Archive for the ‘cartooning’ Category

Monday, May 18th, 2015

Exhibit: The Zim Course in Cartooning, Comic Art and Caricature Vol 2

The Zim Cartooning and Caricature Correspondence Course

Animation Resources is proud to present exclusively to our membership the first of four volumes of Eugene Zimmerman’s landmark correspondence course in cartooning as a 200 page high resolution e-book. Members, to download a copy, login to the Members Only Download Page. This download will only be available during the months of May and June 2015 and might never be available again.

If you have not joined Animation Resources yet, see the Membership Signup Page. Over the next year, Animation Resources members will be receiving the entire Zim course, consisting of four volumes and nearly 1000 pages packed with incredible drawings and creative advice!

The Zim Cartooning and Caricature Correspondence Course

A couple of years ago ago, I stumbled across a "how to" book on cartooning by Eugene “Zim” Zimmerman. It was titled Zim’s Cartoons & Caricatures, Or Making The World Laugh. I happened to be speaking on the phone to Ralph Bakshi, and I mentioned the book. "Ooooohh! So you’ve discovered ZIM now! He’s one of my secrets…"

In 1967, right after he had resigned as the head of the Paramount cartoon studio, Ralph and his wife Liz were walking through Brooklyn when they saw a sign on an old house advertising an estate sale. They went inside, but it was late in the day and there wasn’t much left. Ralph glanced up at a tall bookcase and saw a pile of pamphlets stacked up on a high shelf. It was too high to reach, so he didn’t bother to look at them. As they were walking out the door, he got the feeling that he needed to go back and look at the pamphlets. It was a good hunch. The stack contained a nearly complete set of Zim’s correspondence course in cartooning. He asked the estate agent how much they cost, and was told $50. That was more than he and his wife had in their pockets, so Liz volunteered to run home and get the money. The Zim books were on his desk every day throughout the production of Fritz the Cat, Heavy Traffic and especially Coonskin. This set is Ralph’s most prized possession, and now he is sharing them with Animation Resources.

The Zim Book on Cartooning

Zim’s correspondence course was the most highly regarded cartooning course of its day. Spanning 20 volumes, it covered a wide range of subjects, from practical homespun advice to lofty philosophy. Here are some examples of Zim’s genius from the pages of the four volumes we completed digitizing today…

The course was published in two different editions… 1914 and 1920. We have been able to find an earlier edition of the course to supplement and complete Ralph Bakshi’s set. There are no chapters or specific assignments. The books consist of page after page of individual nuggets of wisdom. Each book and each page stands on its own.

The Zim Cartooning and Caricature Correspondence Course
The Zim Cartooning and Caricature Correspondence Course

Ralph also helped Animation Resources obtain vintage copies of the magazine Judge’s Library containing dozens of full page color examples of Zim’s work. These have been included in our exclusive online e-books.

Zim’s course is much more than just a "how to draw" course. In short anecdotal paragraphs, Zim succeeds in conveying what it means to be a cartoonist… the history behind the artform… how to deal with everyday problems and setbacks… and how to live the life of an artist.

The Zim Cartooning and Caricature Correspondence Course

The Zim Cartooning and Caricature Correspondence Course

Zim was the founder of the "grotesque" school of caricature, which formed the basis of what we now call "cartoony drawing". He provides lots of examples of caricatures drawn from life, with photos of his subjects alongside his caricature of the person.

There’s plenty of traditional drawing lessons too. Zim’s masterful expressive line fills every page with perfect examples of the principles he is discussing.

The Zim Cartooning and Caricature Correspondence Course
The Zim Cartooning and Caricature Correspondence Course

The book is full of amusing observation. Just look at the shoes and the way the clothing hangs on these bums. Zim is able to pack personality into every detail of the character.

The Zim Cartooning and Caricature Correspondence Course

If you aren’t convinced yet that Zim is a drop dead genius, just click on this image!

The Zim Cartooning and Caricature Correspondence Course

The most impressive illustrations in the course are the examples of Zim’s rough sketches. He had an uncanny knack for being able to express every nuance of his subject with a free flowing and loose pencil technique.

The Zim Cartooning and Caricature Correspondence Course

He was capable of extreme exaggeration that captured the essence of the unique qualities of the personalities he chose to caricature.

The Zim Cartooning and Caricature Correspondence Course

But the most amazing thing about Zim’s artistry was his ability to draw the viewer into his world and make them feel the way the characters in the drawings feel. Wouldn’t you love to live in a cartoony world like this? You can, and Zim can teach you to THINK like a cartoonist.

ANIMATION RESOURCES MEMBERS:

Visit the Members Only Page to access the download link for this e-book.

JOIN US!

Every two months, Animation Resources provides a downloadable Reference Pack for its membership. The Reference Packs consist of a PDF e-book set up to be viewed in high resolution on computers and mobile devices, or printed out in hard copy on a laser printer. Also included are two animated films in full DVD quality. The material in these bi-monthly Reference Packs have been selected and curated by the Advisory Board and Officers of Animation Resources. The RefPacks are available for a limited time only, and may never be made available again.

If you are interested in joining Animation Resources and receiving this as a high resolution PDF e-book, please see our Membership Sign Up Page for all of the details.

Stephen Worth
Director
Animation Resources

Eugene Zim ZimmermanEugene Zim Zimmerman

This posting is part of a series of articles comprising an online exhibit devoted to Eugene “Zim” Zimmerman.

Wednesday, April 29th, 2015

Comics: Rowland Emett- Cartoonist & Tinkerer

Rowland Emett

I’m discovering that during the late 1940s and through the 50s and 60s, there was a group of British cartoonists who paralleled the style of Ronald Searle. I’ve already profiled Trog and the Canadian cartoonist Len Norris. Today, I’m going to introduce you to another interesting artist… one who had the mechanical skills to build his own cartoon world.

Rowland EmettRowland Emett was born in London in 1906. His father was an amateur inventor and his grandfather was a prominent engraver. He showed aptitude in both engineering and art at a young age. He studied at the Birmingham School of Arts and Crafts, and was drafted into the military during World War II. Beginning in 1939, he joined the staff of Punch magazine, where he was free to create cartoons on whatever subject he wanted… Usually, that subject was trains.

The cartoons at the bottom of this post come from Punch in 1947. At this time, Punch was at the peak of its circulation- 175,000 copies a week. After the war, there was a determined effort to brush away the cobwebs from the preceding century and update the graphic look of the magazine. More modern cartoonists began to replace the old guard, and subject matter became more centered around the everyday life of the average Brit, rather than the political struggles of the upper classes. Rowland Emett’s mechanical whimsey fit perfectly within this new framework.

Rowland Emett

But Emett wasn’t content to limit himself to pen and ink. His urge to tinker took over in 1951 when he created the Far Tottering and Oyster Creek Branch Railway at Battersea Park for the Festival of Britain. Intended to lift the spirits of the British public, the Festival of Britain received mixed reviews. Sir Thomas Beecham described it as “a monumental piece of imbecility”. But at least it was entertaining imbecility thanks to Rowland Emett.

Rowland Emett

Built of mahogany and copper over the top of a 15 inch gauge diesel electric engine that Emett obtained from a war surplus supplier, the cartoony railway was a huge hit with the public and repaid the cost of designing and building it in just three weeks.

Rowland Emett

The main locomotive was named “Nellie” after the engine in his Punch cartoons. In the five months the festival operated, around 8 1/2 million people visited the park. A lot of the design ideas for kinetic sculptures at the Festival of Britain influenced Disneyland’s “imagineers”, in particular, with the design of the “Small World” attraction and the Casey Jones ride in Fantasyland.

Thanks to our reader, Matt Jones here are a few links to videos of newsreels about Emett and his creations… These videos are mind-blowing!

Rowland Emett

Emett went on to design “The Featherstone-Kite Openwork Basketweave Mark Two Gentleman’s Flying Machine”, two copies of which still exist. He designed a “Forget-Me-Not Computer” for Honeywell and acted as a production designer for the 1968 film, Chitty Chitty Bang Bang. His last great kinetic work was the “Aqua Horological Tintinnabulator”, a water powered musical clock which still operates at the Victoria Center in Nottingham. Rowland Emett was awarded the Order of the British Empire in 1978 and passed away in 1990 at the age of 84.

During December of 2012, the Ontario Science Centre hosted an exhibit of Emett’s machines. Here is an amazing video of them in action by David Sweeney.

Enjoy these fantastic cartoons by one of Britain’s most interesting creators…

Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett
Rowland Emett

Stephen Worth
Director
Animation Resources

Magazine CartoonsMagazine Cartoons

This posting is part of the online Encyclopedia of Cartooning under the subject heading, Magazine Cartoons.

Monday, March 9th, 2015

E-Book: H. M. Bateman’s Suburbia and Burlesques

BUY This Downloadable E-Book

Every other month, members of Animation Resources are given access to an exclusive Members Only Reference Pack. These downloadable files are high resolution e-books on a variety of educational subjects and rare cartoons from the collection of Animation Resources in DVD quality. If you aren’t a member yet, please consider JOIN ANIMATION RESOURCES. It’s well worth it.


PDF E-BOOK:
H M Bateman Suburbia and Burlesques

H. M. Bateman
Download Page
Suburbia (1922) & Burlesques (1916/1922)

H M Bateman Suburbia and BurlesquesH M Bateman Suburbia and BurlesquesBorn in 1887, H. M. Batman was already drawing for publication in his early teens. Astonishingly prolific and inventive, everything he saw became material, so that his work can be read as a social history of Britain in the first half of the 20th Century and, to an extraordinary degree, as a kind of autobiography. His style developed and changed radically over the years. From the graceful and rhythmical lines of his earlier work to the stark brilliance of his strip cartoons and the furious energy of his "Man Who…" series, his essential qualities of superb draughtsmanship, astonishing observation and a profound appreciation of humanity‚Äôs foibles, are always married to a wonderful wit and narrative perfection. He told marvellously funny stories in pictures.

This PDF e-book contains two complete cartoon books packed with hundreds of Bateman’s cartoons and caricatures, and includes a biography from HMBateman.com. This PDF e-book is optimized for display on the iPad or printing two up with a cover on 8 1/2 by 11 inch paper.

REFPACK003: H M BATEMAN PDF
Download Page
Adobe PDF File / 136 Pages
473 MB Download


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H M Bateman Suburbia and Burlesques
H M Bateman Suburbia and Burlesques
H M Bateman Suburbia and Burlesques
H M Bateman Suburbia and Burlesques
H M Bateman Suburbia and Burlesques


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Sample RefPack