featured a colorful array of abstract, big-footed people with a keen knack of storytelling and characterization.

Influences

During the 1920s: Surrealists such as Dali
German Expressionists
Cubists

Personality

It seems Cliff Sterrett was a family man. He was known as the only one of William Randolf Hearst’s artists to want to work from home instead of going to the office to draw. And in the 1920s he moved his family to Maine where it was known that one of their favorite activities together was learning and practicing music on many different instruments.

Anecdotes

Al Capp once described Sterrett as “the finest cartoonist of them all.”

Miscellaneous

Interesting Facts:

Sterrett and Windsor McKay were co-workers at his first job at The New York Herald.

Sterrett’s son Paul went on to become a composer and was well known for his ability to play 14 instruments.

It has been noted that at its peak, “Polly and her Pals” actually out-did “Krazy Kat” in circulation.

He established an art colony in Ogunquit, Maine where he spent time with other artists and entertained them with musical ensembles.

Filmography

Honors

Silver T-Square Award from the National Cartoonists Society, 1949

Sampling of “Polly and her Pals” in The Smithsonian Collection of Newspaper Comics

Related Links

www.lambiek.net
www.stevestiles.com
Don Markstein’s Toonopedia™
Suspended Animation Comic Book and Sequential Animation Reviews

Bibliographic References

*Biography – Sterrett, Cliff (1883-1964): An Article from Contemporary Authors, by Thomson Gale
*Encyclopedia of American Comics, edited by Ron Goulart
*World Encyclopedia of Comics, edited by Maurice Horn

BIO-AAA-336

Contributors To This Listing

Katerina Perdue, Jorge Garrido

To make additions or corrections to this listing, please click on COMMENTS below…

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Posted by Stephen Worth @ 10:48 pm