February 26th, 2025

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What Don’t You Know About Animation?

What DON’T you know about animation?

That may sound like a weird question. We expect to be asked what we know about a topic, not what we don’t know. Read on to find out why that question makes sense…

What you don't know

I’ve always liked this quote by Mark Twain… "It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so." A lot of us are on the wrong end of the Dunning Kruger chart occasionally. But today, I ran across this image and it reminded me of the flip side of that coin…

What you don't know

When I was in charge of the ASIFA-Hollywood Animation Archive before it was reorganized to become Animation Resources, people would come in to visit the facility and ask, "What do you have by Chuck Jones?" or "Do you have material from Miyazaki films?" or "Can you show me some Milt Kahl drawings?" Of course the Animation Archive includes all of those things, but those aren’t the right questions to be asking.

Every month Animation Resources digs deep into the Animation Archive we’ve been building since the ASIFA days to put together a Reference Pack with e-books, still-framable videos and podcasts on a wide variety of subjects. We could stick close to the sorts of topics you find in DVD supplements, corporate animation history books, and fan sites on the internet… and a lot of people would be very happy with that. It’s comfortable to revisit things you already know about. It makes you feel like you’ve got a grasp on the subject. You know what’s expected and you aren’t required to think too much. But that isn’t what we do at the Animation Archive.

When I established the archive at ASIFA-Hollywood, I was excited to share all the things I knew about cartooning and animation. But every day the doors were open, I discovered more things that I DIDN’T know. I still learn new things as time passes, but even more important is that I learn more things that I don’t know. Day after day, month after month and year after year, I discover more amazing things that I should know about, but I don’t know.

Creativity is an uncomfortable process. You have to "think outside the box" and push yourself to do things you’ve never done before. If you don’t, you run the risk of sliding back into formulas and rehashing old, tired ideas. Learning to be creative is no different. You have to forcibly break old habits, open your eyes to the world and glean inspiration from new sources. The broader your frame of reference, the wider your creative scope. New things should really excite you because they encourage new ways of thinking and inspire new things you can create.

What you don't know

I know a lot of people, especially artists in the trenches in the animation business, look at Animation Resources’ announcements of Reference Packs and say to themselves, "What the hell is that? That isn’t anything like what I know, do, or understand." and they are absolutely correct. We share things you don’t know about yet, things you don’t do, and stuff you don’t understand. We share things you don’t know that you don’t know, and that is the best sort of thing to share!

Knowledge is power. An artist lives and dies on what he knows about the world around him. How much is it worth to have the scales removed from your eyes so you can become more than what you already are? Is it worth it to you?

Here is a clue for you. CLICK on it.

Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by Stephen Worth @ 10:00 am

February 25th, 2025

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Animated Discussions: Christian Roman On Storyboarding

FREE PODCAST!

We are sharing our latest interview in honor of Members Appreciation Month to encourage you to join our organization so you can access the wealth of information we share with our members.

Christian Roman is a storyboard artist and director with over 30 years of experience in both TV and features. He storyboarded on 55 episodes of The Simpsons and on the Pixar classics Toy Story 3, Toy Story 4, Cars 3, Onward, and Elemental. He also directed on the TV series Fillmore, Mission Hill, and The Twisted Tales of Felix the Cat. He’s currently on the faculty at the School of Visual Arts. Listen to Christian talk about his creative process and the nuts and bolts of professional storyboarding in the latest episode of Animated Discussions!

AD017: Christian Roman Interview
MP4 Video File / 1:07:15 / 588 MB Download

One of the least discussed benefits of Animation Resources membership is the podcast initiative overseen by Davey Jarrell. Along with David Eisman, we produce a variety of video and audio podcasts and seminars that are shared on our Members Only Download Page.

In the past, we’ve interviewed people like Joe Murray, Leonard Robinson and Sandro Cleuzo as well as hosting discussions on how to use live action reference, cartoony music and cinematography. We’ve done deep dives into 500 years of both Western cartooning and the roots of Anime, and an in-depth look at Acting for Animation. Ten of our past programs are available to members on our Download Page and our Bonus Archive Page. Join now to get instant access to them.

Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by Stephen Worth @ 1:45 pm

February 24th, 2025

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The Great Wave Of Animation

Great Wave Of Animation

I see people on social media bemoaning the recent downturn in the animation business. They’ve adopted a doom and gloom attitude, but dry spells have always been a part of being an animator. Every seven years or so, there’s an event that sweeps across the business and changes the playing field. I’ve been through several of these myself. I got into the business following the purge created by “runaway production” when overseas studios picked up a lot of work that had previously been done stateside. Filmation shut down, Hanna-Barbara cut back, and a lot of people were out of work. Other purges involved the dot com bubble bursting, the end of big budget hand drawn features, the digitization of the production pipeline and the shuttering of independent animation houses when big studios established their own production facilities.

Now we’re seeing the end of the streaming bubble and no one knows yet what form the coming venue for animation will take. We can’t go backwards to broadcast or cable, and the streaming networks are cutting back because it became unprofitable for them to make so many shows that people just weren’t watching. Animation will always be a part of popular entertainment. All of us just need to wait for the next wave to develop, and no one knows yet what form that wave will take.

If I’ve learned one thing from all the purges and waves I’ve survived, it’s that you can’t just sit and wait. You need to take steps now to guarantee a place in the future of animation. When the downturn turns around and opportunities begin to become available again, it’s going to be like musical chairs. Not all of the jobs that were available at the peak of the streaming bubble will be available. The first people hired back will be the best and brightest, not the average 9 to 5-er.

To prepare for that, artists should be taking this opportunity to do two things. One is to open your mind and ideate… come up with new and unique characters and ideas for cartoons. Don’t look to formulas that have been successful in the past, project yourself to be able to conceive of what will be successful in the future. When the shutdown ends, “more of the same” won’t cut it. That means exposing yourself to kinds of creativity you haven’t considered in the past, not doubling down on the things you already know inside and out. Look beyond animation for inspiration. Look to cartooning, illustration and cinema… or even music, dance, live performance and other forms of art. The one thing you can be sure of is that the future of animation won’t be like the recent past. That was tried and it didn’t work.

Secondly, artists need to prepare themselves to survive the cull. Every downturn eliminates those whose skills aren’t up to snuff and people who aren’t versatile enough to reinvent themselves to suit the coming wave. I remember artists saying, “I draw on paper. I’ll never use a computer to draw.” Those were the first ones cut in the digital purge and they never got hired back. A few years ago, anyone who could hold a pencil could get a job in animation on streaming shows. Draftsmanship and a diversity of styles weren’t required. But when the business bounces back, being average won’t cut it. The artists with chops are going to be the first ones hired, and many who believed they had established a firm career in animation are going to be left behind. Don’t be complacent. It’s not enough to establish a career. You have to work to maintain it. The second you take it for granted, you risk losing it forever. That is no exaggeration.

Instead of sitting on your hands waiting for the phone to ring, you should be working even harder to be the first pick to be called back. Go to life drawing classes, visit art museums to study masterful compositions and poses, learn to draw in new genres and styles, and research new technology so you’ll be able to be its master instead of being afraid of it. This is a chance to recharge your batteries creatively. Grab that opportunity with both hands. Find a way to survive until the drought ends and devote every spare moment to becoming a better artist. Don’t get distracted by side interests or hobbies during downtime. This is when you should be focusing on your goals, not playing. It sounds weird, but layoffs are the time you need to get to work.

I’ve devoted a big chunk of my life to Animation Resources, trying to help artists invest in themselves. Recently, I’ve gotten notes from members saying, “Sorry! I got laid off. I can’t afford $100 a year any more.” I sympathize with their problems, but I can’t think of a worse time to discontinue your membership. When things were busy and everyone was employed, these same people would say, “I’m working too much. I don’t have time to look at the Reference Packs.” If being employed is the wrong time to invest in your skills and recharge your creativity, and being unemployed is the wrong time too, then when is the right time?

The volunteers at Animation Resources work all the time curating material to help artists be better at what they do. It doesn’t matter if we’re working or not. We carve out time from our schedule to give back to the muse. The artists we serve should do the same, or they’ll risk being on the wrong side of the next wave.

Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Posted by Stephen Worth @ 10:00 am