June 5th, 2023

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Animation: Terrytoons’ Catnip Capers

Terrytoons Catnip Capers

Today, we digitized a batch of Terrytoons. Among them was a real gem… Catnip Capers (1940).

Terrytoons Catnip Capers

Terrytoons Catnip Capers

This cartoon is among the best cartoons TerryToons ever produced. It starts out like a typical Terry cat and mouse cartoon, but before long, it’s gone off on a wild tangent into feline surrealism and exotica.

Terrytoons Catnip Capers

Terrytoons Catnip Capers

The backgrounds in this cartoons are spectacular. If anyone out there knows who laid out or painted these, please post to the comments below. There are times where backgrounds and layout are equal in importance to the animation of the characters… a couple of good examples would be the end of Tex Avery’s "King Size Canary" and the St. James Infirmary Blues sequence of "Betty Boop in Snow White". This cartoon certainly fits in that category as well.

Terrytoons Catnip Capers

Terrytoons Catnip Capers

Terrytoons Catnip Capers

Terrytoons have been ufairly criticized as being "monotonous", "predictable" and "boring" in just about every animation history book that references them. Animation Resources has made it a goal to collect and make available as much of the output of the studio as possible to put the lie to those mischaracterizations.

Terrytoons Catnip Capers

Terrytoons Catnip Capers

Catnip Capers (Terry/1940)
(Quicktime 7 / 13.5 megs)

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

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Posted by admin @ 1:01 pm

June 1st, 2023

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LAST CALL! RefPack051: A Peek At The Early Anime Downloads

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Over a couple of weeks, we are posting what each section of our current RefPack looks like. Today we are sharing the Early Anime section. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

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Early Anime

Lately, Animation Resources board member JoJo Baptista has been researching the early history of Japanese animation. He has searched out video copies of 1960s anime to add to our Animation Archive. Over the past year, he has accumulated hundreds of hours of rare television programs. We will be will be sharing some of them with you in our Reference Packs. Our members have asked us to share complete films and publications with them, not excerpts, so we will be sharing complete half hour episodes with you. We don’t claim that everything here is great. But there are great bits. You can sift through them and discover the gems for yourself.

SD VIDEO:
Big X

Big X
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Curated by JoJo Baptista
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Eps. 41 & 50 / TMS, Osamu Tezuka (1964)
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Big X was created by Osamu Tezuka, and it was the first television series produced by TMS (Tokyo Movie Shinsha). It debuted on August 3rd, 1964 and 59 episodes were made, of which only 22 survive. The story involves a Nazi secret weapon that is smuggled out of Germany by surgically implanting a card with the formula inscribed on it into a young man named Shigeru. Years later, Shigeru is living in Tokyo. The card is discovered in his body and is removed. Nazi sympathizers steal the card, and a serum from the formula is made by the grandson of a Nazi scientist. It turns out to be a drug that turns a man into a giant. Shigeru’s son Akira recovers the drug and uses it to fight various evil doers and monsters.

Big X

Big X was one of the very first television cartoons made in Japan. The process hadn’t been established yet and it shows in this show. The staging from scene to scene is completely random. A downshot will be followed by an upshot, characters face left in one shot and right in the next, perspective is off with the character level in a completely different plane than the background, lipsync consists of randomly exposed “gum chewing” cycles that aren’t always lined up to the beginning or end of the dialogue, and there are reuse scenes and camera errors everywhere. There’s absolutely no direction or context to anything that happens on the screen in Big X.


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Big X

But although there isn’t anything in this show to learn in the way of technique, it does a good job of what it intends to do… give kids a half hour of weird fun. While Tezuka’s manga is plot heavy, the animated adaptation is almost completely without continuity. It resembles early Van Beuren cartoons in that it appears to have not been storyboarded. Sequences must have been handed out to animators to do whatever they want with. Every animator seems to have his own idea of what kind of show they were making, and styles vary from cut to cut. These styles have considerable appeal, and randomly juggled throughout the half hour, at least they give everyone something to like.

Big X

Not everything is poorly drawn though. In episode 41, there are several scenes of the main character that are animated volumetrically in good perspective (see the scene that starts at 21:27.) There are also character designs that are drawn in a very funny style (see 02:39, 06:18, 08:44). These designs are even animated funny (10:03, 18:09).

Big X


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Episode 50 starts out with a sequence that seems to be influenced by UPA’s Mr. Magoo feature, 1001 Arabian Nights. There’s another strange perspective shot and a very odd walk cycle at 03:24. At 07:21 the whole cartoon shifts to a parody (?) of Disney, along with lots of random cuts that don’t play out long enough or hook up with each other. At 12:59 there’s a funny sequence with squirrels (or are they monkeys?) At 17:58 there is a dragon lifted straight out of Sleeping Beauty.

Big X

The individual moments succeed in sustaining audience interest, but don’t look for context or putting across character’s personalities or a story here. If I had to pick one word to describe this show, it’s “slapdash”. But there’s enough enthusiasm and fun to make it sort of worthwhile. The animators on this series had lots of big ideas without the experience nor the resources to pull them off. But they take a valiant stab at it and create something fun, even if it is primitive and random. The fact that the main character pokes himself with a hypodermic needle in the title sequence pretty much guarantees this series won’t be re-run ever again.

Big X

I’ll have more early Japanese TV series to share with you in our next Reference Pack.

REFPACK051: Big X Ep. 41
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MP4 Video File / SD / 25:55 / 186 MB Download
 
REFPACK051: Big X Ep. 50
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MP4 Video File / SD / 25:56 / 217 MB Download


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Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!

It’s easy to join Animation Resources. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by Stephen Worth @ 11:21 am

May 31st, 2023

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LAST CALL! A Peek At The International Downloads

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Over the next couple of weeks, we will be posting what each section of our current RefPack looks like. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

What are you waiting for?
Download Page
JOIN TODAY!
https://animationresources.org/membership/levels/

International Animation

The world of animation is much bigger than it might appear to us at first glance. We are all familiar with the films we grew up with, but Hollywood wasn’t the only place that produced great cartoons… Poland, Japan, Russia, China and Europe all have their own traditions and a rich history of animated film making. Animation Resources’ archive contains many foreign films that are rarely seen in the United States. We feature a sampling of interesting animation from around the world in each Reference Pack.

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Khitruk Stompy

Stompy
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Fyodor Khitruk / Soyuzmultfilm, Russia / 1964
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In previous Reference Packs, we shared Fyodor Khitruk’s adaptation of A. A. Milne’s stories about Winnie the Pooh. This time, we are sharing one of Khitruk’s early films, “Stompy”.

Khitruk Stompy

Fyodor Khitruk was a Russian Jew who studied graphic design in Moscow at the OGIS College For Applied Arts. He joined the staff of Soyuzmultfilm in 1938, learning his craft by animating in over 200 films until he was given the opportunity to direct his first film, “The Story Of A Crime” in 1962. This film was a huge success and inspired the artists at Soyuzmultfilm to abandon the hyper-realistic style the studio was known for and explore graphic stylization, not unlike the effect UPA had on Hollywood animation. His films tend to be leisurely paced, but not slow, and the motion of his characters is always carefully observed and relatable.

Khitruk Stompy

Khitruk made both adult satire and children’s films, like “Stompy”. This film has some narration, but it isn’t necessary to understand it to follow the action of the film. Khitruk’s design in this film is brilliant, especially the use of flat areas of color surrounding lush textures. It makes you want to reach out and pet the characters.

REFPACK051: Stompy 1964
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MP4 Video File / SD / 9:25 / 247 MB Download


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SD VIDEO:
Karel Dodal

Mystery Of The MK204 Turning Point
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Karel Dodal / Prague, Czechoslovakia / 1934

In one of our previous Reference Packs, we included two commercials from Czechoslovakia. This time, we feature a very early animated commercial by Karel Dodal.

Karel Dodal

The history of animation in Czechoslovakia goes back to the 1920s. Karel Dodal, not only produced advertisements like this one (some featuring Felix the Cat), but also puppet and experimental films. The notes that came with this film were sparse and all in the Czech language, so we don’t know much about them. If you have information about Dodal you can share with us, please drop us a line.

Karel Dodal

We hope to have more Czech animation to share with you in future Reference Packs.

REFPACK051: Mystery 1934
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The Breakdown

The Breakdown
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Klaus Georgi & Lutz Stutzner / DEFA, East Germany / 1988

The DEFA studio (Deutsche Film-Aktiengesellschaft) was independently established in the Soviet Occupied Zone in 1946 to produce propaganda films with the intent of re-educating the East German populace, who had just emerged from under the Nazi rule. A year later, control of the studio was taken over by the Socialist Unity Party, a Stalinist political group, and many of the original founders were ejected from the governing board. The studio got absorbed by the government when the German Democratic Republic was established in 1949. The ideological oppression discouraged most talented filmmakers from working at the studio, and by the time Stalin died in 1953, only 50 films had been produced. Within a couple of years of the end of Stalinism, DEFA began to grow exponentially, and between 1955 and 1992 when the studio closed, DEFA produced over 800 animated films.

The Breakdown

Lutz Stutzner was trained as a designer of posters. While attending school in Dresden, he met Otto Muller the head of the DEFA animation studios, who encouraged him to apply as a trainee at the studio. He rose to the position of director and teamed with Klaus Georgi who had helped to establish the animation division at DEFA. Georgi directed over 80 animated films in a variety of techniques: cel animation, cut outs, silhouette and puppet animation. When the Berlin Wall fell, many of the state owned businesses were liquidated, including DEFA. Lutz Stutzner was instrumental in organizing efforts to rescue important artifacts and film elements from East German film studios from being dispersed.

The Breakdown

Originally, the film ended with a procession of tanks following the motorcade, but state censors forced them to alter the gag to just infer military vehicles, rather than fully depicting them. Even so, the animation division enjoyed much more of a “hands off” treatment from the government censors than the live action filmmakers at DEFA. This kind of political satire would never have been allowed in one of their live action productions.

REFPACK051: The Breakdown 1988
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SD VIDEO:
Professor Balthazar

Professor Balthazar in “The Rise And Fall Of Horatio”
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Zlatko Grgic / Zagreb Films, Croatia / 1967

In a previous Reference Pack we featured several Maxi-Cat mini-cartoons by Zlatko Grgic, a Croatian animator who later emigrated to Canada to join the Canadian Film Board.

Professor Balthazar

Grgic is best known for his series of cartoons featuring the character Professor Balthazar, an old man who solves problems for his friends by creating inventions with a magical machine. Produced between 1967 and 1973, the series ran all over the world. Its silent pantomime with voice over narration made it easy to translate to other countries. It aired everywhere from New Zealand to Romania to Zimbabwe. In the United States it was featured on Chuck Jones’ television program, Curiosity Shop.

Professor Balthazar

Altogether there were 59 episodes of Professor Balthazar produced between 1969 and 1978. We will be sharing more with you in upcoming Reference Packs.

REFPACK051: Professor Balthazar Ep. 02
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MP4 Video File / SD / 7:57 / 121 MB Download

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Get your friends to join Animation Resources!
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More members mean we can bring you more special downloads.


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Animation Resources is one of the best kept secrets in the world of cartooning. Every month, we sponsor a program of interest to artists, and every other month, we share a book and up to an hour of rare animation with our members. If you are a creative person interested in the fields of animation, cartooning or illustration, you should be a member of Animation Resources!

It’s easy to join Animation Resources. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by Stephen Worth @ 12:46 pm