Archive for the ‘membership’ Category

Sunday, March 6th, 2016

Animation Resources’ RefPack009 Has Just Been Posted! Downloads Ahoy!

ATTN ANIMATION RESOURCES MEMBERS: Reference Pack 009 has just been posted for download! It’s a really good one this time… An e-book packed with super high resolution scans of original engravings by Gustave Dore, more rare WW2 training films from the First Motion Picture Unit, and a fantastic reel of Keds shoe commercials featuring Kedso the Clown!

Download it now!

PDF E-BOOK:
Gustave Dore


101 BEAUTIFUL IMAGES BY GUSTAVE DORE

Gustave DoreGustave DoreGustave Dore was probably the most famous illustrator who ever lived. He was born in 1832 in Strasbourg, France and began drawing at the age of five. He was entirely self-taught with an instinctual knack for light, form and composition. At the age of 15, he talked his way into the office of publisher, Charles Philipon to show him his sketches. At first Philipon found it amusing that such a young boy would be so brash, but once the drawings were laid out in front of him, he couldn’t believe his eyes- He thought it must be a trick. Dore sat down at his desk and proceeded to knock out a few more sketches for him on the spot to prove that the work was indeed his. Young Dore was immediately signed to a contract, and within a year, he was the highest paid illustrator in France, exceeding the per page rate of Honore Daumier, France’s most celebrated printmaker at the time.

Gustave Dore
Dore is primarily known as an illustrator today, but his first successes were in the field of cartooning. Thousands of his "grotesque caricatures" were published in various magazines in France in the 1850s and 1860s, as well as appearing in the prestigious British humor magazine, Punch. The cartoons in this article appeared in a book titled 200 Sketches Humorous and Grotesque which was published in London in 1867. (More on that amazing book in the near future…) Dore’s style ranged from the wildest exaggeration to classically constructed human figures- and every variation between the two. In addition to drawing, he was also an accomplished painter, sculptor and engraver.

Gustave Dore
In 1847, Dore decided he wanted to create a book of engravings based on a great literary work, Dante’s Inferno. He visited the offices of Louis Hachette, the most successful publisher in Paris. Even though no book up to that point had sold for more than 15 Francs, Dore told Hachette that he wanted to produce a deluxe oversize book of engravings that would sell for 100 Francs. The publisher scoffed at the idea and assured him that no book would ever sell at that price. But Dore called his bluff, offering to pay the printing and binding expenses if Hachette would manufacture and distribute the book for him. Dore created 76 full page engravings for Inferno, and financed a print run of 100 large format books. Within two weeks, the first printing had sold out and Hachette was eager to eat his words and publish the book on Dore’s terms.

Gustave Dore
With a team of the greatest available engravers working under his supervision, Dore went on to create iconic engravings for Don Quixote, Baron Munchausen, Fontaine’s Fables, Milton’s Paradise Lost and the Bible, among many others. In just three years, he produced over 2,000 engravings, and continued to maintain an incredible pace for another two decades. Although Dore’s paintings and sculptures were exhibited in museums with great success, his most important legacy wasn’t as a fine artist. Vincent Van Gogh called him… "an artist of the people". Dore was the first serious artist to use the power of modern technology, specifically engraving and electrotypes, to deliver his art directly to the masses. His Bible illustrations alone were published in almost 1,000 editions around the world. Just about every serious reader in the late 19th century had at least one volume in his library that included Dore illustrations, and his work continues in print to this day.


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Gustave Dore
The influence of the imagery of Gustave Dore can be seen in classic movies like Intolerance, King Kong, Great Expectations and The Ten Commandments. Despite the fact that Dore’s engravings are nothing more than lines etched in black and white, he achieved a remarkable sense of scale, depth and mass, as well as truly spectacular lighting effects. It’s no wonder that the masters of epic filmmaking, D.W. Griffith, Cecil B. DeMille and David Lean referred to Dore’s illustrations for their set designs. Stop-motion animators, Willis O’Brian and Ray Harryhausen have cited Dore as one of their main influences as well. Harryhausen was quoted in an interview as saying, "I’ve always wanted to do Dante’s Inferno, because of Gustave Dore. He had done the first illustrated book of Dante’s Inferno- A Trip Through Hell. I felt that would look terrific in animation, but when I got deeper into it, I thought, ‘Will people be able to sit through an hour and half of tormented souls writhing in Hell?’ Although these days they sit through over two hours of tormented souls!"

Gustave Dore
Set design for D.W. Griffith’s "Intolerance" (1916). See Dore’s depiction of Babylon below.

Gustave DoreGustave DoreAnimation Resources was fortunate to obtain an 1870 edition of the most monumental collection of Dore images ever published, The Dore Gallery. Referred to in the book trade as an "elephant folio" because of its huge size, this two volume set contains hundreds of high quality engravings from many of Dore’s greatest works. Our scanning team has been carefully digitizing this amazing book, resulting in archival quality scans.

REFPACK009: 101 Beautiful Images By Gustave Dore
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Adobe PDF File / 198 Pages
198 MB Download



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Gustave DoreGustave DoreGustave DoreGustave Dore

Gustave DoreGustave DoreGustave Dore


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Keds Commercial Reel

Keds Commercial Reel
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Paul Fennell Studios (ca. mid 1950s)

This is our final commercial reel from the collection of Paul Fennell. Again, as time passes we can see a refinement of style and approach to the advertising pitch. The early spots are clearly marketing the shoes as sports equipment, but the ads evolve first into a Mother Goose theme that appears to be designed to appeal to mothers, and later to a campaign featuring a character mascot, Kedso the Clown. Voiced by children’s TV personality Pinkie Lee, the Kedso spots were very influential on the design of later television animation at Hanna-Barbera and other studios. We thank the family of Paul Fennell for sharing all of the wonderful commercial reels with us that we have been featuring over the past year.

REFPACK009: Keds Commercials
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M4V Video File / 10:53
128 MB Download


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50s Keds Shoes Commercial50s Keds Shoes Commercial
50s Keds Shoes Commercial
50s Keds Shoes Commercial
50s Keds Shoes Commercial
50s Keds Shoes Commercial
50s Keds Shoes Commercial


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Presenting Rear Admiral
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Okinawa

Presenting Rear Admiral / Okinawa
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First Motion Picture Unit (ca. 1945)

In our last Reference Pack, we presented a film called "Night Battle", produced by the First Motion Picture Unit to train the Navy about strategic operations in the Pacific. This time we include a film called "Presenting Rear Admiral A. S. Merrill USN”, which appears to be a truncated version of the earlier film. Also included in this month’s Reference Pack is a training film on the battle of Okinawa, which includes some impeccably designed map graphics tracing the details of the Allied forces’ success there. These two films don’t include as much animation as our previous downloads, but they were a part of Paul Fennell’s personal collection, so we include them here for the sake of completeness. We thank the family of Paul Fennell for allowing us to bring these rare films to you.

REFPACK009: Presenting Rear Admiral
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M4V Video File / 9:14
128 MB Download

REFPACK009: Okinawa
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M4V Video File / 20:22
348 MB Download


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Presenting Rear Admiral OkinawaPresenting Rear Admiral Okinawa
Presenting Rear Admiral Okinawa
Presenting Rear Admiral Okinawa
Presenting Rear Admiral Okinawa
Presenting Rear Admiral Okinawa
Presenting Rear Admiral Okinawa


MEMBERS LOGIN To Download Video

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Not A Member Yet? Want A Free Sample?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

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Wednesday, March 2nd, 2016

Membership Drive: DOWNLOAD Rare Gran’pop Monkey Cartoons!


REFPACK 007 RERUN
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November-December 2015

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THIS DOWNLOAD IS A BONUS FOR NEW MEMBERS AND WILL ONLY BE AVAILABLE FOR THREE DAYS! DOWNLOAD IT NOW! AND PLEASE SHARE THIS POST WITH YOUR FRIENDS… MORE MEMBERS MEANS ANIMATION RESOURCES CAN DO MORE TO SERVE THE WORLDWIDE ANIMATION COMMUNITY.

Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.

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Gran'Pop Monkey Cartoons

Gran’Pop Monkey Cartoons
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Cartoon Films Ltd. (1940)

When Ub Iwerks decided to end his contract with Columbia Pictures and turn the reins of his studio over to Paul Fennell, there was initially a scramble to drum up work to keep the studio afloat. The result of this effort was the creation of three of the rarest and most obscure cartoons in the history of the studio… "A Busy Day", "Baby Checkers" and "Beauty Shoppe". The films were based on the popular monkey illustrations by Lawson Wood that adorned magazine covers and calendars in both the US and the UK, and were part of a brief period where the newly renamed Cartoon Films Ltd. had co-production deals with producers in Britain. (See the "This Changing World" series in our last reference pack for more films that were trans-Atlantic co-productions.)

Iwerks had decided to return to Disney, so it’s likely that he had no hand in these films- Fennell took on the directors’ duties. These three shorts were mentioned in trade magazines at the time, but for many years they were thought to be lost. Animation Resources Advisory Board member, Steve Stanchfield discovered several fragments of prints, in both two color and B&W and reconstructed the complete cartoons from the fragments. Because of the ephemeral nature of these films, these prints may be the last surviving copies of these films in existence. Animation Resources thanks Steve Stanchfield for sharing these with us.

REFPACK007: Gran’Pop Monkey Cartoons (1940)
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M4V Video File / 23:12
273 MB Download


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GranPop Monkey Cartoons
GranPop Monkey Cartoons
GranPop Monkey Cartoons
GranPop Monkey Cartoons
GranPop Monkey Cartoons
GranPop Monkey Cartoons


MEMBERS LOGIN To Download Video

JOIN TODAY To Access Members Only Content


Not A Member Yet? Want A Free Sample?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

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Tuesday, March 1st, 2016

Membership Drive: How Old Is The Art Of Cartooning? Download An E-Book Of A Priceless Early Example!


REFPACK 007 RERUN
Download Page
November-December 2015

MEMBERS LOGIN To Download E-Book

JOIN TODAY To Access Members Only Content

THIS DOWNLOAD IS A BONUS FOR NEW MEMBERS AND WILL ONLY BE AVAILABLE FOR A LIMITED TIME! DOWNLOAD IT NOW! AND PLEASE SHARE THIS POST WITH YOUR FRIENDS… MORE MEMBERS MEAN ANIMATION RESOURCES CAN DO MORE TO SERVE THE WORLDWIDE ANIMATION COMMUNITY.

Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. Our current Reference Pack has just been released. If you are a member, click through the link to access the MEMBERS ONLY DOWNLOAD PAGE. If you aren’t a member yet, please JOIN ANIMATION RESOURCES. It’s well worth it.

PDF E-BOOK:

Hans Holbein Dance of Death

Hans Holbein’s Dances Of Death
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ca. 1520s (Edition Bohn 1858)

In 1833, a scholar named Frances Douce partnered with the greatest engravers of the day, John and Mary Byfield and George Bonner to produce a definitive facsimile edition of Holbein’s “Dance of Death”. By this point, the original woodblocks had been long since lost to time, and the myriad of later recuts and imitations made it difficult to know which cuts were by Holbein and which were later copies. Douce spent many years examining surviving prints and fragments of woodblock books to compile a complete set, then Byfield and Bonner undertook making precise duplicates of the original wood blocks without the inevitable damage the original prints had suffered.

In 1858, Henry J. Bohn combined into a single volume Douce’s book and a reprint of Holbein’s Bible cuts, recreated by Byfield and Bonner in 1830. These careful copies after Holbein have pretty much replaced the surviving original woodcuts because of the poor condition of the nearly five hundred year old paper. Animation Resources has digitized these images from an extremely rare first edition of Bohn’s publication, and we are proud to bring them to you as a downloadable high resolution e-book. This PDF e-book is optimized for display on the iPad or printing two up with a cover on 8 1/2 by 11 inch paper.

REFPACK007: Hans Holbein’s Dance of Death
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Adobe PDF File / 161 Pages
249 MB Download


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TAKING A BROADER VIEW OF THE HISTORY OF ANIMATION

When the history of animation is taught in schools, the course generally starts with Emile Cohl and Winsor McCay and moves on from there. But animation is just a subset of a larger subject- cartooning, and the history of cartooning goes back hundreds of years.

The definition of the word “cartoon” originally meant a preliminary sketch for a painting. But with the introduction of printing around 1300, the purpose of cartoons began to change and evolve into what we know it to be today. When trying to trace the origins of cartooning, it is important to define what cartooning is. The basic elements of a cartoon are…

  • LINE DRAWING: The essence of a cartoon is the stylistic refinement of an image into a simplified rendering in line.
  • CARICATURE: Cartoons employ exaggeration, which illuminates truth and crystalizes a specific point of view.
  • SUBJECT MATTER: Usually, the subject matter of cartoons are humor, political or social satire, adventure or fantasy.
  • ECONOMICS: Cartoons are usually mass-produced using an inexpensive, ephemeral medium aimed at an audience of common people.

Some of these elements may exist more or less in specific types of cartooning; but in general, these are the definining elements.

Hans Holbein Dance of Death
The Knight

GROUND ZERO FOR THE ART OF CARTOONING: THE WOODCUT

In earlier times, a line sketch existed primarily as a preliminary design. It wasn’t valued as a work of art in itself. It was simply a by-product from the creation of a bigger work. Because they weren’t seen as important, very few line drawings before 1300 have survived. But with the introduction of printing, all that changed.

In the mid-15th century in Europe, woodblock printing began to emerge. The carving of the blocks didn’t allow for gray scale rendering, and because the wood and paper surfaces were uneven, solid areas of black did not print cleanly. The woodblock engravers developed a system of line hatching to both simplify and stylize images, and to indicate gray tones. As time went by, the hatching began to wrap around the volumes of the subjects, defining mass. By the beginning of the 14th century, inexpensive woodblock books were being produced, aimed at an audience of common people, both literate and semi-literate.

Around this time, Albrecht Dürer began producing elaborate woodblock prints depicting the Apocalypse, famous Saints and other religious themes. These prints were mass-produced and sold as souvenirs to pilgrims at religious shrines. Printed on cheap paper, these were among the first “broadsheets”, the publication format that spawned both newspapers and comics. Dürer’s prints were so popular, they were widely duplicated and published without his permission. He began putting a “trade mark” consisting of his initials on his own prints to identify them, but crafty plagiarists just duplicated his mark along with the image. Finally, Dürer petitioned the court in Nuremberg and in Venice and succeeded in getting an injunction against the copiers. This was the birth of our modern day copyright law.

Hans Holbein Dance of Death
The Pope

HANS HOLBEIN AND HIS DANCE OF DEATH

There are many questions about the origin of Hans Holbein’s “Dance of Death”. Experts estimate that they were produced in Basel, Switzerland sometime between 1522 and 1526. They were uncommissioned, so Holbein was free to express his personal point of view about the subject matter. The engraving was done by Hans Lüzelburger Formschneider in Basel, under the supervision of Holbein. The political, religious and social criticism embedded in these woodcuts probably prevented their publication for over a decade.

Hans Holbein Dance of Death
The Friar

Holbein evidently was highly critical of Church officials, from the Pope all the way down to the local monk and nun. The Pope is depicted with the Emperor kissing his feet, while devils hover around him. The Friar is dragged away by death, clutching his donation box, and the Nun is more interested in a handsome troubadour than she is with her prayers.

Hans Holbein Dance of Death
The Nun

Hans Holbein Dance of Death
The King

Political figures don’t escape Holbein’s critical eye either. The King is a caricature of Francis the First of France. The Judge is about to pass judgement on a poor man in favor of a rich man, and the Lawyer receives cash bribes on the street. A devil perches on the shoulder of the Senator who has turned his back on the poor. The Knight (higher up on this page) is foiled by his own vanity only to be impaled on his own lance, and the Soldier is in a fight for his own life with Death, but doesn’t stand a chance even with the best armor.

Hans Holbein Dance of Death
The Lawyer

Hans Holbein Dance of Death
The Gambler

Moral infractions are criticized harshly. Death and the Devil have a tug of war over the Gambler as another card player deftly scoops the money off the table, a lone woman is rescued from the Robber by Death’s interception, and the Drunkard is served by Death as his companions cavort with women and throw up all over the ground.

Hans Holbein Dance of Death
The Drunkard

Hans Holbein Dance of Death
The Old Woman

Most telling is the way Holbein depicts common people. The Old Woman is welcomed by Death as another spirit plays music to lead her on her journey, Death aids the Farmer at his plow., and Death gently leads the Old Man into an open grave as he plays music on a dulcimer for him. It’s clear on which side Holbein’s allegiances lay.

Hans Holbein Dance of Death
The Farmer

Hans Holbein Dance of Death
The Old Man

HOLBEIN’S MASTERPIECE AS AN EARLY EXAMPLE OF CARTOONING

Now that you know a little bit about these woodcuts, let’s apply it to the four basic elements of cartooning…

  • LINE DRAWING: The medium of woodblock printing prompted the development of stylized representation of image and mass in line.
  • CARICATURE: Holbein expresses his pointed opinions about religious, political and social issues by exaggerating and criticizing them through his drawings. He even creates a caricatured likeness of King Francis the First.
  • SUBJECT MATTER: Holbein’s black humor cuts like a knife, satirizing and lampooning people familiar to his readers. The fantastic element is represented with Death personified as a skeleton and dramatic adventure is included with knights impaled by their lances and soldiers fighting for their lives with swords.
  • ECONOMICS: Woodcuts of religious themes were cheaply printed and sold as souvenirs to pilgrims to religious shrines, widely distributed and copied, and sold to both literate and semi-literate common people.


For further information on the history of cartooning, see…
PODCAST: A Broader View of the History of Cartooning


When you first started reading this article, I am sure you were wondering what a 15th century set of woodcuts have to do with animation. Well, they provide an excellent example of cartooning at its most basic. By studying Holbein’s technique using the material on the Animation Resources website, you will quickly see how the fundamentals of drawing are beautifully employed in these images.

I’ll leave it to you to take a look at these webpages and analyze the images in this e-book for the principles outlined.

Preston Blair’s “Advanced Animation”
In particular, look at line of action, facial expressions and movement of body masses in the characters in Holbein’s works.

Composition: How To Make Pictures
Apply the four elements of composition (picture area, depth, line and value) to Holbein’s woodcuts, especially the Bible cuts.

Hans Holbein Dance of Death
Leviticus X: Nadab and Abihu Overcome by Fire

Hans Holbein Dance of Death
First Chronicles X: The Overthrow and Death of Saul

Hans Holbein Dance of Death
Daniel III: Shadrach, Meshach and Abednego Cast Into The Fire


MEMBERS LOGIN To Download E-Book

JOIN TODAY To Access Members Only Content


Not A Member Yet? Want A Free Sample?

Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

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