July 8th, 2022

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UPDATE 7/08: Animation Resources Needs Your Help

Animation Resources’ Live Streaming Project is nearing its goal. The bulk of the cost is being covered by the dues paid by members, not direct donations from the public. This impacts whether we make our live streamed seminars and screenings public, or reserve them strictly for viewing by members of Animation Resources. It would be nice to make out programs available to everyone, but ultimately, the people who support the project will be the people who benefit from it.

To date, we have raised $370 of our goal of $2,500. Seven students or educators will receive free one year memberships because of these donations. Please CONTRIBUTE USING PAYPAL if you can, or you can donate on Facebook, here… FACEBOOK LIVESTREAM FUNDRAISER.

Live Streaming Project

UPDATE: June 23rd, 2022

A week ago, Davey Jarrell, David Eisman and Stephen Worth met to begin making plans for the equipment, software and online accounts necessary to bring our online streaming project to fruition. We have a shopping list of equipment ready and we’re researching the technical aspects of producing livestreamed programs.

One of the hurdles to overcome is the way video hosts like YouTube and Facebook handle copyright. Animation Resources is a 501(c)(3) non-profit educational organization, and as such, we are allowed broader Fair Use provisions. But public video sharing sites aren’t set up for organizations like us. They don’t provide for Fair Use. This is going to limit what we can stream publicly. However, if we stream from our own server, we can take advantage of our non-profit classification to provide educational screenings and seminars that would not be able to streamed from YouTube or Facebook.

We are looking into a package called Streamyard, which is able to stream live video from multiple sources to both Facebook and YouTube, as well as to a streaming portal on the Animation Resources website. The best part is that Streamyard will also record our stream so we can prep it as a downloadable file for our Reference Packs. This would allow us to stream non-copyrighted material to Facebook and YouTube, and Fair Use educational programming to our own website.

Our problem at this point is one that we have faced since the beginning of the Animation Archive… bandwidth costs. Serving video to a large audience is costly, and the general public isn’t used to paying for content from the web. Animation Resources shares our Reference Packs, which consist of large downloadable files with our members, rotating in a new RefPack every other month. If we shared all of these RefPacks publicly all the time, the monthly bandwidth costs would exceed our income almost immediately.

It would be possible, both legally and technically to host our Fair Use programming on a public page on our website, rather than one behind the Members Only login, but if we were to do that, we would need more support from our non-member followers. We need to keep expenses within our means, but as a non-profit, every cent donated is used to bring more valuable educational content to you. We hope you will seriously consider JOINING Animation Resources, and CONTRIBUTING to this project.

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FUNDING CHALLENGES

Many people, even our own members, don’t realize that Animation Resources and The Animation Archive are not funded by grants or large corporate sponsors. All of our operating funds come from the annual dues of our members. As a 501(c)(3) non-profit, the money we raise is used exclusively for our projects, and the amount of income from dues dictates what we can and can’t do as an organization. Over the past decade, we have been serving the worldwide community of animators, cartoonists and illustrators, and our membership numbers have steadily increased; but not at a rate that allows us to do everything we want to do.

2004 G5 Mac

OBSOLETE TECHNOLOGY

We’ve been forced to cut corners. The last time we bought a new computer was in 2004. Since then, we have been making do with equipment donated to us by members. We’ve been using a G5 Mac as our digitizing computer since the Animation Archive Project was established in 2004. Our first one burned out long ago, and a member donated his old one to take its place. We finally retired this computer when a Mac Mini from 2007 was donated last year. We are still using the Apple Cinema Display from 2004. We currently have two iMacs and a MacMini, all of which are over seven years old. They have served us well, but the time has come to buy a current computer that is capable of taking our organization to the next level.

AN EXCITING NEW PROJECT IN THE WORKS

Board Members Davey Jarrell and David Eisman have been working on a new project to benefit our members and the general public, a live streaming initiative, but our current equipment isn’t capable of filling the needs of the project. We need your help to raise the funds to purchase a new computer.

THE GENESIS OF THE PROJECT

Before COVID, we hosted events in the Los Angeles area. Along with Advisory Board member, Steve Stanchfield we produced a screening at the Egyptian Theater in Hollywood that was very successful. Our Animation Creative League hosted programs with guests like animator Eric Goldberg and Twilight Zone writer George Clayton Johnson. The members who attended got a once-in-a-lifetime opportunity to learn from people who are at the top of their fields.

Audio Podcast

Due to the pandemic, we have been unable to host in-person gatherings; so Program Director Davey Jarrell has been conducting monthly get-togethers in Discord. These have been recorded and edited to serve as downloadable podcasts in our bi-monthly Reference Packs. Davey has produced some amazing programs… an analysis of Chuck Jones’s timing techniques on the Grinch special, a panel discussion on the proper use of reference, and interviews with professionals like Joe Murray, Lenord Robinson and Craig Bartlett.

Audio Podcast

Our Discord Discussions are very popular, but they are limited to audio only. We don’t have the facilities to live stream video. Davey has teamed up with David Eisman to spec out what is needed to be able to live stream speakers and films from multiple locations to audiences on YouTube and Facebook. We want to be able to interact with the live audience in real time so they can ask questions and participate in discussions. Davey and David are also looking into recording the live streams and editing them to produce programs that can be shared in our Reference Packs and syndicated to schools and other animation organizations. This would take the wonderful programs we produce beyond the confines of Los Angeles to the whole world.

WHAT WE WOULD LIKE TO DO

Davey and David have plans to do virtual screenings of rare films from our collection, seminars on storyboarding and acting, profiles of great artists illustrated with film clips and original artwork, and informal virtual get togethers where artists can come together to socialize and share information.

Video Podcasting Equipment

As I said before, our most recent computer is over seven years old. It just isn’t capable of doing what we need to do. In addition, we need sound equipment, cameras and lighting. We’ve gone as far as we can with the money we have, but it isn’t enough to get this project started. We’ve allocated all of our current funds to the project and we have come up short of the figure we need to get the live streams rolling. We will need more money down the road for this live streaming initiative to reach its full potential, but right now we need at least $2,500 to get it started. In the past, as the President of the organization, I’ve reached into my own pocket to help fill Animation Resources’ funding shortfalls, but right now, I’m afraid I’m not able to do that.

We could do a Kickstarter or GoFundMe campaign, but those are a lot of work, and with our small group of volunteers, a project like that would inevitably take resources away from our important job of curating and producing content of interest to artists. We have decided to turn to our members and social media followers for help.

25 x 100

HERE IS WHAT WE ARE ASKING…

We would like 25 of our followers to donate $100 apiece. That wouldn’t be a burden on anyone, and it would get us started. In return, we will give you a discount code for a free one year membership in Animation Resources. If you aren’t a member yet, you can use it to join us and find out for yourself how important this organization is. If you are already a member, you can gift the coupon code to a friend or colleague and share the wealth of inspiration with the people around you. More members mean a more solid financial footing for our organization. We’re confident that once more people see what we are doing, they will want to sign up to be ongoing annual members. If you don’t have anyone you would like to gift a membership to, let us know and we will use the credit to give free memberships to two worthy students in our Sponsor A Student Program. If you can’t afford $100, please donate what you can. Every little bit helps.

Double The Reference Packs

If we reach our goal, we will do two things… 1.) We will increase the number of rerun Reference Packs on our Annual Members Archive Page from three a year to six a year. This means that annual members will be able to download a different Reference Pack every month! …and 2.) We will live stream many of our programs, open to the general public, and after the stream is over, we will format it to go in a Reference Pack, so members can download them and save them forever.

Membership Brochure

If you’ve been thinking about signing up for a membership and haven’t gotten around to it yet, this is the time to join. If you have no money at all right now, share Animation Resources with your friends and encourage them to join. Print out our brochure (see above) and give it to people you think would benefit from what we have to offer. We don’t just want donations… we want new members to share our treasures with. Members are even more important to us than money.

You can donate right now using this PayPal button…

Donate Today

Or you can donate on Facebook, here…
FACEBOOK LIVESTREAM FUNDRAISER
Facebook Fundraiser

After you have donated, drop us an email at sworth@animationresources.org and let us know if you would like a discount code for a free membership, or if you would like us to sponsor students with your donation.

Raising the bar with our live streaming initiative will make things better for the whole art form. Don’t stay on the sidelines. Be a part of Animation Resources and join our team to build the foundation for the future of animation.

Thank you,
Stephen Worth and the Board of Directors of Animation Resources

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Posted by Stephen Worth @ 10:44 am

July 7th, 2022

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Annual Member Bonus Archive Update: Esquire, Starevich and Fleischer

Bonus Download

As a special thank you to our annual General and Student members, we have created a special page where we will archive past Reference Packs. There will be at least four reruns of complete RefPacks per year.

If you are currently on a quarterly membership plan, consider upgrading to an annual membership to get access to our bonus page with even more downloads. If you still have time on you quarterly membership when you upgrade to an annual membership, email us at…

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membership@animationresources.org

…and we will credit your membership with the additional time.


ANNUAL MEMBER BONUS ARCHIVE
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Available to Student and General Members


PDF E-BOOK:
Esquire

Esquire Magazine
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Cartoon Annual Volume 1 (1937)

Esquire was the leading "gentleman’s magazine" of its day. Great writers like F. Scott Fitzgerald and Ernest Hemmingway wrote for the magazine, and the Esquire staff included a stable of illustrators and cartoonists that represented the best in the field. Even though it was founded in the height of the depression, the publishers spared no expense to produce a first class product. The cover price was fifty cents, many times the price of any other magazine on newsstands at the time. Hugh Hefner began his career as a copy editor at Esquire in the late forties, and it’s clear that his vision of what Playboy would become was greatly influenced by Esquire.

In 1937, the staff of Esquire prepared a prototype copy of a proposed cartoon annual containing the best cartoons from the first few years of the magazineโ€™s publication. However before the book could be printed, the project was cancelled and the prototype was put on the shelf. Twenty years later, they finally did publish a book honoring the great work of the Esquire art staff, but it was a much different selection of cartoons. Animation Resources was given access to the one-of-a-kind prototype of the 1937 book, and we will be sharing it with our members in this, the first of two e-books. We hope you find it to be useful.

Click to access the…

Annual Member Bonus Archive
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Downloads expire after September 2022

DVD QUALITY VIDEO:
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The Mascot

The Mascot
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(Ladislas Starevich/1933)

Ladislas Starevich created the first puppet animation film in 1912 and continued to work in the medium for half a century. He was born in Russia to Polish parents in 1882 and emigrated to France soon after World War I. Assisted by his wife, who made the costumes for the puppets, as well as his daughter and son, Starevich produced a large and varied filmography. We are presenting the most famous of his films, "The Mascot", which Terry Gilliam has cited as one of the ten greatest animated films of all time.

"The Mascot" (1933) is a technical marvel, with sophisticated puppet armatures, a wide variety of techniques, and fantastic subject matter. Starevich simulated motion blur in this film by smearing vaseline on a glass plate between the camera and the puppet. He also broke new ground by rigging the puppets so they could move slightly while the shot was being exposed. This technique predated Jim Danforth’s "Go Motion" in the Star Wars films by almost 50 years! We have deinterlaced this film and encoded it at an increased bitrate so you can step frame through the animation and study the animation. Starewich often created a seamless blend of several different techniques in a single shot. It’s fascinating to look at the work frame by frame to discover the secrets behind the cinematic magic.

"The Mascot" was edited and reformatted several times over the years. It is rarely seen with the original soundtrack and running time, but Animation Resources obtained a copy of the film as it was first released and we are proud to be able to share that with you. If you would like to see more films by Starevich, let us know on the Animation Resources Facebook page.

Click to access the…

Annual Member Bonus Archive
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Downloads expire after September 2022

DVD QUALITY VIDEO:
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Screen Songs

Two Fleischer Screen Songs
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“Tune Up And Sing” (1934) “Let’s All Sing Like The Birdies Sing” (1934)

When the Hayes Office took aim at risquรฉ humor in the movies, Fleischer’s Betty Boop cartoons were square in its crosshairs. The difference between the 1933 Betty Boop cartoons and the ones from 1934 is stark, and the series never really recovered from the blow. The Screen Songs weren’t hit nearly as hard, but you can still see that when it comes to gags, punches are being pulled. To add insult to injury, when these cartoons were syndicated to television in the late 1950s, the live action celebrity cameos and singalong sequences were usually cut out, and that is the case with the two examples we are sharing in this Reference Pack. But because of the way the cartoons were constructed, the edit isn’t too noticeable and they play well as short cartoons.

In the home video era, the Fleischer Screen Songs cartoons are missing in action. Only a tiny handful have been released. Animation Resources would like to thank our Advisory Board Member, Steve Stanchfield for sharing these rare films with us.

Click to access the…

Annual Member Bonus Archive
Download Page
Downloads expire after September 2022

Get your friends to join Animation Resources!
Download Page
More members mean we can bring you more special downloads.


Live Streaming Project

Animation Resources is asking our membership to consider donating to help us establish a video podcasting studio to be able to present seminars, interviews and informal updates live streamed on YouTube and Facebook. Our goal is for 25 of our members and supporters to donate $100. If you donate $100, we will provide you with a coupon code for a free membership to give as a gift to a friend or peer, or we can credit your donation to sponsor two students for a one year student membership.

By helping others, you help yourself.

25 x 100

Please consider donating using the PayPal Donate Button below. For more information on our Video Podcasting Fundraiser, see the article Animation Resources Needs Your Help.

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to donate $100 or join our group right now, please click the button below to donate whatever you can afford using PayPal. Every little bit helps.

Donate Today

Or you can donate on Facebook, here…
FACEBOOK LIVESTREAM FUNDRAISER

After you have donated, drop us an email at sworth@animationresources.org and let us know if you would like a discount code for a free membership, or if you would like us to sponsor students with your donation.

Raising the bar with our live streaming initiative will make things better for the whole art form. Don’t stay on the sidelines. Be a part of Animation Resources and join our team to build the foundation for the future of animation.

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Posted by Stephen Worth @ 11:00 am

July 6th, 2022

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RefPack046: A Peek At The International Section

People who aren’t members of Animation Resources don’t understand how comprehensive our Reference Packs are. Over the next couple of weeks, we will be posting what each section of our current RefPack looks like. If you are a member of Animation Resources, click on this post to go to the Members Only page. If you aren’t a member yet, today is the perfect time to join! Our current Reference Pack is one of our best yet, and General and Student Members get access to a special Bonus Archive with even more material from past Reference Packs.

What are you waiting for?
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JOIN TODAY!
https://animationresources.org/membership/levels/

International Animation

The world of animation is much bigger than it might appear to us at first glance. We are all familiar with the films we grew up with, but Hollywood wasn’t the only place that produced great cartoons… Poland, Japan, Russia, China and Europe all have their own traditions and a rich history of animated film making. Animation Resources’ archive contains many foreign films that are rarely seen in the United States. We feature a sampling of interesting animation from around the world in each Reference Pack.

SD VIDEO:
Winnie The Pooh

Winnie The Pooh episode 02
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Fyodor Khitruk / Soyuzmultfilm, Russia / 1971
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This time, Animation Resources is continuing Fyodor Khitruk’s series of films based on “Winnie The Pooh” with the second episode, Winnie The Pooh Pays A Visit. You’ll find that this series is quite different than the Disney version. Khitruk omits Christopher Robin and focuses solely on Winnie the Pooh and his friends. He said that he made this choice because he didn’t want the characters to be subordinate to a human character; and it’s clear that Khitruk’s choice was a good one. On a visit to California, Khitruk paid a visit to the Disney Studios where he met Woolie Reitherman, the director who had won an Oscar for Disney’s version of “Winnie The Pooh”. Reitherman admitted to Khitruk that he liked Khitruk’s films better than his own.

Winnie The Pooh

The story of the second short film in the series follows the same plot as the second half of Disney’s first Winnie The Pooh film… Winnie The Pooh And The Honey Tree. If you have seen that film, you will have no problem following along, even if you don’t speak Russian. Like the Disney film, Pooh and Piglet visit Rabbit, and Pooh proceeds to eat all of his honey. When it comes time to leave, Pooh gets stuck in the door. Pooh is extricated in a different way in Khitruk’s film.

Winnie The Pooh

Although the pacing of the film is leisurely, the timing is still sharp. Khitruk focuses on “micro gags” and quick changes of expression that use personality to keep the audience engaged with the characters. The style is charming and disarmingly simple, much more in keeping with the spirit of the original book than Disney’s version. There is one more films in this series. We will have that for you in RefPack047.

REFPACK046: Winnie The Pooh Ep02
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MP4 Video File / SD / 09:55 / 146 MB Download
SD VIDEO:
An Unusual Match

An Unusual Match
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Mstislav Pashchenko, Boris Dyozhkin / Soyuzmultfilm, Russia / 1955

In the years immediately following the end of WWII, Russian animation progressed rapidly. By the mid 1950s, the quality level had caught up with the peak standards in the West. One of the most popular films produced by Soyuzmultfilm during this period was "An Unusual Match". In the past two Reference Packs we shared "Goal! Goal" and "A Match Revenge" which dealt with ice hockey. This film involves toys coming to life and competing in a soccer match.

An Unusual Match

It’s midnight in a toy shop and all the toys have come to life. The dolls and stuffed animals play while the wooden toys are tied up in a box. A rabbit comes to their rescue and lets them out, and the wooden toys swagger around boasting and playing pool. The dolls decide to call the wooden toys’ bluff and challenge them to a soccer match. The wooden toys try to cheat any way they can, but in the end, the dolls win decisively, proving that good sportsmanship always comes out on top.

An Unusual Match

Hollywood animation had penetrated into Russia in the pre-war years and animators there took notice of the styles and techniques from America. The earliest post-war films produced in Russia leaned on rotoscoping, but it didn’t take long for them to move past mechanics and begin animating without tracing. This film is clearly influenced by Disney’s Silly Symphonies, not only because of the "toys come to life" trope, but in background and color styling as well. The music was composed and conducted by the famous Russian composer, Aram Kachaturian, whose "Sabre Dance" was a staple in soundtracks of golden age cartoons. Soyuzmultfilm in this era was producing films that were second to none.

REFPACK046: An Unusual Match
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MP4 Video File / SD / 20:38 / 647 MB Download
SD VIDEO:
A Brave Hare

A Brave Hare
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Ivan Ivanov-Vano / Soyuzmultfilm, Russia / 1955

During the 1950s, Soyuzmultfilm produced dozens of films based on Russian fables and folk tales featuring forest animals. Designed to teach morals to children, they began to define a sense of cultural uniqueness for Russian animation. Even though the style of the films resembled American cartoons, the content was distinctly Russian. This film has a live action wrap-around which resembles some of the scenes in Song Of The South, but it is doubtful that the animators had seen that film. The Iron Curtain had descended, and Western films, music and books were not freely available in the Russian block.

A Brave Hare

The film begins with an old woman and her two grandchildren. The boy and girl argue about who is braver; but when they see a mouse, both are terrified. The grandmother scolds them for being afraid and tells them the story of a little rabbit who was afraid of everything— a fluttering bird, a lump of snow falling from a tree or the snap of a twig. The other animals laughed and made fun of him. All at once, he got tired of fear and decided to announce to the world that he was the bravest of all, not afraid of anyone or anything. This made the animals laugh even harder and dance with joy.

From deep in the forest, a wolf spied the animals and began to stalking the brave hare. When he saw the wolf, the hare panicked and leapt into the air, landing on the wolf’s back. This terrified the wolf and the wolf and hare ran for their lives in opposite directions. With the wolf gone, the animals came out of hiding and looked for the brave hare. The searched everywhere without luck, but finally a little bird lead them to where the hare was hiding. At first the hare was timid, but the other animals thanked him for being so brave and chasing the wolf away. The brave hare stood tall and said, "Of course, you cowards! I’m the bravest of all!"

A Brave Hare

The pantomime animation of the rabbits in this film is brilliant. Even without understanding Russian, you can clearly understand the attitudes and reactions. Even better are the backgrounds— they are atmospheric and as gorgeous as any in Bambi.

REFPACK046: A Brave Hare
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MP4 Video File / SD / 16:35 / 278 MB Download
SD VIDEO:
The Horse

The Horse
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Witold Giersz / Poland / 1967

A couple of years ago, we shared a film called "A Little Western" by Witold Giersz. It’s time to share another film by this one-of-a-kind Polish animator.

The Horse

Giersz admired impressionist painters, and Vincent Van Gogh in particular. In this style of painting, the paint isn’t mixed or blended, it is applied in dimensional globs of solid color, referred to as impasto. A color didn’t exist on its own, it depended on the colors around it to define its hue and shade. The colors combined to create dimension and space, and the surface texture added a dimension of its own. Giersz animated by applying oil paint on glass with a palette knife. This allowed him to build up impasto and scrape off paint to make an image move.

The Horse

If you still frame on any given frame of "Horse," the image might seem flat and featureless, with simple bold primary colors. But behind that simple surface, there is a magic trick being performed. If you play the film in motion, those flat shapes turn into solid volumetric forms. How can it be two dimensional and three dimensional at the same time? The secret is the fourth dimension of time.

Ward Kimball once said that the art of animation doesnโ€™t exist in individual drawings. The art is in the differences between the drawings. The way those flat shapes change from one to another is the secret that gives it form. Think about this as you watch "Horse".

REFPACK046: The Horse
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MP4 Video File / SD / 06:05 / 100 MB Download
SD VIDEO:
Koziolek Matolek

Koziolek Matolek ep04: Rally
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Ryszard Slapczynski / Studio Miniatur Filmowych, Poland / 1969

Now we shift from Russia to Poland. Studio Miniatur Filmowych in Krakow was established in 1958, and since then it has produced nearly 1,500 animated films. This series, titled The Strange Adventures of Koziolek Matolek was produced between 1969 and 1971 and 26 episodes were made. The current episode is titled "Rally". We will be sharing more of these in upcoming Reference Packs.

Koziolek Matolek

Koziolek Matolek was created in 1933 as a character in Polish comic books. The idea behind the character is a bit surreal, and might seem odd to us in America… Koziolek Matolek is a goat who undertakes a quest to find Pacanow, a town where he has heard that they make shoes for goats. His travels take him to the ends of the Earth and throughout time from the jungles of Africa to medieval Europe to the Wild West. Although the character’s adventures have been well known for generations in Poland and are a staple of children’s literature there, I don’t believe any of the stories, comics or cartoons have ever been translated and distributed outside of that country.

Koziolek Matolek

The cartoons were directed by a variety of animators, and the character looks a bit different in each of the individual director’s episodes. The focus is on funny movement and expressions, all while maintaining an admirable level of clarity and economy. This series is a model of what web cartoons could be.

REFPACK046: Koziolek Matolek Ep04
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MP4 Video File / SD / 08:48 / 286 MB Download

Get your friends to join Animation Resources!
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More members mean we can bring you more special downloads.


MEMBERS LOGIN To Download

JOIN TODAY To Access Members Only Content


Live Streaming Project

Animation Resources is asking our membership to consider donating to help us establish a video podcasting studio to be able to present seminars, interviews and informal updates live streamed on YouTube and Facebook. Our goal is for 25 of our members and supporters to donate $100. If you donate $100, we will provide you with a coupon code for a free membership to give as a gift to a friend or peer, or we can credit your donation to sponsor two students for a one year student membership.

By helping others, you help yourself.

25 x 100

Please consider donating using the PayPal Donate Button below. For more information on our Video Podcasting Fundraiser, see the article Animation Resources Needs Your Help.

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to donate $100 or join our group right now, please click the button below to donate whatever you can afford using PayPal. Every little bit helps.

Donate Today

Or you can donate on Facebook, here…
FACEBOOK LIVESTREAM FUNDRAISER

After you have donated, drop us an email at sworth@animationresources.org and let us know if you would like a discount code for a free membership, or if you would like us to sponsor students with your donation.

Raising the bar with our live streaming initiative will make things better for the whole art form. Don’t stay on the sidelines. Be a part of Animation Resources and join our team to build the foundation for the future of animation.

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Posted by Stephen Worth @ 11:09 am