Archive for the ‘student’ Category

Wednesday, February 14th, 2024

Students: Are You This Dedicated?

Yesterday, I received an email that changed the way I think about the world we live in and the work we do here at Animation Resources…

Zim Copy

A gentleman sent me photos of a hand drawn book that he had found. It consisted of a cover to cover copy of “How To Draw Funny Pictures” by E. C Matthews and Eugene "Zim" Zimmerman. He told me that the book consisted of over 80 carefully drawn pages, each one dated with a date from the early Spring to the Fall of 1940. He asked me what it could have been made for. I started to explain that it looked like a student’s copy of the book, but then I stopped and thought for a moment…

Zim Copy

Why would a student copy a book text and all? It was a mystery. But the more I thought about it, the more the explanation became clear.. This book was published in 1928. By 1940, it would have been long out of print. The only place a student could access a copy was at the public library. But back then, they didn’t have Xerox machines or cell phones with cameras. The only way a student could get a copy of the book for himself would be to copy it by hand. This student obviously saw the incredible value of these lessons and wanted a copy of them to work with… so he spent week after week for months going to the library to copy every page by hand. Think about that for a minute. Imagine the dedication it would take to resolve yourself to copy a whole book by hand just so you would always have access to its information.

Zim Copy

Today, we’re spoiled. If we want to see great artwork, we can Google it up from the internet. If we want a book to study, we just order it from Amazon and it’s delivered to our doorstep in two days. We take it for granted that all of this information is available to us so easily. We don’t have to spend the time that this artist did. I can’t even fathom how precious this sketchbook copy must have been to him. He invested his time and energy into fully absorbing it page after page, week after week, until the information became a part of him. As he got deeper into the book, he must have grown as an artist as well.

Zim Copy

Now I’m not recommending that students hand copy important books. But I do want to get across the idea that the material artists feed their brains with is important to their growth. We should appreciate the motherlode of great reference material we have access to. Animation Resources republished the entire Zim Course for its members— over 700 pages of great lessons, advice and inspiration. I’m sure a lot of you have it sitting on your hard drives and you’ve spent some time browsing it. But have you spent the time and energy to absorb it to the degree that this artist did? We should all have that much dedication!

Zim Copy

Every other month, Animation Resources publishes an e-book for its members. They’re jam packed with valuable and relevant information from the past to help you grow as an artist. Ralph Bakshi once commented that he hopes the kid artists out there appreciate the treasures that Animation Resources shares with them. Ralph didn’t have those sorts of opportunities when he was first starting out. But today, artists who are members of Animation Resources get the good stuff that he he spent years researching and seeking out handed to them every other month as a convenient digital download.

Zim Copy

If you are an artist who is interested in bettering yourself with new ideas, new skills and great inspiration and you aren’t a member of Animation Resources, you should ask yourself if you are as dedicated to reaching your goals as this artist was. Do you appreciate the work Animation Resources is doing? If so, why haven’t you joined yet?

Every other month, you can receive a Reference Pack with an e-book and downloadable animated films… the sort of thing that would have made the artist who meticulously copied this book jump for joy. Support the group that supports your growth as an artist. Dedicate yourself to helping us raise the bar for cartooning, illustration and animation. It’s worth it. The foundation of knowledge from the past will help us create a whole new world that surpasses the Golden Age. What are you waiting for?

Members Appreciation

For the past decade, Animation Resources has been serving artists working in the fields of animation, cartooning and illustration. Our volunteers and members have pulled together to raise the bar for our art form, and it’s time to celebrate… It’s Members Appreciation time again!

During the month of February, Animation Resources expresses our appreciation for to members with a very special Reference Pack, and we invite you to become a member too. For the next 30 days, we will be sharing reasons why you should join us. Our benefits of membership far exceed the cost of our annual dues.

Dollar Days

This year, we are trying something new to encourage new memberships. You can join for a one week trial membership for only A DOLLAR! Yes, you get access to everything our annual members get for seven days for only a buck. (Click here for the details on our Dollar Days.) What are you waiting for?

You can find out what our members get at the Member Appreciation Page. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

Members Appreciation Month

PayPalAnimationAnimation Resources depends on your contributions to support its projects. Even if you can’t afford to join our group right now, please click the button below to donate whatever you can afford using PayPal.


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Tuesday, October 3rd, 2023

Art Education: The Dreyfus Model

Hello everyone I’m Taber, Vice President of Animation Resources. I’m going to be making a series of posts focused on the more academic side of artistic instruction and learning in general. This sort of information can be helpful to both teachers and students as you push yourself to improve and practice your discipline.

Preston Blair instruction

As a beginning artist it can often be difficult to objectively judge your own progress or the quality of your own work. Being able to place yourself in an accurate position of skillfulness can help you to recognize your past growth and current deficiencies so you can better target areas for improvement. But what if you can’t tell exactly what the differences are between your work and the work of more highly skilled artists?

The Dreyfus model focuses on work practices and approaches as a measure of skill acquisition. This can be helpful to both students and instructors as it tends to be entirely non-judgmental and easy to identify objectively. The model uses four qualities to determine work habits:

  • Recollection (non-situational or situational)
  • Recognition (decomposed or holistic)
  • Decision (analytical or intuitive)
  • Awareness (monitoring or absorbed)

These attributes stack one at a time to provide a framework for evaluation:

dreyfus_chart

(click image to enlarge)

For an accurate measurement, ask yourself these questions regarding the above attributes. Because some of these attributes can flip between a more advanced and a less advanced state, I recommend relying on the lower state. For an example if you were trying to decide if you are an intuitive decision maker, or a rational decision maker but you do both part of the time, put yourself down as rational as a rule of thumb.

  1. When you recall knowledge about the subject, is it always in a related context with other information, or is it sometimes rote memorization?
  2. While thinking about an aspect of the subject, can you clearly distinguish between relevant and irrelevant aspects of the work, or is it sometimes difficult to tell what’s important?
  3. When planning your own work, do you need to carefully and analytically lay out the steps beforehand or can you see the entire project as a whole task?
  4. When making decisions in your work, do you have to do any problem solving, or do the answers come to you intuitively, without effort most of the time?

Once you’ve answered these four questions, find the lowest tier which corresponds to your answers, even if you choose an attribute from a higher tier. Read the Needs column from the above chart and try to focus your learning on the types of practice listed in that section. Don’t cheat yourself by practicing projects which are too complex or unstructured! That sort of practice is really only for very highly skillful artists.

This system is similar to the surface to core concept illustrated by Scott McCloud in his book Understanding Comics which I highly recommend! In the book, McCloud describes how a person who is initially drawn to be a fan of an art-form must undertake a journey to the core of that medium before being able to master and thus give back to that medium.mccloud_understanding_comics

Additionally, this same artist’s journey from surface to core is echoed in much of the advice and instructional material given to artists throughout time, from Zim to Richard Williams. In essence, this is what an “old masters” approach is. This struggle is ultimately the best way to gain skill in an artistic medium, however it is difficult and it does take time.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.” -Ira Glass

I have some personal theories about the types of artistic practice activities which benefit artists the most when trying to improve aspects of their work, and I’ll be talking about that next time!


Right now, it’s Back To School time at Animation Resources, and for the next two weeks we will be sharing reasons why students and educators should be a member of our important project. There is no better way to feed your creativity than to be a member of Animation Resources. Every other month, we share a Reference Pack that is chock full of downloadable e-books and still framable videos designed to expand your horizons and blow your mind. It’s easy to join. Just click on this link and you can sign up right now online…


JOIN TODAY!
https://animationresources.org/membership/levels/

FREE SAMPLES!
https://animationresources.org/join-us-sample-reference-pack/

Not Convinced Yet? Check out this SAMPLE REFERENCE PACK! It will give you a taste of what Animation Resources members get to download every other month!

Sample RefPack

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Tuesday, April 11th, 2023

Animation Resources’ Members Only Reference Packs

For a long time, we’ve been asked for a list of the contents of all of the Reference Packs we’ve shared with our members over the years. It’s a mind-blowing amount of wonderful stuff covering centuries of cartooning history. There’s so much here, it took days just to assemble the list!

This list would be more accurately titled "What You Missed". If you had joined Animation Resources in January of 2011, you would have all of these rare films, e-books and podcasts in your digital library. The good news is that our older Reference Packs re-run in rotation every other month, so if you are an Annual Member, you will eventually be able to download everything on this list.

Animation Resources membership is the biggest bargain out there. If you aren’t a member yet, JOIN TODAY and start by downloading our current Reference Packs.

NOTE: The first few RefPacks didn’t have teaser pages. If we can find a volunteer interested in creating pages for those RefPacks, we’ll add links at a later date.

    RefPack001: Sample Reference Pack
  • Jack Cole’s “Plastic Man” Numbers 1, 2 & 3, 1943 (e-book)
  • Private Snafu in “Gas” Army/Navy Screen Magazine 1944 Warner Bros.
  • Aesops Fables: “Circus Capers” 1930 Van Beuren Studio

    RefPack002: January-February 2015
  • Zim’s Correspondence School Of Cartooning, Comic Art & Caricature Volume 1 1914/1920 (e-book)
  • “Charm B.G.” 1948 Paul Fennell Studio
  • Piels Beer Reel 1950s UPA

    RefPack003: March-April 2015
  • H. M. Bateman: Suburbia 1922 & Burlesques 1916/1922 (e-book)
  • Cereal Commercial Reel early 1950s Paul Fennell Studio
  • “Tuberculosis: You Can Help” ca. 1943 Paul Fennell Studio

    RefPack004: May-June 2015
  • Zim’s Correspondence School of Cartooning Comic Art & Caricature Volume 2 1914/1920 (e-book)
  • Theatrical Commercial Reel 1938-1939 Paul Fennell Studio
  • Army/Navy Screen Magazine: “The Navy After The War” ca. 1949 First Motion Picture Unit

    RefPack005: July-August 2015
  • Billy DeBeck’s Barney Google Daily Strips May 7th to October 5th 1923 (e-book)
  • Schmidt’s Beer Commercial Reel Paul ca. 1956 Fennell Studio
  • Penn Mutual: “100 Years Of Security” ca. 1948 Paul Fennell Studio

    RefPack006: September-October 2016
  • Zim’s Correspondence School Of Cartooning Comic Art & Caricature Volume 3 1914/1920 (e-book)
  • Assorted Commercial Reel ca. 1950s Paul Fennell Studio
  • “Broken Treaties” & “This Changing World” 1941 Columbia Studios

    RefPack007: November-December 2016
  • Hans Holbein’s Dances Of Death & Complete Bible Cuts 1520s/1858 (e-book)
  • Campbells Soup Commercial Reel ca mid-1950s Paul Fennell Studio
  • Gran’ Pop Monkey: “A Busy Day”, “Beauty Shop” & “Baby Checkers” 1940 Cartoon Films Ltd.

    RefPack008: January-February 2016
  • Zim’s Correspondence School Of Cartooning, Comic Arts & Caricature Volume 4 1914/1920 (e-book)
  • “Night Battle” ca. 1944 First Motion Picture Unit
  • Beer And Automotive Commercial Reels ca. mid-1950s Paul Fennel Studio

    RefPack009: March-April 2016
  • 101 Beautiful Images By Gustave Dore 1870 (e-book)
  • Keds Commercial Reel ca. mid-1950s Paul Fennell Studio
  • “Presenting Rear Admiral” & “Okinawa” ca. 1949 First Motion Picture Unit

    RefPack010: June-July 2016
  • The Land And Water Version of Raemaekers Cartoons Volume 1 1916 (e-book)
  • Chiquita Banana Reel 1947 John Sutherland Productions
  • “The Peanut Vendor” & “Down By The Old Mill Stream” 1933 Fleischer Studio

    RefPack011: September-October 2016
  • “The Life And Works Of James Gillray, The Caricaturist” 1874 (two e-books)
  • Snip And Snap In “Top Dog” 1960, “Foo Foo The Stowaway” 1960 & “The Cultured Ape” 1959 Halas & Batchelor

    RefPack012: September October 2016
  • Illustrations From Jugend Magazine January-June 1918 (e-book)
  • “The Kangaroo Kid” 1938, “Midnight Frolics” 1938, & “Pickled Puss” 1948 Columbia Studio

    RefPack013: November-December 2016
  • “L’Illustration” Magazine: Noel Issues 1935 & 1938 (e-book)
  • Scrappy In “Puttin’ Out The Kitten” 1937 & “Let’s Ring Doorbells” 1935 Columbia Studios

    RefPack014: January-February 2017
  • Cartoons And Caricatures, Or Making The World Laugh By Zim 1910 (e-book)
  • “Man On The Land” 1951 UPA
  • “Cubby’s Stratosphere Flight” 1934, “Jolly Good Felons 1934 & “Wild Goose Chase” 1932 Van Beuren Studio

    RefPack015: March-April 2017
  • “Die Muskete” Volume 10, Numbers 236-252 April-July 1910 (e-book)
  • Hollywood: Comedy- A Serious Business 1980 Thames Television
  • “Felix Wines And Dines” 1927 & “Feline Follies” 1917 Pat Sullivan Studio

    RefPack016: May-June 2017
  • “Esquire” Magazine Cartoon Annual Volume 1 1937 (e-book)
  • “The Mascot” 1933 Ladislas Starevich
  • Screen Songs: “Rise Up And Sing & “Let’s All Sing Like The Birdies Sing” 1934 Fleischer Studio

    RefPack017 July-August 2017
  • Willard Mullin: Spaulding Sports Show 1947-1952 (e-book)
  • Cinemascope Terry-Toons: “Topsy TV” & “It’s A Living” 1957
  • Lotte Reiniger: “Helen La Belle” 1957 & “Night In A Harem 1958 Fantasia Prod.

    RefPack018 September-October 2017
  • “200 Sketches Humorous And Grotesque By Gustave Dore” 1867 (e-book)
  • “We’re On Our Way To Rio” 1944 Famous Studio
  • Charlie Bowers: “It’s A Bird” 1930 & “Wild Oysters” 1940

    RefPack019 November-December 2017
  • “Rip Van Winkle” 1905 & “Grimm’s Fairy Tales” 1909 Illustrated By Arthur Rackham (e-book)
  • Betty Boop: “Dizzy Dishes” 1930, “Barnacle Bill” 1930 & “The Bum Bandit” 1931
  • Norman McLaren: “Mail Early” 1941, “Hen Hop” 1942, “Fiddle De Dee” 1947, “Begone Dull Care” 1948 & “Blinkity Blank” 1959

    RefPack020 January-February 2018
  • “All The Funny Folks” 1925 (e-book)
  • Charlie Bowers: “He Done His Best” & “A Wild Roomer” 1926
  • “Puppet Love” 1944 Famous Studios

    RefPack021: April-May 2018
  • “Esquire” Magazine Cartoon Annual Volume 2 1937 (e-book)
  • Lotte Reiniger: “Papageno” 1935 & “Ten Minutes Of Mozart” 1930
  • Terry-Toons: “String Bean Jack” 1933 Kiko The Kangaroo In “Red Hot Music” 1937 & Mighty Mouse In “Hansel And Gretel” 1952

    RefPack023: August-September 2018
  • “Simplicissimus” Volume 1 December 30 1903-March 2 1904 (e-book)
  • “Astro Boy” Pilot Episode 1963 Tezuka
  • Heckle & Jeckle In “Sno Fun” 1951 Terry-Toons

    RefPack024 October-November 2018
  • “As I See” Boris Artzybasheff 1954 (e-book)
  • “Cheburashka” 1971 Soyuzmultfilm
  • “Dental Hygiene Dilemma” From “200 Motels” 1971 Chuck Swenson

    RefPack025 December 2018-January 2019
  • “Trump” Harvey Kurtzman, Editor 1957
  • “Little Match Girl” 1937 Columbia Studios
  • “The Tale Of The Fisherman And The Fish” 1950 Soyuzmultfim

    RefPack026: February-March 2019
  • Best Of E-Books 1 To 25 Volume 1 (e-book)
  • Best Of E-Books 1 To 25 Volume 2 (e-book)
  • Best Of Videos 1 To 25 Volume 1
  • Best Of Videos 1 To 25 Volume 2
  • (Note: These were revised and updated in RefPack050.)

    RefPack027: April-May 2019
  • “Momotaro’s Sacred Sailors” 1945 Shochiku Doga Kenkyusho
  • “Rhapsody Of Steel” 1959 John Sutherland

    RefPack028: June-July 2019
  • “Esquire” Annual Volume 3 1937 (e-book)
  • “Tune In Tomorrow” UPA 1954
  • “Kumo To Tulip” 1943 Shochiku Doga Kenkyusho
  • Cheburashka In “Gena The Crocodile” Soyuzmultfilm 1969
  • SLAPSTICK: “The Saw Mill” Larry Semon 1922

    RefPack029: August-September 2019
  • Toby Bluth Storyboard Collection: Fantasia & Pinocchio 1940 (e-book)
  • Two MGM Cartoons: “Milky Way” 1940 & “The Hungry Wolf” 1942
  • Five Films By Len Lye: “Tuslava” 1929, “Kaleisoscoper” 1935, “Rainbow Dance” 1936, “Doing The Lambeth Walk” 1939 & “Musical Poster Number 1” 1940

    RefPack030: October-November 2019
  • “Die Muskete” Vol. X Nos. 253-260 August-September 1910 (e-book)
  • Jimmy Cricket In “I’m No Fool” 1955-1956 Disney Studios
  • “Dead Tsarevna & The Seven Bogatyrs” 1951 Soyuzmultfilm

    RefPack032 February-March 2020
  • Chuck Jones Bar Sheets: “How The Grinch Stole Christmas” 1966 (e-book)
  • “How The Grinch Stole Christmas” Timing Video
  • Plaza (Beach) 1964 SE-MA-FOR

    RefPack033: April-May 2020
  • “Blaeksprutten” (Cuttlefish) Christmas Annuals 1912-1913 (e-book)
  • Polish Animation: “Dumpling” 1959, “Beyond The Wood Beyond The Forest” 1961, “The Little Quartet” 1965 & “A Little Western” 1960
  • Columbia Cartoons: “Scrappy’s Expedition” 1934, Krazy Kat in “Railroad Rhythm” 1937 & “Happy Tots Expedition” 1940

    RefPack034: June-July 2020
  • “Gesindel: Album Von Rudolf Wilke” 1908 (e-book)
  • “The Little Prince And The Eight Headed Dragon” Toei 1963
  • Avery Influence: “Clown Of The Jungle” 1947 Disney & “Mouse Cleaning” 1948 MGM

    RefPack035: August-September 2020
  • “Fragments From France” Volume 1 1915 (e-book)
  • More Films By Len Lye: “A Colour Box” 1935, “The Birth Of The Robot” 1936, “Trade Tattoo” 1937, “Colour Flight” 1938 & “Colour Cry” 1952
  • Cheburashka In “Shapoklyak” 1974 & “Cheburashka GoesTo School” 1983 Soyuzmultfilm

    RefPack036: October-November 2020
  • “Honore Daumier: Lithografien” 1828-1851 (e-book)
  • “Brotherhood Of Man” 1945 UPA
  • Jiminy Cricket In “You Are A Human Animal” 1955-1977 Disney

    RefPack039: April-May 2021
  • FEATURED: “Borley Rectory” 2017 Ashley Thorpe
  • INTERNATIONAL: Russian Animation: “Interplanetary Revolution” 1924, “Kino Circus” 1942, “The Millionaire” 1953, “The Shareholder” 1963, & “Shooting Range” 1979 Soyuzmultfilm

    RefPack040: June-July 2021
  • FEATURED: “Magic Boy” 1959 Toei / Lantz Oswalds: “Oswald In Alaska” 1930& “The Candy House” 1934
  • INTERNATIONAL: “The Adventures Of Mowgli” Episode 1 1967 Soyuzmultfilm / “Well, Just You Wait!” Episode 1 1969 Soyuzmultfilm / “Koziolek Matolek” Episode 1 1969 Studio Miniature Filmowych / &”Dog, Cat And…” Episode 1 1972 Studio Miniature Filmowych
  • SLAPSTICK: “Buster Keaton- A Hard Act To Follow” Episode 2 1967 Thames TV
  • BREAKDOWNS: Assorted

    RefPack041: August-September 2021
  • FEATURED: “The Humpbacked Horse” 1947 Soyuzmultfilm / Van Beuren’s Tom & Jerry: “Barnyard Bunk” & “Jolly Fish” 1932
  • INTERNATIONAL: “The Adventures Of Mowgli” Episode 3 1967 Soyuzmultfilm / “Well, Just You Wait!” Episode 2 1870 Soyuzmultfilm / & “Dog, Cat And…” Episode 2 1972 Studio Miniature Filmowych
  • EARLY ANIME: “Sabu And Ichi’s Detective Stories” Episode 35 1968 / “Fight! Da Pyuta” Episode 11 1968, “Space Ace” Episode 39 1965
  • SLAPSTICK: “Buster Keaton- A Hard Act To Follow” Episode 3 1987 Thames TV
  • BREAKDOWNS: Kanada Style Effects

    RefPack042: October-November 2022
  • FEATURED: “Hokusai Manga” Volume 1 1814 (e-book) / “Linus The Lionhearted” Season 2 Episode 13 1964 Ed Graham Productions
  • INTERNATIONAL: “The Adventures Of Mowgli” Episode 3 1971 Soyuzmultfilm / “The Champion” 1948 Soyuzmultfilm / “How To Get Big” 1967 Soyuzmultfilm / “Koziolek Matolek” Episode 2 1969 Studio Miniature Filmowych
  • EARLY ANIME: “Space Boy Soran” Episode 65 & 04 1967
  • SLAPSTICK: “The Unknown Chaplin” Episode 1 1983 Thames TV
  • BREAKDOWNS: Morphs

    RefPack043: December 2021-January 2022
  • FEATURED: Osamu Tezuka: “Tale Of A Street Corner” 1962, “Mermaid” 1964, “The Drop” 1965 & “Pictures At An Exhibition” 1966 / Terry-Toons: Gandy Goose In “Magic Slipper” 1948 & Dinky Duck In “Wise Quacks” 1953
  • INTERNATIONAL: “The Adventures Of Mowgli” Episode 4 1971 Soyuzmultfilm / “The Wise Little Gudgeon” 1979 Soyuzmultfilm / “Well, Just You Wait!” Episode 3 1969 Soyuzmultfilm / “Dog, Cat And…” Episode 3 1972 Studio Miniature Filmowych
  • EARLY ANIME: “Cyborg 009” Episode 13 & 14 1968
  • SLAPSTICK: “The Unknown Chaplin” Episode 2 1983 Thames TV
  • BREAKDOWNS: Weight

    RefPack044 February-March 2022
  • FEATURED: Leo O’Mealia “Sport Cartoons” 1950 N.Y. Daily News (e-book) / Two UPA Cartoons: Mr. Magoo In “Pink And Blue Blues” 1952 & “Trees And Jamaica Daddy” 1957
  • INTERNATIONAL: “The Adventures Of Mowgli” Episode 5 1971 Soyuzmultfilm / “Mr. Wolf” 1949 Soyuzmultfilm / “Peter And Little Red Riding Hood” 1958 Soyuzmultfilm, “Goal! Goal!” 1964 Soyuzmultfilm &amp / “Koziolek Matolek” Episode 3 1969 Studio Miniature Filmowych
  • EARLY ANIME: “Kaibutsu-Kun” Episode 30 1968 / “Gutsy Frog” Episode 98 1973
  • SLAPSTICK: “The Unknown Chaplin” Episode 3 1983 ThamesTV
  • BREAKDOWNS: Perspective Turns

    RefPack045: April-May 2022
  • FEATURED: “Famous Pictures Of The Daimyo Procession” 1918 Toko’en Publishing (e-book) / Famous Studios Screen Songs: “She’ll Be Comin’ Round The Mountain” 1949 & “Base Brawl” 1948 / “Linus The Lionhearted” Season 2 Episode 2 1964 Ed Graham Productions
  • INTERNATIONAL: “Winnie The Pooh” Episode 1 1969 Soyuzmultfilm / “A Match Revenge” 1968 Soyuzmultfilm / “Well, Just You Wait!” Episode 4 1969 Soyuzmultfilm / “Dog, Cat And…” Episode 4 1972 Studio Miniature Filmowych
  • EARLY ANIME: “Shonen Ninja Kaze” Episode 9 1964 / “Space Patrol Hopper” Episode 3 1965
  • SLAPSTICK: “Never Weaken” 1921 Harold Lloyd
  • BREAKDOWNS: Slow Motion

    RefPack046 June-July 2022
  • FEATURED: The Tattooed Man: “Puck” Magazine March-April 1884 (e-book) / Ladislas Starevich: “The Town Rat And The Country Rat” 1927 & “The Old Lion” 1932
  • INTERNATIONAL: “Winnie The Pooh” Episode 2 1969 Soyuzmultfilm / “An Unusual Match” 1955 Soyuzmultfilm / “A Brave Hare” 1955 Soyuzmultfilm / “The Horse” 1967 Withold Giersz / “Koziolek Matolek” Episode 4 1969 Studio Miniature Filmowych
  • EARLY ANIME: “Wonder 3” Episode 1 & Episode 43 1966
  • SLAPSTICK: "YoYo" 1965 Pierre Etaix
  • BREAKDOWNS: The Wave Principle

    RefPack047: August-September 2022
  • FEATURED: “Fragments From France” Volume 2 1917 (e-book) / Commercial Reels: Storyboard Studio & Miscellaneous New York Commercials mid-1950s
  • INTERNATIONAL: “Winnie The Pooh” Episode 3 1972 Soyuzmultfilm / “The Enchanted Boy” 1955 Soyuzmultfilm, “Cow On The Moon” 1959 Zagreb Films / The Four Poster Animated Sequences 1952 UPA / “Surogat” 1961 Zagreb Films, “Circus” 1954 Film Polski / “Tango” 1980 SE-MA-FOR
  • EARLY ANIME: “Pirate Prince” Episode 1 & 14 1966
  • SIDETRACKS: “Dementia” 1955 John Parker
  • BREAKDOWNS: Motion Frames

    RefPack048 October-November 2022
  • FEATURED: Irv Spector’s “Coogy” 1951-1952 (e-book) / Cinemascope: “Grand Canyonscope” 1954 & “No Hunting” 1955 Disney Studio
  • Hans Fischerkoesen: “Weathered Melody” 1943 & “The Snowman” 1944 UFA Film
  • INTERNATIONAL: “Cipolino The Onion Boy” 1961 Soyuzmultfilm / “Well, Just You Wait!” Episode 5 1969 Soyuzmultfilm / Maxi Cat: “Hat, Lunch, Broom, Tennis, Rope, & Door” 1971 / “Cat And Mouse” 1958 Bielsko Biala Studio
  • EARLY ANIME: “Hajime Ningen Gyatorz” Episode 36 & 44 1975
  • SLAPSTICK: Billy Bevan In She Sighs By The Seaside” 1921 & “Lizzies Of The Field” 1924
  • BREAKDOWNS: Resistance

    RefPack049 December 2022-January 2023
  • FEATURED: “Willy Pogany’s Mother Goose” 1928 (e-book) / Van Beuren: “Summer Time” 1929 & “The Office Boy” 1930
  • INTERNATIONAL: “Twelve Months” 1956 Soyuzmultfilm / “Snowy Roads” 1963 Soyuzmultfilm / Czech Commercials: “Johnnie Loves It Clean” 1932 & “The Unforgettable Poster” 1937 /”Professor Balthazar” Episode 1 1967 Zagreb Films
  • EARLY ANIME: “Golden Bat” Episode 16 & 39 1967
  • SIDETRIPS: “Decasia” 2002 Bill Morrison
  • BREAKDOWNS: More Morphs

    RefPack051 April-May 2023
  • FEATURED: Hiroshige: “53 Stations Of The Tokaido Road” (e-book) / “It’s Everybody’s Business” 1954 John Sutherland
  • INTERNATIONAL: “Stompy” 1964 Soyuzmultfilm / “Mystery Of The MK204 Turning Point” 1934 Karel Dodal / “The Breakdown” 1988 DEFA Studios / Professor Balthazar in “The Rise And Fall of Horatio” 1967 Zagreb Films
  • EARLY ANIME: “Big X” Episodes 41 & 50 1964 TMS Studios
  • SIDETRIPS: Four Films By Hans Richter: “Rhythmus 21” (1921), “Ghosts For Breakfast” (1927), “Inflation” (1928), “Race Symphony” (1928)
  • BREAKDOWNS: Trucks & Pans

    RefPack052 June-July 2023
  • FEATURED: Willard Mullin Dailies 1941-1946 (e-book) / Two Views Of Prehistoric Times: “Rite Of Spring” 1940 Disney Studios / “Bolero” 1976 Bruno Bozetto
  • INTERNATIONAL: “A Quiet Glade” 1946 Soyuzmultfilm / “Silhouetten Opernhaus: Carment” 1933 Lotte Reiniger / “Revolt Of The Toys” 1947 Hermina Tyrlova / Dog, Cat And… Ep. 05 1972 Studio Miniatur Filmowych
  • EARLY ANIME: “Hustle Punch” Episodes 1 & 3 1965 Toei Studios
  • SLAPSTICK: “For Heaven’s Sake” 1926 Harold Lloyd
  • BREAKDOWNS: Impacts

    RefPack053 August-September 2023
  • FEATURED: Hokusai Manga Volume 2(e-book) / Two Shorts By Ladislas Starevich: “Les Yeux Du Dragon” 1932 / “Amour Blanc Et Noir” 1932
  • INTERNATIONAL: “Poor Hans!” 1943 DZF / “Little Masha’s Concert” 1948 Soyuzmultfilm / “An Adventure In Stripes” 1973 Studio Miniatur Filmowych / Well, Just You Wait Ep.06 1973 Soyuzmultfilm
  • EARLY ANIME: “Fight Da Pyuta” Ep. 02 / “Space Ace” Ep. 04
  • SIDETRIPS: “The Orchestra” 1990 Zbigniew Rybczynski (and “Making Of” Film)
  • BREAKDOWNS: Hand Articulation

    Podcasts & Livestreams

  • Book Look 001: Taschen’s Disney Archive
  • Archive 001: About Our Archive Database
  • Lesson 001: Warming Up Exercises
  • Animation Interview 001: Andrew Chesworth
  • Video Seminar 001: Background Layouts by Nestor Redondo
  • Animated Discussions 001: SLAPSTICK Analysis: The Saw Mill
  • Animated Discussions 002: Chuck Jones Bar Sheets
  • Animated Discussions 003: Different Artists Different Paths
  • Animated Discussions 004: Joe Murray Interview
  • Animated Discussions 005: Advice From An Educator
  • Animated Discussions 006: Using Live Action Reference
  • Animated Discussions 007: Is Reference Constructive Or A Crutch?
  • Animated Discussions 008: Craig Bartlett Interview
  • Animated Discussions 009: Lenord Robinson Interview
  • Animated Discussions 010: History Of Cartooning: West To East
  • Animated Discussions 011: Cartoony Music
  • Animated Discussions 012: Steve Stanchfield Interview
  • Members Update 001: Streaming Update & RefPack047
  • Members Update 002: Students- Are You Doing What You Need To Do To Establish A Career In Animation?
  • Members Update 003: RefPack048 Review
  • Members Update 004: Best of RefPack Videos 1-25
  • Members Update 005: Best of RefPack Videos 26-50
  • Members Update 006: RefPack 052 Review

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