January 20th, 2023

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Comic Books: Whack Comics And The Fine Art Of Parody

Whack Comics

A week or two ago, I was taking part in a discussion about artists who rip off other artists’ work. One of the people discussing the subject brought up the concept of parody, but seemed to have no idea what actually constituted parody. The dictionary defines parody like this…

par-o-dy [par-uh-dee] noun, plural -dies, verb, -died, -dy-ing.
1. a humorous or satirical imitation of a serious piece of literature or writing: his hilarious parody of Hamlet’s soliloquy.

Parody should be self-evident. The Supreme Court Justice, Potter Stewart said, "I find it difficult to define obscenity, but I know it when I see it." Parody is like that too. But if you’re going to be a cartoonist, you have to be able to do more than just recognize it… you need to be able to control it and utilize it as a tool. If you succeed, you can create something that does much more than just make fun of another work- it can illuminate an otherwise unthought-of truth, making your parody a creative work that stands on its own. If you fail, you risk plagiarism.

pla-gia-rism [pley-juh-riz-uhm, -jee-uh-riz-] -noun
1. the unauthorized use or close imitation of the language and thoughts of another author and the representation of them as one’s own original work.

As a cartoonist, you have to know how to use parody properly. Parody is not an excuse for plagiarism. It’s important to add your own caricature and exaggeration to comment on the work you’re parodying. And your exaggeration has to make a point. The easiest way to recognize how to do that is to study and analyze other parodies. Here is an example of a comic that parodies other comics… Whack!

WEIRD CREEPY AWFUL SPOOKY GHASTLY COMICS

This story is a parody of the EC Comics horror line, which included Tales From The Crypt, Vault Of Horror and The Haunt Of Fear. If you aren’t familiar with this genre, you should check out the reprints at Amazon. There is nothing even remotely like them any more.

Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics

STEVE CREVICE

This parody of Milton Caniff’s Steve Canyon was created by cartoonist, William Overgard. Overgard was a friend of Caniff’s. Once, when Caniff was hospitalized, Overgard ghosted a whole week of Steve Canyon dalies so Caniff had time to recouperate. This particular copy of Whack belonged to Caniff. It was lent to us by his estate to digitize.

Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics

Before we get to more stories, take a look at this advertisement…

Whack Comics

It’s an an early advertisement for the Joe Kubert School. 3D comics and movies were all the rage then. Television was beginning to cut into ticket sales at theaters, and producers were looking for a technical advantage over TV to give them an edge. But the fad quickly fizzled out. Movie audiences and comic book readers were more interested in the quality of the movies and comics than the number of dimensions. Today, DVDs and digital media downloading are cutting into the traditional media markets. Some producers are beating the drum for 3D again. Let’s hope they realize soon that people are more interested in quality entertainment than formats.

The following story by Joe Kubert and Norman Maurer trumpets their publication of the world’s first 3D comic book, Three Dimension Comics in 1953. Strangely enough, the comic this was published in, Whack wasn’t in 3D!

Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics

PARODY

In my discussion of parody so far, I’ve left something unsaid, hoping someone would pick up on it in the comments. J.J. Hunsecker was the one who finally mentioned it…

I find it kind of ironic that you’re using Whack as an example of parody, since it can also be said to be a ripoff of MAD.

It’s important to understand exactly where the line lies between fairly exploiting an existing concept and plagiarism. Whack doesn’t plagiarise Mad magazine… it simply uses the same basic format- a parody comic book. It doesn’t ripoff Mad magazine any more than Roy Rogers ripped off Gene Autry or Star Wars ripped off Star Trek. They are simply working in the same genre.

MIGHTY MOOSE

Here’s an amusing parody of Paul Terry’s Mighty Mouse. The Super Rodent himself even makes an appearance! This is a "second generation parody". Mighty Mouse himself was a parody of Superman!

Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics

FLUSH JORDAN

Flash Gordon was also a comic inspired by the success of another similar comic. Alex Raymond created the strip to compete with Dick Calkins’ science fiction comic, Buck Rogers. Here, Flash gets "Whacked"… and Bing Crosby is dragged into the mess too!

Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics
Whack Comics

Thanks to the Estate of Milton Caniff for allowing us to digitize this great comic book.

Stephen Worth
Director
Animation Resources

Comic BooksComic Books

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Comic Books.
TheoryTheory

This posting is part of a series of articles comprising an online exhibit entitled Theory.

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Posted by admin @ 10:54 am

January 18th, 2023

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Exhibit: ReCAPP- A Bio Of The Creator Of Li’l Abner

Al Capp Li'l Abner

Al Capp Li'l AbnerAl Capp Li'l Abner

Al Capp Li'l AbnerAl Capp Li'l AbnerAlfred Gerald Caplin (aka Al Capp) was born September 28, 1909 in New Haven, CT. He was best known as the creator of the classic comic strip Liโ€™l Abner. At the age of 9, he jumped off the back of an ice wagon directly into the path of an oncoming streetcar. As a result of the accident, he had to have his leg amputated below the hip. This childhood tragedy likely helped shape Cappโ€™s cynical worldview, which, funny as it was, was certainly darker and more sardonic than that of the average newspaper cartoonist. Capp wore a prosthetic leg. ย Rather than hide the fact, he openly joked about it all his life.

Al Capp Li'l Abner

Al Capp Li'l AbnerAl Capp Li'l AbnerCapp began his career in comics as an assistant to Joe Palooka cartoonist Ham Fisher. The relationship soon soured, and Capp launched his own strip, Liโ€™l Abner in August, 1934. What began as a simple hillbilly burlesque soon evolved into a masterpiece of satirical fiction, renowned for its vivid characters and top notch draftsmanship. The outlandish storylines and biting social commentary make Liโ€™l Abner unique among newspaper comics of the day.

The strip featured the adventures of Abner Yokum, a loutish, stupid, but good-natured hayseed who lived in Dogpatch, KY with his scrawny but superhuman Mammy, and shiftless, childlike Pappy. Abner was always in the marital crosshairs of Daisy Mae Scragg, his sexy, well-endowed but virtuous (to a point) ย girlfriend. In 1952, Daisy Mae achieved her goal and the couple was married in the strip with great fanfare. This event was considered newsworthy enough to be featured on the cover of Life magazine.

Al Capp Li'l AbnerAl Capp Li'l AbnerCapp peopled his comic strip with an assortment of wonderful personalities, including Marryin’ Sam, Joe Btfsplk, Lena the Hyena, Hairless Joe, Lonesome Polecat, Evil-Eye Fleegle, General Bullmoose, and a host of others. Most notably, certainly from a G.I. standpoint, were the beautiful, full-figured women like Wolf Gal, Stupefyin’ Jones and Moonbeam McSwine- all of whom found their way onto the painted noses of fighter planes during WWII. Perhaps Capp’s most popular creations were the Shmoos, gourd-shaped creatures whose incredible usefulness and generous nature made them a threat to civilization as we know it.

Al Capp Li'l AbnerAl Capp Li'l AbnerThroughout his life, Capp volunteered his time to hospitals, entertaining patients, especially to fellow amputees. He set an example for them, proving that the loss of a limb did not mean that one couldn’t live a full and rewarding life. ย He was also involved with the Sister Kenny Foundation, which did charity volunteer work for crippled children.

At its peak, Liโ€™l Abner appeared in more than 900 newspapers, with an estimated daily readership of 80 million Americans. Around the country, colleges and communities staged "Sadie Hawkins Day" events. A Broadway play based on Liโ€™l Abner opened in 1956, and was an instant success, and remains a favorite for local productions. ย It was made into a motion picture in 1959. ย In 1968 a theme-park called Dogpatch USA opened in Jasper, Arkansas based on Capp’s work and with his support.

Al Capp Li'l Abner

Along with a team of assistants, Capp kept the adventures of the denizens of Dogpatch in the papers through the 1970s. The fantasy artist, Frank Frazetta penciled the Sunday page continuities from 1954 to 1962, when a salary dispute ended their professional relationship. Capp still wrote the stories, thumbnailed the layouts and inked the faces and hands himself.

Al Capp Li'l Abner

Al Capp Li'l AbnerAl Capp Li'l AbnerCapp revelled in taking jabs at hypocrites of all persuasions. In the mid-1960s, he turned his attention to liberal counterculture figures. He toured college campuses as a speaker, taking confrontational stands on current events. After witnessing student riots in his own neighborhood of Cambridge, Massachusetts (near Harvard) he took on anti-war protesters and demonstrators with a vengeance. In 1971, Capp was charged with "attempted adultery" by a female student at the University of Wisconsin at Madison. The fallout cost him circulation, with hundreds of papers dropping his strip. Capp removed himself from public speaking and continued to produce Li’l Abner until failing health forced him to retire in 1977. He died two years later of emphysema, on November 5th, 1979.

Al Capp Li'l Abner

In 1946, Capp created an autobiographical comic book, Al Capp By Liโ€™l Abner, which was distributed by the Red Cross to encourage thousands of amputee veterans returning from WWII…

Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner
Al Capp Li'l AbnerAl Capp Li'l Abner

TO BE CONTINUED…

Let me know what you think of this article in the comments.
-Mike Fontanelli, 2008

Many thanks to Mike for this wonderful series of articles.

Stephen Worth
Director
Animation Resources

Al CappAl Capp

This posting is part of a series of articles comprising an online exhibit by Mike Fontanelli profiling the career of Al Capp.

Newspaper ComicsNewspaper Comics
This posting is part of the online Encyclopedia of Cartooning under the subject heading, Newspaper Comics.

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Posted by admin @ 12:56 pm

January 17th, 2023

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Comic Strips: George Herriman in Cartoons Magazine 1917

George Herriman

George Herriman

Capsule biography from Martin Sheridan’s book,
"Comics and their Creators" (1942)

Here is a treat… a great article on George Herriman from June of 1917…

George Herriman
George Herriman
George HerrimanGeorge Herriman
George HerrimanGeorge Herriman
George HerrimanGeorge Herriman


If you love Krazy Kat as much as I do, you owe it to yourself to dig into your pocket and buy this book. It’s the only Krazy Kat reprint that presents the Sunday pages in their original size. The book is huge and beautifully printed. The print run was limited, so don’t miss out.

Stephen Worth
Director
Animation Resources

Newspaper ComicsNewspaper Comics
This posting is part of the online Encyclopedia of Cartooning under the subject heading, Newspaper Comics.

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Posted by admin @ 12:41 pm