September 23rd, 2022

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Illustration: Harper Goff in Coronet Magazine

Harper Goff in Coronet Magazine

Illustration by Harper Goff

Harper Goff in Coronet MagazineHarper Goff in Coronet MagazineHere’s another batch of illustration from late 40s Coronet magazines. This group of images isn’t interesting so much for their style as much as their authenticity. With a clarity of staging reminiscent of production designs for classic motion pictures, these paintings vividly show the value of careful research into period costume, props and decor. The first batch is a history of medicine by Leslie Saalburg. The last is a review of classic children’s literature by Douglass Crockwell. But the most interesting is the middle feature, Carl Sandberg’s "Blood on the Moon" illustrated by Disney imagineer, Harper Goff.

Harper Goff was born in 1911, and studied art at Chouinard Art Institute. He was an accomplished illustrator, working for Colliers, Esquire and Coronet. Goff was employed as a set designer for Warner Bros on classic films like Sergeant York, Casablanca and Captain Blood. He met Walt Disney in a model train store in London, and was invited on the spot to join the Disney staff.

Harper Goff Nautilus

Goff’s first assignment was to storyboard a True Life Adventure story dealing with undersea life, but expanded the idea into a feature film adaptation of Jules Verne’s 20,000 Leagues Under The Sea. Goff’s designs for the submarine and its plush interiors were the most striking part of the film, resulting in an Oscar for Art Direction and Special Effects. Goff played banjo in the Disney studio Dixieland jazz band, "The Firehouse Five" and was the designer of the World Showcase at Epcot. He passed away in 1993.

MEDICINE ONE HUNDRED YEARS AGO
by Leslie Saalburg

Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine

SANDBURG’S BLOOD ON THE MOON
By Harper Goff

Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine

A TREASURY OF LITERARY CLASSICS
by Douglass Crockwell

Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine
Harper Goff in Coronet Magazine

Thanks to Rich Borowy for donating these great vintage magazines to Animation Resources.

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Posted by admin @ 11:04 am

September 22nd, 2022

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Animation: The History of the Chipmunks

Alvin Show

I got my start in animation at Bagdasarian Productions producing the NBC Saturday morning Chipmunks series, so I’ve always been interested in the history of the Chipmunks. It’s a real-life rags to riches story.

David Seville

Ross Bagdasarian Sr. (who went by the stage name "David Seville") was an actor who appeared in Alfred Hitchcock’s Rear Window and on Broadway in William Saroyan’s Time of Your Life. He wrote novelty dialect songs, including Rosemary Clooney’s huge hit "Come On-A My House", and released a few records but his successes never seemed to result in very much money in his pocket. He bought a tape recorder with his last $200 and played around with shifting the speeds, coming up with a novelty song titled "Witch Doctor". He got the single released and two weeks later, he found himself appearing on the Ed Sullivan Show performing the song.

Chipmunk SongChipmunk SongThe success of "Witch Doctor" gave him the idea of creating characters with sped up voices, so he quickly knocked out a Christmas demo titled "The Chipmunk Song" and took it to record executives Simon "Sy" Waronker, Theodore "Ted" Keep and Alvin "Al" Bennett at Liberty Records. The label was close to bankruptcy, but Bagdasarian convinced them that they might as well press Chipmunk singles with the leftover vinyl pucks and labels in their warehouse rather than just turn the unused stock over to the bank when the business went under. Production commenced and in just a few months leading up to Christmas of 1958, the record shot to the top of the charts, becoming one of the best selling singles of all time. Bagdasarian won two Grammy Awards, Liberty Records was saved from bankruptcy, and the Chipmunks became a household name with children all over the world.

Chipmunk LP

In 1962, the string of successful Chipmunk LP records led to a television series produced by Format Films. Story man Leo Salkin was the Associate Producer, working closely with Bagdasarian and a team of story artists to sketch up animated adaptations of the record routines and new stories featuring the characters. In his youth, Bagdasarian would take road trips across country with his cousin William Saroyan, singing songs and coming up with wild stories the whole way. One eccentric character they came up with on one of these trips was Clyde Crashcup, an inventor who only invented things that had already been invented. Salkin expanded on the premise and created a regular feature for it on the show.

Record Cover

Ross Bagdasarian Sr. sat alongside Music Director Johnny Mann on the piano bench humming out tunes for Mann to pick out on the piano and write down as musical notation. Jules Engel was the Art Director for the series, creating simple stylized backgrounds that set the tone for the whole series. Alan Zaslove, Gil Turner, Rudy Larriva and Osmond Evans directed the series, substituting clever rhythmic timing and spirited poses for inbetweens and smooth animation.

Jules Engel The Alvin Show

Even though it only ran for one season, The Alvin Show was one of the best television cartoons of the era. It was unique because it didn’t rely on the crutch of dialogue to make up for the limited animation. Instead, the show was built around music, clever timing and design. Like UPA’s Gerald McBoing Boing Show, many of the musical segments featured abstract animation and modern background paintings. But unlike the Gerald McBoing Boing Show, The Alvin Show always remained entertaining and fun- never didactic or self important. The voice cast included Bagdasarian as David Seville and the Chipmunks and Shepherd Menken as Clyde Crashcup. along with June Foray, Don Messick and Joe Besser as incidental characters.

Alvin Show

Ross Bagdasarian Sr. retired the Chipmunks in 1969, but by then he was a very wealthy man with a booming grape growing business. At one point, Bagdasarian’s fields were the largest supplier of grapes to Gallo Wines. He passed away from a heart attack in 1972. His son, Ross Jr. took over the franchise in 1980, creating more records- including the album "Chipmunk Punk", an NBC television series, prime time specials, and an animated feature- The Chipmunk Adventure. The character designs have varied widely over the years. The current CGI models look similar to the first incarnation of the characters, which appeared on record covers in 1958 and 1959. This Christmas, Fox will be releasing a new Chipmunks movie, Alvin and the Chipmunks: The Squeakquel.

"Are you all ready, Chipmunks?" "OOOOOoooooKAYYY!"

ALVIN SHOW PRESSBOOK

Alvin Show
Alvin Show
Alvin Show
Simon may have read the dictionary,
but he still can’t spell "incidentally" correctly!

Alvin Show
Alvin Show
Alvin Show
Alvin Show
Alvin Show

ALVIN SHOW GREETING CARDS

Alvin Show
Alvin Show
Alvin Show

Stephen Worth
Director
Animation Resources

Animated CartoonsAnimated Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Animation.

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Posted by admin @ 11:51 am

September 21st, 2022

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Illustration: Mabel Lucie Attwell’s Peter Pan and Wendy

Mabel Lucie Attwell Peter Pan and Wendy

Mabel Lucie Attwell Peter Pan and WendyMabel Lucie Attwell Peter Pan and WendyThere often seems to be a disconnect between the illustrators Walt Disney hired to do inspirational artwork for his films and the designs he actually ended up using. On Snow White, Disney hired the amazing painter, Gustaf Tenggren; but his instructions to him were to paint in the style of Arthur Rackham. For Peter Pan, he hired the illustrator David Hall, but the film itself doesn’t resemble his work at all. Instead, it’s actually closer to being a "Disneyfication" of Mabel Lucie Attwell’s illustrations for the 1921 edition of J. M. Barrie’s Peter Pan & Wendy.

Mabel Lucie Attwell Peter Pan and WendyMabel Lucie Attwell Peter Pan and WendyAttwell was born in 1879 and received some education at the Regent School of Art and Heatherley’s School of Art in London, but she grew bored with her academic studies and dropped out to focus on her own interests… painting cherubic children and fairies. Her work wasn’t very warmly received at first by galleries and agents, but when her first batch of paintings sold out in three days, they became much more enthusiastic. Attwell illustrated greeting cards and children’s books, the most famous of which we are featuring today, Peter Pan & Wendy.

Disney didn’t appropriate Attwell’s baby faced characters, but he did use some of the same details of costume and setting, and placed the emphasis of his visual storytelling on many of the same elements. Attwell’s designs lean a bit too heavily on formula, but there is a distinctive delicate appeal to her style. Enjoy.

Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy
Mabel Lucie Attwell Peter Pan and Wendy

Stephen Worth
Director
Animation Resources

IllustrationIllustration

This posting is part of a series of articles comprising an online exhibit spotlighting Illustration.

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Posted by Stephen Worth @ 12:23 pm